Weekly Movie Recommendations

Movies to See Right Now (at home)

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MAYOR

Don’t overlook the year’s best documentary, Mayor. Mayor is both a dark comedy about local politics and a masterpiece of cinéma vérité that informs us about human foibles and aspirations, all nestled within the Palestinian-Israeli conflict. Mayor is one of the Best Movies of 2020, and it’s still streaming on Virtual Cinema, including at Laemmle.

And here’s my tribute to Cloris Leachman and my recommendation to watch her indelible performance in The Last Picture Show on Amazon, AppleTV, Vudu, YouTube or Google Play.

REMEMBRANCE

Actor Hal Holbrook, known for his one-man stage personification of Mark Twain between 1947 and 2005, has died at age 95. Holbrook was responsible for the most gripping moments in a great movie, All the President’s Men, even though he was always in the dark or on the phone, and his face was never seen.

In 1970, Holbrook played a liberal US Senator in The Bold Ones: The Senator, a fictional character that I reacted to in the way so many responded to the Martin Sheen president in West Wing (or Atticus Finch) – why can’t he be real? Holbrook was also excellent as Capt. Lloyd Bucher in the ripped-from-the-headlines TV movie Pueblo, which, alas, I can’t find streaming anywhere. I recommend this excellent NYT obit.

ON VIDEO

Some more current films:

MLK/FBI

ON TV

Gene Wilder and Zero Mostel in THE PRODUCERS

On February 6, Turner Classic Movies presents my choice for the funniest movie all time – Mel Brooks’ 1967 masterpiece The Producers. Zero Mostel plays a human tornado of a crooked Broadway producer, who drags along his bewildered and terrified accountant (Gene Wilder). The brilliant Wilder has never been funnier, and The Producers also features career-best performances by funnymen Dick Shawn and Kenneth Mars. And, of course, there’s the unforgettable musical show stopper Springtime for Hitler. (See this INSTEAD of the 2005 remake.)

On February 11, TCM once again airs the little known and underappreciated A Man Called Adam with Sammy Davis Jr. and the late Cicely Tyson.

Movies to See Right Now (at home)

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Cicely Tyson in A MAN CALLED ADAM

Cicely Tyson, who has just died at age 96, received her first big screen credit in the film I wrote about yesterday. More on that below, along with an engrossing documentary that is one the year’s best films.

ON VIDEO

MAYOR

Mayor: The camera shadows the intrepid mayor of the Palestinian city of Ramallah as he goes about his daily adventures.  Director David Osit, in just his third feature, has created a masterpiece of cinéma vérité that informs us about human foibles and aspirations, nestled within the Palestinian-Israeli conflict. One of the Best Movies of 2020.  Streaming on Virtual Cinema, including at Laemmle.

And some more current films:

Gil Carrillo in NIGHT STALKER: THE HUNT FOR A SERIAL KILLER

ON TV

On January 31, Turner Classic Movies presents the hard-to-find film A Man Called Adam, which I wrote about in depth yesterday.

Sammy Davis Jr. plays Adam, a self-destructive jazz star. Cicely Tyson, in her first credited movie role, is radiant. A Man Called Adam features an unflinching look at race in America, some excellent jazz and early-career glimpses of Ossie Davis, Lola Falana and Morgan Freeman.

Cicely Tyson and Sammy Davis Jr., in A MAN CALLED ADAM

Movies to See Right Now (at home)

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This week: a handful of excellent new documentaries explore American history, true crime and pop music.

I also recommend this wonderful NYT interview with Mads Mikkelsen, who really used to be professional dancer (who knew?) and touches on his exhilarating dance scene in Another Round.

ON VIDEO

MLK/FBI: Sam Pollard, the master of the civil rights documentary (Eyes on the Prize), takes on the FBI’s quest to discredit and even destroy Martin Luther King, Jr. MLK/FBI is gripping history, with much to say about American then and America now. Amazon, AppleTV, Vudu, YouTube and Google Play.

Night Stalker: The Hunt for a Serial Killer: This limited series about a roller coaster of a whodunit and a man hunt is elevated by the intoxicating storytelling of a genuinely good guy. Netflix.

