“I just want to say one word to you. Just one word…Plastics.” Screenwriter Buck Henry wrote some of the most iconic dialogue in the movies. “Mrs. Robinson, you’re trying to seduce me!” Henry was nominated for Oscars for adapting The Graduate screenplay and for directing Heaven Can Wait. Along with The Graduate, I also love his screenplay for What’s Up, Doc? He also played the hotel clerk in The Graduate and played himself in The Player, pitching The Graduate II. He appeared often on Saturday Night Live, once getting nipped by John Belushi’s samurai sword. HisNYT obit includes his birth name and other tidbits.
Actress Sue Lyon died at the very end of last year and hadn’t made a movie in forty years. She is best remembered for her performance at age 16 as the titular character in Stanley Kubrick’s 1962 Lolita. She also appeared in The Night of the Iguana and in one of my guilty faves, The Flim Flam Man.
OUT NOW
The masterpiece Parasite explores social inequity, first with hilarious comedy, then evolving into suspense and finally a shocking statement of the real societal stakes. This is one of the decade’s best films.
Adam Driver and Scarlett Johannson are brilliant in Noah Baumbach’s career-topping Marriage Story. A superb screenplay, superbly acted, Marriage Story balances tragedy and comedy with uncommon success. Marriage Story is playing in just a couple Bay Area theaters and is now streaming on Netflix.
Martin Scorsese’s gangster epic The Irishman is tremendous, and features performances by Al Pacino and Joe Pesci that are epic, too. It’s both in theaters and streaming on Netflix.
Uncut Gems is a neo-noir in a pressure cooker. Adam Sandler channels a guy racing through a gambling addiction and the resultant financial desperation. It’s the most wire-to-wire movie tension in years.
Rian Johnson’s Knives Out turns a drawing room murder mystery into a wickedly funny send-up of totally unjustified entitlement.
Refusing to play it safe, director Francisco Meirelles elevates The Two Popes from would have been a satisfying acting showcase into a thought-provoker. It’s streaming on Netflix.
On January 12, Turner Classic Movies will present the 1934 screwball comedy Twentieth Century, which holds up as well today as it did 85 years ago. A flamboyantly narcissistic Broadway producer (John Barrymore) has fallen on hard times and hops a transcontinental train to persuade his former star (Carole Lombard), now an A-list movie star, to headline his new venture. Barrymore’s shameless self-entitlement and hyper dramatic neediness makes for one of the funniest performances in the movies.
Six of my Best Movies of 2019 – So Far are already available to stream. This week, I’m featuring They Shall Not Grow Old: a generation finally understood. Lord of the Rings filmmaker Peter Jackson has, for the first time, layered humanity over our understanding of World War I. By slowing down the speed of the jerky WWI film footage and adding sound and color, Jackson has allowed us to relate to the real people in the Great War. This film is a generational achievement. Now you can stream it from Amazon, iTunes, Vudu, YouTube and Google Play.
Also available to stream:
Once Upon a Time…in Hollywood: masterpiece. Quentin Tarantino’s exquisite filmmaking skills blend together verisimilitude of time and place, vivid performances and a rock ’em, sock ’em story to make Once Upon a Time…in Hollywood an instant classic. Brad Pitt, Margot Robbie, Leonardo DiCaprio and a host of others create tremendous performances, and Tarantino delivers the most startling ending in recent cinema. And it’s a love letter to a Hollywood that six-year-old Quentin Tarantino lived near to, but was not a part of. This is a Tarantino masterpiece, right up there with his best, Jackie Brown and Pulp Fiction. It’s available to stream on Amazon and the other major platforms.
The Last Black Man in San Francisco: the most stark reality, only dream-like. This uncommonly clear-eyed love letter to San Francisco is an absorbing exploration of the inner lives of two friends as they react to their changing city. The brilliantly original filmmaking by director and co-writer Joe Talbot portrays the starkly real as dreamlike. It’s available to stream from Amazon, iTunes, Vudu, YouTube and Google Play.
Long Day’s Journey into Night: obsession and a vivid darkness. This brilliantly original film explores memory – a man obsessed with a doomed romance from twenty years ago plunges into a neo-noir underworld. After a slow burn beginning, his search reaches its climax in a spectacular ONE-HOUR single shot. It can be streamed on Amazon, iTunes and Vudu.
