BONJOUR TRISTESSE: not the life lesson she was expecting

Photo caption: Claes Bang and Chloe Sevigny in in BONJOUR TRISTESSE. Courtesy of Greenwich Entertainment.

In the coming-of-age drama Bonjour Tristesse, Cécile (Lily McInerny) is on the cusp of adulthood and enjoying a languid summer holiday in a villa on the French Riviera (Bonjour Tristesse was shot in Cassis). She is accompanying her father Raymond (Claes Bang) and his girlfriend Elsa (Nailia Harzoune), who allow her to sneak off for make-out sessions on the beach with the young guy in the neighboring villa.

Cécile has a comfortable and playful relationship with Raymond, a charming lightweight. To his face, she describes him as often reckless and selfish, which he doesn’t dispute.  At one point, Raymond offer, “I don’t know why luck is so easily dismissed. I’ve always found it dependable.” Raymond’s attractive girlfriend Elsa is also fun-loving, with a healthy libido and unfounded self-confidence.

Cécile’s mother died when she was a young child. So, when Cécile’s mother’s best friend Anne (Chloe Sevigny) shows up at the villa for visit, Cécile wants to learn about her mom. What were her parents like back in the day? Anne has also forged impressive achievements as a designer and is reserved and guarded, with a serious demeanor. The adults that Cécile is used to, Raymond and Elsa, are shallow and hedonistic, so Anne is a fascinating contrast.

Claes Bang, Lily McInerny and Chloe Sevigny in in BONJOUR TRISTESSE. Courtesy of Greenwich Entertainment.

Just as Cécile is glomming on to Anne as a model, Anne does something which upends the household. Soon, Cécile is learning life lessons that she didn’t sign up for. This is a character-driven story, and Cécile is forming her own persona as Raymong and Anne reveal who they are, down deep.

Bonjour Tristesse is the directorial debut for Durga Chew-Bose, who adapted the Francois Sagan novel.

After premiering at Toronto, Bonjour Tristesse became a NYT Critic’s Pick on its theatrical run. Bonjour Tristesse releases digitally this Friday on Amazon, AppleTV, YouTube and Fandango.

My Son, My Son, What Have Ye Done?

Michael Shannon in My Son, My Son, What Have Ye Done?

In My Son, My Son, What Have Ye Done?, Werner Herzog explores why an actor would re-enact a theatrical scene for real and kill his mother with the sword that he had been using for a prop.  The short answer is because he was crazier than shit.  This is based on an actual event.  The generally intense and often creepy Michael Shannon plays the murderer, who has suffered a schizophrenic breakdown and is decompensating by the minute.  The audience wants to tell his fiance (Chloe Sevigny) to run, not walk, away from him.  His craziness is so immediately apparent, that there’s really no arc to the film, as we watch flashbacks from the prior year.

Shannon, who is now seen as the revenue agent in HBO’s fine Boardwalk Empire, is very scary.  Incidentally, the movie belongs to that very small subgenre of films where Williem Dafoe (here the cop) does not play the creepiest character.  Dafoe is also out-creeped by Brad Dourif, whose role apparently exists to show that entire family is crazy (like Arsenic and Old Lace).

I would rather recommend a great Michael Shannon performance in a much better film, Shotgun Stories.

The film had an extremely limited theatrical release early this year, but was not widely distributed.  Available now on DVD.