Here’s one more plaintive final plea: Do yourself a very, very, very big favor and see the coming of age masterpiece Me and Earl and the Dying Girl.
I really liked Amy, the emotionally affecting and thought provoking documentary on Amy Winehouse. In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.
The coming of age comedy Dopeis a nice little movie that trashes stereotypes. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion. Mad Max: Fury Roadis a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.
My DVD of the Week The compelling and affecting true-life drama Omagh, available on DVD from Netflix.
We’re in the final eight days of Turner Classic Movies’ wonderful Summer of Darkness series of film noir. Tonight, of course, TCM plays the groundbreaking French Elevator to the Gallows.
Set your DVR for next Friday’s (July 31) featured noir on TCM. I particularly like Beyond a Reasonable Doubt and While the City Sleeps, one of my Overlooked Noir. In Beyond a Reasonable Doubt, an anti-death penalty campaigner gets himself framed for a capital crime, but does too good a job – and then there’s a shocker of an ending. In While the City Sleeps, the noir cynicism is so deep that the GOOD GUY uses his girlfriend as bait for a serial killer.
Don’t miss Fabrice Luchini in the delightfully dark comedy Gemma Bovery. The coming of age comedy Dopeis a nice little movie that trashes stereotypes. Alicia Vikander’s strong performance carries the anti-war memoir Testament of Youth. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion. Mad Max: Fury Roadis a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.
My DVD/Stream of the Week is the year’s best thriller so far – ’71, a harrowing tale set in the Troubles of Northern Ireland. ’71 is available on DVD from Netflix and streaming on Amazon Instant Video, Vudu, YouTube, Google Play and Xbox Video.
Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir. Tonight features next Friday, look out for 99 River Street.
Saturday night, Saturday, July 18, TCM is presenting THREE of the greatest films about politics: The Dark Horse, The Last Hurrah and The Candidate. On the 21st, TCM brings us that classic suspense Western 3:10 to Yuma, along with Peeping Tom – still one of the very best serial killer movies after 50 years.
On July 24, Turner Classic Movies will show the groundbreaking French noirElevator to the Gallows. It’s a groundbreaking film with so many outstanding elements that I’ll be writing about it next week. But set your DVR now.
Don’t miss Fabrice Luchini in the delightfully dark comedy Gemma Bovery. The coming of age comedy Dopeis a nice little movie that trashes stereotypes. Alicia Vikander’s strong performance carries the anti-war memoir Testament of Youth. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion. Mad Max: Fury Roadis a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.
My Stream of the Week is the thriller Nightcrawler, with Jake Gyllenhaal as a highly functioning psychotic. You can stream it from Amazon Instant Video, iTunes and Vudu and rent it on DirecTV PPV.
Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir. Tonight I recommend D.O.A. and Caged; next Friday, look out for 99 River Street.
On July 15, Turner Classic Movies features the 1948 film noirPitfall. Dick Powell plays a bored middle class married guy who is aching for some excitement. In his humdrum job as an insurance investigator, he investigates an embezzlement and meets the captivating Lizabeth Scott, the girlfriend of the imprisoned embezzler. They fall into a torrid but short-lived affair. Just when Powell thinks that he’s back to his normal family life, both he and Scott are dragged into a thriller by two baddies – the sexually obsessed sickie of a private eye (Raymond Burr) and the nasty and very jealous embezzler (Byron Barr), just released from the hoosegow. Jane Wyatt plays Powell’s wife.
Pitfall is especially interesting because it deviates from two prototypical characterizations. Unlike the usual noir sap, Powell doesn’t fall for Scott “all in”; although he has a brief extramarital fling, he’s never going to leave his family for her. And Scott, although she allures Powell, is not femme fatale. She’s not a Bad Girl, just an unlucky one. She has horrible taste in a boyfriend and the bad luck to attract a menacing stalker (Burr), but she’s fundamentally decent. Will her sexual promiscuity be punished at the end of this 1948 movie?
