Ranging from wry to hilarious, the German dark comedy A Coffee in Berlin hits every note perfectly. Opening tomorrow, it’s the debut feature for writer-director Jan Ole Gerster, a talented filmmaker we’ll be hearing from again.
Jan Ole Gerster
We see a slacker moving from encounter to encounter in a series of vignettes. Gerster has created a warm-hearted but lost character who needs to connect with others – but sabotages his every opportunity. He has no apparent long term goals, and even his short term goal of getting some coffee is frustrated.
As the main character (Tom Schilling) wanders through contemporary Berlin, A Coffee in Berlin demonstrates an outstanding sense of place, especially in a dawn montage near the end of the film. The soundtrack is also excellent – the understated music complements each scene remarkably well.
I saw A Coffee in Berlin (then titled Oh Boy) at Cinequest 2013 and singled it out as one of the three most wholly original films in the festival and as one of my favorite movie-going experiences of the year. A Coffee in Berlin was snagged for the festival by Cinequest’s film scout extraordinaire Charlie Cockey.
“Of course you are” is what The Wife says when I answer one of her questions with something like, “I’m watching the Icelandic penis documentary”. Indeed, the documentary The Final Member is about the curator of the Icelandic Phallological Museum. He has collected and displays sample penises from every mammalian species from hamster to sperm whale. THAT’S NOT THE WEIRD PART.
The museum still lacks a sample from Homo Sapiens. It’s the curator’s quest – and the men vying to contribute their own organs – that is central to The Final Member. Like the
Errol Morris films Days of Heaven (pet cemetery) and Tabloid (Mormon missionary, cloning dogs), it’s not that the OBJECT of obsession is so funny – it’s the obsession itself. It’s that the documentary presents people who are SO OBSESSED and SO EARNEST about the topic. Of course, it is pretty funny when guys are each striving to put their penises on museum display.
In fact, the lengths to which one guy is willing to go for penis fame and fortune is astounding and, for male viewers, wince-inducing. I’m working on a list of Jawdropping Documentaries, and – believe me – The Final Member is gonna make that list. I recommend The Final Member for its 75 minutes of “he said WHAT?” LOL moments.
BTW that’s one-third of a sperm whale penis in the image at the top of this post. (And the very last shot in The Final Member is a very wry filmmaking joke, too.)
The Final Member is now streaming on Amazon and iTunes.
The Canadian comedy The Grand Seduction is the funniest movie of the year so far. It’s a MUST SEE.
Brendan Gleeson (In Bruges, The Guard, The General, Braveheart) and Gordon Pinsent (Away from Her) play isolated Canadians try to snooker a young doctor (Taylor Kitsch of Friday Night Lights) into settling in their podunk village. They enlist the entire hamlet in an absurdly elaborate and risky ruse, and the result is a satisfying knee-slapper that reminds me of Waking Ned Devine with random acts of cricket.
The Grand Seduction opened this year’s Cinequest on an especially uproarious note. The audience, including me and The Wife, rollicked with laugh after laugh. Like Ned Devine, I think that The Grand Seduction can become a long-running imported art house hit like The Best Exotic Marigold Hotel or The Full Monty.
What do you get when testosterone-fueled and morally challenged stock salesmen discover how to make piles of easy money by defrauding investors? Well, when Martin Scorsese tells the tale, we get three hours of full throttle, hilariously bad behavior. The Wolf of Wall Street is the story of a (real life) guy who found out how to make a fortune scamming middle class investors – and then a bigger fortune scamming rich investors – on penny stocks and shady IPOs. It’s a wild ride that is destined to end in a perp walk, propelled by enormous amounts of recreational drug use. In fact, the movie is really about excess – the sales meetings here make the toga party in Animal House look like an Amish barn-raising.
This is not economic story-telling. Scorsese indulgently lets his scenes run on and on – not so we lose interest, but just so he can milk out every drop of spectacle. Although he could have told the story in two hours instead of three, he just couldn’t resist supplying three hours of exhilaration. Fine by me.
I had never thought of Leonardo DiCaprio as a comic actor, but he does a fine job in the lead role – driving what is essentially a comedy. Speaking of comic actors, this may be Jonah Hill’s finest performance – he plays the top henchman, a character who wears horn-rimmed glasses (without corrective lenses) just to look more WASPish; no one can play schlubby desperation or drug-impaired overreaching better than Hill. There is a huge cast, and some of the year’s best acting gems include:
Kyle Chandler (Friday Night Lights and so brilliant in The Spectacular Now) as the FBI agent targeting DiCaprio. In particular, Chandler performs an exceptional scene on a yacht, where the agent lets the con artist (and the audience) think that his con is working – for just a bit. Top notch stuff.
