POSER: personal plagiarism

Photo caption: Sylvie Mix in POSER. Photo courtesy of Oscilloscope Films.

Poser, a deeply psychological portrait of an artistic wannabe among real artists, was the Must See at the 2021 Nashville Film Festival and it’s in theaters now (albeit hard to find). It is worth seeking out.

Lennon (Sylvie Mix) reveres the underground music scene of Columbus, Ohio’s Old North (which she compares to the cultural achievements of Renaissance Florence). Her entrée is a podcast, which allows her to meet a panoply of local artists, including Bobbi Kitten, the charismatic front woman of the real life band Damn the Witch Siren. At first, we chuckle and cringe at Lennon, until it becomes apparent that a much darker personal plagiarism is afoot and Poser evolves into a thriller.

Poser is the first narrative feature for directors Ori Segev and Noah Dixon (Dixon wrote the screenplay), Mix, Kitten and damn near the entire cast and crew, and it’s packed with original music. Segev and Dixon are Columbus filmmakers who work in music, and they wanted to set a story in that music scene with their favorite bands; they could have done that with a banal premise, but instead their story is super original

There is so much in here about identity and the creative process, lots of original music and some cultural tourism, too. A shot of the recording of train sounds is indelibly chilling.

The podcast lets Lennon invite herself into the world she worships. When Lennon is invited up on a rooftop by two actual artists, she can barely contain her excitement. We find Lennon amusing until she practices aping an artist in front of her mirror, and we sense something much darker is afoot. Stealing the creative work of someone else is plagiarism – but what is stealing someone else’s identity?

It’s easy to mock self-invention, but every achiever begins with the ambition to be something he/she is not yet. (And it doesn’t escape me that no one but me decided that I would become a movie blogger.)

Sylvie Mix and Bobbi Kitten in POSER. Photo courtesy of Oscilloscope Films.

Be prepared to be creeped out by Mix’s performance and to be dazzled by Bobbi Kitten’s magnetism. This is the first feature film for Sylvie Mix, and she is able to turn the role of a passive, unaccomplished, initially silly character into something powerful.

Poser is the first screen credit for the exuberantly confident Bobbi Kitten, who commands our attention whenever she is onscreen. Damn the Witch Siren is the premiere electronic act in Columbus, Ohio, and five of her songs are on the soundtrack.

Z Wolf in POSER. Photo courtesy of Oscilloscope Films.

Kitten’s colleague Z Wolf is also a presence in Poser. Z Wolf always wears a full wolf mask on his head, sipping a fountain drink through a straw with great practicality.

The audience gets to visit the Old North, Columbus Ohio’s local arts neighborhood. There’s a very funny montage where we hear from real artists and aspiring artists. It reminded me of a code that The Wife and our niece Sarah devised when strolling through an art show – BA for Bad Art, NA for Not Art and KA for Kid Art. One very stoned guy marvels over the secret of the doubled-over potato chip.

Poser is rolling out in theaters and is playing Landmark’s Opera Plaza beginning July 8. My favorite film at last year’s Nashville Film Festival, Poser is one of the Best Movies of 2022 – So Far.

Movies to See Right Now

Photo caption: Dakota Johnson in CHA CHA REAL SMOOTH. Courtesy of AppleTV.

This week on The Movie Gourmet – new reviews of Hallelujah: Leonard Cohen, a Journey, a Song and Cha Cha Real Smooth.

CURRENT MOVIES

WATCH AT HOME

Clifton Collins, Jr. in JOCKEY. Courtesy of Sony Pictures Classics.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

  • Jockey: he finally grapples with himself. Amazon, AppleTV, Vudu, YouTube.
  • Step Into Liquid: “insanely gorgeous” surfing. Amazon, AppleTV, Vudu, YouTube.
  • Riding Giants: obsessive search for the biggest wave to surf. Amazon, AppleTV, Vudu, YouTube.
  • Electrick Children: magical Mormon runaways in Vegas. Amazon, AppleTV, YouTube.
  • NUTS!: the rise and fall of a testicular empire. Amazon, AppleTV, Vudu, YouTube.
  • Dick Johnson Is Dead: funny, heartfelt and frequently bizarre. Netflix.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • The Handmaiden: gorgeous, erotic and a helluva plot. Amazon (included with Prime), Vudu.
  • Very Semi-Serious: glorious The New Yorker cartoons. Amazon, AppleTV, YouTube.
  • Touching the Void: the gripping true life story of a mountaineer who had to cut his climbing partner’s rope. Amazon, AppleTV.
  • The Imposter: you gotta see this. Amazon, AppleTV, Vudu, YouTube.

