British

I Give It a Year: a twist on the rom com

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I GIVE IT A YEAR

In a twist on the usual romantic comedy plot, I Give It a Year starts out with the perfect wedding, and then traces the couple’s (Rafe Spall and Rose Byrne) adventurous first year of marriage. They have married after a brief infatuation, and it turns out that they aren’t a great fit. It becomes rapidly apparent that she is more well suited with her new client (Simon Baker), and his true soul mate is his ex-girlfriend (Anna Faris).

Of course, this is a romantic comedy, so be prepared for some silliness and some implausibility. But I give it credit for an original story, and it’s mostly entertaining, with some moments of hilarity. Anna Faris is brilliant in her character’s earnest but futile attempt to master the acrobatics required in a three-way sexual encounter. And it’s very funny when the young groom realizes that the honeymoon photos that the bride is showing her parents includes some naughty bits.

I especially enjoyed the fine dramatic actress Olivia Colman (Tyrannosaur, Broadchurch, The Iron Lady) playing broadly against type as the worst imaginable marriage counselor (she interrupts a session to take a call on her cell phone and scream abuse at her husband). As in the very best comedy, Colman plays it absolutely straight as she, in turn, violates every professional precept.

The World’s End: some LOL moments, but not a Must See

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THE WORLD'S END

In the British farce The World’s End, five guys return to their sleepy hometown for a fabled pub crawl through all twelve local establishments – and find their old neighbors infiltrated by robot monsters from outer space (a la Invasion of the Body Snatchers).  The central joke is that four of them have matured into forty-year-olds with families and careers, and they have been manipulated into this escapade by the fifth who is still stuck at age eighteen.  That guy, well-played by Simon Pegg, still dresses and acts as he did in high school (and still drives the same car) – and he doesn’t see why that is not OK.  The clash between this man-boy and the four regular guys is funny, and then the filmmakers add a send-up of the alien monster genre.

It’s a stellar crew – besides, Pegg, our heroes include Nick Frost (Pegg’s partner in Shaun of the Dead and Hot Fuzz, Martin Freeman (those movies plus The Office), Paddy Considine (In America, Red Riding) and Eddie Marsan (Vera Drake, Happy-Go-Lucky, Ray Donovan).  The usually upper crusty Rosamund Pike is a good sport, too.

I wish it were as funny as Shaun of the Dead and Hot Fuzz, but Pegg’s earnestly immature bozo and the silliness of the alien robots can only take The World’s End so far.  It’s mildly entertaining with some LOL moments, but not a Must See.

The Look of Love: someday this will all be yours

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Imogen Poots and Steve Coogan in THE LOOK OF LOVE

In the biopic The Look of Love, Steve Coogan plays porn king Paul Raymond, once Britain’s richest man.  Raymond turned a tawdry row of Soho strip clubs into an empire of smut magazines.  (Sharing a $500 million fortune, Raymond’s two granddaughters are the youngest of Britain’s 100 richest women.)

Now here’s the problem with the movie – Raymond’s life has many aspects – each worthy of a movie in its own right – including his business ascent, his gift for publicity and his marriage to and divorce from his ex-wife Jean.  Most singular is his indifferent relationship with his two sons, contrasted with his affection for his anointed successor and heir, his daughter Debbie; not every guy aspires to apprentice his daughter in the porn industry.  The Look of Love touches on them all, but doesn’t delve deeply enough into any one.

Imogen Poots (Solitary Man, Greetings from Tim Buckley) has the most interesting character of Debbie, but there’s not enough of her.  Still, what IS contained in The Look of Love makes for an interesting story hitherto unfamiliar to us non-Brits.

The Look of Love is streaming on Amazon, iTunes, Sundance Now and other VOD outlets.

I Give It a Year: a twist on the rom com

by
I GIVE IT A YEAR

In a twist on the usual romantic comedy plot, I Give It a Year starts out with the perfect wedding, and then traces the couple’s (Rafe Spall and Rose Byrne) adventurous first year of marriage.  They have married after a brief infatuation, and it turns out that they aren’t a great fit.  It becomes rapidly apparent that she is more well suited with her new client (Simon Baker), and his true soul mate is his ex-girlfriend (Anna Faris).