Amazing Grace : pure, sanctified Aretha. This Aretha Franklin concert filmis, at once, the recovery of a lost film, the document of an extraordinary live recording and an immersive, spiritual experience. Amazing Grace can be streamed on Amazon, iTunes, Vudu, YouTube and Google Play; the DVD can be rented from Redbox.
Booksmart: smart, fresh and hilarious. This wildly successful comedy is an entirely fresh take on the coming of age film, and a high school graduation party romp like you’ve never seen. Directed and written by women, BTW. It’s available to stream from Amazon, iTunes, Vudu, YouTube and Google Play.
Here’s a once-in-a-lifetime film noir experience, the opportunity to be a part of an audience to see films that haven’t been projected in a theater in over sixty years. Make plans to attend the Noir City film fest, always one of the best Bay Area cinema experiences, in San Francisco January 24-February 2. Noir City has become an irreplaceable Bay Area cultural treasure like Alcatraz or John’s Grill.
Noir City is the annual festival of the Film Noir Foundation, spearheaded by its founder and president, the Czar of Noir, Eddie Muller. The Foundation preserves movies from the traditional noir period that would otherwise be lost. Noir City often plays newly restored films and movies not available on DVD or streaming. And we get to watch them in a vintage movie palace, San Francisco’s Castro Theatre, with a thousand other film fans.
The 2020 Noir City will focus on international film noir, as it did so successfully six years ago. Then I was enthralled by the Argentine Bitter Stems and the Swedish Girl with Hyacinths, and must admit that I had never even imagined that vintage film noir from those nations existed. This year’s fest brings us titles from Argentina, France, Germany, Korea, Japan, Czechoslovakia, Italy, England, West Germany, Sweden and Poland.
One of best things about Noir City is the opportunity to see a few films that are not available to stream. This year Noir CIty is outdoing itself by presenting EIGHTEEN films that can’t found on a streaming platform, most of them impossible to see outside of Noir City in any format.
The Beast Must Die (Argentina 1952)
The Black Vampire (Argentina 1953)
Panique (France 1947)
Razzia (France 1955)
Any Number Can Win (France 1963),
Black Hair (South Korea 1964)
The Facts of Murder (Italy 1959)
…And the Fifth Horseman Is Fear (Czechoslovakia 1965)
90 Degrees In the Shade (Czechoslovakia 1965)
The Long Haul (England 1957)
Never Let Go (England 1965)
The Devil Strikes at Night (West Germany 1957)
Black Gravel (West Germany 1961)
Another Dawn (Mexico 1943)
Twilight (Mexico 1945)
Night Falls (1952)
Salon Mexico (Mexico 1949)
Ashes and Diamonds (Poland 1958)
The films on this year’s program are SO difficult to find that only one of them (Pale Flower) is even on The Movie Gourmet’s list of Overlooked Noir.
“Difficult to find” doesn’t mean “obscure”. The program includes films directed by Michelangelo Antonioni, Jean-Pierre Melville and Roebert Siodmak and starring Ingrid Bergman, Jean Gabin, Alain Delon, Peter Sellers, Emilio Fernandez, Victor Mature and Jean-Paul Belmondo.
The Film Noir Foundation has restored the Argentine films The Beast Must Die and The Black Vampire, and the opening night will feature these films. (These are coincidentally the most lurid titles on this year’s program.) Think about it – you can be in the first movie theater audience to see these films in over sixty years – and perhaps the first US movie audience ever.
This year, I predict that the Thursday night Castro Theatre audience will be THRILLED by the Japanese neo-noir Pale Flower. Writer-director Masahiro Shinoda’s masterpiece is a slow burn that erupts into breathtaking set pieces. This is pioneering neo-noir; its look and feel is as different from classic noir as are Elevator to the Gallows and Blast of Silence.
Noir City runs from Friday, January 24 through Sunday, February 2. To see the this year’s Noir City program and buy tickets, go here. Incidentally, the woman escaping with the loot on this year’s Noir City poster is Victoria Mature, daughter of movie star Victor Mature, whose best work was in film noir.
I’ll be posting a comprehensive Noir City preview on January 20. And you may run into me at Noir City as I cover both weekends.
Adam Sandler and filmmaking brothers Benny and Josh Safdie serve up neo-noir in a pressure cooker in the relentlessly tense Uncut Gems.
Howard (Adam Sandler) is a Jewish jewelry dealer in New York City’s Diamond District, who makes his big bucks catering to NBA stars brought in by his associate (LaKeith Stanfield). He’s also a gambling addict. One of the consequences of gambling addiction is losing more than you can afford and owing money that you don’t have to very nasty people.
