Movies – Page 68 – The Movie Gourmet

DVD/Stream of the Week: DOSE OF REALITY from Cinequest 2013

July 9, 2018February 24, 2015 by movie gourmet

Fairuza Balk, Ryan Merriman (rear) and Rick Ravanello in DOSE OF REALITY

To celebrate the beginning of Cinequest 2015, my weekly DVD/Stream is one of the hits of Cinequest 2013 – the American indie thriller Dose of Reality. Dose of Reality star Rick Ravanello also has the lead in Withdrawal, a short playing Cinequest 2015 in the BARCO Escape 1 Short Program on March 1, 7 and 8.

Dose of Reality packs wire-to-wire intensity and a surprise ending that no one will see coming. A woman is found in a bar’s restroom after closing time, apparently beaten and raped, but unable to remember by whom. Two bar employees are the only possible suspects. Both deny it, and the woman launches a series of searing mind games to determine her attacker.

Fairuza Balk (American History X, Almost Famous) commands the screen as the woman. Her character, starting from a place of utter victimization, becomes totally dominant over the men. The most interesting of the guys is played by veteran TV actor Rick Ravanello, (106 acting credits on IMDb). Ravanello’s eyes have an uncommon capacity to credibly take the character through dimness, cunning, tweaked impairment, guilt and terror.

It’s a plenty compelling movie for the first 75 minutes, but Dose of Reality is all about the Big Surprise at the end – which is a shocker on the scale of The Crying Game. Afterward, I was able to reflect back and identify at least four clues in the story, but every one of the 250 audience members at Dose of Reality’s Cinequest world premiere was rocked by the surprise on first viewing. Actor Ravanello recounts that when he first read the script, he got to the end and blurted “No Fucking Way!”. Writer-director Christopher Glatis has a real winner in Dose of Reality.

Dose of Reality is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, GooglePlay and some other VOD outlets.

Cinequest: ASPIE SEEKS LOVE

February 24, 2015 by movie gourmet

In documentarian Julie Sokolow’s suprisingly moving Aspie Seeks Love, we meet a geeky guy named David Matthews, and we can immediately tell that he has really bad social skills. He’s initially off-putting – he has a robotic speaking voice, he’s bringing up the wrong conversational subjects and any woman he meets can safely be predicted to run, run, run away. Then we learn that David (now age 47) was diagnosed with Asberger’s at 41. (Aspie is a self-descriptive term used by some folks with Asperger’s syndrome.)

David is determined to overcome his Asberger’s and find love. We follow David with his support group, his therapist and even along on some dates. We’re with him when he’s hanging around a pool table with three Aspie buddies; they’re talking about how difficult it is to navigate courtship rituals when you don’t have the ability to pick up cues – for example, whether a woman is ENCOURAGING or DISCOURAGING an escalation in physical contact. I really felt for these guys – non-verbal communication while dating can be hard enough to decipher without the handicap of an autism spectrum disorder. It’s heartbreaking that David spent 41 years (before his diagnosis) with people thinking that he was just a weirdo.

Small talk is a challenge, too. David says, “I’m a vegan”, which draws some interest. But he doesn’t understand why you shouldn’t follow that up with “It makes my body smell clean”.

Despite his disorder, David is really smart, artistic, and enjoys an ever present sarcastic sense of humor. I’m no softy, but I found myself really rooting for this guy. Okay – so he’s socially awkward, but he’s employed and stable, lives in his own house, is about to become a published author, is impeccably clean, doesn’t smoke drink or do drugs, has no criminal record – he must be right for SOME WOMAN out there. I live in Silicon Valley among engineers and David really isn’t THAT socially inept by comparison.

Possibly because David doesn’t really GET awkwardness, writer-director Julie Sokolow is able to follow him into situations that normal folks might find intrusive. Sokolow also edits, and the editing choices are just about perfect. Aspie Seeks Love is a gem.

Cinequest hosts the world premiere of Aspie Seeks Love on February 27, and it plays again on March 1 and March 4, all at Camera 12.