ON TV

Tab Hunter in TAB HUNTER CONFIDENTIAL.

On July 11, Turner Classic Movies presents the recent documentary Tab Hunter Confidential. Tab Hunter was Hollywood’s dreamboat of the 1950’s – and he was a closeted gay man. That meant that he was walking a tightrope in an era when one scandal sheet revelation could erase his career. We hear Tab’s story from Tab himself; the doc is based on Hunter’s memoir, co-written by Eddie Muller. Tab is still very good-looking and seems like a helluva decent guy. Also available to stream on Amazon.

HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG: a reflective artist, a reflective movie

Photo caption. Leonard Cohen in HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG. Courtesy of Leonard Cohen Family Trust.

Hallelujah: Leonard Cohen, a Journey, a Song is a biodoc as reflective as the subject himself. That subject is poet/singer/songwriter Leonard Cohen, creator of profound verse and ear-worm melodies. Cohen was such a seeker that he secluded himself for five years at a Buddhist monastery on Mount Baldy.

Co-writers and co-directors Daniel Geller and Dayna Goldfine have comprehensively sourced the film with Cohen intimates and a substantial dose of Cohen himself. Geller and Goldfine have braided together Cohen’s journey with that of his most sublime song, Hallelujah.

One doesn’t think of a song even HAVING a journey, but Cohen wrote Hallelujah over years and years, possibly composing over 150 verses, only to have Columbia refuse to issue the album that it had commissioned. Then the song was rescued by John Cale, rejuvenated in the animated movie Shrek, and became iconic with the spectacular cover by Jeff Buckley. Along the way, Cohen himself would reveal alternative lyrics in live performance. Helluva story.

I’ve seen splashier documentaries – this is, after all, about a poet. The one forehead-slapping shocker for me was the initial rejection of Hallelujah. At almost two hours, Hallelujah: Leonard Cohen, a Journey, a Song is a settle-in-and-be-mesmerized experience.

(BTW, could there be a bigger producer/artist mismatch than Phil Spector and Leonard Cohen?)

Hallelujah: Leonard Cohen, a Journey, a Song is opening July 8 in some Bay Area theaters (including the Roxie, the Opera Plaza, the Rafael and the Rialto Cinemas Elmwood), and will expand into more theaters on July 15 and 22.

CHA CHA REAL SMOOTH: decent people and their foibles, navigating life

Photo caption: Cooper Raiff and Dakota Johnson in CHA CHA REAL SMOOTH. Courtesy of AppleTV.

The engaging and satisfying Cha Cha Real Smooth, an adult-coming-of-age romantic dramedy, is surprisingly textured. The charming but feckless Andrew (Cooper Riff) has emerged from a fun college experience that has not prepared him for the grown up world. His high-achieving college girlfriend has correctly assessed that he has no plan for life after college and, hence, doesn’t have a future. Andrew’s only alternative is moving back with his mom (Leslie Mann), Stepdad Greg (Brad Garret) and his little brother (Evan Assante) and taking a humiliating job at the mall.

Andrew stumbles into a new gig that leverages his one true skill – he becomes a bar/bat mitzvah party starter, the guy who can get everyone (including 13-year-olds and their parents) on to the dance floor. On the job he meets the autistic girl Lola (Vanessa Burghard) and her young mom Domino (Dakota Johnson). (She’s not a stripper although Domino is a stripper name if there ever was one).

Andrew and Domino bond over Andrew’s compassionate treatment of Lola. The 32-year-old Domino, however, is a damaged soul, having married very young, only to have been left immediately by Lola’s dad to raise an autistic kid on her own. Domino now has a high-achieving fiance (Raul Castillo), who travels a lot.

This premise is ripe for for a conventional rom com or a sex comedy or a bawdy, low-brow teen comedy. However, Cha Cha Real Smooth departs from the predictable and heads into unexpected directions driven by its characters. Every character struggles with something – Andrew’s mom is bipolar, Stepdad Greg is wooden and tonedeaf, the little brother is awkwardly stumbling into adolescence, and Andrew, of course is immature and aimless. Even the girl who was All That at Andrew’s high school is also drifting and wondering if she “peaked in high school”.

