Inside Job

Charles Ferguson’s brilliant documentary Inside Job may be the most important movie of the year.  It is a harsh but fair explanation of the misdeeds that led to the recent near-collapse of the global financial system.  Unexpectedly, the film begins in Iceland, setting the stage for the collapse and kicking off the easily understandable explanations of the various  tricks and bamboozles that have hidden behind their own complexity.

Like this year’s other best documentaries, The Tillman Story. Joan Rivers: A Piece of Work and Sweetwater, Inside Job gets out of its own way and just lets the story speak for itself.  There is no need for a Michael Moore to portray the financial sector as criminally greedy and reckless – the facts speak for themselves and the audience can be trusted to “get it”.  At the showing I attended, there was general applause at the end.

Besides the obvious villains at the investment banks (Goldman Sachs, etc.) , the insurers of credit default swaps (like AIG) and the rating agencies (e.g., Moody’s), Ferguson also takes aim at these thieves’ political enablers and economist apologists.  There are some 60 Minutes-style ambushes, but they are far less interesting for the squirming of the subjects than for exposing the completely clueless entitlement of the financial sector and its governmental and academic lackeys.

Inside Job exposes our Wall Street government, and is unflinchingly bipartisan in meting out the blame.

Matt Damon narrates.

The Social Network and The Girl With the Dragon Tattoo

The Social Network tells us something about The Girl With the Dragon Tattoo – not about this year’s Swedish version, but about next year’s Hollywood version to be directed by David Fincher.

First, The Social Network shows that Fincher (Fight Club, Zodiac)  is still operating at his best.   The Social Network is essentially about some annoying, immature geeks writing computer code and getting financing for a company – but Fincher makes it rock!  Fight Club and Zodiac are two of my favorite contemporary films, and Fight Club‘s desperate violence and Zodiac‘s whodunit relentlessness translate directly to The Girl With the Dragon Tattoo. So there couldn’t be a better director for this project than Fincher.

Rooney Mara in The Social Network

Second, the success of the Stieg Larsson trilogy depends on the portrayal of Lisbeth Salander.  The Swedish version has been amazing because of the Danish actress Noomi Rapace’s  jawdropping Lisbeth.  But in Fincher’s  movies, Lisbeth Salander will be played by Rooney Mara.  The good news from The Social Network is that Mara nails her scenes as Facebook founder Mark Zuckerberg’s soon-to-be ex-girlfriend.  And we get a glimmer of the intensity that Mara will need for Lisbeth.  Plus Mara is used to working with Fincher, who is notorious for his scores of takes; reportedly, Fincher required over 90 takes for the opening scene between Mara and Jesse Eisenberg.

Coming up on TV: The Americanization of Emily

 

Julie Andrews and James Garner in The Americanization of Emily

 

One  of my Overlooked Masterworks plays on TCM on October 25th.  Set in England just before the D-Day invasion, The Americanization of Emily (1964) is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass.  Julie Andrews plays an English driver who has lost her husband and other male family members in the War.  She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy.   Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it.  Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

Updated Movies To See Right Now

James Coburn and James Garner in The Americanization of Emily

The best movie to see is still The Social Network.   The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires.  It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War).  It’s already on my list of Best Movies of 2010 – So Far.

Howl has a fine performance by James Franco, but is marred by an unsuccessful animation.  Without strongly recommending it, I can say that The Town is a satisfying Hollywood thriller.  You can skip Wall Street: Money Never Sleeps and You Will Meet a Tall, Dark Stranger.  For trailers and other choices, see  Movies to See Right Now.

I have not yet seen Inside Job or Hereafter, which open this week.  You can see their trailers at Movies I’m Looking Forward To.

My DVD of the Week is still The Day of the Jackal.  For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include  The Americanization of Emily (more on that tomorrow) and The Black Stallion, all coming up on TCM.

10 Most Memorable Food Scenes

By popular demand, I have updated my list of  10 Most Memorable Food Scenes.   Many of you have pointed out deserving scenes that I left off my first draft.  Paula reminded me of the dining-as-foreplay scene in Tom Jones.  Rick mentioned The Freshman, in which the  The Fabulous Gourmet Club charges a $1 million prix fixe “for the privilege of eating the very last of a species”.  And somehow I had forgotten the food fight scene from Animal House.

And Judy reminded me of a movie that I had erased from my memory because I hate, hate, hate it – The Cook, The Thief, His Wife and Her Lover.  Nevertheless, I admit that the final (and I mean final) dining scene is most memorable.

Here’s my pick for the most memorable food scene in the movies:

For the most tantalizing food in the movies, see my completely different list of  10 Food Porn Movies.

Movies I'm Looking Forward To – Late October Edition

I’ve updated the Movies I’m Looking Forward To page to add trailers and descriptions of some key late October releases.  First, we have two romps, the sex comedy Tamara Drewe and the tongue-in-cheek actioner RED this weekend.  Then we step up in class on October 22 with the Wall Street documentary Inside Job and Clint Eastwood’s Hereafter.  And October 29 brings us the eagerly awaited (at least by me)  The Girl Who Kicked the Hornet’s Nest.

The early buzz is that Inside Job may be this year’s best documentary and one of the year’s best films.  Here’s the trailer.

This week's Movies to See Right Now

 

Rooney Mara and Jesse Eisenberg open The Social Network

 

The Social Network is still the top choice in theaters this week. The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires.  It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War).  It’s already on my list of Best Movies of 2010 – So Far.

Howl has a fine performance by James Franco, but is marred by an unsuccessful animation.

It’s Kind of a Funny Story is a light and wry coming-of-age comedy set in a locked psychiatric facility.  It’s good-hearted fluff with a few chuckles and an unexpectedly restrained and  heartfelt performance by Zach Galifianakis.

Without strongly recommending it, I can say that The Town is a satisfying Hollywood thriller.  You can skip Wall Street: Money Never Sleeps and You Will Meet a Tall, Dark Stranger.

For trailers and other choices, see Movies to See Right Now.

My DVD of the Week is The Day of the Jackal, like The American, the tale of an international master assassin – only fact-based and even better.  For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include  Mister Roberts, Repo Man and Arsenic and Old Lace, all coming up on TCM.

It’s Kind of a Funny Story

This is a light and wry coming-of-age comedy set in a locked psychiatric facility by Directors Ryan Fleck and Anna Boden (Half Nelson, Sugar).  It’s hard for me to find humor in psych wards, but this good-hearted fluff had a few chuckles.  Keir Gilchrist and Emma Roberts star as the teens.  But the film is more of a showcase for Zach Galifianakis’ restrained and textured performance, less Wild Man and more  heartfelt – who knew?

DVD of the Week: The Day of the Jackal

My DVD of the Week is The Day of the Jackal (1973), like The American, the tale of an international master assassin – only fact-based and even better.  In Day of the Jackal, French security forces are tipped off to a plot to assassinate President DeGaulle and they eventually figure out where and when the assassination will be attempted.  But they don’t know who they are looking for or what he looks like.  Without computers or cell phones, they must track down the unknown assassin in time.

Edward Fox is excellent as the resourceful and meticulously professional killer.  So is Michael Lonsdale as the creative yet methodical cop leading the manhunt.  But the real star is director Fred Zinnemann (High Noon, From Here to Eternity, A Man for All Seasons).  As he showed in High Noon, Zinnemann knows how to tell a story and build tension, and the ending in Day of the Jackal is thrilling.

The Day of the Jackal has nothing to do with Carlos the Jackal of The Sundance Channel’s Carlos.

For my recent DVD choices (including trailers), see DVDs of the Week.