The Bee Gees: How Can You Mend a Broken Heart: This very well-sourced showbiz doc tells the story of a band and that of a family, especially from the perspective of the affable Barry Gibb. We see some very young kids with what seems like ridiculously audacious ambition becoming an Aussie version of a British Invasion success. As pop music evolves, they keep reinventing themselves until the Saturday Night Fever soundtrack takes them to unsurpassed heights. Then, when the Disco Sucks movement caught fire, the brothers again reinvented themselves as songwriters for other pop, rock, soul and country stars. It’s a bit reverential, but not fatally so. HBO.

Mads Mikkelsen in ANOTHER ROUND

And some more current films:

ON TV

On January 24, Turner Classic Movies will offer the delightful Peter Bogdanovich screwball comedy What’s Up, Doc? The nerdy academic Howard (Ryan O’Neal) and his continually aggrieved fiance Eunice (Madeline Kahn) travel to San Francisco to compete for a career-launching grant. The luggage with Howard’s great discovery (musical rocks) is mixed up with two identical suitcases, one containing valuable jewelry, the other with spy secrets, and soon we have juggling MacGuffins.

That’s all funny enough, but Howard bumps into Judy (Barbra Streisand), the kookiest serial college dropout in America, who determines that she must have him and utterly disrupts his life. Our hero’s ruthless rival for the grant is hilariously played by Kenneth Mars (the Nazi playwright in The Producers). Austin Pendleton is wonderful as the would-be benefactor.

The EXTENDED closing chase scene is among the very funniest in movie history – right up there with the best of Buster Keaton; Streisand and O’Neal lead an ever-growing cavalcade of pursuers through the hills of San Francisco, at one point crashing the Chinese New Year’s Day parade. I love What’s Up, Doc? and own the DVD, and I watch every time I stumble across it on TV. Bogdanovich’s hero Howard Hawks, the master of the screwball comedy, would have been proud.

WHAT’S UP, DOC?

Movies to See Right Now (at home)

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Barbara Stanwyck in WITNESS TO MURDER

This week: a hard-to-find suspense classic on TV and a disappointing romcom.

Here’s my remembrance of the late director Michael Apted, whose 9 Seven Up movies constitute the greatest documentary series in the history of cinema. Got to see him in person at the 2019 Mill Valley Film Festival.

ON VIDEO

I was disappointed in Sofia Coppola’s inoffensive but tired romantic comedy On the Rocks, a waste of Coppola’s talent and Bill Murray’s. I’ve often said that I could watch Bill Murray read the phone book, but this IS like Bill Murray reading the phone book. AppleTV.

And some more current films:

Peter Capaldi in THE PERSONAL HISTORY OF DAVID COPPERFIELD

ON TV

Don’t miss the gripping and hard-to-find Witness to Murder, which I wrote about in depth yesterday, on Turner Classic Movies tomorrow night and Sunday morning.

And on January 18, TCM airs Pedro Almodovar’s 1988 Women on the Verge of a Nervous Breakdown, eighty-eight minutes of non-stop hilarity. Women on the Verge is not as profound as Almodovar’s later work, but it is a masterpiece of madcap comedy.

Carmen Maura plays Pepa, a voice-over actress who has been dumped by her voice-over actor boyfriend, Ivan.  Pepa has a gal pal who has discovered that her new squeeze is a Shiite terrorist.   Ivan has a lunatic wife (who is armed and bewigged), a bespectacled son (a very young Antonio Banderas) and a new feminist attorney girlfriend.   Everyone converges in Pepa’s apartment, on the streets of Madrid and on the way to a flight to Stockholm.  Along the way, there is a mambo-loving Mad Hatter of a cabbie and some barbiturate-spiked gazpacho.  Comic mayhem ensues.

Almodovar had made several outrageously raucous movies before, but Women on the Verge was the art house hit that first brought him to the attention of American audiences.  Today he is one of our very best film makers.  His Talk To Her (2002), Bad Education (2004) and Broken Embraces (2009) each made the top four on my lists of the years’ best films.

Actress Rossy de Palma, a very good sport in a key supporting role, sports one of the greatest noses in cinema.

