Movies to See Right Now

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Anne Bancroft and Aldo Ray in NIGHTFALL playing this week at NOIR CITY

This weekend, I’m in San Francisco for the Noir City film festival; check out my festival preview.

OUT NOW

  • Roma is an exquisite portrait of two enduring women and the masterpiece of Alfonso Cuarón (Gravity, Children of Men and Y Tu Mama Tambien). Will win multiple Oscars. It is streaming now Netflix.
  • Green Book: Tony Lip is a marvelous character, and Viggo Mortensen’s performance is one of the great pleasures of this year in the movies.
  • Stan & Ollie: Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline.
  • Pawel Pawlikowski’s sweeping romantic tragedy Cold War is not as compelling as his masterpiece Ida.
  • The Favourite: Great performances by three great actresses, sex and political intrigue are not enough; this critically praised film didn’t work for me.
  • Do NOT, under any circumstances, see I Hate Kids, which I started to screen for a film festival earlier in the year, but could not bring myself to finish.  Somehow, it got a theatrical release, but it only has a Metacritic rating of 12.

ON VIDEO

The Aura is a brilliant 2005 neo-noir from Argentina that I wasn’t familiar with until the Czar of Noir, Eddie Muller, programmed it into the 2017 Noir City film festival. The Aura is available to rent on DVD from Netflix and to stream from Amazon and Hulu.

 

On TV

On January 27, Turner Classic Movies will present an overlooked masterwork. Set in England just before the D-Day invasion, The Americanization of Emily (1964) is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass. Julie Andrews plays an English driver who has lost her husband and other male family members in the War. She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy. Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it. Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

And on January 30, TCM presents the often transgressive cult classic Spider Baby, the last horror film for Lon Chaney, Jr. and the first for Sid Haig.

Sid Haig in SPIDER BABY
Sid Haig in SPIDER BABY

NOIR CITY 2019 is here

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Jayne Mansfield and Dan Duryea in THE BURGLAR

The Noir City film fest, always one of the best Bay Area cinema experiences, opens this weekend in San Francisco. Noir City is the annual festival of the Film Noir Foundation, spearheaded by its founder and president Eddie Muller. The Foundation preserves movies from the traditional noir period that would otherwise be lost. Noir City often plays newly restored films and movies not available on DVD or streaming. And we get to watch them in a vintage movie palace (San Francisco’s Castro Theatre) with a thousand other film fans.

Eddie Muller, whom you should recognize as the host of Turner Classic Movies’ Noir Alley series, has programmed this year’s version as NOIR CITY Reveals the Dark Side of Mid-Century America.  The tagline is “Think the 1950s were buttoned-down and conservative? Think again.”  Trench coats and fedoras are not required (and no smoking, please), but, other than that, you’ll get the full retro experience in the period-appropriate Castro.

You can’t stream three of the very best films in the fest: Nightfall, Pushover and Blast of Silence.  And Trapped, The Well, The Turning Point, The Scarlet Hour and Murder by Contract are pretty much impossible to find in any format.  So, see it here or don’t see it at all.  Trapped has just been restored by the Film Noir Foundation.  This year’s program features eight movies on The Movie Gourmet’s list of Overlooked Noir.

Allen Baron in BLAST OF SILENCE

My personal favorites on the program:

