Movies to See Right Now

Emily Blunt (left) in A QUIET PLACE

So there are about a hundred movie screens in Silicon Valley, and this weekend you can see Avengers: Infinity War on THIRTY of them. I have nothing against Avengers: Infinity War, which I do not plan to see even though I really like Scarlett Johansson, Elizabeth Olsen, Christ Pratt, Tom Hiddleston and Robert Downey, Jr. It’s just that this latest from the Marvels franchise is taking up a third of our theater capacity. If only we could devote twenty-five screens to the Marvel movie and make room for another five movies about and for adults…I’m getting grouchy, because in the last year we’ve lost most of our art house screens with the closure of Camera 7, Camera 3 and the Bluelight, all after losing Camera 12 the year before. Still waiting for the opening of Pruneyard Dine-in Cinema…

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This week’s top picks:

  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
  • Godard, Mon Amour is, at the same time, a tribute to the genius of Jean-Luc Godard’s early cinema and a satire on the insufferable tedium of the political dilettantism that squandered the rest of Godard’s filmmaking career.   This is a very inventive film, written and directed by Michel Hazanavicius (The Artist).  The more Godard films that you’ve seen, the more you will enjoy the wit of Godard, Mon Amour.
  • The wonderfully dark, dark comedy The Death of Stalin is still in a few theaters, and it’s worth the drive.
  • Outside In: Now on Netflix (and in one Bay Area theater), this fine Lynn Shelton drama about a man returning to his community after 20 years in prison is an acting showcase for Kaitlin Dever (Justified), Jay Duplass (Transparent) and, especially, Edie Falco. Falco’s performance is stunning.
  • Thom Zimny’s excellent HBO documentary Elvis Presley: The Searcher explores Elvis’ artistic journey.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

ON VIDEO
My DVD/Stream of the Week is a comedy, Miloš Forman’s bitingly satire of Communism, The Firemen’s Ball (which is also sometimes listed as The Fireman’s Ball). It can be streamed from Amazon Prime and rented on DVD from Netflix.

ON TV
On April 30, Turner Classic Movies presents the Otto Preminger masterpiece Anatomy of a Murder (1959). This movie has everything: Jimmy Stewart’s portrayal of a wily lawyer, content to underachieve in the countryside, Stewart’s electrifying courtroom face-off with George C. Scott, great performances by a surly Ben Gazzara and a slutty Lee Remick, a great jazz score by Duke Ellington and a suitably cynical noir ending. That jazz score is one of the few movie soundtrack CDs that I own. The music perfectly complements the story of a murder investigation that reveals more and more ambiguity as it proceeds. Stewart’s character relaxes by dabbling in jazz piano, and Duke himself has a cameo leading a bar band in the Upper Peninsula of Michigan (of all places).

James Stewart and George C. Scott tangle in ANATOMY OF A MURDER

Movies to See Right Now

John Krasinski (right) in A QUIET PLACE

A new cohort of movies is out in theaters and on cable and streaming platforms.

ICYMI, here’s my tribute to the great director Miloš Forman (One Flew Over the Cuckoo’s Nest, Amadeus).

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This week’s top picks:

  • The wonderfully dark, dark comedy The Death of Stalin.
  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
  • Outside In: Now on Netflix (and in one Bay Area theater), this fine Lynn Shelton drama about a man returning to his community after 20 years in prison is an acting showcase for Kaitlin Dever (Justified), Jay Duplass (Transparent) and, especially, Edie Falco. Falco’s performance is stunning.
  • Thom Zimny’s excellent HBO documentary Elvis Presley: The Searcher explores Elvis’ artistic journey.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

 

ON VIDEO

My DVD/Stream of the Week is Art and Craft, a startling documentary about an art fraud. Of prolific scale. And which is apparently legal. By a diagnosed schizophrenic. Art and Craft is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube nd Google Play.

 

ON TV

Tomorrow night, Turner Classic Movies will air the enigmatic Picnic at Hanging Rock (1975) by Australian filmmaker Peter Weir. An Australian girls school goes on an outing to a striking geological formation – and some of the girls and a teacher disappear. What happened to them? It’s beautiful and hypnotic and haunting. It’s a film masterpiece, but if you can’t handle ambiguous endings – this ain’t for you.