Kevin Garnett, LaKeith Stanfield and Adam Sandler in UNCUT GEMS
Howard has a lot – a wife and kids in a luxurious suburban house, a young mistress in a Manhattan apartment, a thriving business. But he’s always on the verge of losing it all because it’s not enough; his life is driven by the compulsion to make five figure exotic sports bets.
That means that he is constantly robbing Peter to pay Paul, shifting money, jewelry, schemes and bullshit around like a spinning plate act on The Ed Sullivan Show. Throughout Uncut Gems, the chaos elevates, as Howard bets on being bailed out by the Big Sale and the Big Bet. There’s a massive Ethiopian opal (a MacGuffin like the Maltese Falcon), a spine chilling auction and an even more gripping sports bet.
It’s clear that the inevitable will catch up with Howard – we just don’t know where it will fall on the continuum between having all of the bones in his hand broken and wearing cement shoes in the East River. Or whether his spiking blood pressure will send him out with a stroke or heart attack. Come to think of it, this probably isn’t the best movie choice for a cardiologist.
Adam Sandler in UNCUT GEMS
Here’s the challenge that the Safdies faced in writing this character and that Sandler faced in playing him. How do you make him just appealing enough to keep us engaged with his situation? This is a guy who, were we in the same family or community, we would dread his every approach (Here comes trouble).
This is an extraordinary, awards-worthy performance by Sandler; he inhabits a perpetually frenetic guy, fueled by his compulsions and by the resultant desperation.
Idina Menzel is superb as the wife who knows Howard best and assesses him the most accurately (and cruelly). Stanfield is very good, as are Julia Fox as the girlfriend and Eric Bogosian as a frustrated creditor. Former NBA star Kevin Garnett plays NBA star Kevin Garnett and holds his own with the professional actors.
The 2 hours and 15 minutes of Uncut Gems flies by (and you feel like you’ve been running the whole time). This is one of the Best Movies of 2019.
The masterpiece Parasite explores social inequity, first with hilarious comedy, then evolving into suspense and finally a shocking statement of the real societal stakes. This is one of the decade’s best films.
Adam Driver and Scarlett Johannson are brilliant in Noah Baumbach’s career-topping Marriage Story. A superb screenplay, superbly acted, Marriage Story balances tragedy and comedy with uncommon success. Marriage Story is playing in just a couple Bay Area theaters and is now streaming on Netflix.
Martin Scorsese’s gangster epic The Irishman is tremendous, and features performances by Al Pacino and Joe Pesci that are epic, too. It’s both in theaters and streaming on Netflix.
Rian Johnson’s Knives Out turns a drawing room murder mystery into awickedly funny send-up of totally unjustified entitlement.
Refusing to play it safe, director Francisco Meirelles elevates The Two Popes from would have been a satisfying acting showcase into a thought-provoker. It’s streaming on Netflix.
Filmmaker Taika Waititi takes on hatred in his often outrageous satire Jojo Rabbit. I saw Jojo Rabbit at the Mill Valley Film Festival, where the audience ROARED with laughter.
In his Pain and Glory, master filmmaker Pedro Almodovar invites us into the most personal aspects of his own life, illuminated by Antonio Banderas’ career-topping performance.
Plus I just wrote about Ash Is Purest White: a survivor’s journey. Actress Tao Zhao’s tour de force performance powers this portrait of an unforgettable woman surviving betrayal, the crime world and the tidal waves of change in modern China, all embedded in writer-director Zhangke Jia’s gangster neo-noir. It’s also on my Top Ten and can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.
ON TV
Humphrey Bogart and Martha Vickers in THE BIG SLEEP
On January 5, Turner Classic Movies presents Humphrey Bogart as Raymond Chandler’s hard-boiled LA detective Philip Marlowe in The Big Sleep. Bogart’s performance is iconic, and The Big Sleep is famous for its impenetrably tangled plot. It’s also one of the most overtly sexual noirs, and Lauren Bacall at her sultriest is only the beginning. The achingly beautiful Martha Vickers plays a druggie who throws herself at anything in pants. And Dorothy Malone invites Bogie to share a back-of-the-bookstore quickie.
