The Movie Gourmet

Cinequest, Silicon Valley’s own major film festival, returns live and in-person March 11, back in downtown San Jose, with screenings March 11-24 at the California Theatre, the Hammer Theater and 3Below. Selected films from the program then move to Cinequest’s virtual platform, Cinejoy, from March 23-30. I’m covering Cinequest for the fourteenth straight year.

I’ve already seen over twenty offerings from Cinequest 2025, and here are my initial recommendations. As usual, I focus on the world and US premieres. Follow the links for full reviews, images and trailers. I’ve also included some tips for making the most of the Cinequest experience under “Hacking Cinequest”. I’m leading off with two neo-thrillers – one set in Buenos Aired and one in Mombasa Kenya – and a haunting sci fi from Italy.

MUST SEE

• Gunman (Gatillero): This hyper-kinetic Argentine neo-noir kicks off when the small time gunsel Galgo returns from prison and learns that the neighborhood drug gangs find him expendable. He immediately finds himself framed for a gangland assassination and goes on the run in a 75-minute, real-time thrill ride. As the prey in a midnight man hunt, Galgo’s dash for survival is captured by a handheld camera in shots of very long duration. If you liked Run, Lola, Run or Victoria, you’ll love Gunman. Gunman is an amazing first feature for director and co-writer, Cris Tapia Marchiori, and an unforgettable achievement for Marchiori and his veteran cinematographer Martin Sapia. Based on a true story and shot in its actual setting, the drug-plagued Buenos Aires neighborhood of Isla Maciel, Gunman is brimming with verisimilitude. US premiere.
• The Dog: The electrifying thriller The Dog follows a classic neo-noir premise. A low level hood is assigned to drive a call girl, and he falls for her – against the explicit instructions of their employer and advice from the call girl herself. To stake a new start in a faraway land, he reaches for the big score. Desperation results. What’s unusual about The Dog is that it’s exceptionally exciting and that it’s set in Mombasa, Kenya. There’s a wonderful low-speed tuk tuk chase (on three-wheel taxis) through Mombasa’s open air markets, street performers and herds of goats. And there’s another unforgettable scene that will be particularly uncomfortable for male audience members.
• The Complex Forms: This visually striking atmospheric is set in a centuries-old Italian villa, where Christian and other down-on-their-luck middle-aged men sell their bodies for a period of days to be “possessed”. Possessed how? By who or by what? As the dread builds, Christian resolves to pry the answers from the secretive masters of the villa. Director Fabio D’Orta unspools the story with remarkably crisp black-and-white cinematography, a brooding soundtrack and impeccable editing. In his astonishingly impressive filmmaking debut, D’Orta wrote, directed, shot and edited The Complex Form. 

MORE INTERNATIONAL CINEMA

• Alien: This mysterious Russian sci fi tale is set in the unfamiliar, remote Ural hinterlands. Lyosha, the local oddball, has a hearing disability, lives in his grandmother’s cabin on the edge of the settlement, and has built an impressive tower out of trash that he has collected. He has also jerrybuilt a radio system and made giant circles in the fields, all attempts to contact space aliens He is teased pitilessly by the village japesters. We later learn that the long ago disappearance of his mother has affected his psyche. A newcomer suddenly appears at his cabin – most certainly not looking like any space alien that Lyosha has imagined. Is this visitor just a runaway from another village, an emissary from deep in the universe, or a supernatural messenger from his mother? It’s all up in air as hostile villagers close in, all thew way to an unpredictable ending. US premiere.
• Silent Sparks: In this Taiwanese neo-noir, small time hood Pua is released from prison and checks in with the swaggering, exuberant local crime lord. The boss assigns him to a lieutenant, Mi-Ji, who happens to be Pua’s former cell-mate. But when Pua and Mi-Ji meet again, the encounter is a study in social awkwardness. Pua just wants to start earning money and working his way up in the syndicate, but Mi-Ji is surprisingly unhelpful. What explains Mi-Ji’s behavior toward Pua? As Silent Sparks smolders on, the risks escalate. Promising first feature for writer-director Ping Chu. US premiere.