Matthew McConaughey, at the height of his new-found acting powers, as our hero’s first mentor in amorality;
Rob Reiner (!) as the hero’s emotionally explosive but common sensical dad;
the stunning blonde Australian actress Margot Robbie as the Brooklyn-bred trophy wife; and
Joanna Lumley (a top model in London’s 60s Mod scene and popularizer of the Purdey bob hairstyle) as the trophy wife’s conveniently European aunt.
I’m certainly going to add this to my Best Drug Movies. Multiple scenes make this the best Quaalude movie ever, and one extended ‘lude scene with DiCaprio and Hill had the audience howling for several minutes.
Is this one of Scorsese’s best films? No – but it is one of the most entertaining and certainly the funniest. The Wolf of Wall Street is available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.
The title character in Dom Hemingway is always in a determined hurry, one of those guys whose brow is always 12 inches in front of his feet. He is played by Jude Law as a force of nature who takes a lickin’ and keeps on tickin’. Dom Hemingway is a none-too-smart professional safe-cracker who has taken the rap for his partners and is just getting out after twelve years in the slammer. He’s been fantasizing about what he wants to do when he gets out, and he intends to do it all in as compressed a time period as possible. Unfortunately, as he tells a small boy, “Dom is English for unlucky sonofabitch”. His headlong onslaught into misadventure is ribald, profane and pretty funny.
This movie is not a masterpiece. Think of Dom Hemingway as The Wolf of Wall Street Lite. Still, Jude Law is very watchable and very funny, as is Richard E. Grant as his almost-as-unlucky and almost-as-dim buddy. Director Richard Shepard made a much better movie in 2005, The Matador with Pierce Brosnan and Greg Kinnear. Still, Dom Hemingway works as a pedal-to-the-metal romp.
I saw Dom Hemingway three weeks ago at Cinequest 2014.
Along with The Grand Seduction, the Israeli caper comedy Hunting Elephants has been the audience favorite at Cinequest. Apparently, Israelis see just as little generosity, fair-mindedness and decency in their bankers as we do in ours. When a particularly smarmy banker goes too far, a victimized family unleashes a team of septuagenarians led by a 12-year-old to make things right. The old guys are veterans of Irgun, the Zionist terrorists (or freedom fighters, depending on your perspective) who forced an end to the British Mandate in Palestine, so they’re a particularly tough set of characters (even ravaged as they are by age). To their – and his – discomfort, they are teamed with an effete and pretentious scoundrel from the British stage (Patrick Stewart).
The genius of Hunting Elephants is that it combines the comic potential of a coming of age story, a geezer liberalization tale, a gang-that-couldn’t-shoot-straight saga and a fish-out-of-water (the Patrick Stewart character) farce. Mixed with the poignancy of the boy and the old men grasping for some dignity, the result is satisfying crowd pleaser.
The Italian comedy Zoran, My Nephew the Idiot is centered around Paolo, a hard-drinking slob who works in a cafe kitchen in the Italian region that borders Slovenia. Boorish as he is, Paolo is mostly marked for his unrestrained selfishness. “You are a bad man,” he is told. When an aunt dies, he is dismayed to learn that, not only has he not inherited anything of value, he is to burdened for a few days by her grandson, his nephew. Having been raised in isolation, the nephew is an odd duck with some tendencies of autism and/or Asberger’s. Paolo wants to dump the kid until he finds out that the nephew is a savant in one area that Paolo just might be able to exploit.
The comedy comes from the outrageousness of Paolo’s bad behavior (a very funny sprinkling of ashes, for example) and his venal attempts to profit from the nephew. Of course, he has an opportunity for redemption at the end. Although I wouldn’t go out of my way to see it, it’s all pretty funny, and Zoran, My Nephew the Idiot is a pretty satisfying little comedy.
What kind of douchebag would fake his own death to see who shows up to his funeral? Indeed, in the comedy Friended to Death, there’s a reason why everyone calls Michael Harris a douchebag. He is a colossal jerk who revels in the misfortunes of others. In his job as a parking enforcement officer, he’s a gleeful Johnny Appleseed of misery. Worse yet, he is a social media addict who narcissistically insists on constantly blasting his escapades on Facebook and Twitter. He’s oblivious that his own social media proves himself to be the asshole everybody says that he is.
You know that Michael is ripe for a comeuppance, and he gets a dose of his own medicine when one of his premature vehicle tows unleashes an unhinged enemy for life. There are plenty of madcap moments as Michael (Ryan Hansen from TV’s Friends with Benefits) and his reluctant co-conspirator Emile (James Immekus) frantically try to conceal their hoax.