Weir has gone on to make high quality hits (The Year of Living Dangerously, Witness, Dead Poets Society, The Truman Show, Master and Commander), but Picnic at Hanging Rock – the movie that he made at age 31 – is his most original work. Besides playing periodically on TCM, Picnic at Hanging Rock is available on DVD from Netflix and streaming from Amazon and Hulu Plus.

PICNIC AT HANGING ROCK
PICNIC AT HANGING ROCK

DVD/Stream of the Week: ART AND CRAFT – could a sane man devise a con this successful?

ART AND CRAFT
ART AND CRAFT

The startling documentary Art and Craft is about an art fraud. Of prolific scale. And which is apparently legal. By a diagnosed schizophrenic.

We start with a guy named Mark Landis. He is very good at photocopying (!) great art works, applying paint to make them seem like the real thing, putting them in distressed frames and donating them to museums in the name of his late (and imaginary!) sister. He has done this hundreds of times, fooling scores of snooty museum curators in the process.

Why does he do this? Why can’t he stop? What’s with the imaginary sister? Those answers probably lie within his schizophrenia, a disease which doesn’t impair his skill or his cunning. Landis himself, once you get over his initial creepiness and become comfortable in his Southern gentility and wry mischievousness, is one of 2014’s most compelling movie characters.

Why doesn’t his fraud constitute a criminal act? Because he doesn’t profit from selling his fakes, he just gives them away. And he doesn’t take the tax write-off.

How come he doesn’t get caught? These are PHOTOCOPIES for krissakes! Those answers are in the self-interest and professional greed of the museum professionals – embodied by one puddle of mediocrity who becomes Landis’ obsessive Javert.

All of these combine to make Art and Craft one of the year’s most engaging documentaries. I saw Art and Craft at the San Francisco International Film Festival, where it was an audience hit. Art and Craft is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Movies to See Right Now

Jason Isaacs and Steve Buscemi in THE DEATH OF STALIN

The San Francisco International Film Festival (SFFILM) closes on Tuesday. Here’s my festival preview.

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This week’s top picks:

  • The wonderfully dark, dark comedy The Death of Stalin.
  • Another dark comedy, this one about two teen girl sociopaths, Thoroughbreds.
  • Outside In: Now on Netflix, this fine Lynn Shelton drama about a man returning to his community after 20 years in prison is an acting showcase for Kaitlin Dever (Justified), Jay Duplass (Transparent) and, especially, Edie Falco. Falco’s performance is stunning.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

ON VIDEO

This week’s video pick salutes the San Francisco International Film Festival, now underway. From last year’s SFFILMFestival, the topical French drama The Stopover explores the after-effects of combat in contemporary warfare. We also get a female lens on the acceptance of women in combat roles and on sexual assault in the military from the co-writer and co-directors, the sisters Delphine and Muriel Coulin. The Stopover is available to stream on iTunes.

ON TV

This week, Turner Classic Movies brings us a couple of curiosities. First, on April 14, is arguable the first on-screen CSI in Mystery Street (1950). In an era where police detective work seemed to be mostly sweating out confessions under bright lights, the investigator in Mystery Street uses the methods of forensic science. And he’s played by Ricardo Montalban, no less. The Czar of Noir, Eddie Muller will supply the intro and outro on this week’s Noir Alley.

And on April 15, TCM will air the sci-fi classic Solaris (1972), the masterpiece of Soviet director Andrei Tarkovsky. A psychologist, with that common Russian name of Kris Kelvin, is sent to check out a space mission orbiting the oceanic planet Solaris. He finds things ominously awry, with a suicide and suspiciously furtive behavior by the surviving crew. Then he is face-to-face with his own dead wife from Earth; and after he dispatches her into space, she reappears on the spacecraft. Things are seriously messed up.

Much of Solaris’ two hours and 47 minutes – watching this movie is  a commitment – is trippy shots of the ocean planet, with waves breaking across its colored surface. Solaris is not so much an enjoyable art movie as it is a fascinating one. It won the Grand Prix at Cannes and is firmly placed in the sci-fi canon. Solaris is a must see for sci-fi fans [Note: This is NOT the inferior 2002 Steven Soderbergh remake.]