But, with the exception of a couple middle school bullies and their enabling dad, everybody in Cha Cha Real Smooth is a decent person. In this era of Snark, here are good people, with their foibles and eccentricities just trying to navigate life.

This refreshing aspect of Cha Cha Real Smooth comes from the characters written by Cooper Raiff, who also directed and, of course, stars as Andrew. This is Raiff’s second feature as a writer-director (following Shithouse), and, at age 25, he has proved that he is a promising talent. Especially as a writer.

Dakota Johnson’s performance is one of her best. Her Domino is so invested in her daughter that the rest of her life is chaotic; she’s well-schooled in hard knocks, leaving her much wiser than Andrew, but fearful of accepting good developments in her life.

The rest of the cast is very good, too. Leslie Mann continues to be a comedic treasure.

Cha Cha Real Smooth is streaming on AppleTV.

Movies to See Right Now

Photo caption: JOCKEY. Courtesy of Sony Pictures Classics.

This week on The Movie Gourmet –

CURRENT MOVIES

WATCH AT HOME

NUTS! Courtesy of SFFILM.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

  • NUTS!: the rise and fall of a testicular empire. Amazon, AppleTV, Vudu, YouTube.
  • Jockey: he finally grapples with himself. Amazon, AppleTV, Vudu, YouTube.
  • Step Into Liquid: “insanely gorgeous” surfing. Amazon, AppleTV, Vudu, YouTube.
  • Riding Giants: obsessive search for the biggest wave to surf. Amazon, AppleTV, Vudu, YouTube.
  • Electrick Children: magical Mormon runaways in Vegas. Amazon, AppleTV, YouTube.
  • Dick Johnson Is Dead: funny, heartfelt and frequently bizarre. Netflix.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • The Handmaiden: gorgeous, erotic and a helluva plot. Amazon (included with Prime), Vudu.
  • Very Semi-Serious: glorious The New Yorker cartoons. Amazon, AppleTV, YouTube.
  • Touching the Void: the gripping true life story of a mountaineer who had to cut his climbing partner’s rope. Amazon, AppleTV.
  • The Imposter: you gotta see this. Amazon, AppleTV, Vudu, YouTube.
NUTS! Courtesy of SFFILM.

ON TV

Emilio Estevez and Harry Dean Stanton in REPO MAN.

I’m recommending tonight’s midnight (PDT) showing of Alex Cox’s 1984 cult film Repo Man on Turner Classic Movies. Emilio Estevez plays a punk (in both senses) who stumbles into a job assisting a professional auto-repossessor. That repo man is played by Harry Dean Stanton, who, at the age of 58, broke through in two wonderful lead performances. In his titular role in Repo Man, he plays the crusty, old school mentor of the heretofore aimless kid. The same year, Stanton delivered his masterpiece performance in Wim Wenders’ Paris, Texas.

Repo Man is a delight, with a full dose of Harry Dean, the inside peek into a shady and dangerous job, lots of humor and even an homage to the classic film noir Kiss Me Deadly. (In Repo Man, look for singer-songwriter Jimmy Buffett in a bit part as “Additional Blonde Agent”.)

Hang ten this summer

RIDING GIANTS

Let’s go surfin’ now

Everybody’s learning how

Come on and safari with me

It’s a great time to get stoked with the two most bitchin’ surfing movies, the documentaries Step Into Liquid and Riding Giants.

In Step Into Liquid (2003), we see the world’s best pro surfers in the most extreme locations.  We also see devoted amateurs in the tiny ripples of Lake Michigan and surfing evangelists teaching Irish school children.  The cinematography is remarkable – critic Elvis Mitchell called the film “insanely gorgeous”.  The filmmaker is Dana Brown, son of Bruce Brown, who invented the surf doc genre with The Endless Summer (1966) and The Endless Summer II (1994).

Riding Giants (2004) focuses on the obsessive search for the best wave by some of the greatest surfers in history. We see “the biggest wave ever ridden” and then a monster that could be bigger.  The movie traces the discovery of the Half Moon Bay surf spot Mavericks.  And more and more, all wonderfully shot.

