Caged

Movies to See Right Now

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This image has an empty alt attribute; its file name is power-dog-benedict-clouds-1024x570.jpg
Photo caption: Benedict Cumberbatch in THE POWER OF THE DOG. Credit: Kirsty Griffin; courtesy of Netflix.

This week – three more movies in theaters, five more now streaming and a note on my own William Randolph Hearst movie-going fantasy.

Every once in a loooong while, I have an experience that I treasure – seeing a movie as the only patron in a theater. Since I visited Hearst Castle as a kid, I’ve loved the idea of posing as the magnate at his very own private theater. One would think that this would happen more than it does. In a non COVID year, I will see 100+ movies in theaters, and I see lots of obscure movies at sparsely-attended weekday matinees. But, almost always, there’s at least one more audience member.

Anyway, it happened for the third time last Monday – The Souvenir Part II at San Francisco’s Landmark Embarcadero. My previous two solo screenings were of The Mariachi in 1992 at the Los Gatos and of Not Fade Away in 2012 at the AMC Cupertino Square.

IN THEATERS

The Power of the Dog: Jane Campion’s simmering drama of hostility that, most unexpectedly, meets its match. Brilliant performances by Benedict Cumberbatch and Kodi Smit-McPhee. Also now streaming on Netflix.

Julia: This charming documentary, affectionate and clear-eyed, tells the unlikely story of how Julia Child broke through every expectation of her gender, class and upbringing to become an icon in her fifties.

The Souvenir Part II: An exquisite art film about a young woman’s emotional recovery. This won’t be in theaters for very long.

Also in theaters:

ON VIDEO

Brian Wilson (seated left) in BRIAN WILSON: LONG PROMISED ROAD. Courtesy of Nashville Film Festival.

A slew of movies have become widely available to stream, by which I mean that they can be rented for $3.99-$6.99 from Amazon, AppleTV, Vudu and YouTube:

If you are willing to pay $19.99, you can already stream Lamb, No Time to Die, Last Night in Soho and The Many Saints of Newark. Or you can wait just a few weeks for these films to get down to $6 territory.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

On December 6, Turner Classic Movies airs Caged, the 1950s prototype for Orange Is the New Black?  Eleanor Parker played the naive young woman plunged into a harsh women’s prison filled with hard-bitten fellow prisoners and compassion-free guards. Parker was nominated for an acting Oscar, but her performance pales next to that of Hope Emerson, whose electric portrayal of a hulking guard also got an Oscar nod. Caged also features the fine character actresses Thelma Moorhead, Jane Darwell (Ma Joad in The Grapes of Wrath) and Ellen Corby (Grandma Walton here as a young woman).  Sixty-four years later, Caged might still be the best women’s prison movie ever.

Hope Emerson and Eleanor Parker in CAGED
Hope Emerson and Eleanor Parker in CAGED

Movies to See Right Now

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Jeff Bridges and Gil Birmingham in HELL OR HIGH WATER
Jeff Bridges and Gil Birmingham in HELL OR HIGH WATER

I’m still recommending the best movie of the year so far – the character-driven crime drama Hell or High Water. It’s atmospheric, gripping, and packed with superb performances. Hell or High Water is a screenwriting masterpiece by Taylor Sheridan. Must See.

Here are other attractive movie choices:

  • Really liked the New Zealand teen-geezer adventure dramedy Hunt for the Wilderpeople (now also available to stream on Vudu).
  • Opening this weekend, an offbeat and entertaining period tale of revenge, The Dressmaker.
  • Woody Allen’s love triangle comedy Cafe Society is a well-made and entertaining diversion, but hardly a Must See.

My Stream of the Week is still a totally overlooked drama from earlier this year, A Country Called Home. Somehow A Country Called Home missed out on any significant theatrical release even though it’s a very satisfying Finding Yourself drama. A Country Called Home can be streamed from Netflix Instant, Amazon Instant, iTunes, Vudu, YouTube and Google Play.

September 24 on Turner Classic Movies:  Caged. Want to see the prototype for Orange Is the New Black?  Eleanor Parker (who died last year) played the naive young woman plunged into a harsh women’s prison filled with hard-bitten fellow prisoners and compassion-free guards. Parker was nominated for an acting Oscar, but her performance pales next to that of Hope Emerson, whose electric portrayal of a hulking guard also got an Oscar nod. Caged also features the fine character actresses Thelma Moorhead, Jane Darwell (Ma Joad in The Grapes of Wrath) and Ellen Corby (Grandma Walton here as a young woman).  Sixty-four years later, Caged might still be the best women’s prison movie ever.

