Weekly Movie Recommendations

AN AMERICAN STORY: NORMAN MINETA AND HIS LEGACY

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AN AMERICAN STORY: NORMAN MINETA AND HIS LEGACY

An American Story: Norman Mineta and His Legacy traces the life and times of Norman Mineta, who amassed a startling number of “firsts” and other distinctions in America history:

  • The first Asian-American mayor of a major U.S. city.
  • The first Japanese American member of Congress elected from the 48 Continental states.
  • A Cabinet Secretary in both Democratic and Republican Administrations.
  • The nation’s longest-serving Transportation Secretary.

The achievements were even more remarkable given that, as a child, Mineta was imprisoned by his own US government in a WW II internment camp. And given that his political base had, during his career, an Asian-American population of far less than ten percent.

This didn’t happen by accident.  Norm Mineta is a driven man. At the same time, his ambition and will is tempered by his buoyancy and ebullience.

Documentarians Dianne Fukumi (director and co-producer) and Debra Nakatomi (co-producer) embed the story of Japanese-Americans, from immigration through internment, and on to reparations.

AN AMERICAN STORY: NORMAN MINETA AND HIS LEGACY

The defining event for Mineta’s Nissei generation was the WW II internment of 120,000 Americans by their own government. The central thread in the Mineta story is that the injustice of Mineta’s internment informed George W. Bush’s resistance to treating American Muslims that same way in the aftermath of the 9/11 attacks.

Mineta being sworn into the US House of Representatives by House Speaker Carl Albert in AN AMERICAN STORY: NORMAN MINETA AND HIS LEGACY

The film’s most delightful moment may be the octogenarian Mineta sunnily taking his luggage through security at Norman Y. Mineta San Jose International Airport.

[Full disclosure: I have known Norm since I served in his 1974 primary campaign and interned for him on Capitol Hill in the mid 70s. I saw An American Story: Norman Mineta and His Legacy at an October 2018 special screening with Norm Mineta, Fukumi and Nakatomi in San Jose.]

Norm Mineta is turning 90 years old this month, so, to celebrate his birthday, the film is streaming it for free during November at An American Story: Norman Mineta and His Legacy.

Movies to See Right Now

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Photo caption: Valeria Bruni Tedeschi and Nadia Tereszkiewicz in ONLY THE ANIMALS. Courtesy of Cohen Media Group.

This week – four new 2021 movie recommendations and two more from the 1950s. Plus, Cinequest’s online festival CINEJOY is running through November 17, and here are my Cinejoy recommendations.

IN THEATERS

Only the Animals: The ever-surprising Only the Animals is no ordinary mystery. The intricately constructed story reveals elements of the mystery, from each character’s perspective in sequence – and each may have the key to the puzzle. Obsessive infatuation, misdirected passion and psychotic delusion collect into a pool of perversion. Opening at the Landmark Shattuck.

The Velvet Underground: It’s rare for a documentary film to immerse the audience as deeply into a time and place as does Todd Haynes’ The Velvet Underground. Richly sourced, it’s the LOOK and FEEL and SOUND of the film which is so singular. Also streaming on AppleTV.

Last Night in Soho: It’s a clever, entertaining and sometimes artsy horror movie, but in the end. it’s just a horror movie. Sure is fun to watch Ana Taylor Joy, though.

Also in theaters:

ON VIDEO

De Gaulle: This fine docudrama takes us to a pivotal two-week period in June 1940 when Hitler had all but conquered France and Charles de Gaulle was the only French leader who could imagine an Allied military victory. Laemmle.

Ashes and Diamonds: A masterful director and his charismatic star ignite this Overlooked Noir, a thriller set amidst war-end treachery. I wrote about its broadcast on TCM, but it can also be streamed from Amazon and AppleTV.

Michael Gandolfini and Alessandro Nivola in THE MANY SAINTS OF NEWARK

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

Paul Newman and Edmond O’Brien in THE RACK

On Veterans Day, November 11, Turner Classic Movies airs an overlooked Korean War film, The Rack (1956). A returning US army captain (Paul Newman) is court-martialed for collaborating with the enemy while a POW. He was tortured, and The Rack explores what can be realistically expected of a prisoner under duress. It’s a pretty good movie, and Wendell Corey, Edmond O’Brien, Walter Pidgeon, Lee Marvin and Cloris Leachman co-star.

