DVD/Stream of the Week: Ain’t Them Bodies Saints

AIN’T THEM BODIES SAINTS

The skeleton of the story in Ain’t Them Bodies Saints is simple – a Texas prison escapee goes looking for his wife and kid. But that capsule understates the totality of Ain’t Them Bodies Saints, an atmospheric romantic drama that is superbly written, directed, acted and scored.

Every filmmaker should watch the first ten minutes of Ain’t Them Bodies Saints for its extremely economic story-telling, which lets the audience piece together the setting and the cores of the characters without obvious exposition. Bob and Ruth are young lovers, and Ruth is pregnant. They are involved in a crime, for which Bob goes to prison before their child is born. When the daughter is four, he escapes from prison and everyone – Ruth, Bob’s old crime partners, the community and the cops – know that he’s headed back to Ruth. Both the cops and the criminals are awaiting – the story follows the path to the inevitable conflict.

The characters are unforgettable. Bob, played with ferocity by Casey Affleck (Gone Baby Gone and The Assassination of Jesse James blah blah), has an obsession to reunite with Ruth and the daughter he has never seen. He has framed this quest as his moral obligation to take care of his family – but, of course, they would be better off without him and the trouble he will bring. He’s not really capable of nobility, but he doesn’t know that.

Ruth has a profound passion for Bob, and she owes him for taking the fall for her. But, despite her loyalty, she is entirely realistic about the consequences of his return. We see Ruth’s steely determination and wilfulness in yet another searing performance by Rooney Mara (The Social Network, The Girl with the Dragon Tattoo).

The complexity of the secondary characters contribute to the compelling story. With an unsettling mixture of decency and creepiness, the local cop (Ben Foster, equally good in The Messenger and Rampart) becomes very attentive to Ruth and her daughter. He had been wounded at Bob and Ruth’s capture, seems to be genuinely interested in the welfare of the little daughter and also clearly has a thing for Ruth.

Ruth has also been helped by a fatherly gentleman storekeeper (Keith Carradine), whom we later learn is the local crime lord. His actions seem rooted in all the right values, but, given his criminality, how benevolent can he really be? As a leading man, Carradine had an impressive run in the 70s where he starred in Robert Altman’s Nashville, Ridley Scott’s The Duellists and Louis Malle’s Pretty Baby, all within three years. Now with 128 screen credits, Carradine’s performance here perfectly strikes every note.

Ain’t Them Bodies Saints looks beautiful – much like a Terence Malick film without all the confusion and boring parts. I also liked Daniel Hart’s atmospheric but unobtrusive music.

Ain’t Them Bodies Saints is completely absorbing – and that doesn’t happen by accident. This is writer-director David Lowery’s first feature with a theatrical release. Who is this guy? Lowery edited two recent indies that I criticized for other reasons, Upstream Color and Sun Don’t Shine, but in which his editing was remarkable. It’s clear from Ain’t Them Bodies Saints that Lowery is a major talent.

So there you have it – a gripping story with brilliant performances by Rooney, Affleck, Carradine and Ben Foster in the debut of a promising filmmaker.

What does the title mean? I have no idea. And I hope that Lowery lets someone else name his next exceptional movie.

Ain’t Them Bodies Saints is available on DVD from Netflix and streaming from Amazon, iTunes, Sundance Now and XBOX.

Best Movies of 2013

BLUE IS THE WARMEST COLOR

Visit my Best Movies of 2013 for my list of the year’s best films, complete with images, trailers and my comments on each movies.  My top ten for 2013 is:

  1. Blue Is the Warmest Color
  2. The Hunt
  3. Before Midnight
  4. Stories We Tell
  5. The Spectacular Now
  6. Mud
  7. Short Term 12
  8. Fruitvale Station
  9. The Act of Killing
  10. Captain Phillips.

The other best films of the year are:  The Great Beauty, Nebraska, American Hustle, Ain’t Them Bodies Saints, Rendez-vous in Kiruna, The Gatekeepers, At Any Price, Undefeated, In a World… and Me And You.

