French Cinema Now

RENDEZ-VOUS IN KIRUNA

I spent last weekend at the San Francisco Film Society’s French Cinema Now series, which features current French language movies that have not been theatrically released in the US (and may not be).   I’ve written complete posts on five of the eight movies that I saw. Here’s my summary (in order of my subjective ranking).

My favorite was the road trip to redemption, Rendez-vous in Kiruna.  A French curmudgeon takes an obligatory drive to northern Sweden, setting up some very funny moments as the film explores the oft unhappy relationships of fathers and sons.

In the drama Suzanne, a young woman makes some bad choices, and the consequences are shared by her father and sister.  Very well written and acted, Suzanne may be released in the US in mid-December.

Launched with great notoriety at Cannes, Stranger by the Lake (L’inconnu du lac) is a thriller set in a secluded gay cruising spot.  There is LOTS of explicit gay sex in this movie, and at least some of it is actual (not just simulated) sex.  It does work as a thriller, and it will get an NC-17 release in the US in late January 2014.

I liked Miss and the Doctors (Tirez la langue, mademoiselle), the kind of light romance that the French do so well and that Hollywood would turn into a series of sitcom moments.  Two pediatrician bachelor brothers fall for the single mom of a young patient – and then her ex returns to the scene to create a love quadrangle.  Miss and the Doctors is sweet and funny, and I think it would be popular with US art house audiences.  (The original French title translates as “Stick Out Your Tongue, Miss”.)

House of Radio (La Maison de la Radio), a wonderfully appealing observational documentary that takes us behind-the-scenes for a peek at the operations of Radio France.

Written and directed by its star, Valeria Bruni Tedeschi, A Castle in Italy (Un château en Italie) tells three dark story threads but in a very funny, even screwball, movie.  It had me until the sentimental and almost pretentious ending.  Not bad overall.

Bastards (Les Salauds) is Claire Denis’ dark revenge tale – well made but gratuitously disturbing – and even too disturbing for me to recommend.

My pick for the worst movie in the series was a French language film from Canada, Vic + Flo Saw a Bear (Vic + Flo ont vu un ours).  A 61-year-old lesbian is released from prison and reunites with her fortyish lover/crime partner to go straight.  Unfortunately, there wasn’t much to commend this film except for a bad ass female villain.  The story was pointlessly dark, and the audience did not respond well.  Afterwards, I was standing in line in front of a Frenchwoman who ranted, “Stoopeed Canadians – what do zay know about making films…I am just so glad that Jean didn’t show up – he would have puked.”  I actually like Canadian films, but this one sucked.

House of Radio: radio speaking for itself – on camera

French documentarian Nicolas Philibert takes on a backstage tour of the seven channels of Radio France in House of Radio (La Maison de la Radio).  Philibert’s style is entirely observational – there is no narration and I remember only one title  identifying the Radio France building at beginning of film.  The camera just watches the people of Radio France do their jobs – including interviews, news reports, performances, games shows and even the sports reporters on motorbikes covering the Tour de France.

As San Francisco Film Society Director of Programming Rachel Rosen noted, radio is a medium that draws much of its power from the absence of images.  The editing in House of Radio seems completely random but it’s not – Philibert strings all of his nuggets together so that we never lose interest.  I want to see this guy’s next movie.

I saw House of Radio at the San Francisco Film Society’s French Cinema Now series.  It’s not currently available in theaters or on DVD or streaming in the US.