moviegourmet

The Robber: robbing and running, but why? and who cares?

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The title character in The Robber/Der Rauber finishes a six-year prison term for bank robbery and immediately and compulsively robs a bank.  He doesn’t care about the money, he is simply driven to rob banks.

He has spent his six years in prison obsessively training, and he wins the Vienna Marathon when he gets out.  Along the way, his running ability helps him make dramatic escapes.  The role of the robber is very physically demanding, and he is well-played by Andreas Lust (Revanche).

It’s a well-acted and at times beautifully shot movie, but the story by writer-director Benjamin Heidenberg lets us down.  Why is the robber so compulsive?  How did he get to be so alienated?  Since he shows no emotion or human connection, why should we care?

There exists an excellent German bank robbery drama with lots of running, plus a great character, so I recommend Run Lola Run on DVD.

DVD of the Week: Moguls And Movie Stars

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Moguls And Movie Stars: A History of Hollywood is a 7-part series from Turner Classic Movies , which originally broadcast the series last fall.  Most histories of cinema emphasize the technical and creative evolutions of film.  Instead, Moguls traces the business story – how mostly Jewish immigrants started with the early peep shows in old Eastern cities and wound up building monopolistic empires in the sun and glamor of Hollywood.  It’s a great story, and this series tells it very well.

The DVD set is now available for purchase for about $28.  Here’s the original TCM promo.

More Best Bets for May

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I need to add some upcoming films to Friday’s post on Best Bets for May.

Cave of Forgotten Dreams opens this week.  Werner Herzog explores the 33,000-year-old cave paintings in Chauvert, France.  Herzog knows what he is doing (Aguirre: The Wrath of God, Grizzly Man), and he says that this needed to be shot in 3D, so I believe him.

Also opening this weekend is Queen to Play.  Sandrine Bonnaire plays a hotel maid who is taught chess by chess expert Kevin Kline and learns that she is gifted, which shakes up her family’s life.  Jennifer Beals shows up in the film and, hey, Kevin Kline acts in French!

Midnight in Paris:  In Woody Allen’s latest,  Owen Wilson accompanies wife Rachel McAdams to Paris, where she is intrigued by pretentious Michael Sheen, leaving him to explore midnight Paris and discover his muse (Marion Cotillard, perhaps?).   Adrien Brody, Kathy Bates and French first lady Carla Bruni all pop in.  Releases widely May 27.

You can see trailers and descriptions of upcoming films at Movies I’m Looking Forward To.  Here’s the trailer for Cave of Forgotten Dreams.

Blogging from SFIFF: Attenberg

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Attenberg is a winningly offbeat original from Greek director Athina Rachel Tsangari.  It’s about a 23-year-old who grudgingly decides it’s time for her sexual initiation.  Her oversexed friend (who dreams of trees fruited with hanging penises) gives her some pointers.  Hilariously awkward attempts at intimacy ensue.  She has a poignantly close relationship with her single dad, and their love of sarcasm and animal documentaries help them cope with his cancer.  As if this weren’t enough,  the film is randomly interspersed with Silly Walks by the gals that would impress John Cleese.

As the lead, Ariane Labed won the Best Actress Award at the Venice Film Festival.

Movies: Best Bets for May

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You can see trailers and descriptions of upcoming films at Movies I’m Looking Forward To.

Nominated for the Best Foreign Language Oscar, Incendies, releases widely May 6.  Upon their mother’s death, a young man and woman learn for the first time of their father and their brother and journey from Quebec to the Middle East to uncover family secrets.

Meek’s Cutoff is especially promising because it is directed by the excellent Kelly Reichardt (Old Joy, Wendy and Lucy).  The route of the Oregon Trail was not yet well established in 1845, so a covered wagon train hires a mountain man who claims that he has found a shortcut through the Cascades.  However, it becomes clear that the mountain man (Bruce Greenwood) is unreliable, and there is a new option of following an Indian of unknown motives.  The men (Will Patton, Paul Dano) must figure out what to do while their wives (Michelle Williams, Shirley Henderson) eavesdrop and guess their fate. Releasing widely on May 6.

And now for a lowbrow guilty pleasure on May 27:  The Hangover Part II.  The buddies return – this time losing a little brother on a wild night in Bangkok.

Here’s the trailer for Incendies:

Coming up on TV: The great Erroll Morris and Gates of Heaven

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On May 1, Turner Classic Movies is showing Gates of Heaven (1978), the first masterpiece by documentarian Erroll Morris.  It’s overtly about a Bay Area pet cemetery, but as Morris interviews the cemetery owners and the pet owners (as well as the guy at the rendering plant), the subjects expose their passions, aspirations and vulnerabilities.  And it’s hilarious.