SOLARIS
SOLARIS

SFFILMFestival Stream of the Week: THE STOPOVER – PTSD takes more than an umbrella drink…

Ariane Labed and Soko in THE STOPOVER photo courtesy of SFFILM
Ariane Labed and Soko in THE STOPOVER
photo courtesy of SFFILM

This week’s video pick salutes the  San Francisco International Film Festival, now underway.  From last year’s SFFILMFestival, the topical French drama The Stopover explores the after-effects of combat in contemporary warfare. We also get a female lens on the acceptance of women in combat roles and on sexual assault in the military from the co-writer and co-directors, the sisters Delphine and Muriel Coulin.

The Stopover’s title refers to a French combat unit’s three-day stay in a luxurious Cypriot seaside resort. The unit, heading back to France after a tour in Afghanistan, is supposed to decompress at the resort. They are required to engage in group therapy, enhanced by virtual reality goggles. As with any group of gung-ho and mostly macho twenty-somethings, talk therapy is not their thing. But they sure need decompression, because their service included a terrifying engagement in which they lost three comrades.

This combat unit includes women, and The Stopover focuses on Aurore (Ariane Labed) and Marine (Soko). The strong and purposeful Aurore has physically recovered from an emotionally (and literally) scarring experience in Afghanistan. The more impulsive Marine, on the other hand, is not a deep thinker, but has a serious chip on her shoulder.

Everyone in the unit wound very, very tightly. Some are fighting to keep psychotic outbursts from bubbling over. Plopping these guys amidst tourists and locals in such an absurdly and artificially tranquil setting creates a powder keg. From start to finish in The Stopover, we’re waiting for any and every character to snap or erupt.

Ariane Labed in THE STOPOVER photo courtesy of SFFILM
Ariane Labed in THE STOPOVER
photo courtesy of SFFILM

Labed is excellent as Ariane, who feels need to suppress her PTSD, to mask it with rowdy fun and, finally, to confront it. Labed won Best Actress at the Venice Film Festival for a completely different kind of movie in 2010, the absurdly goofy Attenberg, which I also watched at the San Francisco International Film Festival.

I just can’t take my eyes of Soko, who is a French pop music star. Here, as Marine, she has a feral fierceness. Soko is also a force of nature in the excellent period drama Augustine. She brings a simmering intensity to the screen, in contrast to her offbeat, ironic pop music.
The rest of the cast is excellent, too, particularly Karim Leklou as a sergeant with an unresolved issue or two.

The Stopover is available to stream on iTunes.  It’s an engrossing and powerful film.

Movies to See Right Now

Thomasin Harcourt McKenzie and Ben Foster in a scene from Debra Granik’s LEAVE NO TRACE, playing at the 2018 San Francisco International Film Festival, April 4 – 17, 2018. Courtesy of SFFILM.

This week I’m diving deep into the San Francisco International Film Festival (SFFILM). Here’s my festival preview.

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This week’s top picks:

  • The wonderfully dark, dark comedy The Death of Stalin.
  • Another dark comedy, this one about two teen girl sociopaths, Thoroughbreds.
  • Outside In: Now on Netflix, this fine Lynn Shelton drama about a man returning to his community after 20 years in prison is an acting showcase for Kaitlin Dever (Justified), Jay Duplass (Transparent) and, especially, Edie Falco. Falco’s performance is stunning.
  • The Last Movie Star: An aged action movies star (Burt Reynolds playing someone very similar to Burt Reynolds) examines his life choices. Funny and sentimental (in a good way).
  • Bombshell: The Hedy Lamarr Story is the riveting biopic of a glamorous movie star who invented and patented the precursor to wireless technology; that’s amazing enough, but Bombshell delves deeply into how Lamarr’s stunning face, her Jewish heritage and mid-century gender roles shaped her career, marriages and parenting. Top notch.
  • The Leisure Seeker is an Alzheimer’s road trip dramedy with Helen Mirren and Donald Sutherland. Mirren and Sutherland are excellent, possibly enough to see this in a theater.

