Weekly Movie Recommendations

DVD/Stream of the Week: YOU WILL BE MY SON

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YOU WILL BE MY SON

Niels Arestrup (A Prophet, War Horse) stars as the owner of French wine estate who places impossible expectations on his son, with lethal results. The poor son has gotten a degree in winemaking, has worked his ass off on his father’s estate for years and has even married well – but it’s just not enough for his old man. The father’s interactions with the son range from dismissive to deeply cruel.

The father’s best friend is his longtime estate manager, whose health is faltering. The son is the natural choice for a successor, but the owner openly prefers the son’s boyhood friend, the son of the manager. The first half of You Will Be My Son focuses on the estate owner’s nastiness toward his son, which smolders throughout the film. But then the relationship between the sons turns from old buddies to that of the usurper and the usurped. And, finally, things come down to the decades-long relationship between the two old men.

Deep into the movie, we learn something about the father that colors his view of his son. And then, there’s a startling development that makes for a thrilling and operatic ending.

It’s one of several good 2013 films about fathers and sons, like The Place Beyond the Pines and At Any Price. (This is also a food porn movie, with some tantalizing wine tasting scenes that should earn a spot on my Best Food Porn Movies.)

You Will Be My Son is available on DVD from Netflix and streaming from Tunes, Vudu, YouTube and GooglePlay.

Movies to See Right Now

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Jessie Buckley and Johnny Flynn in BEAST

It seems to be the season for psychological thrillers, and it’s hard to say which of Beast and First Reformed has the more surprising and powerful ending.

OUT NOW

  • Beast: Jessie Buckley is a force of nature in this psychological thriller.
  • First Reformed: Ethan Hawke stars in this bleak, bleak psychological thriller with an intense ending.
  • American Animals is funny documentary/reenactment of a preposterous heist.
  • RBG is the affectionate and humanizing biodoc about that great stoneface, Ruth Bader Ginsburg.
  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.

 

ON VIDEO
My Stream of the Week is a thinking person’s psychological thriller from Cinequest, Prodigy. You can now stream Prodigy on Amazon, iTunes, Vudu YouTube and Google Play.

 

ON TV
On June 16, Turner Classic Movies will air Sydney Pollack’s under recognized 1972 masterpiece Jeremiah Johnson, which features a brilliantly understated but compelling performance by Robert Redford. If you want to understand why Redford is a movie star, watch this movie. Give lots of credit to Pollack – it’s only 108 minutes long, and today’s filmmakers would bloat this epic tale by 40 minutes longer.

Robert Redford in JEREMIAH JOHNSON
Robert Redford in JEREMIAH JOHNSON

Movies to See Right Now

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Jessie Buckley and Johnny Flynn in BEAST

This week, I’m featuring two psychological thrillers with powerful endings and a comic heist documentary.

OUT NOW

  • Beast: Jessie Buckley is a force of nature in this psychological thriller.
  • First Reformed: Ethan Hawke stars in this bleak, bleak psychological thriller with an intense ending.
  • American Animals is funny documentary/reenactment of a preposterous heist.
  • RBG is the affectionate and humanizing biodoc about that great stoneface, Ruth Bader Ginsburg.
  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.

ON VIDEO
My Stream of the Week is the very funny and sentimental The Last Movie Star with 82-year-old Burt Reynolds and Ariel Winter (Alex Dunphy in Modern Family).  You can stream it on Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

FOR A FEW DOLLARS MORE

Faithful readers know that I revere the Sergio Leone/Clint Eastwood/Ennio Morricone spaghetti westerns. On June 13, Turner Classic Movies will be broadcasting the three great Sergio Leone spaghetti Westerns A Fistful of Dollars, For a Few Dollars More and The Good, the Bad and the Ugly. All star Clint Eastwood and feature wonderfully idiosyncratic scores by Ennio Morricone.

Eastwood’s character in the trilogy is referred to in film literature as “the man with no name”. But actually, the character is named Joe, Monco and Blondie in the three movies, respectively.

Here’s Morricone’s theme for A Fistful of Dollars.

Movies to See Right Now

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Ruth Bader Ginsburg in RBG

It’s a disparate set of recommendations this week: a biodoc about an 84-year-old jurist, an indie drama about a cowboy and a family horror movie.

OUT NOW

  • The MUST SEE is The Rider. A young man’s rodeo injury threatens to keep him from his passions. Filmed in South Dakota with non-professional actors, The Rider is emotionally powerful and genuine – and not a bit corny.
  • RBG is the affectionate and humanizing biodoc about that great stoneface, Ruth Bader Ginsburg.
  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.