  • Two underrated noir masterpieces on the same double bill: Nightfall and The Burglar. Nightfall features smoldering chemistry between Aldo Ray and Anne Bancroft as they hunt for hidden loot while on the run themselves. The core of The Burglar is the stellar lead performance of Dan Duryea as a tortured and worn-out guy – with one deep loyalty. There are plenty of noir moments – lots of shadows, uplit faces in the darkness, amoral, grasping characters and not one, but two noir vixens – Jayne Mansfield and Martha Vickers.
  • The cop-yields-to-temptation double feature with Pushover and Private Hell 36. Tracking a notorious criminal, the cop (Fred MacMurray) in Pushover, follows – and then dates – the gangster’s girlfriend (“Introducing Kim Novak”) as part of the job, but then falls for her himself. He decides that, if he can double cross BOTH the cops and the criminal, he can wind up with the loot AND Kim Novak. (This is a film noir, so we know he’s not destined for a tropical beach with an umbrella drink.)
  • Another double feature, pairing the down-and-dirty Kiss Me Deadly and Stanley Kubrick’s groundbreaking Killer’s Kiss.
  • Sam Fuller and James Shigeta breaking ground by normalizing a Japanese-American protagonist in The Crimson Kimono.
  • The closing double feature with Sam Fuller’s brutal Underworld USA and that most emotionally bleak transition into neo-noir, the proto-indie Blast of Silence, which I’ve described as “a cauldron of seething hatred“.

Noir City runs from Friday, January 25 through Sunday, February 3. To see the this year’s Noir City program and buy tickets, go here. I’ll be there myself on this Friday and Saturday.

DVD/Stream of the Week: THE AURA – smart enough to plan the perfect crime, but is that enough?

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Ricardo Darin in THE AURA
Ricardo Darin in THE AURA

The Aura is a brilliant 2005 neo-noir from Argentina that I wasn’t familiar with until the Czar of Noir, Eddie Muller, programmed it into the 2017 Noir City film festival. The 2019 Noir City opens this weekend.

The Aura is about a taxidermist who leads a boring life, but fantasizes about the Perfect Crime. He is perpetually cranky because he is so dissatisfied, but he resists getting out of his life rut. It’s not easy to be his friend (nor, apparently, his wife). Unexpectedly, he finally finds himself in position to participate in a major heist.

He is epileptic (the movie’s title is from the sensation just before a seizure); he and we never know if and when he will pass out from an episode, a particularly dangerous wild card in a thriller. He also has a photographic memory, and that can help him if he has the nerve to go through with the crime.

The taxidermist is played by one of my favorite actors, Ricardo Darin (Nine Queens, The Secret in their Eyes, Carancho, Wild Tales) . I like to think of Darin as the Argentine Joe Mantegna. Darin can expertly play a slightly twisted Every Man, and he excels at neo-noir.

The rest of the cast is excellent, especially Walter Reyno as The Real Thing criminal, Alejandro Awada as the taxidermist’s long suffering only friend and Dolores Fonzi as the intriguing woman in the woods.

Ricardo Darin THE AURA
Ricardo Darin THE AURA

Sadly, writer-director Fabián Bielinsky died at 47 after making only two features – the wonderful con artist film Nine Queens (also starring Darin) and The Aura. Those two films indicate that he was a special talent.

Darin’s taxidermist is smart enough to plan a Perfect Crime, but professional criminals have that sociopathic lack of empathy needed to carry out crimes. Does he? Does he get the money? Does he get the girl? Does he even escape with his life? It’s a neo-noir, so you’ll have to watch it to find out.

By the way, the dog in this movie is important. Watch for the dog at the very end.

The Aura is available to rent on DVD from Netflix and to stream from Amazon and Hulu.

Dolores Fonzi in THE AURA
Dolores Fonzi in THE AURA

Movies to See Right Now

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Mahershala Ali and Viggo Mortensen in GREEN BOOK

Roma on Netflix and Green Book in theaters are still my top picks.   And here’s my remembrance of actress Verna Bloom, with a recommendation for her The Hired Hand.