Dorothy Malone and Humphrey Bogart in THE BIG SLEEP
Peter Bogdanovich with Jesse Hawthorne Ficks at the Roxie screenings of THE LAST PICTURE SHOW and SAINT JACK
I’ve probably never had as many unforgettable cinematic experiences in one year before. The highlights of 2019:
In September, I was privileged to attend one of the year’s most stirring experiences of Bay Area cinema culture. The Roxie Theater screened the The Last Picture Show– with the legendary Peter Bogdanovich himself in attendance for two Q&A sessions, plus a screening of his hard-to-find Saint Jack (1979).
The thrill of discovering the neo-noir Pale Flower, thanks to Turner Classic Movies.
Noir City – special thanks to the team at the Film Noir Foundation, who went out of their way to help me with lodging. My favorite was the bracingly topical The Well, an unusual combination of a rescue procedural and a race riot noir. I was joined for my weekend at Noir City by The Wife despite her battling excruciating back pain.
Mill Valley Film Festival (MVFF) with three films on my top ten list –Marriage Story, Jojo Rabbit, 63 Up – plus Frankie. Michael Apted himself appeared at the 63 Up screening.
As usual, I screened over thirty films atCinequest. This year, my friend Keith visited from LA and joined me for five features in three days; our binge included including the Buster Keaton short The “High Sign” and Cinequest’s best film Buy Me a Gun.
San Francisco International Film Festival (SFFILM), the highlight being the documentary Midnight Family.
Getting to see the virtually lost film Mr. Klein, thanks to the Rialto Pictures re-issue and the Roxie.
Linda Cardinelli as Dolores Vallelonga in GREEN BOOK – the year’s second best wife
Happy Anniversary to The Wife, also known as Lisa, The Love of My Life!
Once again, she tolerated my spending huge chunks of time at Cinequest, the San Francisco International Film Festival, Noir City, the SF Jewish Film Festival and the Mill Valley Film Festival.
As usual, she joined me for many of my favorite cinema experiences, including driving to Marin and the Mill Valley Film Festival to a screening of 63 Up with Michael Apted in person. We relished seeing Green Book, Her Smell, Booksmart, Knives Out and Silicon Valley’s first screening of The Irishman. And we finished the year with the Christmas Eve screening of It’s a Wonderful Life at the Stanford Theatre.
But most impressively, battling back pain, she got off a hellish transcontinental airline flight to join me for a weekend of Noir City. That’s taking one for Team Movie Gourmet.
I got to introduce her to All That Jazz, Double Indemnity and 99 River Street. (We have the steamy 99 River Street poster in our living room, complete with Evelyn Keyes’ fingernails scratching tracks across John Payne’s beefy back.)
This year we binged more episodic television together than ever: True Detective, Victoria, Tales of the City, Fosse/Verdon, One Mississippi, Modern Love, Tom Clancy’s Jack Ryan and The Crown.
She’s the biggest fan and supporter of this blog, and I appreciate her and love her. Happy Anniversary, Honey!
Luke Lorentzen’s MIDNIGHT FAMILY. Courtesy of SFFILM
I posted my traditional Top Ten list – Best Movies of 2019. Now here are some gems that you probably haven’t heard of.
Midnight Family. This gripping documentary takes us on ridealongs with an all-night ambulance crew in Mexico City. It’s even wilder than you may expect. Midnight Family is just finishing a brief theatrical release, and I expect it will be available to stream soon.
Light from Light. Three portraits of personal awakening are ingeniously embedded into what looks like a familiar haunted house movie. I’ll let you know when it’s streamable.
Sword of Trust. This is a wickedly funny comedy with an emotionally powerful personal story underneath it all. Great performances by Marc Maron and the film’s director Lynn Shelton. You can buy, but not yet rent, Sword of Trust. I’ll let you know when it’s available.
Auggie. In this superb indie, augmented reality glasses fulfill every need and insidiously trigger even more inner desires. Stream from Amazon, iTunes and Vudu.
The Sound of Silence. Peter Sarsgaard stars in this novel and engrossing character study about obsession. Stream from Amazon, iTunes, Vudu, YouTube and Google Play.
Rojo. Set just before Argentina’s bloody coup in the 1970s, this moody, atmospheric film works as a slow-burn thriller. Stream from Amazon, iTunes and Vudu.
Mine 9. This race-against-the-clock rescue thriller is both a mine safety exposé and a mining procedural. I’ll let you know when it’s available to stream.