Paul Newman and Walter Pidgeon in THE RACK

And on November 6, TCM plays the fine 1995 documentary The Celluloid Closet, tracing the history of LGBTQ filmmakers overdecades of don’t ask, don’t tell Hollywood.

on TV: ASHES AND DIAMONDS: a killer wants to stop

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Photo caption: Zbigniew Cybulski in ASHES AND DIAMONDS

Coming up tomorrow night on Turner Classic Movies, a masterful director and his charismatic star ignite the war-end thriller Ashes and Diamonds, set amidst war-end treachery. It’s one of my Overlooked Noir.

It’s the end of WW II and the Red Army has almost completely liberated Poland from the Nazis. The future governance of Poland is now up in the air, and the Polish resistance can now stop killing Germans and start wrestling for control. Maciek (Zbigniew Cybulski) is a young but experienced soldier in the Resistance. His commanders assign him to assassinate a communist leader.

Maciek is very good at targeted killing, but he’s weary of it. As he wants out, he finds love. But his commander is insisting on this one last hit.

This is Zbigniew Cybulski’s movie. Often compared to James Dean, Cybulski emanates electricity and unpredictability, Unusual for a leading man, he often wore glasses in his screen roles. He had only been screen acting for four years when he made Ashes and Diamonds. Cybulski died nine years later when hit by a train at age forty,

Zbigniew Cybulski in ASHES AND DIAMONDS

Andrzej Wajda fills the movie with striking visuals, such as viewing Maciek’s love interest, the waitress Krystyna (Ewa Krzyzewska), alone amidst the detritus of last night’s party, through billows of cigarette smoke. Wajda’s triumphant signature is, literally, fireworks at the climax; the juxtaposition of the celebratory fireworks with Maciek’s emotional crisis is unforgettable.

Ewa Krzyzewska in ASHES AND DIAMONDS

Wajda adapted a famous 1948 Polish novel into this 1958 movie. In the adaptation, the filmmaker changed the emphasis from one character to another.

Ashes and Diamonds was the third feature for Andrzej Wajda, who became a seminal Polish filmmaker and received an honorary Oscar. US audiences may remember his 1983 art house hit Danton with Gerard Depardieu.

Ashes and Diamonds can be streamed from Amazon and AppleTV. It was featured at the 2020 Noir City film festival.

Zbigniew Cybulski in ASHES AND DIAMONDS

Movie to See Right Now

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Photo caption: BORGMAN

My Halloween recommendation is to stream Borgman, a scary movie for adults. If you’re venturing into a movie theater, for my money, the best choices are the unsettling fable Lamb or the James Bond blockbuster No Time to Die.

I’ve also written about the new DVDs of the Argentine films restored by the Film Noir Foundation, Los tallos amargos and The Beast Must Die.

IN THEATERS

Becoming Cousteau: a pedestrian biodoc about an amazing and important guy.

Also in theaters:

ON VIDEO

Tim Blake Nelson in OLD HENRY. Courtesy of Shout! Factory.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

Steve McQueen and Ali MacGraw in THE GETAWAY

On November 3, Turner Classic Movies presents The Getaway, a 1972 crime thriller starring the charismatic Steve McQueen and his real-life squeeze Ali MacGraw.  McQueen and MacGraw are delightful to watch as they move between violent clashes and double- and triple-crosses. As befits a Sam Peckinpah film, there’s an intense shootout at the end.  The grossly underrated character actor Al Lettieri (Sollozzo the Turk in The Godfather) gets to play perhaps his most delicious villain; when he comes across a oddly matched married couple –  the nubile Sally Struthers and the nerdy Jack Dodson (county clerk Howard Sprague in The Andy Griffith Show). Lettieri layers on some glorious sexual perversity.  