Hope Emerson and Eleanor Parker in CAGED
Hope Emerson and Eleanor Parker in CAGED

Movies to See Right Now

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John Cusack and Elizabeth Banks in LOVE & MERCY
John Cusack and Elizabeth Banks in LOVE & MERCY

If you haven’t seen it yet, you owe it to yourself to see the CAN’T MISS coming of age masterpiece Me and Earl and the Dying Girl.  Besides Me and Earl, two more of my Best Movies of 2015 – So Far are playing in theaters:

Don’t miss Fabrice Luchini in the delightfully dark comedy Gemma Bovery. The coming of age comedy Dope is a nice little movie that trashes stereotypes. Alicia Vikander’s strong performance carries the anti-war memoir Testament of Youth. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion. Mad Max: Fury Road is a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.

My Stream of the Week is the thriller Nightcrawler, with Jake Gyllenhaal as a highly functioning psychotic. You can stream it from Amazon Instant Video, iTunes and Vudu and rent it on DirecTV PPV.

Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir. Tonight I recommend D.O.A. and Caged; next Friday, look out for 99 River Street.

On July 15, Turner Classic Movies features the 1948 film noir Pitfall. Dick Powell plays a bored middle class married guy who is aching for some excitement. In his humdrum job as an insurance investigator, he investigates an embezzlement and meets the captivating Lizabeth Scott, the girlfriend of the imprisoned embezzler. They fall into a torrid but short-lived affair. Just when Powell thinks that he’s back to his normal family life, both he and Scott are dragged into a thriller by two baddies – the sexually obsessed sickie of a private eye (Raymond Burr) and the nasty and very jealous embezzler (Byron Barr), just released from the hoosegow. Jane Wyatt plays Powell’s wife.

Pitfall is especially interesting because it deviates from two prototypical characterizations. Unlike the usual noir sap, Powell doesn’t fall for Scott “all in”; although he has a brief extramarital fling, he’s never going to leave his family for her. And Scott, although she allures Powell, is not femme fatale. She’s not a Bad Girl, just an unlucky one. She has horrible taste in a boyfriend and the bad luck to attract a menacing stalker (Burr), but she’s fundamentally decent. Will her sexual promiscuity be punished at the end of this 1948 movie?

I feature Pitfall in my list of Overlooked Noir.

Lizabeth Scott, Dick Powell and Raymond Burr in PITFALL
Lizabeth Scott, Dick Powell and the looming Raymond Burr in PITFALL

Movies to See Right Now

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ME AND EARL AND THE DYING GIRL
ME AND EARL AND THE DYING GIRL

This is as good as it gets until December – FOUR of my Best Movies of 2015 – So Far are playing in theaters:

Don’t miss Fabrice Luchini in the delightfully dark comedy Gemma Bovery. The coming of age comedy Dope is a nice little movie that trashes stereotypes.  This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming.  The Melissa McCarthy spy spoof Spy is a very funny diversion.  Mad Max: Fury Road is a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.

My DVD/Stream of the Week is the period thriller The Two Faces of January – a tale of dark hearts in sunny Greece. The Two Faces of January is available on DVD from Netflix and streaming on Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir.

On July 8, Turner Classic Movies will present The Leopard (Il gattopardo), an Italian period epic starring Burt Lancaster as a 19th century Sicilian prince who is trying to remain master of his changing time. Director Luchino Visconti came from Italian nobility himself. As befits an epic of this scope, it’s a sweeping 187 minutes long. One highlight is stunning entrance by 24-year-old Claudia Cardinale as the local mayor’s daughter, suddenly all grown up.

On July 10, TCM is playing Caged, the 1950 prototype for Orange Is the New Black; (I wrote the linked article for for the annual blogathon in celebration of Turner Classic Movies’ 31 Days of Oscars). Sixty-five years later, Caged might still be the best women’s prison movie ever, and it features a rich female cast and two Oscar-nominated performances.

Claudia Cardinale and Burt Lancaster in THE LEOPARD
Claudia Cardinale and Burt Lancaster in THE LEOPARD

Movies to See Right Now

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Reese Witherspoon in WILD
Reese Witherspoon in WILD

My recommendation this week – don’t go see Fifty Shades of Grey; instead see a good movie and then have real sex.