Friended to Death writer-director Sarah Smick and co-writer Ian Michaels archly comment on the “social” in social media. Their Michael Harris says “I have 417 friends – you don’t expect me to know ALL of them!” and “I speak in text”. Really smart comedy writing is pretty rare, and Smick and Michaels have the gift. Michaels got the idea after reading about a guy who faked his own death and wrote scathing rebukes to those who missed his faux memorial. By dropping that kernel into our current environment of over-sharing, Smick and Michaels were able to alchemize it into a biting social satire.
Smick and Michaels are longtime collaborators who married last October. In 2011, Smick and Michaels brought their equally funny Here’s the Kickerto Cinequest; (Michaels directed that one). Here’s the Kicker is available streaming on YouTube and is also is out on DVD.
In Friended to Death, Smick and Michaels play characters trying to expose the fraud. They are very good in their roles, as is veteran Robert R. Shafer (Bob Vance in The Office) as that boss who just can’t restrain himself from yelling.
In Friended to Death, TMI becomes LOL. Pointedly smart and well-crafted dark comedies don’t come along every day. Don’t miss Friended to Death, playing again at Cinequest tonight and on Friday.
The indie comedy Friended to Death has its US premiere tonight at Cinequest, and it’s not the first time for the filmmakers. Friended to Death writer-director Sarah Smick and co-writer Ian Michaels brought their Here’s the Kickerto Cinequest in 2011 (Michaels directed that one). Smick and Michaels also act in both movies.
In Here’s the Kicker,the relationship of a prematurely retired football player and his girlfriend is being battered by their dead-end jobs in LA; (she is a make up artist – in porn films). To save their relationship, he agrees to move back to her hometown in Texas where they can open a salon/saloon: a combo beauty parlor and sports bar. Just as they are leaving on the road trip, he is offered his dream job as a football scout. When is he going to get the nerve to tell her? Along the way, they pick up his obnoxious former teammate and, most hilariously, his dad, who does NOT want to return to alcohol rehab. Many guffaws ensue in this all too rare occurrence – a satisfying American film comedy.
As the girlfriend, Sarah Smick succeeds in remaining sympathetic despite being continually aggrieved – no easy accomplishment. Luce Rains is great as the drunk dad.
According to Ian Michaels at the Cinequest screening, Producer/Cinematographer/Editor Chris Harris made the key decision to cut some early scenes so the road trip could commence sooner. Obviously, that move worked. Here’s the Kicker deserves a wide release.
Good news. Here’s the Kicker is available streaming on YouTube. It’s also is now out on DVD. Please go to the movie’s Netflix page and click SAVE – once it gets enough SAVES, it will become available on Netflix.
It’s hard to write comedy. Otherwise, we’d be seeing lots of good comedies. That’s why it’s worth tagging along on the uproarious road trip in Here’s the Kicker.
Actress Lake Bell wrote/directed/stars in In a World…, the story of an underachieving voice coach who still lives in the house of her dad, the king of movie trailer narration. She’s disheartened when he kicks her out to make room for his new and very young squeeze, but she lucks into a voiceover gig herself and is “discovered” as the hot new talent. In fact, she’s up for the most prestigious new payday when she finds out that her dad is not as supportive as one might expect…
Here’s why In a World… is so damn good – Bell has written a very funny comedy about a generational rivalry and woven it together with a Hollywood satire, an insider’s glimpse into the hitherto under-the-radar voiceover industry and a romantic comedy. The romantic comedy thread, in which our heroine is oblivious to the nice guy who really likes her, is better by itself than most romantic comedies. But we also get many LOL moments among the self-absorbed and back-stabbing Hollywood set. Plus there’s a very sweet story of the relationship between the protagonist’s sister and her hubby – that could stand alone and be better than a lot of indies as well..
Bell gets most of the laughs from the foibles of the characters and from really intelligently crafted dialogue. But she know how to pull off a physical gag, too. At one point, our heroine wants to be kissed by a handsome Hollywood bigshot, but when it happens, his technique is to put her entire nose into his mouth – and her surprise and discomfort is very funny.
Fortunately, Bell was able to cast Fred Melamed, a distinguished voiceover artist, as the father. Melamed has been the voice of CBS Sports, the Super Bowl, the Olympics and Mercedes-Benz. He’s also a brilliantly funny actor. I called Melamed’s performance as the hilariously pompous and blatantly manipulative Sy Ableman in A Serious Man “the funniest movie character of the decade”.
Bell’s previous roles have been secondary parts that have taken advantage of her unconventionally severe beauty. You may remember Bell as Alec Baldwin’s new trophy wife in It’s Complicated. Having written it herself, she finally has a role in which she can show her comic chops. I turns out that she’s a gifted comic actress, with screwball timing, a rich take and a knack for physical comedy.
The rest of the cast is uniformly good. I especially enjoyed Rob Corddry (Warm Bodies) as the long suffering husband of the sister.
In a World… is a complete and winning film and the year’s best comedy. In a World… is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, GooglePlay and Xbox Video.