I’m saving space for these promising films that I haven’t seen yet:  Her, The Wolf of Wall Street and The Past (Passe).

Note:  Undefeated is on this year’s list, even though it won an Oscar a year ago, because it only became available for most of us to see in 2013.

Movies to See Right Now

SHORT TERM 12

This week’s MUST SEE is the affecting foster facility drama Short Term 12, with its powerful performance by performance by Brie Larson (Rampart, The Spectacular Now). Another good choice is You Will Be My Son, a good French movie with a great ending (and it will likely be in theaters for only another week or so).

Other recommendations from the most current movies:

  • I really liked the absorbing drama Ain’t Them Bodies Saints.
  • In A World… is the year’s best comedy so far – it’s a Hollywood satire, an insider’s glimpse into the voice-over industry, a family dramedy and a romantic comedy all in one.
  • The Family, Luc Besson’s tongue-in-cheek Mafioso-moves-to-France comedy has its moments.

I haven’t yet seen the Joseph Gordon Levitt comedy Don Jon, which opens today. You can read descriptions and view trailers of it and other upcoming films at Movies I’m Looking Forward To.

My other top recommendations:

My other recommendations:

Check out my new feature VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including Letters from the Big Man).

My DVD/Stream of the Week is The Sapphires, a Feel Good triumph from Australia. The Sapphires is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, GooglePlay and other VOD outlets.

On September 28, you can watch Trouble Along the Way,
featuring John Wayne as a crooked college football coach who says “Winning isn’t everything; it’s the only thing” (years before Vince Lombardi).

Movies to See Right Now

AIN'T THEM BODIES SAINTS

This week’s top two picks:

  • I really liked the absorbing drama Ain’t Them Bodies Saints.
  • In A Word… is the year’s best comedy so far – it’s a Hollywood satire, an insider’s glimpse into the voice-over industry, a family dramedy and a romantic comedy all in one.

I haven’t yet seen Short Term 12, the drama set in a group home with a reputedly star-making performance by Bree Larson (Rampart, The Spectacular Now). Same goes for The Family, Luc Besson’s tongue-in-cheek Mafioso-moves-to-France movie.  You can read descriptions and view trailers of it and other upcoming films at Movies I’m Looking Forward To.

The powerfully authentic coming of age film The Spectacular Now and the emotionally powerful Fruitvale Station are both on my list of Best Movies of 2013 – So Far.

My other top recommendations:

My other recommendations:

Check out my new feature VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including Letters from the Big Man).

My Stream of the Week is the documentary How to Make Money Selling Drugs, a dispassionate critique of the Drug War. How to Make Money Selling Drugs is available streaming from Amazon, iTunes and Vudu.

On September 17, Turner Classic Movies will air the very trippy Un Chien Andalou, made in 1929 by the then very young absurdist director Luis Buñuel with surrealist painter Salvador Dali. If you’ve never seen the famous eyeball-slicing scene, here’s your chance.

Ain’t Them Bodies Saints: absorbing and unforgettable

AIN’T THEM BODIES SAINTS

The skeleton of the story in Ain’t Them Bodies Saints is simple – a Texas prison escapee goes looking for his wife and kid.  But that capsule understates the totality of Ain’t Them Bodies Saints, an atmospheric romantic drama that is superbly written, directed, acted and scored.

Every filmmaker should watch the first ten minutes of Ain’t Them Bodies Saints for its extremely economic story-telling, which lets the audience piece together the setting and the cores of the characters without obvious exposition.  Bob and Ruth are young lovers, and Ruth is pregnant.   They are involved in a crime, for which Bob goes to prison before their child is born.  When the daughter is four, he escapes from prison and everyone – Ruth, Bob’s old crime partners, the community and the cops – know that he’s headed back to Ruth.  Both the cops and the criminals are awaiting – the story follows the path to the inevitable conflict.

