Stream of the Week: TANGERINE: Two transgender hookers walk into a donut shop…

TANGERINE
TANGERINE

Two transgender hookers walk into a donut shop in Hollywood…that’s not the start of a joke, but it’s the start of this pretty funny movie. The raucous and raunchy high energy comedy Tangerine centers on Alexandra and Sin-Dee, played respectively by the non-actors Mya Taylor and Kitana Kiki Rodriguez. Sin-Dee takes them on a quest to track down her wayward pimp/boyfriend, and, although Alexandra makes her promise “no drama”, you know that’s not gonna happen. Alexandra is focused on her own goal – her singing performance tonight at a local club. We also meet the Armenian cabbie Razmik (Karren Karagulian), who has his own secret. And did I mention that it’s Christmas Eve?

The two leads are wonderfully appealing and their misadventures are very funny.  A confrontation between an Armenian mother-in-law on the warpath, all the main characters and a pimp is wonderfully madcap.  The movie’s ending is surprisingly moving.

Tangerine was shot on an iPhone. This is not a gimmick. The intimacy and urgency of this character-driven movie is a good fit with the iPhone. There really isn’t any call for  helicopter shots or the like. The richness of the colors has been enhanced in post-production, so the iPhone cinematography isn’t any distraction at all. (See the shot below.)

You can stream Tangerine on Amazon Instant, iTunes, Vudu, YouTube, Google Play and some cable/satellite PPV.  (Or you can buy the DVD from a retailer.)

TANGERINE
TANGERINE

To follow the beginning of the film, it helps to know that “fish” is transgender slang for a person born with female anatomy.

There’s also an extremely funny cameo by Clu Gulager(!) as a loquacious taxi passenger.

Tangerine is written and directed by Sean Baker, who made Starlet, another indie about marginal Angelenos that I admired.

Tangerine is available to stream from Amazon Instant, iTunes, Vudu, YouTube and Google Play.

 

ENTERTAINMENT: no reason for this at all

Gregg Turkington in ENTERTAINMENT
Gregg Turkington in ENTERTAINMENT

I can’t imagine who would enjoy writer-director Rick Alverson’s movie Entertainment.   Gregg Turkington plays the world’s saddest and least funny professional comedian, who is bouncing around loser gigs in the Mohave Desert (starting at a state prison).  Even with his flamboyant comb-over, he’s walking buzz kill.  He is increasingly a puddle of despair until he has a full-fledged breakdown while performing at a pool party.  Turkington’s portrayal of a protagonist who ranges between dour and nasty is frankly not that all interesting.

Two scenes in particular are unwatchable – a birth scene in a public restroom and the comedian heaping especially vile invective on a bar patron (the filmmaker Amy Seimetz – what is SHE doing in this mess?).  The young actor Tye Sheridan (Mud, The Tree of Life, Joe) is good as a clown who opens for the comedian, but his turn doesn’t justify spending any time watching this hateful blight.

It’s a sad comparison to The Entertainer genre of movies about sad sacks trying to hang on to a place in show business and to their own identities.  Some critics have been taken in by the “unflinching” aspect of this work, but they’ve missed the pointlessness of the whole unpleasant experience. Entertainment may well be the worst movie-viewing experience of 2015.  Available streaming.

Movies to See on Thanksgiving Weekend

Saoirse Ronan in BROOKLYN
Saoirse Ronan in BROOKLYN

It’s that glorious four-day weekend with the earliest of the fall’s Prestige Movies – and a chance to catch up on the great movies from earlier this year that are now on video.

In theaters now:

  • The Irish romantic drama Brooklyn is an audience-pleaser with a superb performance by Saoirse Ronan.
  • Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances;
  • The Martian – an entertaining Must See space adventure – even for folks who usually don’t enjoy science fiction;
  • Bridge of Spies – Steven Spielberg’s Cold War espionage thriller with Tom Hanks, featuring a fantastic performance by Mark Rylance.
  • Sicario – a dark and paranoid crime thriller about the drug wars.
  • 3 Left Standing – the wistful stand-up comedy documentary.
  • Trumbo – the historical drama that reflects on the personal cost of princliples.
  • Spectre – action and vengeance from a determined James Bond.