VIDEO

In tribute to SFFILM, my Stream of the Week is from last year’s SFFILM Festival: NUTS! is the persistently hilarious (and finally poignant) documentary about the rise and fall of a medical and radio empire – all built on goat testicle “implantation” surgery in gullible humans. NUTS! is available to stream from Amazon (free with Prime), iTunes, Vudu, YouTube and Google Play.

TV

Tonight, Turner Classic Movies will air the 1964 serial killer movie The Strangler, with its brilliant and eccentric performance by Victor Buono.

And on April 8, TCM will air Stalag 17 (1960), adapted and directed by the great Billy Wilder. This is a taut WW II POW drama from a play written by two former POWs. If it’s not bad enough being held in a Nazi prison camp, there is a German mole informing on the prisoners. The POWs blame the wrong guy – the cynic played by William Holden – and he must uncover and expose the real traitor and help a POW in peril to escape.

This is a thriller, not a comedy, but you can’t tell from this trailer, which oversells the humor; it makes you expect Hogan’s Heroes.

SFFILMFestival Stream of the Week: NUTS! – the rise and fall of a testicular empire

NUTS!
NUTS!

The San Feancisco International Film Festival kicks off tomorrow night, so this week’s video pick is from the 2016 SFFILMFestival. NUTS! is the persistently hilarious (and finally poignant) documentary about the rise and fall of a medical and radio empire – all built on goat testicle “implantation” surgery in gullible humans. Yes, a huckster named J.R. Brinkley really did surgically place goat testicles inside human scrota – and, more astonishingly, this actually became a craze in the 1920s. Now that’s enough of a forehead slapper, but there’s more, much more and that’s what makes NUTS! so fun.

Brinkley’s story is one that leads to celebrity mega wealth and a colossal miscalculation. Improbably, Brinkley’s wild ride touched Huey Long,William Jennings Bryan, Rudolph Valentino, Buster Keaton, June Carter Cash and Wolfman Jack. There’s a radio empire, a Gubernatorial election and a dramatic, climactic trial.

NUTS!
“Dr.” Brinkley at work in NUTS!

Director Penny Lane tells the story with animation (different animators for each chapter, but you can’t tell) seamlessly braided together with historical still photos, movies and a final heartbreaking recording. NUTS! tells a story that is too bizarre to be true – but really happened. It makes for a most entertaining movie.

NUTS! is available to stream from Amazon (free with Prime), iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

Steve Buscemi and Jeffrey Tambor in THE DEATH OF STALIN

This week’s top picks are the wonderfully dark, dark comedy The Death of Stalin and another dark comedy about two teen girl sociopaths, Thoroughbreds.

Bombshell: The Hedy Lamarr Story is the riveting biopic of a glamorous movie star who invented and patented the precursor to wireless technology; that’s amazing enough, but Bombshell delves deeply into how Lamarr’s stunning face, her Jewish heritage and mid-century gender roles shaped her career, marriages and parenting. Top notch.

The Leisure Seeker is an Alzheimer’s road trip dramedy with Helen Mirren and Donald Sutherland. Mirren and Sutherland are excellent, possibly enough to see this in a theater.

These Oscar winners are still in theaters AND NOW ON THE MAJOR STREAMING PLATFORMS, TOO:

  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment. I just watched it again with The Wife!

My DVD/Stream of the Week is the romance I Origins, which explores the conflict between science and spirituality. One of the increasingly rare thought-provoking sci-fe movies, I Origins is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.

Easter always triggers television networks to pull out their Biblical epics. If you’re going to watch just one Sword-and-Sandal classic, I recommend going full tilt with Barrabas, broadcast by Turner Classic Movies on March 31. This 1961 cornball stars Anthony Quinn as the Zelig-like title character.

The story begins with the thief Barabbas avoiding crucifixion when Pontius Pilate swaps him out for Jesus (this part is actually in the Bible). Because the Crucifixion isn’t enough action for a two-hour 17-minute movie, Barabbas is soon sent off as a slave to the salt mines, where he is rescued by a miraculously timely earthquake. He then joins the Roman gladiators, complete with a javelin-firing squad, gets lost in the catacombs and emerges to the Burning of Rome. He has encounters with the Emperor Nero and the Apostle Peter before he converts to Christianity – just in time for the mass crucifixion. Watch for an uncredited Sharon Tate as a patrician in the arena.