OUT NOW

  • Roma is an exquisite portrait of two enduring women and the masterpiece of Alfonso Cuarón (Gravity, Children of Men and Y Tu Mama Tambien). Will win multiple Oscars. It is streaming now Netflix.
  • Green Book: Tony Lip is a marvelous character, and Viggo Mortensen’s performance is one of the great pleasures of this year in the movies.
  • Shoplifters won the Palm d’Or at Cannes. This is a witty, and finally heartbreaking, look at a family that lives on the margins – and then is revealed to be not what it seems.
  • Stan & Ollie: Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline.
  • Orson Welles’ The Other Side of the Wind and its companion documentaries, all available to stream on Netflix.
  • The masterful documentary Monrovia, Indiana is a fascinating movie about a boring subject.
  • Pawel Pawlikowski’s sweeping romantic tragedy Cold War is not as compelling as his masterpiece Ida.
  • The Favourite: Great performances by three great actresses, sex and political intrigue are not enough; this critically praised film didn’t work for me.
  • Skip First Man – a boring movie about a fascinating subject.

ON VIDEO

Here’s a really fun movie. Land Ho! features a vibrant and irascible geezer who conscripts an old friend into a rowdy road trip to – of all random places – Iceland. Land Ho! is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube, and Google Play.

ON TV

On January 19, Turner Classic Movies will show The Last Hurrah (1958): The master director John Ford is famous for westerns, but this portrait of an embattled incumbent is a classic of political cinema. Spencer Tracy plays the leader of an urban political machine. He’s got years of accomplishments and a machine in his favor, but his newspaper-owning antagonist is running an empty suit against him in a campaign that is increasingly fought on the newfangled medium of television. He’s been so successful for so long that his ward heelers have become complacent, and he’s smelling the campaign getting away from him…

And on January 23, TCM will air the 1967 biker exploitation movie Born Losers, in which Tom Laughlin originated the character of Billy Jack – all discussed in my post about TCM’s recent Billy Jack Extravaganza.

Also on January 23, TCM will cablecast a film from my Bad Movie Festival – Psych-Out, a hippie exploitation movie from 1968. Features Bruce Dern as a schizophrenic Jesus and Jack Nicholson with a ponytail glued onto his head. Hilarious.

Spencer Tracy (center) in THE LAST HURRAH

DVD/Stream of the Week: LAND HO! – rowdy geezer roadtrip to Iceland

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Paul Eenhoorn and Earl Lynn Nelson in LAND HO!
Paul Eenhoorn and Earl Lynn Nelson in LAND HO!

Here’s a really fun movie. Land Ho! features a vibrant and irascible geezer who conscripts an old friend into a rowdy road trip to – of all random places – Iceland. It’s a showcase for Earl Lynn Nelson, who essentially plays himself in the movie. Nelson is a 72-year-old Kentucky doctor who is a force of nature and has possibly an even dirtier mind than The Movie Gourmet’s. He is a friend of the 29-year-old writer director Martha Stephens who was INSPIRED to see the possibilities in sending him off on an adventure and filming the results. His friend (and ex-brother-in-law) is played by an actor, Paul Eenhoorn.

It all works. Nelson – an unapologetic hedonist – is funnier than hell, and Eenhoorn stays right with him as the more reserved and sometimes aggrieved buddy. Land Ho! is a string of LOL moments, whether Nelson is providing politically incorrect fashion advice to young women or unsolicited marital advice to a honeymooning couple or pulling out a joint and proclaiming “It’s time for some doobiefication”.

This is a geezer comedy that doesn’t make the geezers cute. Nelson may be a piece of work, but there’s nothing in Land Ho! that isn’t genuine.

I just have two knocks on the movie. It’s only 95 minutes long, but it would be crisper at about 87. And, as The Wife pointed out, there’s really no need for the huge jarring subtitles to let us know precisely where these guys are in Iceland.

Nevertheless, it’s worth a watch. The audience at Sundance loved this movie, and I think Land Ho! is a hoot-and-a-half. Land Ho! is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube, and Google Play.

{Note: I got the meet and spend some time with Paul Eenhorn at Cinequest 2015, when he was premiering his film In the Company of Women. Great guy.]

Verna Bloom

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Verna Bloom in THE HIRED HAND

Actress Verna Bloom, who died last week, didn’t make a lot of movies, but she starred in some of the most memorable movies of the 1970s. Her run began with Haskell Wexler’s groundbreaking Medium Cool and traveled through Clint Eastwood’s mysterious High Plains Drifter. She will be best remembered  as Mrs. Dean Wormer in Animal House.

