2016 at the Movies: farewells

THE HIRED HAND
Vilmos Zsigmond photographed THE HIRED HAND

Vilmos Zsigmond: He was known as a champion of natural light in filmmaking, a major contribution that he and fellow Hungarian László Kovács brought to Hollywood in the late 1960s. Zsigmond shot The Deer Hunter, Deliverance and Close Encounters of the Third Kind,and was nominated for four Oscars, winning for Close Encounters.  Read my Vilmos Zsigmond remembrance for recommendations on one of his overlooked masterpieces and a film ABOUT his art, along with several of his striking film images and a link to an excellent essay by Sheila O’Malley.

 

George Kennedy (left) in COOL HAND LUKE
George Kennedy (left) in COOL HAND LUKE

George Kennedy:  Won his Oscar for Cool Hand Luke (remember the bet on eating boiled eggs?).   Kennedy’s performances were essential elements of The Dirty Dozen, The Eiger Sanction and one of my guilty pleasures, Bandolero!  He labored in episodic TV for years until the mid 1960s when he triumphed in those singular supporting roles in war movies, cop movies and Westerns.   His career peaked throughout the mid 1970s, when he was cast in all of the big disaster movies.

 

Alan Rickman in EYE IN THE SKY
Alan Rickman in EYE IN THE SKY

Alan Rickman, the reliable British actor most well-known for playing Snape in the Harry Pottter movies, left us a supremely textured performance in this year’s Eye in the Sky, layered with the character’s wry humor, contained frustration and quiet determination.

 

Gene Wilder (left) in YOUNG FRANKENSTEIN
Gene Wilder (left) in YOUNG FRANKENSTEIN

Gene Wilder:  Star of perhaps the funniest movie of all-time, The Producers.  And star and  CO-WRITER of another comedy classic, Young Frankenstein.

 

Frank Finlay in THE THREE MUSKETEERS
Frank Finlay in THE THREE MUSKETEERS

Frank Finlay:  The British character actor had 137 screen credits, but was talented enough to earn an Oscar nod for  playing Iago to Laurence Olivier’s Othello.  As recently as 2002, he played the father in The Pianist.  But I am a huge fan of Richard Lester’s immensely entertaining The Three Musketeers (1973) and The Four Musketeers (1974), and Finlay’s Porthos was a major ingredient in the fun.

Abe Vigoda: We remember him for one of The Godfather’s most unforgettable lines, “Luca Brasi sleeps with the fishes”.

Jacques Rivette: The prolific French director with one great masterpiece, La Belle Noiseuse (1991); that movie is almost four hours long, yet transfixing.

Robert Vaughn: The icy actor left a body of work with 226 screen credits, mostly on television. He was nominated for a Supporting Actor Oscar for The Young Philadelphians, but I think his most enduring feature film role was as one of The Magnificent Seven.  Of course, for us Baby Boomers, Vaughn will always be remembered as Napoleon Solo in the Bond spy spoof The Man from U.N.C.L.E., which absolutely dominated television briefly in the mid-1960s.

Leon Russell: The band leader in the groundbreaking concert movies Mad Dogs and Englishmen and The Concert for Bangladesh.   (The Concert for Bangladesh, organized by George Harrison, was the first big benefit concert with a collection of mega-stars.)  You can enjoy lots of unfiltered 1972-74 Leon, both on- and off-stage in the documentary A Poem is a Naked Person.

Jacques Rivette's LA BELLE NOISEUSE
Jacques Rivette’s LA BELLE NOISEUSE

A plea from The Movie Gourmet for Critics’ Awards and the Oscars

Lily Gladstone in CERTAIN WOMEN
Lily Gladstone in CERTAIN WOMEN

I’m always worried that the work of deserving filmmakers will get overlooked by the Academy Awards. It’s time for the critic’s awards, which can prompt Oscar nominations. And I have some opinions about some nuggets that should be recognized.

BEST PICTURE

I’m glad to see the San Francisco Film Critics Circle at least shortlisted Hell or High Water as a finalist for Best Picture. It’s getting overlooked among all the Holiday Prestige Movies, but it’s my pick for the best film of the year.

