Although I haven’t had a chance to write about them yet, I like the suspense thriller Prisoners (with Jake Gyllenhaal and Hugh Jackman) and Joseph Gordon Levitt’s offbeat comedy Don Jon. I hope to post about them this weekend.
I haven’t yet seen the Tom Hanks thriller Captain Phillips or the rollicking Danny Trejo action comedy Machete Kills, which open today. You can read descriptions and view trailers of it and other upcoming films atMovies I’m Looking Forward To.
My other top recommendations:
Woody Allen’s very funny Blue Jasmine centers on an Oscar-worthy performance by Cate Blanchett.
Check out my new feature VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including Letters from the Big Man).
My DVD/Stream of the Week is the provocative eco-terrorism drama The East.
On October 17, Turner Classic Movies will be showcasing the excellent prison drama Convicts 4. It’s not aptly titled – it’s about one convict (Ben Gazzara), whose talent as a visual artist blossoms in prison. Convicts 4 is soon to be on my list of Best Prison Movies.
The Year & the Vineyard is an interesting, funny, original movie, shot without a budget. It was written, directed and edited by Spanish director Jonathan Cenzual Burley. The story is set in a small village in the beautiful countryside of Spain in 2012. It begins when a strong macho Italian, who is a fighter for the International Brigade, literally falls through a hole in the sky and lands in a vineyard. He believes he is fighting the Spanish Civil war in 1937. The local priest, who is very funny, flamboyant and a little odd, is convinced the Italian is either an angel or a saint, and, after a thorough examination, concludes that neither is correct.
The Italian stays at the home of a very shy teacher and the 2 men become friends. The teacher is in love with a local girl and the priest and the fighter encourage him to sing to her to minimize his nerves, so that he can actually declare his love to her through song. The scene reminded me of Romeo and Juliet when Romeo declares his love to Juliet when she is standing on a balcony.
The Italian sees a picture of his lover from 1937 in a history book and notices that she is also fighting in the war. His sole desire is to be reconnected with her back in 1937, and so the men try to figure out how he fell out of the sky in the first place. Finally, by throwing stones up in the air close to where he fell, they finally realize that there is a hole in the sky that he is able to climb over to go back to 1937. He does this with the help of a ladder and his friends.
What struck me about the director is his absolute passion and belief in what he is doing. His Grandfather fought in the civil war and played a small role in the movie. In addition, filming took place where Burley spent his summers as a child, so his personal connection was apparent. You could see how hard he worked to put this piece together. It took him about a year to make the whole film from start to finish without a budget. His actors are not well-known, but I was impressed with their ability. He finally finished the movie on Sunday, days before the world premiere at the Mill Valley Film Festival, and I was lucky enough to attend and see him introduce it to the audience. It was exciting to see how dedicated Jonathan Burley is to his work.
The Year & the Vineyard was funny and cute and, even though the start was slow, I really enjoyed the whole production. The audience was clearly engaged, and being present and hearing the answers to our questions, you can see that this man is committed to his art.
Our Marin correspondent Zeke Ortiz represented us at this year’s Mill Valley Film Festival.
The East is a smart and gripping thriller that explores both our response to corporate criminality and the unfamiliar world of anarchist collectives. Brit Marling plays a brilliant up-and-comer in an industrial security firm who goes undercover to hunt down and infiltrate a band of eco-terrorists named The East.
The East seeks to brings deadly personal accountability to corporate leaders who injure people and the environment. These aren’t Hollywoodized corporate villains – all of the corporate crimes depicted in the movie have occurred in real life. Lesser filmmakers would have made The East into a revenge fantasy with a Robin Hood-like merry band of earnest kids – or a conventional espionage procedural, hunting down a gang of wild-eyed terrorists.
The East is so good because it explores our helplessness in the face of corporate malfeasance. The corporate targets deserve to be held accountable, and their crimes cry out for punishment. Yet the vigilante violence of The East is clearly unacceptable. No self-selected group of avengers – no matter how legitimate their grievance – should be able to inflict extra-legal violence. (If you don’t think so, just substitute white supremacist militia, fundamentalist Mormons or Chechen immigrants for the hippies in this movie.)
We view this dilemma through the perspective of Marling’s protagonist, whose own views evolve through the course of the story. Marling co-wrote the screenplay with director Zal Batmanglij. Marling and Batmanglij spent over three months in an anarchist collective, living a cash-free life off the grid; that experience has paid off with an unusual authenticity in the depiction of the anarchist lifestyle.
Marling and Batmanglij also co-wrote the indie The Sound of My Voice, and Marling wrote and starred in last year’s sci-fi hit Another Earth. Here, they have created a set of original characters and invented some really ingenious plot points, especially a very powerful initiation dinner and an astounding bit of tradecraft involving dental floss.
Besides Marling, Ellen Page is especially good as one of the eco-terrorists. Julia Ormond is brilliant in a tiny part as a business executive. There are other fine performances by Patricia Clarkson as Marling’s nasty boss and by Alexander Skarsgaard and Toby Kebell as anarchists.
There may be some holes in the plot, but The East is such a tautly crafted thriller, that we don’t have time to notice. There is one unfortunately corny scene between Ellen Page’s character and Jamey Sheridan’s (he’s become the Go To Guy for entitled white male scumbags). But those are quibbles – The East is a very strong film.
The East is available on DVD from both Netflix and Redbox and streaming from Amazon, Vudu, iTunes, GooglePlay and other VOD outlets.
The Iceman is based on the true story of Richard Kuklinski, a New Jersey hitman said to have killed at least 100 (and possibly more than 250) people over thirty years until 1985. Besides his prolific trail of carnage, the most interesting aspect of The Iceman is its take on Kuklinski’s personality and its portrayal by Michael Shannon.
Shannon’s Kuklinski deeply loves his wife and daughters – and is psychotically indifferent to the fate of any other human (even his own). To him, killing another person is as unencumbered by morality or emotion as delivering a pizza or fixing a muffler. His “Iceman” nickname derives from his practice of freezing his victims and dumping their bodies months later – so investigators could not fix the time of death. But “Iceman” just as aptly applies to Kuklinski’s fearlessness and utter lack of empathy.
Ever since Shotgun Stories, Michael Shannon has been one of my favorite actors. He’s perfect for Kuklinski, because Shannon can combine impassivity and intensity like no one else. He can also use his hulking frame to enhance his menace (or, in Mud, his goofiness).
His fellow actors – including Winona Ryder, Ray Liotta and David Schwimmer – do a fine job. I particularly enjoyed Chris Evans as fellow hitman Mr. Freezy, who works out of his ice cream truck. Because I don’t watch superhero movies, I was unaware that Evans has recently starred as Captain America in The Avengers and as Johnny Storm in the Fantastic Four movies.
The Iceman is a solid true-life crime movie with an outstanding performance by Michael Shannon. The Iceman is available on DVD from both Netflix and Redbox and streaming from Amazon, Vudu, iTunes, GooglePlay, YouTube and other purveyors of VOD.