The filmmaker is Stacy Peralta, a surfer and one the pioneers of modern skateboading, (and a founder of the Powell Peralta skateboard product company).  Peralta also made Dogtown and Z-boys (2001), the great documentary about the roots of skateboarding, and wrote the 2005 Lords of Dogtown.

Both Step into Liquid and Riding Giants can be streamed from Amazon, AppleTV, Vudu and YouTube.

JOCKEY: he finally grapples with himself

Photo caption: Clifton Collins, Jr. in JOCKEY. Courtesy of Sony Pictures Classics.

In Jockey, Clifton Collins, Jr., plays Jackson Silva, a seasoned professional jockey – perhaps now too seasoned. His skills are undiminished but his body’s capacity to employ those skills is in serious decline. Just as he’s facing professional mortality, a promising young jockey-wannabe (Moises Arias – very good) appears and says that he is Jackson’s son.

Jackson has led a life free of introspection. He has only focused on training and riding and partying afterward. Now he must ask himself who is he, if not a jockey? Is he a man who has left relationship carnage in his wake? Is he completely alone? Can he reinvent himself?

Clifton Collins, Jr. and Moises Arias in JOCKEY. Courtesy of Sony Pictures Classics.

The life of a jockey is grinding and dangerous, and Jockey is a behind-the-scenes horse-racing procedural. In one scene, Jackson and his peers (played by non-actor real-life jockeys) take turns recounting their injuries; the litany of wear-and-tear and outright catastrophes is grimly impressive.

Molly Parker and Clifton Collins Jr. in JOCKEY. Courtesy of Sony Pictures Classics.

Molly Parker plays Jackson’s longtime boss and collaborator. Since her turn as the unforgettable Alma Garret in Deadwood, she has shone in episodic TV (Shattered, The Firm, House of Cards, Lost in Space). Here she credibly plays a woman utterly comfortable in a male world, respected by her peers. She is always supportive of Jackson, and she is resisting giving him a needed reality check.

Jockey is a showcase for Clifton Collins, a brilliant character actor who rarely gets lead roles. Collins is best known for his portrayal of killer Perry Smith, the subject of In Cold Blood, in 2005’s Capote with Philip Seymour Hoffman. His performance as Jackson is deeply interior, as he faces troubling realities that can no longer be deferred and which rock his very identity.

JOCKEY. Courtesy of Sony Pictures Classics.

Jockey is the first feature for co-writer and director Clint Bentley. Bentley had also co-written Transpecos, directed by Jockey co-writer Greg Kwedar; Transpecos also starred Collins. In Jockey, Bentley demonstrates effective use of non-actors, a remarkable caoacity for delivering verisimilitude, and a beautiful eye for framing exterior shots.

This is an excellent film with a great performance. Jockey can be streamed from Amazon, AppleTV, Vudu and YouTube.

Best Movies of 2022 – So Far

Photo caption: Owen Teague in MONTANA STORY. Courtesy of Bleecker Street.

Every year, I keep a running list of the best movies I’ve seen this year.  By the end of the year, I usually end up with a Top Ten and another 5-15 mentions. Here are my Best Movies of 2021 and Best Movies of 2020 lists.

To get on my year-end list, a movie has to be one that thrills me while I’m watching it and one that I’m still thinking about a couple of days later.

Unfortunately, most of these films have come and gone in theaters and won’t be accessible again until they stream this summer.

Seidi Haarla and Yuri Borisov in COMPARTMENT No. 6. Courtesy of Sony Pictures Classics.

THE BEST OF 2022 – So Far

Montana Story: a family secret simmers, then explodes. Theatrical run has finished; expect it to stream this summer.

Compartment No. 6: a surprising journey to connection. Theatrical run has finished; expect it to stream this summer.

Poser: personal plagiarism. (Opens in theaters on July 8; review will go live on July 5.)

The Tale of King Crab: storytelling at its best. Had a blink-and-you-missed-it theatrical run; I’ll let you know when it streams.

12 Months: an authentic relationship evolves. Premiered at Cinequest’s online fest in March and may play the in-person Cinequest in August.

Sylvie Mix and Bobbi Kitten in POSER. Photo courtesy of the Nashville Film Festival.