My favorite Verna Bloom movie was also her favorite – Peter Fonda’s grievously underrated Western The Hired Hand. Bloom plays a woman abandoned on her hardscrabble ranch by her roaming husband (Fonda). When he returns with his trail buddy (Warren Oates), she will only allow him back as a hired hand. It’s a moody and captivating film, beautifully shot by Vilmos Zsigmond.  The Hired Hand is available on DVD from Netflix; the DVD is also available for purchase.

Verna Bloom in ANIMAL HOUSE

Movies to See Right Now

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Mahershala Ali and Viggo Mortensen in GREEN BOOK

Make plans to attend San Francisco’s great festival of film noir, Noir City, opening on January 25.

OUT NOW

  • Roma is an exquisite portrait of two enduring women and the masterpiece of Alfonso Cuarón (Gravity, Children of Men and Y Tu Mama Tambien). Will win multiple Oscars. It is streaming now Netflix.
  • Green Book: Tony Lip is a marvelous character, and Viggo Mortensen’s performance is one of the great pleasures of this year in the movies.
  • Shoplifters won the Palm d’Or at Cannes. This is a witty, and finally heartbreaking, look at a family that lives on the margins – and then is revealed to be not what it seems.
  • Stan & Ollie: Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline.
  • Orson Welles’ The Other Side of the Wind and its companion documentaries, all available to stream on Netflix.
  • The masterful documentary Monrovia, Indiana is a fascinating movie about a boring subject.
  • Pawel Pawlikowski’s sweeping romantic tragedy Cold War is not as compelling as his masterpiece Ida.
  • The Favourite: Great performances by three great actresses, sex and political intrigue are not enough; this critically praised film didn’t work for me.
  • Skip First Man – a boring movie about a fascinating subject.

ON VIDEO

My Stream of the Week, the Canadian psychological thriller Lost Solace, takes a highly original premise and turns it into a pedal-to-the-metal thriller. Lost Solace was my personal favorite at Cinequest 2016 and can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

You really haven’t sampled film noir if you haven’t seen Out of the Past (1947), and it’s coming up on Turner Classic Movies on January 14. Perhaps the model of a film noir hero, Robert Mitchum plays a guy who is cynical, strong, smart and resourceful – but still a sap for the femme fatale…played by the irresistible Jane Greer. Director Jacques Tourneur told Greer, ” First half of the movie – Good Girl; second half – Bad Girl.”

OUT OF THE PAST
OUT OF THE PAST

STAN & OLLIE: comic geniuses facing the inevitable

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Left to right: Steve Coogan as Stan Laurel, John C. Reilly as Oliver Hardy,
Photo by Nick Wall, Courtesy of Sony Pictures Classics

In Stan & Ollie, Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline. An iconic movie comedy team, Laurel and Hardy made 107 films, including 23 features. Their run started in 1926 and made the transition into the sound era more successfully than their peers in silent comedy. But by 1945, their popularity was over, and most of Stan & Ollie is set in 1951, when they are trying to rekindle their careers with a British live tour.

Coogan and Reilly’s impersonations (and Reilly’s makeup) are impressive. However, the most interesting aspect to Stan & Ollie is the depiction of the partnership, which like any partnership, is unequal and complementary; each individual has a different personality and a different role. Together, their act was so seamless that we forget that the two, one English and the other from Georgia, were veteran professionals already in their mid-thirties when they hooked up. Hardy was bossy on-screen, but Laurel was the business and creative leader of the team.

In a flashback (during the 1937 filming of Way Out West), we see the two at the height of their career arc. That sets us up to watch the two manage struggle and disappointment later on.

