Source Code is a gripping thriller, and I admired both its intelligence and its heart. The key is a breakthrough screenplay by Ben Ripley. The scifi premise is that supersoldier Jake Gyllenhaal can inhabit the brain of a terrorism victim for the same 8 minutes – over and over again. Each time, he has 8 minutes to seek more clues. Can he build the clues into a solution and prevent the terrorist atrocity? Gyllenhaal is excellent. So is Vera Farmiga as his handler and Michelle Monaghan as a girl you could fall in love with in 8 minutes. Jeffrey Wright chews the scenery with his homage to Peter Sellers in Dr. Strangelove. Director Duncan Jones solidly brings Ripley’s screenplay home.
The cream of the crop are still the sweet, funny and thoughtful comedies Beginners and Midnight in Paris, along with the riveting documentary Project Nim. Buck is a wonderful documentary about a real-life horse whisperer with a compelling human story. All four are on my list of Best Movies of 2011 – So Far.
If you have kids, Pixar’s Cars 2 is an excellent choice (adults will especially enjoy the James Bond spoof thread). So is Super 8, a wonderful coming of age story embedded in a sci fi action thriller. The Trip delivers some chuckles. Turkey Bowl is a delightful indie comedy available from iTunes. Page One: A Year Inside the New York Times explores journalism’s evolution in an age of new media, and I recommend it for hard news junkies.
In Bridesmaids, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life; it’s funny, but not one of the year’s best. The Hangover Part 2 is just not original enough, and, consequently, not funny enough. Terrence Malick’s The Tree of Life contains a good 90-minute family drama that is completely derailed by an additional hour of mind-numbingly self-important claptrap.
I haven’t yet seen Sarah’s Key or Road to Nowhere, which open this weekend, or Tabloid, which opens widely. You can see trailers of upcoming films at Movies I’m Looking Forward To.
Potiche, the delightful French farce of feminist self-discovery, is the funniest movie in over a year, and another showcase for Catherine Deneuve (as if she needs one). DeNeuve plays a 1977 potiche, French for “trophy housewife”, married to a guy who is a male chauvinist pig both by choice and cluelessness. He is also the meanest industrialist in France – Ebenezer Scrooge would be a softie next to this guy – and the workers in his factories are about to explode. He becomes incapacitated, and she must run the factory.
Now, this is a familiar story line for gender comedy – so why is it so damn funny? It starts with the screenplay, which is smart and quick like the classic screwball comedy that American filmmakers don’t make anymore. And the cast is filled with proven actors who play each comic situation with complete earnestness, no matter how absurd.
Director Francois Ozon, best known in the US for Swimming Pool and 8 Women, adapted the screenplay from a play and has a blast skewering late-70s gender roles and both the bourgeoisie and the proletariat. Gerard Depardieu plays the Communist mayor, who is both the husband’s nemesis and the wife’s former fling. Two of the very best French comic players, Fabrice Luchini and Karen Viard, shine in co-starring roles as the husband and his secretary.
The cream of the crop are still the sweet, funny and thoughtful comedies Beginners and Midnight in Paris, along with the riveting documentary Project Nim. All three are on my list of Best Movies of 2011 – So Far.
Buck is a wonderful documentary about a real-life horse whisperer with a compelling human story. If you have kids, Pixar’s Cars 2 is an excellent choice (adults will especially enjoy the James Bond spoof thread). So is Super 8, a wonderful coming of age story embedded in a sci fi action thriller. The Trip delivers some chuckles. Turkey Bowl is a delightful indie comedy available from iTunes. Page One: A Year Inside the New York Times explores journalism’s evolution in an age of new media, and I recommend it for hard news junkies.
In Bridesmaids, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life; it’s funny, but not one of the year’s best. The Hangover Part 2 is just not original enough, and, consequently, not funny enough. Terrence Malick’s The Tree of Life contains a good 90-minute family drama that is completely derailed by an additional hour of mind-numbingly self-important claptrap.
Christopher Plummer and Ewan McGregor in Beginners
This week, the best choices are still the sweet, funny and thoughtful Beginners and Midnight in Paris. This week’s Project Nim is one of the year’s best documentaries. If you have kids, Pixar’s Cars 2 is an excellent choice (adults will especially enjoy the James Bond spoof thread). So is Super 8, a wonderful coming of age story embedded in a sci fi action thriller. The Trip delivers some chuckles. Turkey Bowl is a delightful indie comedy available from iTunes.
In Bridesmaids, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life; it’s funny, but not one of the year’s best. The Hangover Part 2 is just not original enough, and, consequently, not funny enough. Terrence Malick’s The Tree of Life contains a good 90-minute family drama that is completely derailed by an additional hour of mind-numbingly self-important claptrap.
My DVD pick is Another Year. Mike Leigh (Secrets and Lies, Vera Drake) has brought us another brilliant observation of the human condition, and asks why some people find contentment and others just cannot. Another Year is one of Leigh’s best, and on my list of Best Movies of 2010.
Mike Leigh (Secrets and Lies, Vera Drake) has brought us another brilliant observation of the human condition, and asks why some people find contentment and others just cannot. The film observes a year in the life of a happily married couple (Jim Broadbent and Ruth Sheen). They generously host their friends and family; the couple (and we the audience) pick up insights about the visitors – variously scarred by unhappy circumstance, cluelessness and self-destructiveness.
Mike Leigh may be the cinema’s best director of actors, and Another Year is filled with excellent performances, especially Broadbent and Sheen, David Bradley and Peter Wight. The wonderful Imelda Staunton drops in with a searing cameo at the beginning of the film. But Lesley Manville has the flashiest role – and gives the most remarkable performance – as a woman whose long trail of bad choices hasn’t left her with many options for a happy life.