This week’s DVD/Stream of the Week recommendations are selected from my Best Movies of 2015 – So Far:

    • The smartest road trip movie ever, The End of the Tour.  It’s available streaming from Amazon Instant, Vudu, YouTube and Google Play.
    • The unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play and now available to rent on DVD from Netflix and Redbox.
    • The extraordinary Russian drama Leviathan, a searing indictment of society in post-Soviet Russia. Leviathan is available streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Flixster.
    • The hilariously dark Argentine comedy Wild Tales. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
    • The Brian Wilson biopic Love & Mercy, the story of an extraordinarily gifted person’s escape from torment. Love & Mercy is available on DVD from Netflix and Redbox and streaming from Amazon Instant Video, iTunes and Vudu.
    • The gentle, thoughtful and altogether fresh dramedy I’ll See You In My Dreams with Blythe Danner, available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.
Sam Elliiott and Blythe Danner in I'LL SEE YOU IN MY DREAMS
Sam Elliott and Blythe Danner in I’LL SEE YOU IN MY DREAMS

SPECTRE: James Bond re-energized by revenge

Daniel Craig as James Bond in SPECTRE
Daniel Craig as James Bond in SPECTRE

 

If you’re a James Bond fan (which I’m not), you’ve probably already seen Spectre, the latest in the franchise. For me, though, Daniel Craig’s Bond, along with the spectacular action set pieces, trumped the silliness and made this a worthwhile trip to the movies. Here’s why:

  • Six actors have played James Bond (seven if you count David Niven in the first Casino Royale) – and Daniel Craig is the only one who can match Sean Connery. Craig plays it straight; his only winks to the audience are not with his face, but with his fingers, when he adjusts his cuffs or re-buttons his jacket after a fight to the death.
  • Craig’s Bond has been increasingly despairing and a lost soul until Spectre, when he emerges determined, re-energized and cheeky; this time he’s motivated by good, old-fashioned revenge.
  • Director Sam Mendes has crafted some brilliant set pieces. The opening sequence, set in Mexico City on the Day of the Dead, is the most exciting several minutes in movies this year.
  • Christoph Walz, as one would expect, makes for a brilliant Bond Supervillain.
  • This time, the major Bond Girl is not just beautiful, but she’s also a superb actress – Léa Seydoux (Blue is the Warmest Color, Inglorious Basterds, Midnight in Paris).

Spectre – it’s Bond…James Bond.

TRUMBO: the personal cost of principles

Bryan Cranston in TRUMBO
Bryan Cranston in TRUMBO

In the movies, going to jail for your principles is overrated.  But in the historical drama Trumbo – about the 1950s Hollywood blacklist – we get to see the real extent of the sacrifices made by the principled man and his family.

Dalton Trumbo (Bryan Cranston) was a novelist and Hollywood screenwriter who was named as a Communist, was sent to prison for contempt of Congress and then blacklisted by the Hollywood studios.  After prison, Trumbo had to earn his living by writing without credits (the credit going to other writers as “fronts” or to fictional “writers”).  He received no screen credit for the Oscar-winning screenplays for Roman Holiday and The Brave One.  Nor for the noir classics Gun Crazy and The Prowler.  Eventually, the end of the blacklist period was signaled when Trumbo received screen credits for his work on Exodus and Spartacus.

It’s a compelling story and Trumbo was a very compelling character – flamboyant, full of himself, wily but sometimes politically naive.  Cranston is really quite brilliant in capturing Trumbo’s wit, signature eccentricities and his emotional turmoil.

Families are often collateral damage, and that was the case here.  We see the impact on Trumbo’s wife (Diane Lane) and daughter (Elle Fanning) – not just the financial and social hardships, but in living with a man under so much stress.

To tell the story of this historical period, some characters are compressed – but not distorted.  Hedda Hopper (Helen Mirren) is portrayed as the leader of the blacklist (which would have flattered her), and John Wayne’s (David James Elliot) role is prominent.  There’s a composite character who represents the other victims of the blacklist, played by Louis C.K. (another really fine performance from C.K.).  Edward G. Robinson (Michael Stuhlbarg) represents the good liberals who caved under pressure and named names.  Kirk Douglas (Dean O’Gorman) and Otto Preminger (Christian Berkel) are historical good guys (but not without self-interest).  John Goodman has a hilarious turn as a low budget producer.  The entire cast does a fine job, but Cranston, Stuhlbarg, C.K. and Fanning are extraordinary.

We see also actual file footage of Ronald Reagan, Robert Taylor and Joe McCarthy, along with some still photos of the ever-ominous Richard Nixon.

Trumbo is a very successful and insightful historical study, and Cranston’s performance is Oscar Bait.

