2011 in Movies: foreign films

It was another year in which foreign cinema was essential (although not as great as years past).  Three of the nominees for the 2010 Best Foreign Language Oscar were released in the US this year: Incendies , Dogtooth and the Oscar-winning In a Better World.   Incendies earned a very prominent spot on my Best Movies of 2011.  Joining Incendies on my Best Movies of 2011 are The Artist from France, Poetry from Korea, Carancho from Argentina and Potiche from France.  That’s five films – down from ten on my list for 2010 and the lowest number of foreign films on my list ever.

Still, the French had a fine historical drama in Sarah’s Key, the costume epic The Princess of Montpensier, the sexy comedy The Names of Love and the arty head scratcher Certified Copy.   Stylized violence characterized both the Japanese gangster film Outrage and the Samurai movie 13 Assassins.  There was a sly Mexican dark comedy, Norah’s WillAttenberg was a better Greek comedy than Dogtooth.

The Polish documentary War Games and the Man Who Stopped Them was excellent. Hungary delivered a small drama, Question in Details.  The Aussies gave us a very violent contemporary Western, Red Hill.  Germany and Austria produced a contemporary crime drama in The Robber.  Even the Bolivians gave us a pretty solid Western:  Blackthorn.

Here’s the trailer for Poetry.

The Secrets in their Eyes (El Secreto de Sus Ojos)

This is one of the year’s best.

I finally got to see The Secrets in their Eyes (El Secreto de Sus Ojos), this year’s Oscar winner for Best Foreign Language Picture over A Prophet (which I admired).  It is an outstanding film, and  more accessible than A Prophet.

The Secrets in their Eyes is a police procedural set in Argentina with two breathtaking plot twists, original characters, a mature romance and one breathtaking, “how did they do it?” shot.  The story centers on a murder in Argentina’s politically turbulent 1970s, but most of the story takes place twenty years later when a retired cop revisits the murder.

Veteran Argentinian actor Ricardo Darin shines once again in a Joe Mantegna-type role.  Darin leads an excellent cast, including Guillermo Francella, who brings alive the character of Darin’s drunk assistant.

Director Juan Jose Campanella is receiving justifiable praise for the amazing shot of a police search in a filled and frenzied soccer stadium.  It ranks as one of the great single shots, along with the kitchen entrance in Goodfellas and the battle scene in Children of Men.