ON VIDEO
In my Stream of the Week, the delightfully smart and funny Israeli comedy The Women’s Balcony, a community of women in a traditional culture revolt. The longer you’ve been married, the funnier you’ll find The Women’s Balcony. The Women’s Balcony is available to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

On June 3, Turner Classic Movies will present an overlooked masterwork.  Set in England just before the D-Day invasion, The Americanization of Emily (1964) is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass.  Julie Andrews plays an English driver who has lost her husband and other male family members in the War.  She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy.   Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it.  Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

Jule Andrews and James Garner in THE AMERICANIZATION OF EMILY

Stream of the Week: THE WOMEN’S BALCONY – a righteous man must keep his woman happy

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THE WOMEN'S BALCONY
THE WOMEN’S BALCONY

A community of women in a traditional culture revolt in the delightfully smart and funny Israeli comedy The Women’s Balcony. The balcony in a small Jerusalem synagogue collapses, and the building is condemned. The old rabbi’s wife is seriously injured, and he suffers a trauma-induced psychotic breakdown. Just when it looks like the leaderless congregation will die, a young and charismatic rabbi (Avraham Aviv Alush) appears, enlivens the congregation and repairs the building. But he rebuilds the synagogue WITHOUT the women’s section. Profoundly disrespected, the synagogue’s women strike in protest.

The women live in a culture where males have all the power and religious authority trumps all. The women all have their individually distinct gifts, personalities and rivalries. But they all appreciate the injustice of the situation, and they are really pissed off. They are very creative in finding way to leverage the power that they do have, and the result is very, very funny.

This could have been a very broad comedy (and a Lysistrata knock-off). Instead, it’s richly textured, with an examination of ethical behavior and loving relationships. It’s also dotted with comments on the relations between Israeli Orthodox and Ultra-Orthodox and on the importance of food in this culture. It’s the first – and very promising – feature for both director Emil Ben-Shimon and writer Shlomit Nehana.

THE WOMEN'S BALCONY
THE WOMEN’S BALCONY

There are plenty LOL moments, including a scene where one of the congregants masquerades as the demented old rabbi to secure the needed psychotropic meds.

We soon understand that the young rabbi has a very unattractive side – grossly sexist and power-hungry. But he has seduced the men and then cows them by manipulating his religious authority. He’s tearing apart a closely bound community braided together by decades of deep friendship and inter-reliance. The movie turns on whether the men can recognize when his supposed righteousness veers into what is really unethical and, in one pivotal scene with the old rabbi, indecent.

Two of the male characters, deeply in love with their women, step up and do the right thing. This overt comedy has a very a romantic core.

Most of all, The Women’s Balcony is about mature relationships. Most of these couples have been married for decades, especially the couple at the core of the story, Ettie (Evein Hagoel) and Zion (Igal Naor). Ben-Shimon and Nehana prove themselves to be keen and insightful observers of long-lasting relationships.

A righteous man must keep his woman happy. This may not be written in the Holy Scriptures, but it’s damn useful advice. (It also helps, we learn, if he can make a mean fruit salad.) The longer you’ve been married, the funnier you’ll find The Women’s Balcony.  The Women’s Balcony is available to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

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THE RIDER

ICYMI here’s my remembrance of movie poster artist Bill Gold. And here’s my running list of Best Movies of 2018 – So Far. You can already stream some of them.

OUT NOW

    • The MUST SEE is The Rider. A young man’s rodeo injury threatens to keep him from his passions. Filmed in South Dakota with non-professional actors, The Rider is emotionally powerful and genuine – and not a bit corny.
    • Tully, the insightful and compelling dark comedy from the brilliant and brave team of Diablo Cody, Jason Reitman and Charlize Theron.
    • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
    • Godard, Mon Amour is, at the same time, a tribute to the genius of Jean-Luc Godard’s early cinema and a satire on the insufferable tedium of the political dilettantism that squandered the rest of Godard’s filmmaking career. This is a very inventive film, written and directed by Michel Hazanavicius (The Artist). The more Godard films that you’ve seen, the more you will enjoy the wit of Godard, Mon Amour.

ON VIDEO
The recent capture of the Golden State Killer reminded me of Zodiac, from the master of the serial killer genre, David Fincher. video pick Zodiac can be streamed from Amazon (included with Prime), iTunes, Vudu, YouTube and Google Play.

 

ON TV

On May 28, Turner Classic Movies brings us two particularly authentic war and post-war classics.  I always recommend watching The Best Years of Our Lives around Memorial Day.  It’s an exceptionally well-crafted, contemporary snapshot of post WW II American society adapting to the challenges of peacetime. Justifiably won seven Oscars. Still a great and moving film.

