A POEM IS A NAKED PERSON: Leon Russell in his prime

Leon Russell in A POEM IS A NAKED PERSON
Leon Russell in A POEM IS A NAKED PERSON

During the years 1972-4, documentarian Les Blank hung out and filmed around Leon Russell’s Oklahoma recording studio, and A Poem Is a Naked Person is the result.

This was the period when Russell produced two of my very favorite albums, Leon Live and Hank Wilson’s Back, so I especially enjoyed the music.  There’s also a nice snippet of Willie Nelson (pre-beard and pigtails) singing Good Hearted Woman.

In fact, all of the Leon Russell parts (both talking and performing) are great. The problem is that Blank filmed everybody and everything in the neighborhood, including a tractor pull, the demolition of a building and a seemingly deranged and snake-obsessed artist.  There’s also a lot of conversation between people who are very stoned.  Getting stoned is a lot more fun than listening to stoned people talk.

The documentary’s puzzling title originates from liner notes on a Bob Dylan album.

A Poem Is a Naked Person has been a bit of a Lost Film, until recently only shown at screening where Blank was present.  Now you can stream it on Amazon Instant, Vudu, YouTube and Google Play.

How I devise my annual top ten list

Michael Caine and Harvey Keitel in YOUTH
Michael Caine and Harvey Keitel in YOUTH

How does a film get listed on my Best Movies of 2015?  Essentially, I look for two very personal reactions: 1) I am thrilled by the experience of watching the film (or feel another strong visceral reaction) and 2) I am still thinking about the movie for days afterward.

A few days ago I saw both Carol and Youth.  I found each of them to be exceptional films, and I enjoyed and admired them both.  But I was thrilled by Youth and am still thinking about it.  Youth made my top ten list.  Not so with Carol.

It hurts if I think of something else during the movie.  It helps to be original (Ex Machina, Wild Tales, Youth, Me and Earl and the Dying Girl). It helps to be authentic (Brooklyn, I’ll See You in My Dreams).   It really helps if I think that the movie is timeless and will stand up over time.

It helps if I would watch the movie again, but that’s not necessary.  One viewing of a challenging and uncomfortable film like The Look of Silence may be all that I can stomach.  On the other hand, I have a bunch of Guilty Pleasures that I can watch repeatedly without rating them as great films.

There’s no shame in missing my top ten list. I really enjoyed, and heartily recommend Carol, along with Legend, Meet the Patels, The Gift, Amy, Mr. Holmes, Sicario, Black Mass, Gemma Bovery, Spy and Seymour: An Introduction.  They’re just not on my list of the year’s best.

THE LOOK OF SILENCE
THE LOOK OF SILENCE

2015 at the Movies: Farewells

Director Bruce Sinofsky
Director Bruce Sinofsky

Bruce Sinofsky was a filmmaker who actually saved lives. His Paradise Lost trilogy resulted in innocent men being released from death row.

Lizabeth Scott‘s career was launched by her striking looks.  Often described as a “smoky blonde”, she proved herself a brilliant actresses playing smoky and smoking blondes in film noir, notably Dead Reckoning, Too Late for Tears and I Walk Alone. My favorite Lizabeth Scott role is in Pitfall. The married protagonist (Dick Powell) falls for her but she’s not the usual femme fatale. She’s not a Bad Girl, just an unlucky one. She has horrible taste in a boyfriend and the bad luck to attract a menacing stalker (Burr), but she’s fundamentally decent. Will her sexual promiscuity be punished at the end of this 1948 movie – and will his?

meara
Comedy pioneer Anne Meara

Anne Meara‘s death was noted in our celebrity-obsessed culture as the loss of Ben Stiller’s mom.  But she was – in her own right – a comedy pioneer.  In groundbreaking performances with her husband and comedy partner Jerry Stiller in the early 1960s, Meara influenced a whole new comic sensibility.  Her peers included Nichols and May, Mort Sahl, Woody Allen and Bob Newhart.  She was in the forerunner of Second City, and her sketches evolved into the SNL form of comedy that has dominated since the 70s.  She worked mostly in television, and one of her best recent roles was as Miranda’s demented mother-in-law in Sex and the City.

Fred Thompson is best known for his role as an investigative attorney during the Watergate Hearings and for his decade in the US Senate. But he was a pretty fair country actor, too, and my favorite Fred Thompson performance was in the very smart and funny corporate mockudrama Barbarians at the Gate.

Vincent Bugliosi, the Los Angeles prosecutor, secured convictions of the Manson Family for the sensational Tate-LaBianca murders. His memoir of the investigation and trials, Helter Skelter, was adapted into the riveting 1976 miniseries of the same title starring Steve Railsback as Charlie.