Jirga. A man goes on a quest in this parable of atonement. The film was shot guerilla-style, under cover in wartorn, terrorist infested Afghanistan. Stream from Amazon, iTunes, Vudu and Redbox.
Making Montgomery Clift. This biodoc is an unexpectedly insightful and nuanced probe into the life of Montgomery Clift, and it explodes some of the lore that has shaped popular understanding of the movie star. Stream from Amazon, iTunes, Vudu, YouTube, Google Play and Redbox.
Long Day’s Journey into Night. This brilliantly original film explores memory – a man obsessed with a doomed romance from twenty years ago plunges into a neo-noir underworld. After a slow burn beginning, his search reaches its climax in a spectacular ONE-HOUR single shot. It can be streamed on Amazon, iTunes and Vudu.
Mr. Klein. This is actually a reissue of a 1976 film that almost nobody has seen in 43 years. Joseph Losey’s slowburn thriller is a searing critique of French collaboration with the Nazis. Mr. Klein stars Alain Delon as a predator trapped by his own obsession. It is not currently available on the major streaming platforms, nor can it be found on DVD, except for some bootlegs from Asia.
Yes, two of my Overlooked movies are also on my Best of 2019 list. I’ll let you know when you can stream the ones that aren’t yet available.
Albert Finney in BEFORE THE DEVIL KNOWS YOU’RE DEAD
Albert Finney burst into movie stardom as the face of young Brit alienation in Saturday Night and Sunday Morning (1960) and the strapping sex symbol in the bawdy Tom Jones (1963). I think that one of his later performances was his best, in Before the Devil Knows You’re Dead (2007).
Verna Bloom in THE HIRED HAND
Actress Verna Bloom didn’t make a lot of movies, but she starred in some of the most memorable movies of the 1970s. Her run began with Haskell Wexler’s groundbreaking Medium Cool , traveled through Clint Eastwood’s mysterious High Plains Drifter and was capped as Mrs. Dean Wormer in Animal House. My favorite Verna Bloom movie was also her favorite – Peter Fonda’s grievously underrated The Hired Hand.
Richard Erdman (right) in CRY DANGER
Prolific character actor Richard Erdman (175 screen credits) is best known for playing Sgt. Hoffy Hoffman in Billy Wilder’s great Stalag 17. But Erdman’s best role (and my favorite Erdman performance) was as Dick Powell’s dipsomaniac wingman Delong in Cry Danger: “Sometimes I always drink too much“.
Julie Adams in THE LAST MOVIE
Julie Adams‘ 60-year career included many, many Westerns and lots and lots of TV. She co-starred with James Stewart in Anthony Mann’s Bend of the River, with Elvis Presley and with Rock Hudson, five times. Her fate was to be most remembered for Creature from the Black Lagoon. My favorite Julie Adams performance was as the sexually rapacious trophy wife of an entitle American tourist in Dennis Hopper’s The Last Movie.
Bruno Ganz in THE AMERICAN FRIEND
Swiss actor Bruno Ganz is most remembered for playing Adolf Hitler in Downfall, the first post-war German film to portray the Führer (it only took 59 years); Ganz was the best movie Hitler, even better than Anthony Hopkins in The Bunker with its Hitler learns … YouTube memes. Ganz became well-known when Wings of Desire became a US art house hit in 1987. My favorite Bruno Ganz movie, however was the earlier Wim Wenders The American Friend, where he was matched with Dennis Hopper.
Seymour Cassel in MINNIE AND MOSCOWITZ
Seymour Cassel’s singular performances were often eccentric and exuberant – and always no bullshit. The most recent of Cassel’s 213 screen credits was in 2015, but he is best remembered for his association with writer-director John Cassavetes. Two of my favorite Cassel performances are in Cassavetes’ Minnie and Moscowitz (1971) and The Killing of a Chinese Bookie (1976).
Bibi Andersson‘s performances were at the core of the Ingmar Bergman canon. My favorite Andersson film is one of her very first, that most accessible Bergman movie, Wild Strawberries, in which she plays both the young woman an old man encounters and, in flashback, the young love she reminds him of.
Anna Karina, the Danish-born model who became a primary leading lady of the French New Wave, made films for iconic European directors like Godard, Rivette, Visconti and Fassbinder. She was married to Godard when he was still making good movies in the early 1960s.