Sally Struthers, Al Lettieri and Jack Dodson in THE GETAWAY

Speaking of character actors, we also get to enjoy the crew of Peckinpah favorites: Ben Johnson, Slim Pickens, Dub Taylor, Bo Hopkins and Richard Bright. My friend Sandy lets Ali McGraw’s lack of acting range get in the way of enjoying The Getaway, but IMO Al Lettieri more than makes up for it.

Al Lettieri in THE GETAWAY

BORGMAN: an adult scare for Halloween

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BORGMAN

Technically, the Dutch thriller Borgman is a horror film, but it’s horror for adults, without the gore and with lots of wit. The shock doesn’t come from monsters unexpectedly lurching out of nowhere. The entertainment comes from the OMG moments of the “don’t ask the weird guy into your house!” and “don’t let the sinister guys watch your kids!” variety.

The setting is the architecturally striking and well-tended home of an affluent Dutch family and their Danish nanny. The husband is an aggro corporate schemer and a real scumbag – selfish, racist and chauvinistic, with the capacity for a violent rage. His wife Marina is repressed and neurotic. But they are highly functional until a homeless guy, Camiel Borgman, happens by, and circumstances compel them to put him up. Borgman feels entitled to more and more outrageous impositions – and soon it’s apparent that he’s even more sinister than he is obnoxious.

What if Charles Manson wasn’t a drug addled hoodlum, and his deranged charisma worked on the affluent mainstream? Borgman leads a crew of normal looking but murderous henchmen, who operate with the ruthless efficiency of Navy Seals. (Watch for the scar near the younger woman’s shoulder-blade.) Vaguely gifted with mind control, he can apparently create dreams by squatting naked and gargoyle-like above Marina while she slumbers with her husband. There is violence aplenty, but it tends to come through a bonk on the head or some poison in a glass.

Dark comedy stems from the matter-of-factness of the murders and body disposal (as in tossing corpses into a lake and then diving in for a relaxing swim). Every once in a while, there’s a hilariously sinister moment, like the supremely random appearance of some whippets that seem more like hellhounds.

BORGMAN

The acting is uniformly excellent, including the kids, but Jan Bijvoet as Borgman and Hadewych Minis as Marina are stellar.

Some questions are never answered (who are those three guys at the beginning and why are they hunting the homeless guys?). Is this a cult or aliens or what? The audience needs to accept some ambiguity. But the overall story arc is clear – no good is going to come of these people once they meet Camiel Borgman and his friends.

There is a subtext here: is this family so bourgeois that it deserves its fate? Fortunately, this subtext isn’t as in-your-face as in some recent self-loathing Eurocrap like Happy Days or Finsterworld, so it’s not at all off-putting. But Borgman can be enjoyed without going there at all.

Borgman is superbly written and directed by Alex van Warmerdam, a 62-year-old Dutch actor with only a handful of writing and directing credits.

I don’t often recommend a horror movie, but I’m all in on Borgman. Take it from me – you haven’t seen this movie before, and it’s endlessly entertaining. Borgman is available to stream from Amazon, iTunes, Vudu, YouTube, Google Play and Hulu.

Rediscovered masterpiece of Argentine noir on DVD

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Photo caption: Carlos Cores in LOS TALLOS AMARGOS

Thanks to the Film Noir Foundation, two newly restored classics of film noir are available on DVD. Both are from Argentina – and one of them is a masterpiece.

The masterpiece is Los tallos amargos (The Bitter Stems), one of the most imaginative and psychological movies of the classic film noir era. Because of his insecurities, a man invents imagined threats, but his real nemesis is himself. The shocking and ironic ending that would have been far too dark for any Hollywood film of the era.

Los tallos amargos was listed as one of the “50 Best Photographed Films of All-Time” by American Cinematographer. Its storied dream sequence is one of the most surreal in cinema. Los tallos amargos won the Silver Condor (the Argentine Oscar) for both Best Picture and Best Director (Fernando Ayala).

Narciso Ibáñez Menta and Laura Hidalgo in THE BEAST MUST DIE

The other film newly available on DVD is The Beast Must Die, which begins with the murder of a man so despicable that every other character has at least one motive for killing him. A visiting detective novelist becomes a murder investigator. As he peels back the onion, the whodunit revolves around which motive propelled the act of murder. There is a big reveal and a shocking ending.

