Movies to See Right Now (at home)

Photo caption: the late Lynne Shelton in her film SWORD OF TRUST

This week: a brilliant comedy with a heartbreaking back story. It’s a good week for movies on TV, with perhaps the best political documentary and the most kinetic movie you’ll ever see. And the return of the most eclectic watch-at-home recommendations you’ll find ANYWHERE.

ON VIDEO

Sword of Trust: a sharply funny social satire with a bonus – a rich and moving character study. Amazon, AppleTV, Vudu, YouTube and Google Play.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

THE TIMES OF HARVEY MILK

On May 16, Turner Classic Movies airs one of the greatest political movies of all time – The Times of Harvey Milk, the documentary Oscar winner from 1984. It’s the real story behind the 2008 Sean Penn narrative Milk – and with the original witnesses. If you pay attention, The Times of Harvey Milk can teach you everything from how to win a local campaign to how to build a societal movement. One of the best political movies ever. And watch for the dog poop scene!

And, you’ll never see a more kinetic movie than Run Lola Run, which TCM is airing on May 1. Lola (Franka Potente) has only 20 minutes to raise 100,000 Deutschmarks and save her boyfriend’s life from his gangster boss. In only 81 white knuckle minutes, writer-director Tom Tykwer has Lola desperately sprinting around Berlin in three different scenarios.

Incidentally, Potente is now a director, and her new film Home with Kathy Bates played at SFFILM (although I missed it).

Run Lola Run is also available to stream on Amazon, AppleTV, Vudu, YouTube and Google Play.

Franka Potente in RUN LOLA RUN

The Robber: robbing and running, but why? and who cares?

The title character in The Robber/Der Rauber finishes a six-year prison term for bank robbery and immediately and compulsively robs a bank.  He doesn’t care about the money, he is simply driven to rob banks.

He has spent his six years in prison obsessively training, and he wins the Vienna Marathon when he gets out.  Along the way, his running ability helps him make dramatic escapes.  The role of the robber is very physically demanding, and he is well-played by Andreas Lust (Revanche).

It’s a well-acted and at times beautifully shot movie, but the story by writer-director Benjamin Heidenberg lets us down.  Why is the robber so compulsive?  How did he get to be so alienated?  Since he shows no emotion or human connection, why should we care?

There exists an excellent German bank robbery drama with lots of running, plus a great character, so I recommend Run Lola Run on DVD.