Movies to See Right Now

Saoirse Ronan in BROOKLYN
Saoirse Ronan in BROOKLYN

The Irish romantic drama Brooklyn, which is widely released this weekend, is an audience-pleaser. Here are my other recommendations:

    • Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances;
    • The Martian – an entertaining Must See space adventure – even for folks who usually don’t enjoy science fiction;
    • Bridge of Spies – Steven Spielberg’s Cold War espionage thriller with Tom Hanks, featuring a fantastic performance by Mark Rylance.
    • Sicario – a dark and paranoid crime thriller about the drug wars.
    • 3 Left Standing – the wistful stand-up comedy documentary.

My DVD/Stream of the Week is the 2010 Oscar-winner The Secret in Their Eyes. The Hollywood remake is coming out this weekend, but you should first see the original. The Secret in Their Eyes is a police procedural set in Argentina with two breathtaking plot twists, original characters, a mature romance and one forehead-slapping, “how did they do it?” shot. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.

If you haven’t seen the 1947 film noir Lady in the Lake, you must record it on November 22 when it plays on on Turner Classic Movies. Directed by actor Robert Montgomery, the story is entirely shot from the point of view of hard-boiled detective Philip Marlowe (played by Montgomery), so we never see Marlowe except when his image is reflected in mirrors. That may be a gimmick, but it works here. Audrey Totter plays one her classic noir dames – an alluring and dangerous cocktail of cynicism, toughness and sex appeal.

Audrey Totter and Robert Montgomery in LADY IN THE LAKE
Audrey Totter and Robert Montgomery in LADY IN THE LAKE

BROOKLYN: Saoirse Ronan brings alive satisfying romantic drama

Saoirse Ronan in BROOKLYN
Saoirse Ronan in BROOKLYN

Saoirse Ronan brings alive the satisfying mid-century romantic drama Brooklyn.  Ronan plays a very young woman who leaves her Irish small town in 1952 and, after a difficult start, builds a life in Brooklyn.  When she must return to Ireland for a visit, things gets complicated.  It’s a coming of age story and a romance and a study of the loneliness that comes with immigration.

Ronan’s performance is exquisite.  Her character is neither talky nor expressive, yet Ronan conveys her wit and profound feelings in every situation.  An uncommon acting talent, Ronan burst on the scene in the pivotal role as the little sister in Atonement, filmed when she was just 12.  Since then, she’s made the girl power action flick Hannah and the wry The Grand Budapest Hotel (she was the relentlessly loyal girlfriend with the birthmark of Mexico on her cheek), along with a variety of other films that illustrate her versatility. She will be nominated for Best Actress for this performance in Ronan, which at times rises to the profound.

Saoirse Ronan in BROOKLYN
Saoirse Ronan in BROOKLYN

The director John Crowley has done an excellent job here. Brooklyn looks great – watch for the differing color palettes in the Irish and Brooklyn scenes, and it’s remarkably well-paced. Crowley is an excellent story-teller – I loved his early Irish indies Intermission and Boy A (one of my Best Movies of 2008). The Irish scenes in Brooklyn were shot in the real town of Enniscorthy, County Wexford, where the story is set. There’s an especially moving scene with an Irish song – brilliant.

The supporting cast is excellent, especially the always reliable Jim Broadbent. Brid Kelly nails the role of Miss Kelly, a shopkeeper who is remarkably enthusiastic about her own malevolent small-mindedness. If Ronan’s performance weren’t so brilliant, Julie Walters would steal this movie as our heroine’s Brooklyn landlady. Jessica Paré (Mad Men) is also very good (and has Brooklyn’s biggest laugh line).  And child actor James DiGiacomo is unforgettable.

With its focus on the protagonist’s relationships with her family members and girlfriends and the question of which suitor she’ll pick, Brooklyn is a “woman’s picture” (not that there’s anything wrong with that).  Well-crafted and satisfying, Brooklyn is a safe bet to have wide audience appeal and to earn Ronan an Oscar nod.

DVD/Stream of the Week: THE SECRET IN THEIR EYES – see the real Oscar winner before the Hollywood version

Ricardo Darin in THE SECRET IN THEIR EYES
Ricardo Darin in THE SECRET IN THEIR EYES

The superb The Secret in Their Eyes (El Secreto de Sus Ojos) won the 2010 Oscar for Best Foreign Language Picture. The Hollywood remake is coming out this weekend, but you should first see the original. The Secret in Their Eyes is a police procedural set in Argentina with two breathtaking plot twists, original characters, a mature romance and one forehead-slapping, “how did they do it?” shot. The story centers on a murder in Argentina’s politically turbulent 1970s, but most of the story takes place twenty years later when a retired cop revisits the murder.