Cinequest: MEET THE HITLERS

February 24, 2015 by movie gourmet

In the documentary Meet the Hitlers, we are introduced to those few people who choose NOT to change their birth name of “Hitler”. And it’s a varied bunch. We meet a delightfully confident Missouri teen girl, a workaday Ecuadorian whose parents didn’t know who Hitler was and an affable Utah oldster who might be the most jovial fellow ever to brighten up a chain restaurant. And there’s an Austrian odd duck burdened with enough personal baggage that he surely didn’t need this name. Do they see the name as a curse, and how has it affected them? It’s a theoretical question to us in the audience, but it’s compelling to see the real world responses of the film’s subjects.

And then there’s a mystery about three Americans who HAVE changed the name – because they are the last living relatives of Adolph Hitler. We follow the journalist who has been tracking them down for over a decade. (Documentarian Matt Ogens makes a great editorial choice as to whether to reveal their current names.)

Finally, there’s the disturbing saga of a New Jersey neo-Nazi who is NOT named Adolph Hitler but WANTS to be. Of course, anybody can choose to adorn themselves with a Hitler mustache and swastika tattoos and spew hatespeech, but his choices are affecting not just himself, but his children.

Some of these threads are light-hearted and some are very dark. Meet the Hitlers works so well because Ogens weaves them together so seamlessly. It’s a very successful documentary.

You can see Meet the Hitlers at Cinequest on March 1, 2 and 7 at Camera 12.

Cinequest: FEVER

February 24, 2015 by movie gourmet

In Fever, we meet two teen thrill killers (a la Rope and Compulsion). What makes Fever unique is the introduction of a third character – a woman who may have witnessed their getaway. She doesn’t immediately grasp the connection, but we then watch the story threads (hers and the boys’) get nearer and finally intersect. In another twist from the Leopold and Loeb set-up, the two boys are classmates who come from very different socioeconomic backgrounds.

Even with two killers in the story, the most compelling character is the woman, played with immediacy by Julie-Marie Parmentier. At first blush, she’s just a workaday optician who is gradually becoming less satisfied with her boyfriend. But, watching Parmentier’s sharply observant eyes, we soon become aware that there’s much more going on inside her.

Fever is the first time feature from writer-director Raphael Neale, and it shows that Neale is capable of inventing an unusual take on a familiar story and effectively pacing the tension in a thriller.

Fever gets its title from the Little Willie John song popularized by Peggy Lee, and there some very cool renditions of it in the movie. (And Fever is another of those French movies that make me so impressed with the intellectual content of some French public high schools.)

Cinequest will host Fever’s US premiere on February 26 at Camera 12, and it plays at Camera 12 again on February 28 and at the California Theatre on March 2.

Cinequest: DIRTY BEAUTIFUL

February 24, 2015 by movie gourmet

OK – so down-on-his-luck guy meets a potty-mouthed vixen when she LITERALLY jumps into his car. But Dirty Beautiful is NOT your run-of-the-mill mumblecore romantic comedy!

What elevates Dirty Beautiful is that writer-director Tim Bartell has invented two characters that we’re not used to seeing. The guy and the gal each has a unique neediness that drives this offbeat battle of the sexes.

The guy is really a talented storyboard artist, but he THINKS that he is a screenwriter, which means that he spends his days not actually screenwriting, but shuffling and reshuffling his notecards. He’s drawing just enough storyboards to afford food, an apartment next to the garbage, a couple of unwashed t-shirts and a car that can’t even “make it to the 405”. And he’s oddly yearning to HAVE a girlfriend (but not prowling for sex with a woman who could turn into a girlfriend). Instead he aches to have a girlfriend primarily for the status of having a girlfriend.

She has been homeless, would mainline tequila if she could, and is, well, a HANDFUL. She’s been damaged by experiences in her past, and brings extreme volatility into his all too predictable lifestyle. And she exposes the fantasy that is trapping him in professional and personal limbo.

All in all, Dirty Beautiful is a hoot. Plus there’s the occasional memorable dialogue, like “Hey, girls that give hand jobs can be great moms. God!”

Cinequest is hosting Dirty Beautiful’s world premiere on Saturday night February 28 at 9:30 in Camera 12 with additional screenings on March 1 and March 3.