Christopher Lee, with his 278 screen credits, is fondly remembered for entertaining roles at the beginning of his career as a horror heavy and at the end of his career as an imposing presence in the Star Wars and Lord of the Rings franchises. My favorite Christopher Lee role is as the bad guy Rochefort (Charlton Heston’s henchman) in Richard Lester’s The Three Musketeers (1973) and The Four Musketeers (1974).

Leonard Nimoy, with Donald Sutherland and Jeff Goldblum in INVASION OF THE BODY SNATCHERS
Leonard Nimoy, with Donald Sutherland and Jeff Goldblum in INVASION OF THE BODY SNATCHERS

Leonard Nimoy was much more than Spock, with a career highlighted (in my mind) by the chillingly confident and authoritative Dr. David Kibner in the 1978 Philip Kaufman remake of Invasion of the Body Snatchers. Not everybody can be menacing in a turtleneck.

Maureen O’Hara was the durable star chiefly remembered as the Queen of Technicolor and for being forceful enough to match up to John Wayne.  I remember her most fondly in one of her first American films, playing against John Garfield in the noirish WW II spy thriller The Fallen Sparrow.   She doesn’t look 22 – does she?

How can Maureen O'Hara be only 23 years old?
How can Maureen O’Hara be only 22 years old?

Movies to See Right Now

Steve Carell (right) in THE BIG SHORT
Steve Carell (right) in THE BIG SHORT

Here are my extensive recommendations, beginning with six on my list of Best Movies of 2015. This is the very best time to go to the movies.  Scroll all the way down for six bonus picks on video.

  • Mustang, about exuberant Turkish teenage girls challenging traditional repression.
  • Creed, the newest and entirely fresh chapter in the Rocky franchise; it’s about the internal struggle of three people, not just The Big Fight.
  • The Irish romantic drama Brooklyn is an audience-pleaser with a superb performance by Saoirse Ronan.
  • Youth, a glorious cinematic meditation on life with Michael Caine.
  • Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances.
  • The Big Short – a supremely entertaining thriller – both funny and anger-provoking.

Here are ten more choices. There’s something for everyone.

  • Legend – a true-life story and the best crime drama of 2015. Tom Hardy plays both gangster twin brothers.
  • Carol – a vividly told tale of forbidden love.
  • Very Semi-Serious – a Must See documentary if you love the cartoons in The New Yorker. It’s showing on HBO.
  • Macbeth – an excellent new version of Shakespeare’s exploration of ambition. Michael Fassbender and Marion Cotillard star.
  • Hitchcock/Truffaut – a Must See for serious movie fans, this insightful documentary probes documentary Alfred Hitchcock’s body of work.
  • Chi-Raq: Spike Lee’s plea for inner city peace with justice, AND it’s a sex comedy.
  • Bridge of Spies – Steven Spielberg’s Cold War espionage thriller with Tom Hanks, featuring a fantastic performance by Mark Rylance.
  • Trumbo – the historical drama that reflects on the personal cost of principles.
  • Don Verdean – a dark satire on the faux scientists embraced by the Christian Right.
  • Spectre – action and vengeance from a determined James Bond.

Today Turner Classic Movies is presenting an entire day of the irresistible William Powell and Myrna Loy as Nick and Nora in The Thin Man, After the Thin Man, Another Thin Man, Shadow of the Thin Man, The Thin Man Goes Home and Song of the Thin Man.  And on New Year’s Day, TCM is showing the superb proto-noir M (1931) – if you’re going to see one pre-war European film – see this one.

And to binge watch on this Holiday weekend, here are six more movies from my Best Movies of 2015 – So Far that are available to stream or to rent on DVD:

      • The smartest road trip movie ever, The End of the Tour. It’s available streaming from Amazon Instant, Vudu, YouTube and Google Play.
      • The unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play and now available to rent on DVD from Netflix and Redbox.
      • The extraordinary Russian drama Leviathan, a searing indictment of society in post-Soviet Russia. Leviathan is available streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Flixster.
      • The hilariously dark Argentine comedy Wild Tales. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
      • The Brian Wilson biopic Love & Mercy, the story of an extraordinarily gifted person’s escape from torment. Love & Mercy is available on DVD from Netflix and Redbox and streaming from Amazon Instant Video, iTunes and Vudu.
      • The gentle, thoughtful and altogether fresh dramedy I’ll See You In My Dreams with Blythe Danner, available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.
MUSTANG
MUSTANG

