The Rover: bleakness and hyperviolence aren’t not enough

Guy Pearce in THE ROVER
Guy Pearce in THE ROVER

Man, I was really looking forward to the violent Aussie thriller The Rover, because its co-writer/director David Michôd had written and directed one of my recent favorites: Animal Kingdom. Unfortunately, although The Rover delivers the dark violence of Animal Kingdom, it really just doesn’t have enough story.

That story is set “10 years after The Collapse”, in an Australian outback where the social order has completely broken down. No manufactured goods seem to available except for gasoline, which fuels the armed thugs who cruise through the severely bleak landscape preying on what locals remain fortified in their homes and on each other. A perpetually angry and sweaty loner (Guy Pearce) has his car stolen by a gang of robbers, and sets off after them. He soon picks up the injured, half-witted brother of one of the gang (Robert Pattinson of the Twilight movies), who had been left to die at a robbery gone bad. Driving and violence ensues.

By the end of the story co-written by Michôd and the actor Joel Edgerton, we learn why Pearce’s character is so angry and why he wants his car back. But those answers just aren’t enough of a payoff to justify the ride.

I gotta mention the eccentric performance by Pattinson, adorned with some really bad teeth and, for some reason, effecting a West Virginia hillbilly accent. It’s been a long, long time since I’ve seen an actor employ more tics – so many that Pattinson often looks like he is doing a Joe Cocker impression. The rest of the cast, especially Pearce and Gillian Jones, are uniformly excellent.

Skip The Rover and watch Animal Kingdom again instead.

Lawless: good looking, well-acted and completely predictable

Lawless is a good looking, well-acted and completely predictable crime drama among moonshiners in Prohibition Era Appalachia.  The filmmakers were careful to enrich the film with all kind of period detail – not just the cars and the clothes, but down to the advertisements at the gas station and the footwashing and the Sacred Harp singing at the Church of the Brethren. However, we always know that [minor spoilers] the good guys will defeat the villain and Jessica Chastain will fall for Alpha male Tom Hardy.

The story by musician Nick Cave is based on a real family of Virginia bootleggers and, as typical for Cave, is severely violent.  Hardy grunts and snorts, but is convincing as the leader of his brothers, played by Jason Clarke and (why is he a movie star?) Shia LaBeouf.

But the best acting is by the supporting company.  As the villain, Guy Pearce plays a lethal dandy.  Gary Oldman sparkles as a gangster ally. Mia Wasikowska, looking like she stepped out of a Dorothea Lange photo, is perfectly cast as a teen girl with an eye for bad boys.   And every time Jessica Chastain is on camera, she commands the screen and elevates the entire film; her beauty is especially breathtaking in Lawless, particularly when naked.

Animal Kingdom

In this Aussie crime drama, a high school kid’s mother OD’s on heroin, forcing him into her estranged family of brutal criminals, presided over by his sunny grandmother. Like many teen boys, he is terse in speech and impassive in demeanor.  As he is plunged into increasingly desperate situations, neither the characters nor the audience knows what he is thinking in every instance. This, along with his peril, is the key to the movie’s success.

James Frecheville does an excellent job of making us care about a character desperately trying not to speak or reveal his feelings.  Jacki Weaver is great as Grandma Smurf, an impossibly upbeat gal who can effortlessly put out a contract on her own grandson.  Ben Mendelsohn is excellent as the boy’s most psychopathic uncle. Guy Pearce, in a supporting role as a sympathetic cop, is also good.

Will the teen safely navigate through the maze of his murderous relations? Will evil prevail?  We don’t know until the final scene…and then some questions remain.

Written and directed by David Michod,  Animal Kingdom won the Grand Jury Prize at Sundance.

The film depicts some close range gunshot deaths with the appropriate amount of splatter.