Rossy De Palma in WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN

coming on TV: WITNESS TO MURDER

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Barbara Stanwyck in WITNESS TO MURDER

On January 16 and 17, Turner Classic Movies is airing the gripping and hard-to-find Witness to Murder. Richter (George Sanders) and Cheryl (Barbara Stanwyck) live in neighboring apartments. Cheryl believes she has seen Richter murder someone, but Richter’s clever and ruthless duplicity makes it appear that Cheryl is just crazy. Will Police Lt. Larry Mathews (Gary Merrill) believe her before Richter can make Cheryl his second victim?

What a wowzer first scene! Witness to Murder opens with a gripping scene that economically sets up the plot. “Operator, get me the police! Hurry!” We know immediately and certainly that Richter really committed the murder and that Cheryl really saw it. Throughout the movie, the audience knows this and Richter knows this, but no one else does, and neither does Cheryl herself during segments of the story.

Cheryl reports the murder and the police (Larry Mathews and sidekick) respond. However, Richter has concealed the crime so well that cops can’t find any evidence that a crime occurred. Could Cheryl have been mistaken? Or dreamed it? or made it up? or hallucinated? Is she neurotic and mildly hysteric or is she psychotic and delusional?

Larry develops an immediate attraction to Cheryl, and, despite her apparent emotional instability, begins a courtship.

Richter (malevolently) and Larry (paternalistically) begin gaslighting Cheryl, trying to convince her that she really only imagined what she saw – trying to convince her that what seemed so real, was not. Cheryl starts doubting herself.

Of course, Richter knows that he committed the murder, and he knows that Cheryl knows. To get her out of the way, he schemes to have her seen as crazed stalker. His scheme drives her to an outburst that serves as a pretext for locking her up in a psychiatric facility (with an interview by an oddly brusque shrink). Richter’s attempts to murder Cheryl continue right into Witness to Murder’s Perils-of-Pauline ending.

See my complete post on Witness to Murder, for more on the filmmakers and supporting cast. It’s one of my Overlooked Noir.

On this weekend’s TCM broadcast of Witness to Murder, film historian Eddie Muller – the Czar of Noir – will provide his always insightful intro and outro. Witness to Murder is not available to stream; I own the DVD. Be sure to DVR it when it airs on Turner Classic Movies.

George Sanders in WITNESS TO MURDER

Movies to See Right Now (at home)

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Mads Mikkelseln and Maria Bonnevie in ANOTHER ROUND

ICYMI – eight of my Best Movies of 2020 are streaming right now. Plus an early look at The Father, an Oscar hopeful being released on February 26.

ON VIDEO

Olivia Colman and Anthony Hopkins in THE FATHER. Photo courtesy of Sundance Institute

The Father: Anthony Hopkins and Olivia Colman deliver heartbreaking performances in this unsettling exploration of memory loss.Coming on February 26.

And some more current films:

ON TV

On January 12, Turner Classic Movies presents another of my Overlooked Noir and one of most fun to watch: His Kind of Woman. A down-and-out gambler (Robert Mitchum) is offered a deal that MUST be too good to be true; he’s smart enough to be suspicious and knows that he must discover the real deal before it’s too late. He meets a on-the-top-of-the-world hottie (Jane Russell), who is about to become down on her luck, too. Witty entertainment ensues.

Robert Mitchum and Jane Russell in HIS KIND OF WOMAN

Movies to See Right Now (at home)

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Dev Patel in THE PERSONAL HISTORY OF DAVID COPPERFIELD

New this week – a dazzling literary adaptation, a profound social satire and a dreary slog. And check out my Best Movies of 2020.

I’ve also recently remembered 32 filmmakers that we lost in 2020:

  • 2020 Farewells: On the Screen (Part 1): Kirk Douglas, Sean Connery, Max von Sydow, Carl Reiner, Olivia de Havilland, Rhonda Fleming. Brian Dennehy, Fred Willard and Chadwick Boseman.
  • 2020 Farewells: On the Screen (Part 2): John Saxon, Ian Holm, Jerry Stiller, Allan Garfield, Michael Lonsdale, Ann Reinking, Stuart Whitman, Wilford Brimley, Sue Lyon, Jo Shishido, Little Richard, Linda Manz and John Benfield.
  • 2020 Farewells: Behind the Camera: Ennio Morricone, Buck Henry, Terry Jones, John le Carré, Lynne Shelton, Ivan Passer, Michael Chapman, Alan Parker, Joel Schumacher and Mike Cobb.