Anthony Quinn in BARABBAS
Anthony Quinn in BARABBAS

DVD/Stream of the Week: I ORIGINS – a thoughtful romance that muses on the boundaries of science and spirituality

Michael Pitt and Brit Marling in I ORIGINS
Michael Pitt and Brit Marling in I ORIGINS

The romance I Origins explores the conflict between science and spirituality. Our scientist protagonist (Michael Pitt) is completely empirical and militantly anti-spiritual. He is obsessed with the study of iris scans and patterns of the eye (the “I” in the title is a pun). He is hoping to prove that eyes can be evolved, which he believes will debunk the Creationist pseudo-science of Intelligent Design. He meets a model (Astrid Berges-Frisbey) – and they don’t meet CUTE, they meet HOT. Through a string of scientifically improbable coincidences, he is able to track her down for a second encounter that is sharply romantic. They fall in love – an attraction of opposites because she is mercurial and vaguely New Agey.

Along the way, he gains a new lab assistant (Brit Marling), who is just as smart and more driven than is he. Together they find the lab breakthrough to prove his theory. The main three characters are affected by a life-altering tragedy. Seven years later, the story resumes with the public release of the discovery. As our hero takes his victory lap over religion, he is faced with new evidence that cannot be explained by science…

Writer-director Mike Cahill (Another Earth, also starring Marling) has constructed a story that sets up a discussion on the limits of empiricism. I give Cahill extra points for raising the issue without ponderosity or pretension. Some critics have harshly judged the movie, but they see it wrongly as a corny religion-beats-science movie instead of a contemplation on the possibilities. And they altogether miss the fact that the film is basically a romance, which Cahill himself sees as one of the two central aspects of I Origins. Cahill explores and compares the intense lust-at-first-sight, opposites-attract type of love with the love relationship based on common values and aspirations.

There are, however, two shots involving pivotal moments in the story (and both involving billboards) that are such self-consciously ostentatious filmmaking that they distracted me, rather than bringing emphasis to each moment.

Pitt, an actor of sometimes unsettling affect, is very good here, as he was in The Dreamers and Last Days. Berges-Frisbey and Marling deliver fine performances, too. If Marling is in a movie, it aspires to being good – I loved The East, which she co-write and starred in. Archie Panjabi, without the boots and the upfront sexiness she wears on The Good Wife, is solid in a minor part.

I Origins works both as a scientific detective story and as a meditation on romance. I found it to be smart and entertaining. I Origins is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

Jason Isaacs and Steve Buscemi in THE DEATH OF STALIN

Leading off this week’s top picks is the wonderfully dark, dark comedy The Death of Stalin.  I’ll be writing about it tomorrow. I’ll also be writing about another dark comedy that I liked very much, Thoroughbreds, about two teen girl sociopaths.

Bombshell: The Hedy Lamarr Story is the riveting biopic of a glamorous movie star who invented and patented the precursor to wireless technology; that’s amazing enough, but Bombshell delves deeply into how Lamarr’s stunning face, her Jewish heritage and mid-century gender roles shaped her career, marriages and parenting. Top notch.

The Leisure Seeker is an Alzheimer’s road trip dramedy with Helen Mirren and Donald Sutherland. Mirren and Sutherland are excellent, possibly enough to see this in a theater.

These Oscar winners are still in theaters:

  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment. I just watched it again with The Wife!

My DVD/Stream of the Week is the droll Swedish dramedy Force Majeure, a family learns that there are some things you just can’t get past.   Force Majeure was Sweden’s submission for the Best Foreign Language Oscar. It is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu and Xbox Video.

On Sunday, March 25, Turner Classic Movies will air I Want to Live! Susan Hayward’s performance as a good-hearted, but very unlucky, floozy won her an Oscar. It’s about a party girl who takes up with a couple of lowlifes. The lowlifes commit a murder and pin it on her. There is a great jazz soundtrack and a dramatic walk to The Chair.

Susan Hayward in I WANT TO LIVE!