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE

  • Lily Gladstone’s heartrending performance is the most indelible in Certain Women, a movie co-starring much more recognizable actresses (Laura Dern, Michelle Williams and Kristen Stewart).
  • You can imagine the entire back story of Katy Mixon’s waitress in Hell or High Water, a gal who is fiercely determined to hang on to her tip, no matter what.
  • The absolutely irreplaceable Margo Martindale is the heart of The Hollars.
  • Michelle Williams doesn’t need any help from me to be nominated for her six or seven heartbreaking minutes in Manchester by the Sea.
Alan Rickman in EYE IN THE SKY
Alan Rickman in EYE IN THE SKY

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE

  • The late Alan Rickman is more than a sentimental choice for a posthumous award for Eye in the Sky; it’s one of the best performances by any actor this year.
  • Simon Helberg’s hilarious non-verbal reactions are actually the funniest part of Florence Foster Jenkins.
  • I would also recognize Devin Druid in Louder Than Bombs;  it’s easy to overlook even the most brilliant portrayals of teenage boys who don’t talk much and sure don’t show their feelings (like Miles Teller in Rabbit Hole or James Frecheville in Animal Kingdom).
  • Michael Shannon is the best thing about Nocturnal Animals.
  • Jeff Bridges should get another nomination for his superb performance in Hell or High Water.

BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE

  • Isabelle Huppert’s performance in Elle is so astonishingly sui generis, it is so essential to the movie’s success and she has such an amazing body of work, that I can’t imagine her not winning this Oscar. It doesn’t help that, as usual, there’s shortage of other excellent roles for women.
  • I loved Imogen Poot in Frank & Lola. The entire movie hinges on whether she is a Bad Girl or a Troubled Girl, and she plays it credibly both ways.

BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE

  • Like Huppert, Casey Affleck is a deserving lock to win the Oscar for Manchester by the Sea.
  • But, in Hell or High WaterChris Pine finally got to act in a complex, textured role and he really delivered.  Deserves a nod.

BEST WRITING, ORIGINAL SCREENPLAY

  • Kenneth Lonergan will certainly snag a nomination for Manchester by the Sea.
  • So I am campaigning for Taylor Sheridan and his masterpiece screenplay for Hell or High Water.
Jeff Bridges and Katy Mixon in HELL OR HIGH WATER
Jeff Bridges and Katy Mixon in HELL OR HIGH WATER

 

Richard Jenkins and Margo Martindale in THE HOLLARS
Richard Jenkins and Margo Martindale in THE HOLLARS

EYE IN THE SKY: thriller meets thinker

Helen Mirren in EYE IN THE SKY
Helen Mirren in EYE IN THE SKY

Thriller meets thinker in Eye in the Sky, a parable from modern drone warfare.  Eye in the Sky poses this question: is it acceptable to neutralize the very worst evil in the world when it requires the simultaneous taking of the most innocent life?

If we are to pursue drone warfare as a morally acceptable military option, we must see what happens on the ground so we understand it.  Eye in the Sky asks if we can stomach it once we’ve seen it.

Is the choice framed too simplistically in Eye in the Sky?  No, the starkness of the choice in this film brings clarity to the question that we must ponder.  Star Helen Mirren and director Gavin Hood have said in interviews that they expected married couples to argue different points of view after seeing this movie.

As Eye in the Sky’s star, Mirren commands the screen as few can and is especially fierce here.  Jeremy Northam excels as the chief ditherer.  Barkhad Abdi (Oscar-nominated as the Somali pirate in Captain Phillips) delivers another charismatic performance.

But this is Alan Rickman’s movie.  In one of his final performances, Rickman plays the military commander who understands how difficult the choice is – because he’s already made it.  Now he must navigate through all the other characters as they behave with varying degrees of belligerence, ambivalence and avoidance.  It’s a supremely textured performance, layered with his wry humor, contained frustration and quiet determination.

At its Cinequest screening, director Gavin Hood said that he is as proud of Eye in the Sky as he is of his earliest films, A Reasonable Man and the Oscar-winning Tsotsi.  He should be.

Alan Rickman in EYE IN THE SKY
Alan Rickman in EYE IN THE SKY