ON VIDEO

The Personal History of David Copperfield: That master of social satire, Amando Ianucci, brings Charles Dickins’ masterpiece to life in this vivid and brilliantly constructed film. Streaming on Amazon, Vudu, YouTube and Google Play.

Another Round: Writer-director Thomas Vinterberg once again explores human foibles with humor and cold-eyed insight – and profoundly to boot. Mads Mikkelsen is stellar. I watched Another Round on Virtual Cinema at Laemmle.

Ammonite: The fine acting of Kate Winslet and Saoirse Ronan can’t save Ammonite, a slog of a period romance. Streaming on Amazon.

And some more current films:

ON TV

Alec Guinness in THE BRIDGE OVER THE RIVER KWAI

On January 5, Turner Classic Movies presents David Lean’s WWII epic The Bridge on the River Kwai.  It’s the stirring story of British troops forced into slave labor at a cruel Japanese POW camp.  The British commander (Alec Guinness, in perhaps his most acclaimed performance) must walk the tightrope between giving his men enough morale to survive and helping the enemy’s war effort.  He has his match in the prison camp commander (Sessue Hayakawa), and these two men from conflicting values systems engage in a duel of wits – for life and death stakes.  William Holden plays an American soldier/scoundrel forced into an assignment that he really, really doesn’t want.  There’s also the stirringly unforgettable whistling version of the Colonel Bogey March. The climax remains one of the greatest hold-your-breath action sequences in cinema, even compared to all the CGI-aided ones in the  62 years since it was filmed.

Sessue Hayakawa in THE BRIDGE OVER THE RIVER KWAI

Movies to Watch Right Now (at home)

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Arliss Howard (center) as Louis B. Mayer and Charles Dance (right) as William Randolph Hearst in MANK

Real life has intervened, so I’m now writing through a backlog of a dozen movies, including next week’s The Father. Stay tuned.

ON VIDEO

David Fincher’s Mank is a black-and-white beauty of a film, a portrait of troubled talent in Classic Hollywood. Amanda Seyfried is great as Marion Davies.

Don’t forget that some of my Best Movies of 2020 – So Far, are already available (and Mank and The Father are going on the list). I haven’t yet seen Nomadland or The Sound of Metal.

  • Driveways: I can’t think of a more authentic movie about intergenerational relationships than this charming, character-driven indie. The more I think about Driveways, the more I admire it. It also features the final performance – so genuine and subtle – by Brian Dennehy. Driveways is available to stream on all the major platforms.
  • The Whistlers: In this absorbing crime thriller, a shady cop and a mysterious woman are walking a tightrope of treachery. The Whistlers was a hit at last year’s Cannes Film Festival, but COVID-19 impaired its 2020 theatrical release in the US. (Amazon, Vudu, YouTube, Google Play.)
  • The Truth: Writer-director Hirozaku Koreeda’s latest wry and authentic exploration of human behavior is a showcase for Catherine Deneuve and Juliette Binoche. Hirokeeda, such an insightful observer of behavior, cuts to the core of his characters’ profound humanity. (Amazon, Vudu, YouTube, Google Play.)

ON TV

Jayne Mansfield and Dan Duryea in THE BURGLAR

Tonight and tomorrow morning Turner Classic Movies is presenting one of my Overlooked Noir on Noir Alley with Eddie Muller, and you shouldn’t miss it. The core of The Burglar is the stellar lead performance of Dan Duryea as the chief burglar. He’s a tortured and worn-out guy – with one deep loyalty.

On December 14, TCM airs the Laurel and Hardy comedy Way Out West. It’s a fish-out-of-water comedy that transports the boys to the Old West. Thirteen-and-a-half minutes in, Laurel and Hardy descend from a stagecoach and perform a dance in front of a saloon that is one of the most perfect bits of physical comedy that I’ve ever seen. I actually keep Way Out West on my DVR and watch this dance whenever I need an emotional lift.

Stan Laurel and Oliver Hardy in WAY OUT WEST

coming up on TV: WHAT SHE SAID: THE ART OF PAULINE KAEL – the drive for relevance

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Pauline Kael in WHAT SHE SAID: THE ART OF PAULINE KAEL

What She Said: The Art of Pauline Kael is the remarkably thorough and insightful biodoc of the iconic film critic Pauline Kael and her drive for relevance. Set your DVRs for it on Turner Classic Movies on December 12.