  • Clint Eastwood’s thoughtful and compelling American Sniper, with harrowing action and a career-best performance from Bradley Cooper.
  • The inspiring Selma, well-crafted and gripping throughout (but with an unfortunate historical depiction of LBJ).
  • The Belgian drama Two Days, One Night with Marion Cotillard, which explores the limits of emotional endurance.
  • The cinematically important and very funny Birdman. You can still find Birdman, but you may have to look around a bit. It has justifiably garnered several Oscar nominations, including for Best Picture.
  • Reese Witherspoon is superb in the Fight Your Demons drama Wild, and Laura Dern may be even better.
  • The Theory of Everything is a successful, audience-friendly biopic of both Mr. AND Mrs. Genius.
  • Julianne Moore’s superb performance is the only reason to see Still Alice;
  • The Imitation Game – the riveting true story about the guy who invented the computer and defeated the Nazis and was then hounded for his homosexuality.
  • I was underwhelmed by the brooding drama A Most Violent Year – well-acted and a superb sense of time and place (NYC in 1981) but not gripping enough to thrill.

My DVD/Stream of the week is the period thriller The Two Faces of January, available on DVD from Netflix and streaming on Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.

We’re enjoying Turner Classic Movies’ annual 31 Days of Oscar – a glorious month of Oscar-nominated and Oscar-winning films on TCM. This week, I am highlighting:

  • I Want to Live! (February 15): Susan Hayward’s performance as a good hearted but very unlucky floozy won her an Oscar. It’s about a party girl who takes up with a couple of lowlifes. The lowlifes commit a murder and pin it on her. There is a great jazz soundtrack and a dramatic walk to The Chair.
  • Inherit the Wind (February 19): Watch Spencer Tracy and Frederic March recreate the Scopes Monkey Trial in this character-driven courtroom drama.
  • Caged (February 20): Want to see the prototype for Orange Is the New Black? Eleanor Parker (who died last year) played the naive young woman plunged into a harsh women’s prison filled with hard-bitten fellow prisoners and compassion-free guards. Parker was nominated for an acting Oscar, but her performance pales next to that of Hope Emerson, whose electric portrayal of a hulking guard also got an Oscar nod. Caged also features the fine character actresses Thelma Moorhead, Jane Darwell (Ma Joad in The Grapes of Wrath) and Ellen Corby (Grandma Walton here as a young woman). Sixty-four years later, Caged might still be the best women’s prison movie ever. Here’s my post on Caged for the 31 Days of Oscar blogathon.

Easter always triggers television networks to pull out their Biblical epics. If you’re going to watch just one Sword-and-Sandal classic, I recommend going full tilt with Barrabas, broadcast by Turner Classic Movies on April 16. This 1961 cornball stars Anthony Quinn as the Zelig-like title character. The story begins with the thief Barabbas avoiding crucifixion when Pontius Pilate swaps him out for Jesus (this part is actually in the Bible). Because the Crucifixion isn’t enough action for a two hour 17 minute movie, Barabbas is soon sent off as a slave to the salt mines, where he is rescued by a miraculously timely earthquake. He then joins the Roman gladiators, complete with a javelin-firing squad, gets lost in the catacombs and emerges to the Burning of Rome. He has encounters with the Emperor Nero and the Apostle Peter before he converts to Christianity – just in time for the mass crucifixion. Watch for an uncredited Sharon Tate as a patrician in the arena.

Anthony Quinn in BARABBAS
Anthony Quinn in BARABBAS

CAGED: Eleanor Parker and Hope Emerson in the prototype for Orange is the New Black

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31-days-2015-blogathonThis article is written for the annual blogathon in celebration of Turner Classic Movies’ 31 Days of Oscars.  The blogathon is hosted by classic movie bloggers Outspoken and Freckled, Paula’s Cinema Club and Once Upon a Screen.

Hope Emerson and Eleanor Parker in CAGED
Hope Emerson and Eleanor Parker in CAGED

Want to see the prototype for Orange Is the New Black?  In the 1950 Caged, Eleanor Parker (who died last year) played the naive young woman plunged into a harsh women’s prison filled with hard-bitten fellow prisoners and compassion-free guards. Parker was nominated for an acting Oscar, but her performance pales next to that of Hope Emerson, whose electric portrayal of a hulking guard also got an Oscar nod.

Caged is a Message Picture, editorializing that the prison experience unnecessarily molds inmates into criminals.  Although its trailer (available on IMDb), with its breathlessly sensationalistic narration, makes the film appear overwrought, Caged is edgy enough to have currency with modern sensibilities.  Parker’s newbie  is NOT innocent and wrongly convicted –  as the movie opens, she’s one of the crew in a bank heist.  She experiences hellish brutalization behind bars.  There’s also behind-the-bars pregnancy, inmate suicide and implied lesbianism.  The ending, when the protagonist is finally released and can choose between going straight or going bad, is filled with the cynicism and despair of film noir.