DOCUMENTARIES

• The Unfixing: This mesmerizing film is a self-therapeutic memoir, chronicling the filmmaker’s personal journey through her parents’ divorcee, her own sudden disability from chronic fatigue syndrome, and then shockingly, her daughter’s affliction with the same symptoms via Lyme Disease; mom and daughter experiment with a new therapy that purports to rewire their brains.  The clever structured (in yearly segments tied to climate change) and repeated motifs (of photography, the beach and grief) make this an art film inside a memoir.  How will this family story end? This unique film may not be for everyone, but it’s that wholly original cinema that people hope to see at a film festival. US Premiere.
• American Agitators: This is the important story of legendary organizer Fred Ross, the mentor of Cesar Chavez, and essentially a saint of the social justice movement. American Agitators shows Ross being formed by the Great Depression and the left-wing politics, the union movement and the New Deal. This extraordinarily well-sourced doc rolls out Ross’ legacy today, not just Chavez the icon and the Farmworkers movement, but the influence of Fred Ross, Jr. and organizing campaigns in 2025. LOCAL INTEREST: Fred Ross met Chavez at Cesar’s home at 53 Sharff Avenue in San Jose, hired Cesar as his deputy and organized out of McDonnell Hall at Our Lady of Guadalupe on East Antonio Street.  Cesar’s son Paul (of San Jose) appears in the film as does Luis Valdes of Teatro Campesino, who has also had a significant presence in San Jose. World premiere.
• In a Wintry Season:  This heartfelt and intoxicating documentary starts out looking like a fairy tale, and unpredictably turns decidedly not, as the real world and human behavior intervene.  I generally resist filmmakers profiling their own parents, but In a Wintry Season won me over with its candor, authenticity and surprises.  It’s a relatable story of two people and their family and their times, but it brings us into a meditation on what is American  Catholicism today.  With its very sweet ending, In a Winrty Season wil be a crowd=pleaser at Cinequest. US Premiere.

INDIE

• Burt: The title character in this affecting dramedy is a an elderly street musician with Parkinson’s. Burt rents a room in the home of his landlord Steve, an ever-suspicious and oppositional guy who is Burt’s age. Nevertheless, Burt is relentlessly upbeat. A young man, Sammy, arrives with a letter from one of Burt’s youthful flames, explaining that Sammy is Burt’s son. Burt jumps into belated fatherhood with both feet, and then discovers that all is not what it seems. Director and co-writer Joe Burke, in his second feature, succeeds in getting fine performances from non-professional actors playing Burt and Steve. Executive produced by indie stalwart David Gordon Green (George Washington, All the Real Girls, Undertow). World premiere.

COMEDY

• Time Travel Is Dangerous: In this deadpan British comedy, two ditzy gals who run a vintage shop discover a discarded gizmo from the early VCR era; it turns out to be an operational time machine, which they use to pilfer objects in the past that they can merchandise in the present. “You can’t put a price on nostalgia. Well, we do.” The two are tracked down by a consortium of inventors, and Time Travel Is Dangerous brilliantly sends up organizational behavior and other human foibles (one becomes stuck in her insufferable teenage years. When they carelessly unlock a dangerous vortex, we’re off to another dimension. The filmmakers don’t take themselves too seriously, and the special effects are the best you can find at the Dollar Store If you like Portlandia and Best In Show, but wish they were wackier, you’ll enjoy Time Travel Is Dangerous. Bay Area premiere.

HACKING CINEQUEST

Cinequest resumes its Downtown San Jose vibe, with concurrent screenings at the 1122-seat California, the 550-seat Hammer and the more intimate 3Below – all within 1600 feet of each other (and the VIP lounge at the Continental ). 

At Cinequest, you can get a festival pass for as little as $199 (a ten-pack for $110), and you can get individual tickets as well. Take a look at the entire program, the schedule and the passes and tickets.

As usual, I’ll be covering Cinequest rigorously with features and movie recommendations. I usually screen (and write about) twenty to thirty films from around the world. Bookmark my CINEQUEST 2025 page page, with links to all my coverage. 

Here’s the trailer for The Complex Forms.