Documentarian Rob Garver has sourced What She Said is well-sourced with the memories of Kael’s colleagues, rivals and intimates. Garver’s portrait of Kael helps us understand her refusal to conform to social norms as she basically invented the role of a female film critic and what today we might call a national influencer on cinema.

Of course, one of Kael’s defining characteristics was her all-consuming love of movies, a trait shared by many in this film’s target audience. Fittingly, Garver keeps things lively by illustrating Kael’s story with clips from the movies she loved and hated. Garver’s artistry in composing this mosaic of evocative movie moments sets What She Said apart from the standard talking head biodocs.

Kael was astonishingly confident in her taste (which was not as snooty as many film writers). For the record, I think Kael was right to love Mean Streets, Band of Outsiders, Bonnie and Clyde, and, of course, The Godfather. It meant something to American film culture that she championed those films. She was, however, wrong to love Last Tango in Paris. She was also right to hate Limelight, Hiroshima Mon Amour and The Sound of Music. But Kael was just being a contrarian and off-base to hate Lawrence of Arabia and Shoah.

Kael was by necessity an intrepid self-promoter and filled with shameless contradictions. She famously dismissed the auteur theory but sponsored the bodies of work of auteurs Scorsese, Peckinpah, Coppola and Altman. She loved – even lived – to discover and support new talent.

Most of the people we like and admire possess at least some bit of selfishness and empathy. Kael’s daughter Gina James says that Kael turned her lack of self awareness into triumph. This observation, of course, cuts both ways.

I screened What She Said: The Art of Pauline Kael while covering the 2019 San Francisco Jewish Film Festival. It’s coming up on Turner Classic Movies this Friday.

Movies to Watch Right Now (at home)

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Amanda Seyfried in MANK on Netflix

This week, the prestige movies have started to roll out for the Holidays. Stay tuned.

ON VIDEO

Don’t forget that some of my Best Movies of 2020 – So Far, are already available. I haven’t yet written about Mank or The Father. I haven’t yet seen Nomadland or The Sound of Metal.

  • Driveways: I can’t think of a more authentic movie about intergenerational relationships than this charming, character-driven indie. The more I think about Driveways, the more I admire it. It also features the final performance – so genuine and subtle – by Brian Dennehy. Driveways is available to stream on all the major platforms.
  • The Whistlers: In this absorbing crime thriller, a shady cop and a mysterious woman are walking a tightrope of treachery. The Whistlers was a hit at last year’s Cannes Film Festival, but COVID-19 impaired its 2020 theatrical release in the US. (Amazon, Vudu, YouTube, Google Play.)
  • The Truth: Writer-director Hirozaki Koreeda’s latest wry and authentic exploration of human behavior is a showcase for Catherine Deneuve and Juliette Binoche. Hirokeeda, such an insightful observer of behavior, cuts to the core of his characters’ profound humanity. (Amazon, Vudu, YouTube, Google Play.)

ON TV

Ray Harryhausen with one of his sword-fighting skeletons from JASON AND THE ARGONAUTS

On December 10, Turner Classic Movies will be airing Jason and the Argonauts, a work of artistic genius and fun with Greek mythology. The original thousands-year-old story is a fun adventure yarn, and the 1963 movie, even with its sword-and-sandal dialogue and acting, is loads of fun.

Ray Harryhausen was a unique genius of pre-CGI movie special effects.  His stop-motion animation created the vivid creatures that made possible movies about ancient mythology (from the 1958 The 7th Voyage of Sinbad through the 1981 Clash of the Titans) and fantasy literature (The Three Worlds of Gulliver).  His pioneering work in stop-motion animation has influenced the field since, all the way to today’s Aardman Animation and Wallace and Gromit.

Harryhausen’s masterpiece was Jason and the Argonauts, for which he created the Harpies, Talos, the Clashing Rocks Triton, the Hydra and the sword-fighting skeletons that emerge from the Hydra’s teeth.  I still watch Jason and the Argonauts whenever it’s on TV, and I often give the DVD to kids. 

JASON AND THE ARGONAUTS