The technical highlight of the Coogan and Reilly performances is a dead-on re-creation of Stan and Ollie’s dance in front of an Old West saloon in Way Out West, a dance which is comic perfection; it’s worth finding Way Out West for the original version of the dance, which is much longer. My own favorite Laurel & Hardy film is the 1933 Pre-Code Sons of the Desert, where the duo mislead their wives to sneak off to the rowdy convention/drinkfest of the titular fraternal organization.

As usual I’ve embedded the trailer for you, but I recommend not watching it if you’re going to see Stan & Ollie – it gives too much away.

NOIR CITY: the great San Francisco festival of film noir

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Make plans to attend Noir City film fest, always one of the best Bay Area cinema experiences, in San Francisco January 25-February 3.  Noir City is the annual festival of the Film Noir Foundation, spearheaded by its founder and president, the Czar of Noir, Eddie Muller. The Foundation preserves movies from the traditional noir period that would otherwise be lost. Noir City often plays newly restored films and movies not available on DVD or streaming. And we get to watch them in a vintage movie palace (San Francisco’s Castro Theatre) with a thousand other film fans.

The 2019 Noir City will focus on film noir in the 1950s – from just after the genre’s peak to its transition into neo-noir.  The festival tag line is, “Think the 1950s were buttoned-down and conservative? Think again.” The Film Noir Foundation has restored Trapped (1949), and the world premiere of the restored version will open the fest.  Think about it – you can be in the first movie theater audience to see Trapped in sixty-nine years.  Closing night will feature that most brutal and emotionally bleak of neo-noirs, Blast of Silence.

Three of the best films in the program are not available to stream, and five more are impossible to see outside of Noir City in any format. This year’s program features eight movies on The Movie Gourmet’s list of Overlooked Noir.

Noir City runs from Friday, January 25 through Sunday, February 3. To see the this year’s Noir City program and buy tickets, go here.

I’ll be posting a comprehensive Noir City preview on January 23. And you may run into me at Noir City as I cover the opening weekend.

NIGHTFALL, one of NOIR CITY’S highlights

Stream of the Week: LOST SOLACE – a psychopath afflicted by empathy

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LOST SOLACE
LOST SOLACE

The Canadian psychological thriller Lost Solace takes a highly original premise and turns it into a pedal-to-the-metal thriller. It’s an astonishingly successful debut for director and co-writer Chris Scheuerman.

Co-writer Andrew Jenkins stars as the psychopath Spence, whose life is devoted to exploiting women, stealing their stuff and emotionally devastating them to boot. Spence is remarkably skilled and seems unstoppable until he unwisely ingests a recreational drug – he starts suffering hallucinatory episodes that are intensely emotional. Here’s the brilliantly original core of Lost Solace – having the occasional fit of feelings and empathy really gets in the way of being a coolly cruel psychopath.

Spence targets the emotionally fragile rich girl Azaria (Melissa Roxburgh). Melissa is burdened both by the care for her violently psychotic brother Jory (Charlie Kerr) and by years of verbal evisceration by her prick of a father, Chuck (Michael Kopsa). Able to peg Spence as a scumbag, Jory offers Spence a share of his inheritance to kill Chuck. It’s a plan hatched by a psychotic – what could possibly go wrong? Add an ambitious physician (Leah Gibson) who is eager to cash in on a cure for psychopathy, and we’re off to the races.

Scheuerman is an economical story-teller who lets the audience connect the dots. Spence doesn’t even speak until well into the movie. But Scheuerman spins a great tale, and as he reveals his characters, we see that Chuck may be every bit as fiendish as Spence and that Betty the doctor, may be just as greedy. There’s plenty that can unravel Spence’s Perfect Crime, and that’s what keeps us on the edges of our seats.

Andrew Jenkins is completely believable as both the supremely confident Spence and, later, as the Spence determined to steel his way through his unexpected confusion. The rest of the cast is exceptional, too, especially Kopsa and Gibson.

Lost Solace was my personal favorite at Cinequest 2016 and can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.