Best Movies of 2015

Domhnall Gleeson in EX MACHINA
Domhnall Gleeson in EX MACHINA

Visit my Best Movies of 2015 for my list of the year’s best films, complete with images, trailers and my comments on each movie – as well as their availability to rent on DVD and to stream. My top ten movies for 2015 are:

  1. Ex Machina
  2. Wild Tales 
  3. Leviathan
  4. Brooklyn
  5. Youth
  6. Me and Earl and the Dying Girl 
  7. Creed
  8. Spotlight
  9. Phoenix
  10. The Martian

The other best films of the year are: The End of the Tour, Love & Mercy,  The Big Short, Corn Island, Mustang, I’ll See You in My Dreams,  ’71, The Look of Silence and  The Grief of Others.

I’m saving space for these promising 2015 films that I haven’t seen yet: The Revenant, Joy, The Hateful Eight and 45 Years.

Happy Anniversary to The Wife

Donna Reed in IT’S A WONDERFUL LIFE – the second best wife ever

Happy Anniversary to The Wife, also known as Lisa The Love of My Life!

We shared some of my favorite movie experiences this year.

  • She accompanied me to Noir City for a delicious double feature: Woman on the Run and Born to Be Bad.
  • She hosted our friends at the funniest Cinequest movie, at a packed California Theatre screening of the hilarious Wild Tales.
  • And she took me (all her idea) for my first visit to the Los Gatos Theatre.  The movie was the James Bond flick Spectre.  I loved the intimate and classy 30-seat theater with its black leather couches and ottomans!  (Movie okay; theater fantastic.)

She tolerated my spending huge chunks of time at Cinequest, the San Francisco International Film Festival, Noir City, the SF Jewish Film Festival and the Mill Valley Film Festival.  As part of our vacation in Spain, she even tagged along to the Sevilla European Film Fest screening of Mustang.

And, of course, she teases me for “the Romanian abortion movie”, “the Icelandic penis movie” and “the Ukrainian deaf movie”.

She’s the biggest fan and supporter of this blog, and I appreciate her and love her.  Happy Anniversary, Honey!

2015 at the Movies: most overlooked

MEET THE PATELS
MEET THE PATELS

This blog exists because I’m an evangelist for outstanding films that may be overlooked by people who will appreciate them.  You don’t need ME to tell you that The Big Short, Creed, Spotlight and The Martian are good movies.  What’s important to me is that you don’t miss the less well-known gems:

  • The unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play and now available to rent on DVD from Netflix and Redbox.
  • The extraordinary Russian drama Leviathan, a searing indictment of society in post-Soviet Russia. Leviathan is available streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Flixster.
  • The hilariously dark Argentine comedy Wild Tales. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
  • The gentle, thoughtful and altogether fresh dramedy I’ll See You In My Dreams with Blythe Danner, available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.
  • Phoenix from Germany – a riveting psychodrama with a wowzer ending.  It is available to stream from Netflix Instant, Amazon Video, YouTube and Google Play.
  • The brilliant psychological drama 99 Homes, available on DVD early in 2016.
  • The delightful family centric Meet the Patels – a documentary funnier than most comedies.
  • The character-driven  suspense thriller The Gift.
Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT
Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT

 

Talk about overlooked – one of the year’s very best films, the exquisite and lyrical Georgian drama Corn Island, didn’t even get a US release. Neither did some other wonderful films that I saw at Cinequest: the narrative feature The Hamsters and the documentaries Aspie Seeks Love, Meet the Hitlers and Sweden’s Coolest National Team. Here’s hoping that I can tell you where to see them soon.

CORN ISLAND
CORN ISLAND

THE DANISH GIRL: some highlights but overall meh

Eddie Redmayne in THE DANISH GIRL
Eddie Redmayne in THE DANISH GIRL

The melodramatic docudrama The Danish Girl is based on the real life of Einar Wegener/Lili Elbe, one of the first people to receive sexual reassignment surgery.  We begin with a devoted and playful young married couple of Danish painters in the 1920s (Eddie Redmayne and Alicia Vikander).  He is a moderately successful landscape painter, and she is a struggling portraitist.  As they experiment with sexual role-playing, his self-identification as a woman named Lili is revealed, and their journey continues though his-to-her transgender metamorphosis through the groundbreaking surgery.

There’s a point when he starts acting out his gender identification in ways that are not okay with her, and this is the best part of the film.  Vikander plays a woman who is sexually ahead of her time, but anyone would be knocked for a loop when their partner switches genders.  It doesn’t help when Lili addresses her very real yearnings with a substantial degree of selfishness.