The characters are unforgettable.   Bob, played with ferocity by Casey Affleck (Gone Baby Gone and The Assassination of Jesse James blah blah), has an obsession to reunite with Ruth and the daughter he has never seen.  He has framed this quest as his moral obligation to take care of his family – but, of course, they would be better off without him and the trouble he will bring.  He’s not really capable of nobility, but he doesn’t know that.

Ruth has a profound passion for Bob, and she owes him for taking the fall for her. But, despite her loyalty, she is entirely realistic about the consequences of his return.  We see Ruth’s steely determination and wilfulness in yet another searing performance by Rooney Mara (The Social Network, The Girl with the Dragon Tattoo).

The complexity of the secondary characters contribute to the compelling story.  With an unsettling mixture of decency and creepiness, the local cop (Ben Foster, equally good in The Messenger and Rampart)  becomes very attentive to Ruth and her daughter.  He had been wounded at Bob and Ruth’s capture, seems to be genuinely interested in the welfare of the little daughter and also clearly has a thing for Ruth.

Ruth has also been helped by a fatherly gentleman storekeeper (Keith Carradine), whom we later learn is the local crime lord.  His actions seem rooted in all the right values, but, given his criminality, how benevolent can he really be?  As a leading man, Carradine had an impressive run in the 70s where he starred in Robert Altman’s Nashville, Ridley Scott’s The Duellists and Louis Malle’s Pretty Baby, all within three years.  Now with 128 screen credits, Carradine’s performance here perfectly strikes every note.

Ain’t Them Bodies Saints looks beautiful – much like a Terence Malick film without all the confusion and boring parts.  I also liked Daniel Hart’s atmospheric but unobtrusive music.

Ain’t Them Bodies Saints is completely absorbing – and that doesn’t happen by accident.  This is writer-director David Lowery’s first feature with a theatrical release.  Who is this guy?  Lowery edited two recent indies that I criticized for other reasons, Upstream Color and Sun Don’t Shine, but in which his editing was remarkable.  It’s clear from Ain’t Them Bodies Saints that Lowery is a major talent.

So there you have it – a gripping story with brilliant performances by Rooney, Affleck, Carradine and Ben Foster in the debut of a promising filmmaker.

What does the title mean?  I have no idea.  And I hope that Lowery lets someone else name his next exceptional movie.

Movies to See Right Now

THE SPECTACULAR NOW

This week’s MUST SEE is still the powerfully authentic coming of age film The Spectacular Now – don’t miss it. Better yet, take your teens!

Along with The Spectacular Now, the emotionally powerful Fruitvale Station is also on my list of Best Movies of 2013 – So Far.

I haven’t yet seen the British farce The World’s End or the indie criminal-on-the-run story Ain’t Them Bodies Saints, which open today. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My other top recommendations:

  • The jaw-dropping documentary The Act of Killing, an exploration of Indonesian genocide from the perpetrators’ point of view, is the most uniquely original film of the year.
  • Woody Allen’s very funny Blue Jasmine centers on an Oscar-worthy performance by Cate Blanchett.
  • The very well-acted civil rights epic Lee Daniels’ The Butler.

My other recommendations:

  • The droll indie comedy Prince Avalanche.
  • The rock documentary 20 Feet from Stardom, essential for music fans.
  • Another rock doc, A Band Called Death with the story of three African-American brothers in Detroit inventing punk rock before The Ramones and The Sex Pistols – and then dropping out of sight for decades.
  • the satisfying shocker The Conjuring.
  • The HBO documentary Casting By, which reveals an essential ingredient in filmmaking.

Also out right now:

  • I Give It a Year – a British rom com with a twist.
  • The American porn star biopic Lovelace, more of a soap opera.
  • The British porn kingpin biopic The Look of Love.
  • The Irish horror comedy Grabbers, which fails to deliver on a great premise.
  • The astonishingly bad shocker The Rambler, with its 58 second vomit scene.

My DVD/Stream of the Week is the funny and sentimental Canadian indie Cloudburst, with Oscar-winning actresses Olympia Dukakis and Brenda Fricker.  Cloudburst is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu and other VOD providers.