Of course, this is a romantic comedy, so be prepared for some silliness and some implausibility.  But I give it credit for an original story, and it’s mostly entertaining, with some moments of hilarity.  Anna Faris is brilliant in her character’s earnest but futile attempt to master the acrobatics required in a three-way sexual encounter.  And it’s very funny when the young groom realizes that the honeymoon photos that the bride is showing her parents includes some naughty bits.

I especially enjoyed the fine dramatic actress Olivia Colman (Tyrannosaur, Broadchurch, The Iron Lady) playing broadly against type as the worst imaginable marriage counselor (she interrupts a session to take a call on her cell phone and scream abuse at her husband).  As in the very best comedy, Colman plays it absolutely straight as she, in turn, violates every professional precept.

You can stream I Give It a Year now on Amazon, iTunes, GooglePlay, YouTube, Vudu and other VOD purveyors – or try to find it in limited theatrical release.

 

DVD of the Week: Quartet

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Quartet, an ensemble geezer comedy, is really an excuse for four brilliant actors (Maggie Smith, Billy Connolly, Tom Courtenay, Pauline Collins) to show their chops.  It’s set in a retirement home for retired musicians.  The residents are preparing for an annual benefit performance, and the long-estranged ex-wife of a resident is moving in.

The most interesting character is the one played by Pauline Collins – a vivacious woman who may have always been ditzy and now has very little short-term memory. In 1996, Collins won a Tony and was nominated for an Oscar for the title role in Shirley Valentine.

Tom Courtenay plays a man still devastated by a bad breakup decades before.  There’s a wonderful scene in which he explains opera to a class of working class teens by comparing it to rap.  Courtenay is best known for The Loneliness of the Long Distance Runner (1962), Dr. Zhivago (1965), The Dresser (1983), but was excellent more recently in the overlooked Last Orders (2001).

Maggie Smith and Billy Connolly are very good in familiar roles.  The irrepressible Connolly is very funny as a particularly randy old gentleman.  Smith’s character is in her sweet spot – not unlike the sharp-edged but increasingly vulnerable gals she played in Gosford Park, Downton Abbey and The Best Exotic Marigold Hotel.  The actors playing the other residents are delightful, including a passel of opera stars from the 70s and 80s, Sinatra’s European trumpet player and more.

This is the first movie directed by Dustin Hoffman, and he did an able job.  He takes advantage of the beautiful pastoral location, paces the film well and, as one would expect, enables the actors to turn in very fine performances.  Quartet is just a lark, but not a bad way to spend an hour and a half.

Quartet is available on DVD from Netflix and Redbox and streaming from Vudu, YouTube and other VOD outlets.

Quartet: geezers at the top of their game

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Quartet, an ensemble geezer comedy, is really an excuse for four brilliant actors (Maggie Smith, Billy Connolly, Tom Courtenay, Pauline Collins) to show their chops.  It’s set in a retirement home for retired musicians.  The residents are preparing for an annual benefit performance, and the long-estranged ex-wife of a resident is moving in.

The most interesting character is the one played by Pauline Collins – a vivacious woman who may have always been ditzy and now has very little short-term memory. In 1996, Collins won a Tony and was nominated for an Oscar for the title role in Shirley Valentine.

Tom Courtenay plays a man still devastated by a bad breakup decades before.  There’s a wonderful scene in which he explains opera to a class of working class teens by comparing it to rap.  Courtenay is best known for The Loneliness of the Long Distance Runner (1962), Dr. Zhivago (1965), The Dresser (1983), but was excellent more recently in the overlooked Last Orders (2001).

Maggie Smith and Billy Connolly are very good in familiar roles.  The irrepressible Connolly is very funny as a particularly randy old gentleman.  Smith’s character is in her sweet spot – not unlike the sharp-edged but increasingly vulnerable gals she played in Gosford Park, Downton Abbey and The Best Exotic Marigold Hotel.  The actors playing the other residents are delightful, including a passel of opera stars from the 70s and 80s, Sinatra’s European trumpet player and more.

This is the first movie directed by Dustin Hoffman, and he did an able job.  He takes advantage of the beautiful pastoral location, paces the film well and, as one would expect, enables the actors to turn in very fine performances.  Quartet is just a lark, but not a bad way to spend an hour and a half.