But then The Danish Girl starts dragging and then ultimately grinds into boredom and predictability.  The movie keeps hammering us with the wife’s devoted support of her transforming spouse, the secret they strive to maintain, yada yada.  Tom Hooper, the director of The King’s Speech and the literally miserable Les Miserables, is technically quite good; he also knows how to make a movie pretentious and ponderous.  There’s probably a better 90-minute movie embedded in The Danish Girl’s 119 minutes.

Vikander is just outstanding as the wife.  Redmayne also nails his role, a part every bit as showy as in The Theory of Everything.  Matthias Schoenaerts, Amber Heard and Ben Whislaw are excellent in supporting roles.  Sebastian Koch, who is always good, is also solid in a secondary role.

The costumes in The Danish Girl are exquisite.  The early hints as to his gender identification come with his attraction to the fabric and design of fine clothes.  Then Lili  expresses her femininity through ever more ravishing and flamboyant fashion.  All of the clothes are beautiful to look at, from Vikander’s new nightgown to the dapper suits and cravats on Matthias Schoennaerts.   In the second half of the film, Vikander wears a turquoise dress with a vertical decorative panel that is a masterpiece of art deco design.

Excellent acting, phenomenal costumes and some riveting early scenes.  Then meh.

2015 at the Movies: I hadn’t seen this before

TANGERINE
TANGERINE

I love original approaches to cinema, and here are some from 2015 that work especially well:

Tangerine:  This raucous and raunchy high energy comedy was shot on an iPhone. This is not a gimmick. The intimacy and urgency of this character-driven movie is a good fit with the iPhone. There really isn’t any call for helicopter shots or the like. The richness of the colors has been enhanced in post-production, so the iPhone cinematography isn’t any distraction at all. (See the shot above.)

Unfriended: This low-budget, high quality horror flick is about teenagers convening over social media.  The ENTIRE MOVIE is comprised of their web cam screen shots.  It works.

The Tribe: Although the The Tribe comes from Ukraine, we’re not going to hear any Ukrainian. Nor will we see any English subtitles. It’s set in a residential high school for the deaf, and the entire movie is in sign language. It’s novel for the hearing to experience an entire movie in which we hear only the sound of ambient noises – footsteps, creaking doors and the like – and we know that these sounds are NOT heard by the movie characters.

Wild Tales: This Argentine dark, dark comedy is one of my favorite movies of 2015.  One key to its success is that it is an anthology. In a very wise move, writer-director Damián Szifron resisted any impulse to stretch one of the stories into a feature-length movie. Each of the stories is just the right length to extract every laugh and pack a punch.

Creed: Director Ryan Coogler and cinematographer Maryse Alberti have combined for the most impressive boxing scene since Raging Bull. The three-minute rounds are photographed as uninterrupted action (no cuts are apparent) from WITHIN the ring. We feel like we’re in the ring with the fighters – right at shoulder-level.

Victoria: The German indie thriller is filmed in one shot. One 138 minute shot. And this is reputedly a barn-burner of a thriller, not My Dinner With Andre. Victoria was in theaters for about a minute this year, and I haven’t seen it yet, which really annoys me. It’s available to stream on Amazon and iTunes, so I’ve downloaded it and hope to catch up to it over the Holidays.

WILD TALES
WILD TALES

2015 at the Movies: a glimmer of feminism

MUSTANG
MUSTANG

There’s been a glimmer of feminism in many of the year’s best films. The most overtly feminist is Mustang, a fierce assault on the patriarchy of a traditional culture. But Brooklyn and Carol share a feminist point of view. It’s no coincidence that the character that revolts in Ex Machina has a female form.  Ex Machina, Mustang and Brooklyn are are on my Best Movies of 2015.

Mad Max: Fury Road, a movie loved by critics (especially the female ones), is a rock ’em, sock’em action movie where women characters flee for their safety from male atrocities and then exact their revenge.

Testament of Youth is a biopic of the pioneering woman who leads a social movement. And from the 19th Century, there was the proto-feminist bodice ripper Far from the Madding CrowdChi-raq, Spike Lee’s modern inner city version of Aristophanes’ Lysistrata, also has women taking charge of their society.

All of these movies are primarily about women and have female leads.

Even the protagonist’s love interest (usually a thankless and peripheral role) in Creed is accomplished and only interested in embracing the title character on her own terms.

What does this mean? Not that Hollywood is now the paradigm of gender equity.  Just that there were some high quality movies this year, some women-centered, with a welcome perspective.

Charlize Theron in MAD MAX: FURY ROAD
Charlize Theron in MAD MAX: FURY ROAD