[MILD SPOILER: When the relationship becomes belligerent, each tries to hunker down and try to outlast the other. That’s not just for the plot, it’s because there’s something about each character ’s neediness that makes them dig in.]

Cinequest: LOS HAMSTERS

February 24, 2015 by movie gourmet

The Hamsters (Los Hamsters) is a delightfully dark social satire about a riotously dysfunctional Tijuana family. The dad, mom and two teenagers are going to such lengths to hide secrets from each other that they are completely oblivious to the drama in the others lives. In his first narrative feature, writer-director Gil Gonzalez has crafted a comedy that is completely character-driven, compressed into a very fun 71 minutes.

This family is in the upper middle class and the dad is desperately trying to stay there, the mom is denying any signs to the contrary and the kids are too spoiled and self-absorbed to notice any odd behavior by the parents. The acting is strong, especially by Angel Norzagaray, who plays the weary but driven, hangdog dad.

And here’s a bonus – Los Hamsters was filmed in Tijuana, and it’s great for a US audience to see this city as it is seen by its residents, not by its visitors.

Los Hamsters will have its North American premiere on February 27 at the California Theatre and plays again on March 5 and 7 at Camera 12.

Cinequest: ANTOINE ET MARIE

February 24, 2015 by movie gourmet

In the French-Canadian drama Antoine et Marie, a woman’s life is changed by an event. What happens to her is something that Marie herself must figure out, as must the audience. When we meet her, Marie is a forty-two-year-old clerk at an auto-repair business with a lust for life. She’s living with a guy who adores her, and she enjoys socializing with her with her work buddies. But something makes her unsettled and gradually sucks the spark out of her life. Will she find out the cause and decide what to do about it?

Antoine et Marie is extremely topical, but revealing that topic would be a significant spoiler, so you’re just gonna have to take my word for it.

Martine Francke delivers a superbly modulated performance as Marie. Sebastien Ricard is equally compelling as a repressed and dissatisfied blue collar husband and father.

This is writer-director Jimmy Larouche’s second feature film, and he has delivered a brilliantly constructed story with two unforgettable characters – and performances to match. Antoine et Marie is an unqualified success, tense and riveting all the way through.

Antoine et Marie’s US premiere will be February 28 at Cinequest, and it plays again on March 2 and 4, all at Camera 12.

planning the annual Oscar dinner

February 20, 2015 by movie gourmet

Every year, we watch the Oscars while enjoying a meal inspired by the Best Picture nominees. For example, we had sushi for Lost in Translation and cowboy campfire beans for Brokeback Mountain – you get the idea.

On my Oscar Dinner page, you can see past menus and some photos. In 2009, Frost/Nixon and Milk were stumping me until I realized that they were all set in the 1970s. So we had celery sticks stuffed with pimento spread, pigs in a blanket and Tequila Sunrises. And we’ll never top the Severed Hand Ice Sculpture for 127 Hours and Winter’s Bone (above).

Anyway, here’s our menu for 2015:

Table decorations

Lilacs – In Birdman, Riggan asks for camellias for his dressing room and wants anything except roses; his daughter later brings him lilacs. (We could have also gone with the theater critic’s martinis or the sliced lunch meat in Riggan’s dressing room.)

Beverages

Pub pints of beer – Frequently consumed in pub scenes in The Imitation Game and The Theory of Everything. (I drink Ballast Point Sculpin, but we’re going to pretend that it’s Newcastle.)

Starter

Pizza – from the pizza date in Whiplash.

Hummus – Chris Kyle and his buddies share a family meal at the Iraqi home of the guy hiding a cache of arms in American Sniper. (With so many excellent recent movies set in the Middle East, we’ve had Hummus before along with Kabob Koubideh, Khoresh Ghormeh and Fatayer bi Sabanekh.)

Graduation party appetizers – from Boyhood , a movie with MANY unforgettable scenes (lots of family dining, snacks and the diner scene), but with pretty unmemorable food choices.

Main Course

Fried chicken and fixins – requested by the appreciative Southern Christian Leadership Conference team upon their arrival at their hostess’ home in Selma.