Don’t miss Fabrice Luchini in the delightfully dark comedy Gemma Bovery. The coming of age comedy Dopeis a nice little movie that trashes stereotypes. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion. Mad Max: Fury Roadis a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.
My DVD/Stream of the Week is the period thriller The Two Faces of January – a tale of dark hearts in sunny Greece. The Two Faces of January is available on DVD from Netflix and streaming on Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.
Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir.
On July 8, Turner Classic Movies will present The Leopard (Il gattopardo), an Italian period epic starring Burt Lancaster as a 19th century Sicilian prince who is trying to remain master of his changing time. Director Luchino Visconti came from Italian nobility himself. As befits an epic of this scope, it’s a sweeping 187 minutes long. One highlight is stunning entrance by 24-year-old Claudia Cardinale as the local mayor’s daughter, suddenly all grown up.
On July 10, TCM is playing Caged, the 1950 prototype for Orange Is the New Black; (I wrote the linked article for for the annual blogathon in celebration of Turner Classic Movies’ 31 Days of Oscars). Sixty-five years later, Caged might still be the best women’s prison movie ever, and it features a rich female cast and two Oscar-nominated performances.
Claudia Cardinale and Burt Lancaster in THE LEOPARD
My DVD/Stream of the Week is the savagely funny Argentine comedy Wild Tales. It’s now available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir.
This week Turner Classic Movies is also bringing us some of the very best Westerns. On June 29, we can see the now-overlooked masterpiece The Emigrants(1971), depicting the journey of Swedish emigrants to frontier Minnesota. It is remarkably realistic and faithful to the historical period. The same cast (Max von Sydow, Liv Ullman) continued the story in the sister film The New Land (1972). Both films were directed by Jan Troell and both were nominated for Oscars. It’s a Must See for anyone whose heritage includes 19th century European immigration to the prairie states.
Then on July, TCM shows Sydney Pollack’s under recognized 1972 masterpiece Jeremiah Johnson, which features a brilliantly understated but compelling performance by Robert Redford. If you want to understand why Redford is a movie star, watch this movie. It’s only 108 minutes long, and today’s filmmakers would bloat this epic tale to 40 minutes longer. (The same night, TCM is accompanying Jeremiah Johnson with with two other great Westerns, Little Big Man and The Searchers.)
My DVD/Stream of the Week is one of my Overlooked Noir, My Kind of Woman, where down-on-his-luck Robert Mitchum grabs a deal that he knows is just too good. His Kind of Woman is available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, YouTube, Google Play and Flixster.
Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir.
Last week, I told you that TONIGHT Turner Classic Movies brings us an unusually rich menu of classic film noir:Cornered, Crack-up, Gilda, The Big Sleep, The Killers, Nocturne and Crossfire.
Later this week on June 25, TCM brings us the 1973 cult sci-fi classic Soylent Green, which was utterly under appreciated until the past decade or so. Set in a dystopian future (like those so popular in today’s sci-fi), humans have pretty much destroyed the environment and most are impoverished, even homeless. The dietary staple is a green pellet provided by a mega-corporation. Charlton Heston is surprisingly effective as a jaded and solitary cop, whose investigation leads him to a horrifying discovery. The cast is very good, including Edward G. Robinson in his final performance. Soylent Green was directed by the versatile Richard Fleischer, 21 years after his noir masterpiece The Narrow Margin.
Ronald Cyler II and Thomas Mann in ME AND EARL AND THE DYING GIRL
Here’s a MUST SEE – the unforgettable coming of age Me and Earl and the Dying Girl, a brilliant second feature from director Alfonso Gomez-Rejon. The title suggests a weeper (and it is), but 90% of Me and Earl is flat-out hilarious.
Greg (Thomas Mann) is a Pittsburgh teenager who has decided that the best strategy for navigating high school is to foster good relations with every school clique while belonging to none. Embracing the adage “hot girls destroy your life”, he gives the opposite gender a very wide berth. Outwardly genial, Greg is emphatically anti-social in practice, except for his best friend Earl (Ronald Cyler II). But he even refuses to admit that Earl is his friend, describing him “as more of a co-worker”.