This is an excellent introduction to America’s best documentarian, whose other films include The Thin Blue Line (which freed a wrongly convicted man from Texas’ Death Row) and Standard Operating Procedure (which exposed what was behind the abuses at Abu Ghraib).

Morris’ newest film, Tabloid, will be released on July 15.

Movies to See Right Now

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Vera Farmiga and Jeffrey Wright in Source Code

The Must See film is Source Code, a gripping scifi thriller with intelligence and heart, starring Jake Gyllenhaal, Vera Farmiga and Michelle Monaghan. Carancho is an Argentine love story nestled into a dark and violent noirish thriller, starring Ricardo Darin (The Secrets of Their Eyes, Nine Queens), the Argentine Joe Mantegna. Hanna is a rip roaring girl-power thriller starring Saiorse Ronan as a 16-year-old raised in the Arctic Circle to be a master assassin by her rogue secret agent father, and then released upon the CIA.  Poetry is a troubling, uncomfortable and profound film with a great performance by Koran actress Jeong-hie Yun.  In a Better World is an ambitious contemplation on violence by Danish director Susanne Bier (Brothers, After the Wedding).  Potiche, a delightful French farce of feminist self-discovery is the funniest movie in over a year, and another showcase for Catherine Deneuve (as if she needs one). For trailers and other choices, see Movies to See Right Now.

I haven’t yet seen The Princess of Montpensier, which opens this weekend. You can see trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick is Somewhere.

Movies on TV this week include the nature adventure Never Cry Wolf , the nastily dark noir Kiss Me Deadly and the brilliant Erroll Morris documentary Gates of Heaven on TCM.

In a Better World: an ambitious contemplation on violence

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How do we respond to violence without perpetuating a cycle of violence?  What and how do we tell our kids?  Danish filmmaker Susanne Bier (Brothers/Brodre, After the Wedding, Things We Lost in the Fire) takes on these questions through the stories of two 12-year-old boys and their well-meaning but troubled parents.

A schoolboy bully is handled through shock and awe, but the responses to other incidents of violence are far messier.  A parent’s teachable moment about pacifism doesn’t seem effective, and the boys fashion their own disproportionate solution.  One of the fathers, a do-gooder doctor who puts in time at a hell hole of an African refugee camp, must face pure evil in the form of a local warlord.  It’s an often tense drama.

In a Better World benefits from outstanding performances, especially by the boy actors, William Jøhnk Juels Nielsen and Markus Rygaard.

In a Better World won the Oscar for Best Foreign Language Picture.  I didn’t like In a Better World as much as Brothers and After the Wedding, but it’s still an ambitious and successful film.

DVD of the Week: Somewhere

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This is Sofia Coppola’s (Lost in Translation) story of an A-list movie star (Steven Dorff) living at the Chateau Marmont with his expensive toys, booze and drugs and an inexhaustible supply of beautiful, sexually available women.  Without any purpose or connection to others, his debauchery is completely joyless.  To his surprise and discomfort,  his eleven-year-old daughter (Elle Fanning) moves in for a few weeks.   He slowly finds some connection to her, but then she leaves for summer camp and he is aimless, again.

Somewhere is an artsy portrait of a man so purposeless that he can find no pleasure in pleasure.

Fanning is great as the kid.  Surprisingly, Jackass‘ Chris Pontius shines as the movie star’s best bud.

Poetry: Learning to see what you’d rather overlook

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Early in his film, Korean writer-director Chang-dong Lee tells us his theme.  Holding an apple, the teacher tells his students that, to write poetry, you must first see, really see the world around you.  Mija is a 66-year-old pensioner in his class who works part-time as a caregiver for a stroke victim and is raising her sullen slob of a teenage grandson. She struggles with the poetry, but she does begin to see the people in her world with clarity – and it’s not a pretty picture.  What she learns to see is human behavior ranging from the venal to the inhumane.

The key to the film’s success is the performance of Jeong-hie Yun as Mija, a protagonist who spends the entire movie observing. Her doctor tells her that her failing memory is the start of something far worse.  Sometimes she doesn’t see what we see because she is distracted.  But sometimes she doesn’t act like she sees because of denial or avoidance.  Sometimes she is disoriented.  But she has moments of piercing lucidity, and those moments are unsparing.

This unhurried film is troubling, uncomfortable and very, very good.