Movies to See Right Now

Photo caption: JAZZFEST: A NEW ORLEANS STORY. Courtesy of Sony Pictures Classics

This week on The Movie Gourmet – James Stewart, Robert Mitchum: The Two Faces of America, coming up tomorrow on TCM and an unusually personal review of Jazzfest: A New Orleans Story. Plus two very contrasting remembrances.

Frameline —the world’s largest LGBTQ film festival— runs through Sunday, June 26, 2022. Here are my four recommendations.

REMEMBRANCES

Bo Hopkins in AMERICAN GRAFFITI.

A few weeks ago, we lost actor Bo Hopkins, who left us with some absolutely indelible performances in his heyday, a decade starting in the late 1960s. No one has ever been better at portraying a smirking, dimwitted redneck. I liked him best as the ill-fated young robber in The Wild Bunch, the greaser hard guy in American Graffiti and Burt Reynold’s moonshining partner in White Lightning. In this period, he appeared in .
Cat Ballou, The Getaway, Monte Walsh and Midnight Express.

Burt Reynolds and Bo Hopkins in WHITE LIGHTNING.
Jean-Louis Trintignant in THE CONFORMIST.

Actor Jean-Louis Trintignant starred in some of the most prestigious European movies of the past six decades: Roger Vadim’s …And Man Created Woman with Brigitte Bardot (1956), Claude Leloach’s A Man and a Woman (1966), Claude Chabrol’s Les Biches (1968), Costa-Gravras’ Z (1969), Éric Rohmer’s My Night at Maud’s, Bernardo Bertolucci’s The Conformist (1970), Krzysztof Kieslowski’s Red (1994) and Michael Haneke’s Amour (2012). He even made a Sergio Corbucci spaghetti western The Great Silence in 1968. Trintignant was 91.

Jean-Louis Trintignant in AMOUR.

CURRENT MOVIES

WATCH AT HOME

Julia Garner in ELECTRICK CHILDREN

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

  • Electrick Children: magical Mormon runaways in Vegas. Amazon, AppleTV, YouTube.
  • Dick Johnson Is Dead: funny, heartfelt and frequently bizarre. Netflix.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • The Handmaiden: gorgeous, erotic and a helluva plot. Amazon (included with Prime), Vudu.
  • Very Semi-Serious: glorious The New Yorker cartoons. Amazon, AppleTV, YouTube.
  • Touching the Void: the gripping true life story of a mountaineer who had to cut his climbing partner’s rope. Amazon, AppleTV.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • NUTS!: the rise and fall of a testicular empire. Amazon, AppleTV, Vudu, YouTube.
  • The Imposter: you gotta see this. Amazon, AppleTV, Vudu, YouTube.

JAMES STEWART, ROBERT MITCHUM: THE TWO FACES OF AMERICA: is “hero/anti-hero” too simplistic?

The 2017 documentary James Stewart, Robert Mitchum: The Two Faces of America traces the mostly parallel and mostly contrasting Hollywood careers of icons James Stewart and Robert Mitchum.

Hero and anti-hero. James Stewart became perhaps American cinema’s greatest screen actor by portraying earnest, well-meaning,, play-by-the-rules types like George Bailey and Jefferson Smith. Mitchum, so identified with film noir, is known as an insolent rebel with no pretense of following anybody else’s rules. (Of course, it’s more complicated than that – among Stewart’s greatest performances are his darkest, in Hitchcock classics like Vertigo and Rear Window and in Anthony Mann’s psychological Westerns like Winchester ’73.)

James Stewart, Robert Mitchum: The Two Faces of America is not a deep dive into this optimism/cynicism theme of American postwar psychology. Instead, it’s more of a marriage of two showbiz biodocs.

That being said, fans of the actors (and I am a big fan of both) get some insights. Both actors reflect on their own work (see trailers below). The most evocative segment is about Stewart’s grief at the loss of his son, a marine killed in the Vietnam War that Jimmy himself supported politically.

Stewart and Mitchum did not socialize, despite their daughters knowing each other in high school. They only worked together once, late in their careers, in the 1978 remake of The Big Sleep. James Stewart, Robert Mitchum: The Two Faces of America highlights a remarkable coincidence in their deaths.

I watched James Stewart, Robert Mitchum: The Two Faces of America on Turner Classic Movies, where it will be replayed on June 25. It is also streaming on the subscription services WATCH TCM and DIrecTV.