Greg’s parents disrupt Greg’s routine by forcing him to visit his classmate Rachel (Olivia Cooke), who has just been diagnosed with leukemia. Rachel doesn’t want any pity, so this is awkward all around until Greg makes Rachel laugh, which draws him back again to visit -and again. A friendship, based on their shared quirky senses of humor, blossoms, but – given her diagnosis – how far can it go?
Rachel is delighted to learn that Greg and Earl shoot their own movies – short knock-offs of iconic cinema classics. She first laughs when she finds that he has remade Rashomon as MonoRash. Their other titles include Death in Tennis, Brew Velvet and A Box of Lips Now.
Why is Me and Earl so successful? Most importantly, it perches right on the knife-edge between tragedy and comedy, and does so more than any movie I can think of. As funny as it is, we all know that there’s that leukemia thing just under the surface. But, with its originality and resistance to sentimentality, Me and Earl is the farthest thing from a disease-of-the-week movie.
Any movie lover will love all the movie references, as well as Greg and Earl’s many short films. Gomez-Rejon shot these shorts with Super 8, Bolex, digital Bolex and iPhone. Jesse Andrews adapted his own novel, and, as Gomez-Rejon expanded the number of “films within the film”, he called on Andrews to supply him with the new titles – and there are scores of them, right through the ending credits.
Finally, Me and Earl’s art direction is the most singular of any coming of age film. In fact, all the art direction led to the movie’s very satisfying ending; Gomez-Rejon brought in those surprises on the wall at the end – it’s not in the novel.
But Me and Earl and the Dying Girl is at its heart a coming of age story. Sure, the character of Greg is an original, but the life lessons that he must learn are universal.
Thomas Mann is hilarious as Greg; he could be a great comic talent in the making. Cooke and newcomer Cyler are also excellent. Nick Offerman and Connie Britton are perfect as Greg’s well-meaning parents, as is Molly Shannon as Rachel’s needy mom. Jon Bernthal also rocks the role of Mr. McCarthy, another great character we haven’t seen before – a boisterously vital, but grounded history teacher; Mr. McCarthy lets Greg and Earl spend their lunch hours in his office watching Werner Herzog movies on YouTube. (And Herzog himself reportedly loves the references.)
Alfonso Gomez-Rejon started as a personal assistant to Martin Scorsese and worked his way up to second unit director. With the startling originality of Me and Earl, he’s proved his chops as an auteur.
I saw Me and Earl and the Dying Girl in early May at the San Francisco International Film Festival at a screening with Gomez-Rejon. It also just screened at San Jose’s Camera Cinema Club, another fine choice by Club Director Tim Sika, President of the San Francisco Film Critics Circle.
Me and Earl and the Dying Girl is a guaranteed crowd-pleaser and a Must See. It’s one of my Best Movies of 2015 – So Far.
The Melissa McCarthy spy spoof Spy is a very funny diversion. Far from the Madding Crowd, is a satisfying choice for those looking for a costume bodice ripper.
My DVD of the Week is Frederick Wiseman’s 2010 brilliant and mesmerizing 2010 documentary Boxing Gym. One of the few boxing movies that will appeal to most women, Boxing Gym is available on DVD from Netflix.
Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir.
Speaking of which, I’m telling you NOW so you can set your DVRs. On June 19, TCM brings us an unusually rich menu of classic film noir:Cornered, Crack-up, Gilda, The Big Sleep, The Killers, Nocturne and Crossfire. The most famous – and my favorite – of these is The Big Sleep, with its iconic performance by Humphrey Bogart as the hard-boiled detective Philip Marlow and its impenetrably tangled plot. It’s also one of the most overtly sexual noirs, and Lauren Bacall at her sultriest is only the beginning. The achingly beautiful Martha Vickers plays a druggie who throws herself at anything in pants. And Dorothy Malone invites Bogie to share a back-of-the-bookstore quickie.
