Movies to See Right Now

Amy Winehouse in AMY
Amy Winehouse in AMY

Here’s one more plaintive final plea: Do yourself a very, very, very big favor and see the coming of age masterpiece Me and Earl and the Dying Girl.

I really liked Amy, the emotionally affecting and thought provoking documentary on Amy Winehouse. In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.

Besides Me and Earl, two more of my Best Movies of 2015 – So Far are still playing in theaters: Love & Mercy, the emotionally powerful biopic of the Beach Boys’ Brian Wilson and the thoughtful and authentic dramedy I’ll See You in My Dreams.

In case you missed it, I recently wrote about the BBC’s list of 100 greatest American films and why I cancelled my Netflix DVD service.

The coming of age comedy Dope is a nice little movie that trashes stereotypes. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion. Mad Max: Fury Road is a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.

My DVD of the Week The compelling and affecting true-life drama Omagh, available on DVD from Netflix.

We’re in the final eight days of Turner Classic Movies’ wonderful Summer of Darkness series of film noir. Tonight, of course, TCM plays the groundbreaking French Elevator to the Gallows.

Set your DVR for next Friday’s (July 31) featured noir on TCM.  I particularly like Beyond a Reasonable Doubt and While the City Sleeps, one of my Overlooked Noir. In Beyond a Reasonable Doubt, an anti-death penalty campaigner gets himself framed for a capital crime, but does too good a job – and then there’s a shocker of an ending. In While the City Sleeps, the noir cynicism is so deep that the GOOD GUY uses his girlfriend as bait for a serial killer.

Ian McKellen as MR. HOLMES
Ian McKellen as MR. HOLMES

DVD of the Week: OMAGH – after an atrocity, a search for justice

Gerard McSorley in OMAGH
Gerard McSorley in OMAGH

The compelling and affecting true-life drama Omagh (2004) begins with the infamous 1999 car bombing in Omagh, Northern Ireland. But Omagh is more about the aftermath – the pain and grief of the survivors as they strive for justice and accountability.

The bombing, by a nationalist splinter group, killed 29 on the small town’s market street. It had been just four months since the Good Friday Accord, and both mainstream republicans and unionists were getting used to the day-to-day peace of a post-Troubles era. The bombing was a jarring interruption of that peace, and many felt even more betrayed because the “warning” actually worked to draw more victims toward the lethal blast.

Omagh vividly depicts the carnage and chaos after the blast. The desperate search for loved ones amid the confusion is profoundly moving. We experience Omagh through the perspective of Michael Gallagher, father of one of the victims. He takes the helm of the survivors group as they seek answers – and run into a series of stone walls and cover-ups. The soft-spoken Gallagher may be the least histrionic leader in human history, and he is able to lead because the other survivors rely on his decency, good sense and quiet courage. We also see that – as in real life – people grieve at different paces, and the obsession of some in the family doesn’t work for others.

Michael Gallagher is played by the veteran actor Gerard McSorley (In the Name of the Father, Widow’s Peak, Braveheart, The Boxer, Bloody Sunday). It is McSorley’s powerful and profoundly sad performance that elevates Omagh.

Director Pete Travis employs a jiggly camera and a spare soundtrack to focus our attention on the characters with intimacy and immediacy. When we hear the door closed after the last guest leaves a funeral, the sound of the latch communicates more finality than would any dialogue.

Omagh is high on my list of Best Movies About the Troubles. It is available on DVD from Netflix.