In Men in War (1957), an infantry lieutenant (Robert Ryan) must lead his platoon out of a desperate situation.  He encounters a cynical and insubordinate sergeant (Aldo Ray) loyally driving a jeep with his PTSD-addled colonel (Robert Keith).  In conflict with each other, they must navigate through enemy units to safety. Director Anthony Mann is known for exploring the psychology of edgy characters, and that’s the case with Men in War.

Robert Keith and Aldo Ray in MEN IN WAR

Stream of the Week: ZODIAC

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Robert Downey, Jr. and Jake Gyllenhaal in ZODIAC

In the 60s, 70s and 80s, we in Northern California suffered more than our share of serial killers, to the point that I couldn’t even remember the Golden State Killer, recently snagged by a much ballyhooed foray into ancestry DNA. But the list topper has to be the Zodiac Killer, a random thrill killer who used the news media to taunt the police and terrify the Bay Area.

Officially, this case has never been solved.  But there’s a pretty convincing theory about the killer’s identity advanced in David Fincher’s 2007 Zodiac.

Fincher spins his story through the separate obsessions of three Zodiac-hunters.  There’s the dogged homicide detective (Mark Ruffalo) and the renegade newspaper reporter (Robert Downey, Jr.).  Then there’s the oddball, a newspaper cartoonist (Jake Gyllenhaal);  unlike the other two, it’s not his job to track down the killer.  He’s a puzzle hobbyist who takes on the killer’s cryptogram and then plunges down the rabbit holes of matching handwriting and the availability of various suspects.

Ruffalo, Gyllenhaal and Downey are all superb.  And John Carroll Lynch takes the creep-o-meter off the scale as the prime suspect.

The supporting cast is brilliant and unusually deep, including Chloe Sevigne, Elias Koteas, Clea DuVall, Donal Logue, Philip Baker Hall, James Le Gros and an unrecognizable Candy Clark.  Brian Cox nails the bluster and wit of that prototypical celebrity attorney, Melvin Belli.

John Carroll Lynch in ZODIAC

Fincher, of course, is the master of the serial killer movie.  Before Zodiac, he made what is probably still the most thrilling serial killer movie, Se7en.   He followed Zodiac with the top-notch  The Girl with the Dragon Tattoo and Gone Girl.  In Zodiac, Fincher builds the tension, occasionally giving the audience relief with some laughs, especially when Gyllenhaal’s amateur sleuth finds himself in a situation that he thinks is much more dangerous than it really is.

The film is also a dead-on time capsule of the 70s in the San Francisco Bay Area, from the opening shot, a drive through a Vallejo neighborhood on the 4th of July.  The fashions and the music of the period are perfect, especially the Donovan and Santana songs.  This was before law enforcement had DNA to work with – and, in the case of two of the investigating police departments, even a newfangled fax machine.  As the 70s approach the 80s, we even see an early Pong video game.  One thing that I did not personally remember from the era, but have verified really did exist, is the Aqua Velva cocktail.

This is a wonderfully entertaining movie.  Zodiac can be streamed from Amazon (included with Prime), iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

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THE RIDER

Two reminders:  First, check out my running list of Best Moves of 2018 – So Far.  You can already stream some of them.

Second, remember that tonight PBS airs Bombshell: The Hedy Lamarr Story.  Set your DVR.

OUT NOW

  • The MUST SEE is The Rider. A young man’s rodeo injury threatens to keep him from his passions. Filmed in South Dakota with non-professional actors, The Rider is emotionally powerful and genuine – and not a bit corny.
  • Tully, the insightful and compelling dark comedy from the brilliant and brave team of Diablo Cody, Jason Reitman and Charlize Theron.
  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
  • Godard, Mon Amour is, at the same time, a tribute to the genius of Jean-Luc Godard’s early cinema and a satire on the insufferable tedium of the political dilettantism that squandered the rest of Godard’s filmmaking career. This is a very inventive film, written and directed by Michel Hazanavicius (The Artist). The more Godard films that you’ve seen, the more you will enjoy the wit of Godard, Mon Amour.
  • Thom Zimny’s excellent HBO documentary Elvis Presley: The Searcher explores Elvis’ artistic journey.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

ON VIDEO
Because Mackenzie Davis brings such a magical quality to her title role in Tully, my video pick is an earlier starring role in a little-known indie. That film is a fine first feature with a GREAT title for a contemporary noir thriller: Bad Turn Worse. Bad Turn Worse is available streaming from Amazon Instant, iTunes, Vudu, YouTube and Google Play.