For something different, try out the early psychological thriller Crack-up, with Pat O-Brien as an art expert who is framed for a crime. As he tries to prove his own innocence, O’Brien is handicapped by a gap in his memory and repeated hallucinations of being in a head-on train collision.
Wow, we’ve had a great start to 2015 in the movies. I’ve already placed eight films on my running list of Best Movies of 2015 – So Far. Usually, I only have three or four at this time of year. Here’s my Best of 2015 to date:
Wild Tales (saw at Cinequest; DVD release in June)
Leviathan (available to stream from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and DirecTV)
Ex Machina (in theaters now)
Me and Earl and the Dying Girl (saw at San Francisco International Film Festival; releases June 12)
The End of the Tour (saw at San Francisco International Film Festival; releases July 30)
’71 (saw at Cinequest; DVD release in July)
The Look of Silence (saw at San Francisco International Film Festival; limited release July 16)
The Grief of Others (saw at Camera Cinema Club; release undetermined)
I’m also mulling over adding to the list I’ll See You in My Dreams (in theaters now). And I know I’ll include Corn Island, an exquisite Georgian film that I saw at Cinequest, if it gets a US release. This is a GREAT and uncharacteristic start to the year in movies!
I’m already looking forward to some especially promising films that debuted at the Cannes International Film Festival. The universally acclaimed, heartbreaking biodoc of Amy Winehouse, Amy, releases July 3. Other Cannes films that will contend for my top ten list include The Lobster, Louder Than Bombs, Mia Madre, The Measure of a Man, Sicario (releases September 18), Youth, Green Room, The Assassin and Dheepan.
Plus there will be some superb documentaries that I don’t know about yet AND the usual stream of Oscar Bait movies released in the fall by the prestige arms of the Hollywood studios. We should have a pretty good handle on 2015’s pool of excellent cinema at the time of the Toronto and Telluride film festivals in September.
2015 has been an excellent year so far and has the potential to be a great year of cinema.
Dana Andrews and Joan Fontaine in BEYOND A REASONABLE DOUBT
Far from the Madding Crowd, which opens today, is satisfying choice for those looking for a bodice ripper. I haven’t yet seen the sci-fi Ex Machina, which has been engendering almost universal praise. If you’re looking for a scare, try the inventive and non-gory horror gem It Follows.
I’m at the San Francisco International Film Festival, where I’ve written about four films so far (scroll down). Two are among the year’s best films: the wonderfully weepy and funny coming of age film, Me and Earl and the Dying Girl, and the uncomfortable documentary on living with past genocide in the absence of truth and reconciliation, The Look of Silence.
Documentarian Alex Gibney now has TWO excellent films playing on HBO:
Sinatra: All or Nothing at All, an especially well-researched and revelatory biopic of Frank Sinatra.
Don’t bother with Clouds of Sils Maria – it’s a muddled mess. Insurgent, from the Divergent franchise is what it is – young adult sci-fi with some cool f/x. The romance 5 to 7 did NOT work for me, but I know smart women who enjoyed it. The biting Hollywood satire of Maps to the Stars wasn’t worth the disturbing story of a cursed family. I also didn’t like the Western Slow West, now out on video.
My DVD/Stream of the Week is the funny and sentimental Canadian dramedy Cloudburst, available on DVD from Netflix and streaming from Netflix, Amazon Instant Video , iTunes, Vudu and Xbox Video.
On May 4, Turner Classic Movies is playing two marvelous, gritty classics from 1958.
I Want to Live!features Susan Hayward’s Oscar-winning performance as a good hearted but very unlucky floozy; it has both a great jazz soundtrack and a dramatic walk to The Chair.
Beyond a Reasonable Doubt is another film noir from the great Fritz Lang: seeking to discredit capital punishment, a reporter (Dana Andrews) gets himself charged with and CONVICTED of a murder – but then the evidence of his innocence suddenly disappears! Crackerjack (and deeply noir) surprise ending.
