Bridesmaids: Funny but incomplete

Bridesmaids is a funny movie, but one that could have been much better.  In a role that she wrote for herself, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life.  Instead, she wreaks havoc on her best friend’s wedding planning and is about to sabotage a sweet romance with Chris O’Dowd.  So far, so good.

Producer Judd Apatow salted Wiig’s screenplay with some low brow stuff.  Now, I like to see gals at an upscale wedding boutique puking on each other and shitting themselves as much as the next guy (and it was the guys in the audience that were laughing the most at that scene).  But the Apatow additions didn’t quite mesh with the central story.

Still, we can conclude that Kristen Wiig has what it takes to carry a movie by herself.  Hopefully, next time she’ll get her script greenlighted as is.

The Princess of Montpensier: a woman who is loved too much

Set in late 16th century France amid the French religious wars, a young noblewoman is forced by her father to marry – but not the man she loves. Her new husband is unhealthily jealous and for good reason – various members of the Court fall in love with her and she is too immature to handle it well.

The 35th film directed by Bertrand Tavernier (Coup de Torchon) is often exquisite. There is brutal 16th century warfare set against the beautiful French countryside, gorgeous costumes, thundering horses, swordplay in the Louvre and heaving bosoms.

It’s a good film that could have been great.  Unfortunately,  Melanie Thierry doesn’t live up to the great role at the center of this romance. Instead, Lambert Wilson steals the picture with an exceptional performance as the husband’s mentor and the Princess’ confidant.

Mademoiselle Chambon

Mademoiselle Chambon is the year’s best romance.  Finding one’s soul mate in middle age, when one may have serious commitments, can be heartbreaking.  Here, the two people are not looking for romance or even for a fling.  He is a happily married construction worker.  She is his son’s teacher.  They meet (not cute) and do not fall in love (or lust) at first sight. He is unexpectedly touched by something she does, and she is touched that he is touched.  Despite their wariness, they fall in love.

The lovers are beautifully acted by Vincent Lindon and Sandrine Kiberlaine in two of the very finest performances of the year.