Detachment is a gripping drama about the failure of American public schools from the teachers’ point of view. Adrien Brody plays a long-term sub on a 60-day assignment at a high school that has burned out virtually every other teacher. I can’t use the words “grim” or “bleak” to describe this school environment – it’s downright hellish. It’s making their very souls decay.
The students are rebellious and disrespectful, and somehow manage to be zealously apathetic. No parents support the teachers, but some enthusiastically abuse and undermine them. Administrators demand better test results but offer little support beyond “flavor of the month” educational fads. The ills of the high school in Detachment are exaggerated – this is not a documentary – but there isn’t an urban public high school in American that hasn’t endured some elements of Detachment.
Brody won an Oscar for 2002’s The Pianist, and, in Detachment, he makes the most of his best role since. Brody plays a haunted and damaged man with strong core beliefs, who, faced with a menu of almost hopeless choices, picks his battles.
Detachment’s cast is unusually deep, and the performances are outstanding. James Caan is particularly outstanding as the veteran educator whose wicked sense of humor can still disarm the most obnoxiously insolent teen. Christina Hendricks (Mad Men) is excellent as the young teacher hanging on to some idealism. Blythe Danner and William Petersen (CSI) are the veterans who have seen it all. Lucy Liu plays the educator who is clinging by her fingerprints, trying not to flame out like the basket case played by Tim Blake Nelson. Marcia Gay Harden and Isiah Whitlock Jr. (Cedar Rapids) are dueling administrators. Sami Gayle and Betty Kaye are superb as two troubled kids. Louis Zorich delivers a fine performance as Brody’s failing grandfather. There’s just not an ordinary performance in the movie.
For all its despair, Detachment doesn’t let the audience sink into a malaise. Director Tony Kaye (American History X) keeps thing moving, and his choices in structure and pacing work well. This is an intense film with a dark viewpoint. It is also a very ambitious, thoughtful and originally crafted movie – one well worth seeing.