The Los tallos amargos and The Beast Must Die DVDs can be pre-ordered from the Film Noir Foundation, and they will ship beginning November 2, 2021.

dream sequence in LOS TALLOS AMARGOS

Movies to See Right Now

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Photo caption: Ingvar Hilmir Snær and Noomi Rapace in LAMB. Courtesy of A24.

This week (Halloween week), the movies get more unsettling and scary.

IN THEATERS

Lamb: This dark, cautionary fable of karma is a brilliant and unsettling debut by writer-director Valdimar Jóhannsson.

Also in theaters:

ON VIDEO

Sibyl: The filmmaking is so exquisite that it masks the delicious trashiness of the story. This sex-filled melodrama is now widely available to stream (Amazon, AppleTV, Vudu, YouTube).

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

THE KILLER SHREWS – this is a dog in a fright mask

This being Halloween Week, Turner Classic Movies starts out with some of the more outlandish movie monsters on October 26, First. we have carnivorous rabbits the size of horses in Night of the Lepus. Then we have a classic from my list of Least Convincing Movie Monsters, – it’s The Killer Shrews, where the filmmakers have put fright masks on dogs, and then applied shaggy patches to the sides of the dogs and ropy rat tails to their backs.

Then, on October 29, TCM brings us a REALLY scary movie, Philip Kaufman’s 1978 Invasion of the Body Snatchers. Donald Sutherland and Brooke Adams must figure out that humans are being replicated by floating pods from outer space. Leonard Nimoy plays the chillingly confident and authoritative Dr. David Kibner – not everybody can be menacing in a turtleneck. The final shot is spine tingling.

Btooke Adams and Donald Sutherland in INVASION OF THE BODY SNATCHERS

SIBYL: masking its trashiness with expert filmmaking

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Virginie Efira and Laure Calamy in SIBYL

In director Justine Triet’s sex-filled (and sometimes darkly funny) melodrama Sibyl, the psychotherapist Sibyl (Virginie Efira) decides to phase out her practice and return to her primary obsession – novel writing. Sibyl is changing the trajectory of her own life, and she reflects on the one true love in her past (Niels Schneider), her sobriety, her parenting and the family of her sister (Laure Calamy).

While off-loading most of her patients, Sibyl picks up a new one – a needy young actress (Adèle Exarchopoulos from Blue Is the Warmest Color). The actress is about to jump start her movie career, but she’s having an affair with the other lead actor (Gaspar Ulliel), who is inconveniently married to the director Sandra Hüller (Toni Erdmann).

Each of these threads is its own melodrama, and Triet braids them together into an always entertaining story. We are our choices – and we can be our impulses.

Sibyl may be a psychotherapist, but she hasn’t mastered the concept of boundaries. Most egregiously, she doesn’t hesitate to use the personal secrets of her patients as fodder for her novels. Yikes! And she doesn’t resist rampant boundary-crossing by the actress, the actor and the director, either, and she’s used by all of them.

The characters, especially Sibyl, fill the camera lens with passionate sex – on the floor, up against a door, on the beach, on an apartment bathroom’s sink, on the deck of a boat, but not, to the best of my recollection, on a bed.

Niels Schneider and Virginie Efira in SIBYL

There’s lots of sly, dark humor, beginning with the over-intellectualized mansplaining in the very first scene. The sister is hilarious, especially when she coaches her niece on how to manipulate her mother. At one point, the director of the film-within-the-film responds to a lover’s meltdown on the set: “Guys, let’s keep the drama fictional if you don’t mind.“

The scene where the director first meets the actress who has just been impregnated by the director’s husband is another comic masterpiece from Hüller.

Many of us so revere French cinema that we forget that one of the things French filmmakers do well is trashy. And Sibyl is every bit as trashy as Fifty Shades of Grey. However, the editing (Laurent Sénéchal) and the acting are so exquisite that it masks the trashiness of the story.

I originally streamed Sibyl on Virtual Cinema at Laemmle. It’s now available on Amazon, AppleTV, Vudu, YouTube and DVD.