Marion Cotillard and Owen Wilson in Midnight in Paris
This week, the best choices are the sweet, funny and thoughtful Beginners and Midnight in Paris. If you have kids, Pixar’s Cars 2 is an excellent choice (adults will especially enjoy the James Bond spoof thread). So is Super 8, a wonderful coming of age story embedded in a sci fi action thriller. The Trip delivers some chuckles.
In Beginners, Ewan McGregor plays a guy who tends to the depressive and sabotages his relationships. His father (Christopher Plummer) has just died after coming out of the closet at age 75. Can he make things work out with Melanie Laurent (Inglorious Basterds)?
Woody Allen’s sweet and smart Midnight in Paris is his best comedy in twenty-five years. Owen Wilson accompanies fiancée Rachel McAdams to Paris, where she is intrigued by pretentious blowhard Michael Sheen, leaving Wilson to explore midnight Paris and time travel back to the Paris of the Lost Generation.
13 Assassins is brilliantly staged and photographed, and is one of the best recent action films; an honorable samurai must assemble and lead a team of thirteen to hack their way through a psychotically sadistic noble’s 200 bodyguards.
In The Trip, Steve Coogan and Rob Brydon take a foodie road trip through the north of England and duel with their Michael Caine and Sean Connery impressions.
In Bridesmaids, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life; it’s funny, but not one of the year’s best.
The Hangover Part 2 is just not original enough, and, consequently, not funny enough.
Terrence Malick’s The Tree of Life contains a good 90-minute family drama that is completely derailed by an additional hour of mind-numbingly self-important claptrap.
This week, the best choices are the sweet, funny and thoughtful Beginners and Midnight in Paris. If you have kids, Pixar’s Cars 2 is an excellent choice (adults will especially enjoy the James Bond spoof thread). So is Super 8, a wonderful coming of age story embedded in a sci fi action thriller.
In Beginners, Ewan McGregor plays a guy who tends to the depressive and sabotages his relationships. His father (Christopher Plummer) has just died after coming out of the closet at age 75. Can he make things work out with Melanie Laurent (Inglorious Basterds)?
Woody Allen’s sweet and smart Midnight in Paris is his best comedy in twenty-five years. Owen Wilson accompanies fiancée Rachel McAdams to Paris, where she is intrigued by pretentious blowhard Michael Sheen, leaving Wilson to explore midnight Paris and time travel back to the Paris of the Lost Generation.
13 Assassins is brilliantly staged and photographed, and is one of the best recent action films; an honorable samurai must assemble and lead a team of thirteen to hack their way through a psychotically sadistic noble’s 200 bodyguards.
In Bridesmaids, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life; it’s funny, but not one of the year’s best.
The Hangover Part 2 is just not original enough, and, consequently, not funny enough.
Terrence Malick’s The Tree of Life contains a good 90-minute family drama that is completely derailed by an additional hour of mind-numbingly self-important claptrap.
I haven’t yet seen the horse whisperer documentary Buck or the comic road tripper The Trip, which open this weekend. You can see trailers of upcoming films at Movies I’m Looking Forward To.
My DVD pick is the nastily hard-bitten noir Kiss Me Deadly.
Movies on TV this week include the Hitchcock thriller Strangers on a Train and Kiss Me Deadly on TCM.
Well, they have ambulance chasers in Argentina, too, and that seamy world is the setting for this dark and violent noirish thriller. Ricardo Darin (The Secrets of Their Eyes, Nine Queens) stars as a suspended lawyer running insurance scams. (I think of Darin as the Argentine Joe Mantegna.) Set in the gloom of urban nighttime emergency rooms and funeral homes, it’s a love story between the lawyer and an equally troubled doctor (Martina Gusman), nestled into a crime thriller.
The story is as cynical and dark as it comes. The handheld camera keeps it out of the noir category, but the story is as hard-bitten as Kiss Me Deadly or any of the really nasty noirs. The violence is realistic, and there’s lots of it – I had never seen anyone beaten to death with a file drawer before. If you like dark and edgy (and I do), this is the film for you.
The top picks this week are Incendies, Midnight in Paris and Cave of Forgotten Dreams. I’m still urging people to see the searing drama Incendies, the year’s best film so far. Upon their mother’s death, a young man and woman learn for the first time of their father and their brother and journey from Quebec to the Middle East to uncover family secrets. As they bumble around Lebanon, we see the mother’s experience in flashbacks. We learn before they do that their lives were created – literally – by the violence of the Lebanese civil war.
Woody Allen’s sweet and smart Midnight in Paris is his best comedy in twenty-five years. Owen Wilson accompanies fiancée Rachel McAdams to Paris, where she is intrigued by pretentious blowhard Michael Sheen, leaving Wilson to explore midnight Paris and time travel back to the Paris of the Lost Generation.
Don’t miss Cave of Forgotten Dreams while it can be seen in 3D; Werner Herzog explores the amazing 30,000 year old Chauvet cave paintings.
13 Assassins is brilliantly staged and photographed, and is one of the best recent action films; an honorable samurai must assemble and lead a team of thirteen to hack their way through a psychotically sadistic noble’s 200 bodyguards.
In Bridesmaids, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life; it’s funny, but not one of the year’s best. The Hangover Part 2 is just not original enough, and, consequently, not funny enough.
I haven’t yet seen Beginners or The Trip, which open this weekend with very strong buzz. You can see trailers of upcoming films at Movies I’m Looking Forward To.
My DVD pick is one of the best movies from last year, True Grit.
Movies on TV this week include the brilliant Buster Keaton masterpiece The General on TCM.