Rip Torn will be remembered for playing Garry Shandling’s colorful producer Artie in 89 episodes of The Larry Sanders Show; as Artie, and in so many of his roles, Torn was able to illustrate the joy that can come from misbehavior. Torn was an accomplished character actor whose career encompassed scads of television, and movie roles ranging from his Oscar-nominated turn in Cross Creek to Judas Iscariot in the Biblical epic King of Kings. My favorite Rip Torn screen performance was in The Seduction of Joe Tynan; Torn played the good-timin’ junior Senator from Louisiana covering for the impending senility of the revered senior Senator (Melvyn Douglas). Torn also guided his much younger cousin Sissy Spacek as she broke into acting. His birth name (Elmore Rual) doesn’t matter because he followed his father in taking the family nickname of Rip.
Robert Forsterwas a stalwart of 70s and 80s TV, starring in his owned short-lived period detective series Banyon and then Twin Peaks. But thank God for Quentin Tarantino, who revived Forster’s career with the character of Max Cherry in Jackie Brown; Max’s streetwise strength and basic Midwestern decency was a perfect fit for Forster.
Peter Fonda, well-known as a son and brother of film mega-stars, had a prolific career (116 screen credits) dotted with some spectacular successes. Fonda’s most eternal legacy will be Easy Rider, a film he wrote and starred in, which was the seminal film of the Counter-culture. Most importantly, Easy Rider propelled the staggering movie studios into empowering a new generation of auteur filmmakers.
Danny Aiello started acting when he was forty, with the fine TV movie Bang the Drum Slowly and as one of the Rosato brothers in The Godfather II. Aiello worked for directors as varied as Woody Allen, Sergio Leone, Norman Jewison and James Toback. He was Oscar-nominated for his performance as Sal the pizzeria owner in Spike Lee’s Do the Right Thing.
7’3″ tall actor Peter Mayhew’s screen career centered around one unforgettable role, under a mask and bushel of fur as Chewbacca in the Stars Wars franchise.
Actor Jan Michael-Vincent could have had more of a career. In 1970, at age 25, he starred in the fine TV movie drama Tribes, and his performance as a hippie going into the Vietnam Era US Army was memorable. His looks, of the hunky/dreamy variety, got him less challenging and more forgettable work in the 1970s. His alcoholism and drug abuse killed his career, and he suffered permanent injuries from three vehicular accidents in the 1990s. He appeared in only five more movies after his third accident and none after 2002.
At age 22, actress Edith Scob was haunting in 1960’s Eyes Without a Face, and, 52 years later, helped Leos Carax pay homage to that performance in his unhinged Holy Motors.
Michael J. Pollard appeared 116 times on screen, but will always be remembered for his scene-stealing as C.W. Moss in Bonnie and Clyde.
Rene Auberjonois started his career in the iconoclastic Robert Altman films MASH (where he originated the role of Father Mulcahy), Brewster McCloud and McCabe & Mrs. Miller. Then he went on to rack up 227 screen credits, mostly on TV.
Sid Haig in HOUSE OF 1000 CORPSES
Sid Haig began his horror picture career in 1968 with Spider Baby. He finished with over 130 screen credits, including character roles in Emperor of the North and Jackie Brown and lots of TV work. But Haig is most well-known for his horror, and it’s hard to top his portrayal of Captain Spaulding in Rob Zombie’s House of 1000 Corpses.
Refusing to play it safe, director Francisco Meirelles elevates The Two Popes from would have been a satisfying acting showcase into a thought-provoker. The Two Popes is based on the transition of the papacy from the reactionary German Ratzinger (Pope Benedict XVI) to the tolerant, social justice advocate Argentine Bergoglio (Pope Francis).
Of course, we expect great performances from two of our greatest screen actors, Anthony Hopkins (as Ratzinger) and Jonathan Pryce (Bergoglio). These guys are great, especially Hopkins, who has the task of making us see the humanity in a cold, humorless, doctrinaire character.
The story is a natural odd couple match-up set in a moment of historical drama, and, with Pryce and Hopkins, that would be enough for most filmmakers. But Meirelles takes it up a notch with an unexpected second flashback to Bergoglio’s career as a Jesuit leader during the brutal Argentine coup in the 1970’s. I didn’t se this coming, and it illuminates Bergoglio’s experience, more complicated than initially apparent. Credit the construction and the added complexity to Meirelles (City of God) screenwriter Anthony McCarten (Darkest Hour The Theory of Everything).
BTW The Two Popes is shot in the Vatican, including the Sistine Chapel, and the papal summer getaway, Castel Gandolfo. Way cool.