Dessert

Courtesan au chocolate – the elaborate filled pastry smuggled to the Ray Fiennes character in The Grand Budapest Hotel.

Movies to See Right Now

February 20, 2015 by movie gourmet

Eller Coltrane, Ethan Hawke and Lorelei Linklater in BOYHOOD

It’s time for the Oscars, so you really should watch the year’s best film (and Oscar favorite) Boyhood if you haven’t seen it yet. It’s available on DVD from Netflix and streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and Xbox Video. Otherwise:

Clint Eastwood’s thoughtful and compelling American Sniper, with harrowing action and a career-best performance from Bradley Cooper.
The inspiring Selma, well-crafted and gripping throughout (but with an unfortunate historical depiction of LBJ).
The Belgian drama Two Days, One Night with Marion Cotillard, which explores the limits of emotional endurance.
The cinematically important and very funny Birdman. You can still find Birdman, but you may have to look around a bit. It has justifiably garnered several Oscar nominations, including for Best Picture.
Reese Witherspoon is superb in the Fight Your Demons drama Wild, and Laura Dern may be even better.
The Theory of Everything is a successful, audience-friendly biopic of both Mr. AND Mrs. Genius.
Julianne Moore’s superb performance is the only reason to see Still Alice;
The Imitation Game – the riveting true story about the guy who invented the computer and defeated the Nazis and was then hounded for his homosexuality.
I was underwhelmed by the brooding drama A Most Violent Year – well-acted and a superb sense of time and place (NYC in 1981) but not gripping enough to thrill.

My DVD/Stream of the Week is the droll Swedish dramedy Force Majeure, Sweden’s submission for the Best Foreign Language Oscar. It is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu and Xbox Video.

It’s time for Turner Classic Movies’ annual 31 Days of Oscar – a glorious month of Oscar-nominated and Oscar-winning films on TCM. This week, I am highlighting:

The Producers (February 21): This zany 1967 Mel Brooks madcap classic is probably my nominee for Funniest Movie of All Time. (Much better than the 2005 remake.) Deliverance (February 21): Our of my all-time favorites – still gripping today – with a famous scene that still shocks. Jon Voigt, Burt Reynolds, Ned Beatty and Ronny Cox form an impressive ensemble cast.
Seven Days in May (February 26): A GREAT political thriller
The Emigrants (February 27): This Swedish film remains the best depiction of pioneer settlers in the American West.

DVD/Stream of the Week: FORCE MAJEURE – some things you just can’t get past

October 25, 2017February 17, 2015 by movie gourmet

In the droll Swedish dramedy Force Majeure, a smugly affluent family of four vacations at an upscale ski resort in the French Alps. The wife explains to a friend that they take the vacation because otherwise the husband never sees the family. But, while the wife is blissed out, the kids fidget and complain, and the hubby sneaks peeks at his phone.

Then there’s a sudden moment of apparent life-and-death peril; the husband has a chance to protect the wife and kids, but instead – after first securing his iPhone – runs for his life. How do they all go on from that revealing moment? The extent that one incident can bring relationships into focus is the core of Force Majeure.

Clearly, the family has a serious issue to resolve, but there’s plenty of dry humor. In the most cringe worthy moments, the wife tries to contain her disgust, but can’t keep it bottled up when she’s in the most social situations. The couple repeatedly huddle outside their room in their underwear to talk things out, only to find themselves observed by the same impassive French hotel worker. The most tense moments are interrupted by an insistent cell phone vibration, another guest’s birthday party and a child’s remotely out-of-control flying toy.

Force Majeure is exceptionally well-written by writer-director Ruben Ostlund. It’s just his fourth feature and the first widely seen outside Scandinavia. He transitions between scenes by showing the machinery of the ski resort accompanied by Baroque organ music – a singular and very effective directorial choice.

Force Majeure was Sweden’s submission for the Best Foreign Language Oscar. It is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu and Xbox Video.

[I’ve included the trailer as always, but I recommend that you see the movie WITHOUT watching this trailer – mild spoilers]