Eleanor Parker hit every note on her character’s slide from the Good Kid who made a dumb mistake all the way down to a Hard Case seasoned with hopelessness.  (In a stunningly competitive year, she lost the Oscar to Judy Holliday for Born Yesterday, along with Gloria Swanson for Sunset Boulevard, and both Bette Davis and Anne Baxter for All About Eve.)

But this is Hope Emerson’s movie.  Emerson draws the audience’s attention every moment that she’s on-screen.  Her prison matron is not just harsh but sadistic.  Emerson was able to radiate meanness with every glance, and took full advantage of her dominating physicality. It’s a performance that still works today.

This was the apex of Emerson’s career.  She stood a big-boned 6″2″, and then as now, Hollywood didn’t have many parts for an actress with her appearance.   She started on Broadway in her early 30s (as an Amazon in Lysistrata), was successful in radio voice-over work and managed 43 screen credits.  She was 53 years old when she made Caged.

Caged also features the fine character actresses Agnes Moorehead, Jane Darwell (Ma Joad in The Grapes of Wrath) and Ellen Corby (Grandma Walton here as a young woman).

Sixty-five years later, Caged might still be the best women’s prison movie ever.  TCM is featuring Caged on February 20 during its 31 Days of Oscar.  It’s also available on DVD from Netflix and streaming on  iTunes, Vudu, YouTube, Xbox Video and Flixster.

The first Orange Is the New Black – coming up on TV

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Hope Emerson and Eleanor Parker in CAGED
Hope Emerson and Eleanor Parker in CAGED

Want to see the prototype for Orange Is the New Black? On September 6, Turner Classic Movies airs the 1950 Caged. Eleanor Parker (who died last year) played the naive young woman plunged into a harsh women’s prison filled with hard-bitten fellow prisoners and compassion-free guards. Parker was nominated for an acting Oscar, but her performance pales next to that of Hope Emerson, whose electric portrayal of a hulking guard also got an Oscar nod. Caged also features the fine character actresses Thelma Moorhead, Jane Darwell (Ma Joad in The Grapes of Wrath) and Ellen Corby (Grandma Walton here as a young woman). Sixty-four years later, Caged might still be the best women’s prison movie ever.

Movies to See Right Now

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Elisabeth Moss and Mark Duplass in THE ONE I LOVE
Elisabeth Moss and Mark Duplass in THE ONE I LOVE

Plenty of good choices in theaters:

  • The smart and hilarious The Trip to Italy showcases the improvisational wit of Steve Coogan and Rob Brydon, along with some serious tourism/foodie porn.
  • Alive Inside: The profoundly moving documentary showing Alzheimer patients being pulled out of isolation by music.
  • Feedback from my readers is almost unanimous – Richard Linklater’s family drama Boyhood is a special movie experience – and possibly the best film of the decade.
  • The mesmerizing drama Calvary, starring Brendan Gleeson.  Gleeson again teams with John Michael McDonagh, the writer-director of The Guard.
  • I really liked The One I Love – a relationship romance, a dark comedy and a modern day episode of The Twilight Zone rolled into one successful movie.  It’s also available streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and Xbox Video.
  • Don’t miss Philip Seymour Hoffman’s explosive final performance in the John le Carré espionage thriller A Most Wanted Man.

Boyhood tops my list of Best Movies of 2014 – So Far, and Alive Inside and Calvary also make the list.

Poor writing and directing sabotage the delightful performances of Alfred molina and john Lithgow in the romantic drama Love Is Strange.  I was also disappointed by the tiresome Frank Miller’s Sin City: A Dame to Kill For.  I nodded off during Woody Allen’s disappointing romantic comedy of manners Magic in the Moonlight.

My DVD/Stream of the Week is Go For Sisters , a border thriller with three more great movie characters from master indie writer-director John Sayles. Go for Sisters is available on DVD from Netflix and streaming on Netflix Instant, Amazon and Vudu.

As I wrote yesterday, Turner Classic Movies is airing the prototype for Orange Is the New Black – Caged from 1950 – set your DVR tonight..

On September 7, TCM plays The Battle of Algiers (1966), the story of 1950s French colonialists struggling to suppress the guerrilla uprising of Algerian independence fighters.  Although it looks like a documentary, it is not.  Instead, filmmaker Gillo Pontecorvo recreated the actual events so realistically that we believe that we are watching strategy councils of each side.  Urban insurgency and counter-insurgency are nasty, brutal and not very short – and we see some horrifically inhumane butchering by both sides. Among the great war films, it may be the best film on counter-insurgency.  In 2003, the Pentagon screened the film for its special operations commanders. Re-released to theaters in 2004, The Battle of Algiers made many critics’ top ten lists the second time around.