Veteran Argentine actor Ricardo Darin shines once again in a Joe Mantegna-type role. Darin leads an excellent cast, including Guillermo Francella, who brings alive the character of Darin’s drunk assistant. Darin’s detective is a solitary guy who retracts into his lair to bang away at a novel. He has feelings for his boss, a tough judge played by Soledad Villamil. Her career and her personal life can’t wait for the detective to get his own stuff together. All three characters throw themselves into solving the murder and, when stymied, are all scarred by the lack of resolution.

The movie is titled after one element that I hadn’t seen before in a crime movie. And then there are the major plot twists. The final one is a jaw-dropper.

Director Juan Jose Campanella received justifiable praise for the amazing shot of a police search in a filled and frenzied soccer stadium. It ranks as one of the great single shots of extremely long duration, right up there with the opening sequence of Touch of Evil, the kitchen entrance in Goodfellas and the battle scene in Children of Men. This shot alone makes watching the movie worthwhile.

Filmmaker Billy Ray has remade the Argentine film as Secret in Their Eyes, to be released October 23 starring Nicole Kidman, Julia Roberts and Chiwetelu Ejiofor. Ray is no hack – he’s adapted the screenplays for Shattered Glass (which he also directed), Captain Phillips and the first The Hunger Games. The plot has been turned into a story about thee US federal law enforcement officials and the murder of one of their children; unfortunately, the trailer looks more like a plot-driven Law & Order, with none of the characters as singular or as memorable as in the Argentine original. We shall see.

The Secret in Their Eyes is high on my Best Movies of 2010. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.

Movies to See Right Now

Michael Keaton in SPOTLIGHT
Michael Keaton in SPOTLIGHT

Here are this week’s recommendations:

  • Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances;
  • The Martian – an entertaining Must See space adventure – even for folks who usually don’t enjoy science fiction;
  • Bridge of Spies – Steven Spielberg’s Cold War espionage thriller with Tom Hanks, featuring a fantastic performance by Mark Rylance.
  • Sicario – a dark and paranoid crime thriller about the drug wars.

My Stream of the Week is the smartest road trip movie ever, The End of the Tour.  It’s available streaming from Amazon Instant, Vudu, YouTube and Google Play.

SPOTLIGHT: edge of the seat drama

Rachel McAdams, Michael Keaton and Mark Ruffalo in SPOTLIGHT
Rachel McAdams, Michael Keaton and Mark Ruffalo in SPOTLIGHT

Bolstered with some superb supporting performances, filmmaker Tom McCarthy turns a journalistic procedural into the riveting. edge-of-your-seat-drama Spotlight. The story centers on a team of Boston Globe investigative reporters (Michael Keaton, Rachel McAdams, Mark Ruffalo, Brian d’Arcy James, John Slattery and LievSchrieiber) as they untangle the sex abuse scandal in the Boston Archdiocese. Starting with the already-known Father Geoghan case, they uncover sexual abuse by two Boston priests, then four, then thirteen and soon an unthinkable magnitude, all intentionally covered up by the Church. Reminiscent of All the President’s Men, the team’s shoe leather efforts nets the Big Story.

We already are familiar with the horrible and disgusting revelations. But writer-director Tom McCarthy builds suspense and keeps us totally engaged in this brilliantly paced movie. McCarthy also wrote and directed the brilliant, character-driven fictional films The Visitor and The Station Agent.

Michael Keaton, coming off his tour de force in Birdman, is especially good here, especially in a reflective scene near the end. McAdams and Schreiber are also solid. Ruffalo has the most showy part, as a frenetic and volatile reporter.

But this most compelling acting comes from several of the supporting players, especially Michael Cyril Creighton, Jimmy LeBlanc and Anthony Paolucci as survivors of sexual abuse. The ever-reliable Jamey Sheridan is superb as a diocesan lawyer. Richard O’Rourke is affecting as an addled pedophile priest. Paul Guilfoyle, so convincing as true blue guys in CSI and Primary Colors, gets to play convincingly smarmy here. I don’t see Richard Jenkins in the credits, but the voice of an expert psychotherapist sure sounds like him.

At the end, McCarthy uses epilogue titles to effectively show the extent of the horrors revealed.

All in all, Spotlight is the first top rate movie of the Fall.