Charlize Theron and Mackenzie Davis star in Jason Reitman’s TULLY, playing at the 2018 San Francisco International Film Festival, April 4 – 17, 2018. Courtesy of SFFILM.

Stream of the Week: Mackenzie Davis in BAD TURNS WORSE

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BAD TURN WORSE
Mackenzie Davis in BAD TURNS WORSE

Because Mackenzie Davis brings such a magical quality to her title role in Tully, my video pick is an earlier starring role in a little-known indie.  That film is a fine first feature with a GREAT title for a contemporary noir thriller: Bad Turn Worse. It’s set in a nowheresville Texas cotton gin town. Three childhood friends have just graduated from high school, and two are looking to escape to college – Bobby (Jeremy Allen White) and Sue (MacKenzie Davis). Not sharing a speck of Bobby’s and Sue’s intellectual curiosity, Sue’s longtime boyfriend B.J. (Logan Huffman) doesn’t want them to go; B.J. is dreamy and testosterone-filled, but bone-headed and weak-willed, with a gift for making impulsive, destructive choices. Bobby is sweet on Sue, and she is starting to be repelled by B.J.’s immaturity and selfishness. Sure enough, B.J. does something which entangles them all in a lethal jam.

Pretty soon there’s a double cross within a double cross, with a love triangle overlay. Nobody can trust anybody else, and somebody is gonna have to die…

The young leads are good, but two veteran TV actors sparkle in supporting turns. Mark Pellegrino plays a ruthless and crazy-scary villain that no one should cross. Jon Gries (Uncle Rico in Napoleon Dynamite) is hilariously deadpan as the corrupt Sheriff who tries to connect the dots for Bobby with metaphors – and Bobby’s dots just aren’t connecting.

Bad Turn Worse’s noir sensibility comes from 1) the amoral attitude that sometimes you gotta break the law and 2) the expectation that there can’t be a happy ending with all this treachery in play.

Bad Turn Worse is written by Dutch Southern and is the directorial debut of Simon and Zeke Hawkins. These guys have definitely proven that they can pull off a solid thriller. Bad Turn Worse is available streaming from Amazon Instant, iTunes, Vudu, YouTube and Google Play.

[Note: You can see Davis in a completely contrasting role, as a misfit wannabe singer-songwriter, in A Country Called Home.]

Movies to See Right Now

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THE RIDER

The MUST SEE is The Rider, which I’ll be writing about this weekend. A young man’s rodeo injury threatens to keep him from his passions. Filmed in South Dakota with non-professional actors, The Rider is emotionally powerful and genuine – and not a bit corny. It’s on my list of Best Movies of 2018 – So Far.

OUT NOW

This week’s other top picks:

  • Tully, the insightful and compelling dark comedy from the brilliant and brave team of Diablo Cody, Jason Reitman and Charlize Theron.
  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
  • Godard, Mon Amour is, at the same time, a tribute to the genius of Jean-Luc Godard’s early cinema and a satire on the insufferable tedium of the political dilettantism that squandered the rest of Godard’s filmmaking career. This is a very inventive film, written and directed by Michel Hazanavicius (The Artist). The more Godard films that you’ve seen, the more you will enjoy the wit of Godard, Mon Amour.
  • Thom Zimny’s excellent HBO documentary Elvis Presley: The Searcher explores Elvis’ artistic journey.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

Not to see:

      • The completely indecipherable Ismael’s Ghosts, a waste of a talented cast and my time.
      • Bobby Kennedy for President – a disappointing Netflix documentary that recycles the best of RFK’s video clips but ignores many pivotal aspects to RFK’s journey, most especially his personal feud with LBJ.

ON VIDEO

My Stream of the Week is my favorite film from last year’s Cinequest – Quality Problems, just released on video.  This delightful indie is a screwball comedy for the sandwich generation.  You can stream it on Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

On May 15, Turner Classic Movies presents The Third Man (1949). Shot amid the ruins of post-war Vienna, this film noir classic sets an American pulp novelist (Joseph Cotten) to find out what happened to his pre-war buddy, who turns out to have become a notorious black marketeer (Orson Welles) with a set of associates each shadier than the last. This has it all, a fated relationship with a European beauty (Alida Valli), stunningly effective black-and-white photography, an enchanting musical theme and one of cinema’s most sharply surprising reveals of a new character. There are two unforgettable set pieces – a nervous interview in a Ferris Wheel and a climactic chase through the sewers.

Orson Welles in THE THIRD MAN – the most iconic smirk in cinema