Movies to See Right Now

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Photo caption: Daniel Craig in NO TIME TO DIE Photo credit: Nicola Dove © 2020 DANJAQ, LLC AND MGM.

This week, we have familiar favorites – Daniel Craig’s final fling as James Bond and Tony Soprano’s origin story. Plus, the Mill Valley Film Festival is underway through this weekend – here’s my festival preview.

Time for a rant: yesterday I saw Lamb at a midday show in a 209-seat theater auditorium. When I bought my ticket, someone had already purchased a ticket for seat P9, almost at the top of the room. I purchased seat C8, in the middle of the third row. As the trailers ended, a third patron seated himself – in seat C10 – with only one seat buffering us. This guy chose between 207 available seats and picked one only two feet from me – in a pandemic. What a tool! He probably encroaches at the urinals, too.

IN THEATERS

No Time to Die: Daniel Craig returns one last time as his world-weary James Bond – and it’s epic. No disposable women this time.

The Many Saints of Newark: This prequel of The Sopranos shows us what formed the teenage Tony Soprano, especially his role model “uncle”, Dickie Moltisanti (Alessandro Nivola). Also on HBO Max.

Also in theaters:

ON VIDEO

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

Clint Eastwood and Richard Burton in WHERE EAGLES DARE

On October 16, Turner Classic Movies presents Where Eagles Dare, a crackerjack thriller from the WWII commando subgenre (think The Guns of Navarone and The Dirty Dozen). The seemingly impossible target is a cliff-side Nazi stronghold only accessible via a funicular. And not all the commandos understand the true mission. The oddly matched stars are Richard Burton (nearing the end of his second marriage to Elizabeth Taylor) and Clint Eastwood (after the Leone spaghetti westerns but before his Dirty Harry franchise). It all works.

Movies to See Right Now

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This image has an empty alt attribute; its file name is old-henry-1024x381.jpeg
Photo caption: Tim Blake Nelson in OLD HENRY. Courtesy of Shout! Factory.

Three new movies in theaters this week, but I’m only recommending one of them. Of course, I’ll try to catch the new James Bond movie, the last with Daniel Craig, No Time to Die.

I just got back from covering the Nashville Film Festival, and here’s my preview of the Mill Valley Film Festival, opening tonight.

IN THEATERS

Old Henry: If you appreciate a good western, then Old Henry is your movie.  The big shootout is thrilling, and Tim Blake Nelson is so good as a man who knows he can’t have redemption and only seeks some solace. Old Henry is now playing nationally, including for one-week run at San Francisco’s Roxie.

The Nowhere Inn: In this comedy, Carrie Brownstein (Portlandia) plays herself directing a documentary about her real life friend, the avant-garde musician Annie Clark, who performs as St. Vincent. These are two smart and talented women, and the movie is maybe half as funny as they are. If you need a dose of St. Vincent’s sexy vibrancy, then watch her perform instead.

Titane: Demented, icky and excessive, the Cannes Palme d’Or winner is intentionally unpleasant to watch. A maniac stripper has sex with, and becomes impregnated by, a Cadillac; she’s also a serial killer with a fetish for impaling her victims. I felt punished, even tortured, when I was watching Titane.

Also in theaters:

ON VIDEO

Sandra Guldberg Kampp in WILDLAND. Photo courtesy of BAC Films.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

Edmond O’Brien in D.O.A.

On October 13, Turner Classic Movies brings us one of my favorites – 83 minutes of noir hysteria titled D.O.A. This gripping whodunit opens with a man walking into a police station to report HIS OWN MURDER. The man (Edmond O’Brien) finds out that he has been dosed with a poison for which there is no antidote – and that he has only a few days to live. He desperately races the clock to find out who has murdered him and why. Much of D.O.A. was shot on location in San Francisco and Los Angeles, and one SF scene has one of the first cinematic glimpses into Beat culture. The little known director Rudolph Maté gave the film a great look, which shouldn’t be a surprise because Maté had been Oscar-nominated five times as a cinematographer. The next year, he followed D.O.A. with another solid noir, Union Station, with William Holden and Barry Fitzgerald.