Movies to See Right Now

Lauren Ambrose and Mike Birbiglia in SLEEPWALK WITH ME

There are some very promising fall movies coming out this weekend (see below) to add to our our current crop of fine comedies, led by Sleepwalk With Me.  The zany French odd couple comedy The Intouchables is a crowd pleaser – and an attendance record breaker in France.  Frank Langella’s performance in Robot and Frank elevates the film from a pretty good comedy to a revealing study of getting older.   Celeste and Jesse Forever is a smart and authentic comedy of best friends too perfect for each other to fall in love at the same time.   Ruby Sparks is a hilariously inventive romance that probes whether realizing a fantasy can bring happiness.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Julie Delpy’s 2 Days in New York is a rollicking light culture clash comedy. The stylishly violent crime drama Lawless is well-made and well-acted but predictable. The bike messenger thriller Premium Rush is nothing more than a chase scene, but it’s a cool chase. The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. The Words is a corny drama that insults the audience by over-explaining everything.

I haven’t yet seen The Master, Trouble with the Curve and House at the End of the Street.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is The Salt of Life, a gently funny and insightful Italian comedy about men of a certain age.

DVD of the Week: The Salt of Life

The Salt of Life (Gianni e le donne) is a gently funny and insightful comedy about a certain time in a man’s life. In the lives of men who are not rich, famous or powerful, there comes a time when attractive young women no longer see them as potential lovers. This is painful for any guy, and our contemporary Roman hero Gianni, with the help of his portly lawyer/wing man, sets out to deny that he has reached this plateau.

In a standard movie fantasy, some adorable young hottie would come to appreciate Gianni’s true appeal and find him irresistible. But in The Salt of Life, the story is more textured, complex and realistic.

The Salt of Life stars and is written and directed by Gianni Di Gregorio, just like the very fun Mid-August Lunch. It is definitively a movie for guys of a certain age and the women who tolerate them, as well as the younger guys who will become them.

Sorry, no subtitles yet on the trailer embedded here. You can watch the English subtitled trailer on IMDb.

Movies to See This Week

SLEEPWALK WITH ME

Sleepwalk With Me leads our current crop of fine comedies.   The zany French odd couple comedy The Intouchables is a crowd pleaser – and an attendance record breaker in France. Frank Langella’s performance in Robot and Frank elevates the film from a pretty good comedy to a revealing study of getting older.  Celeste and Jesse Forever is a smart and authentic comedy of best friends too perfect for each other to fall in love at the same time.  Ruby Sparks is a hilariously inventive romance that probes whether realizing a fantasy can bring happiness.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star. The same holds for Bill W., the story of the reluctant leader of a movement, the founder of Alcoholics Anonymous.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Julie Delpy’s 2 Days in New York is a rollicking light culture clash comedy. The stylishly violent crime drama Lawless is well-made and well-acted but predictable. The bike messenger thriller Premium Rush is nothing more than a chase scene, but it’s a cool chase. The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles.  The Words is a corny drama that insults the audience by over-explaining everything.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the darkly hilarious Norwegian thriller Headhunters.

DVD of the Week: Headhunters

The smug Norwegian corporate headhunter named Roger Brown (don’t ask) explains his motivation at the very beginning of the movie:  at 5 feet, 6 inches, his insecurity about keeping his six foot blond wife leads him to cut some corners.  As ruthlessly successful as he is in business, he feels the need to also burgle the homes of his clients and steal art treasures.  So the dark comedy thriller Headhunters (Hodejegerne) begins like a heist movie.  But soon Roger becomes targeted by a client with serious commando skills, unlimited high tech gizmos,  and a firm intention to make Roger dead.

Roger Brown is played brilliantly by Aksel Hennie, a huge star in Norway who looks like a cross between Christopher Walken and Peter Lorre. The laughs come from Roger’s comeuppance as he undergoes every conceivable humiliation while trying to survive.  As a smoothly confident scoundrel, Roger is at first not that sympathetic, but Hennie turns him into a panicked and terrified Everyman when he becomes a human pinata.

Headhunters is based on a page-turner by the Scandinavian mystery writer Jo Nesbo.   There are reports that Headhunters will be remade soon by Hollywood.  In the mean time, see Headhunters and have a fun time at the movies.

Movies To See This Week

THE INTOUCHABLES

Let’s face it – we’re now in a holding pattern, waiting for the big autumn movie releases. But, if you haven’t seen the four good comedies out now, you still have a chance. The zany French odd couple comedy The Intouchables is a crowd pleaser – and an attendance record breaker in France.  Frank Langella’s performance in Robot and Frank elevates the film from a pretty good comedy to a revealing study of getting older.  Celeste and Jesse Forever is a smart and authentic comedy of best friends too perfect for each other to fall in love at the same time.  Ruby Sparks is a hilariously inventive romance that probes whether realizing a fantasy can bring happiness.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star. The same holds for Bill W., the story of the reluctant leader of a movement, the founder of Alcoholics Anonymous.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Julie Delpy’s 2 Days in New York, which opens this week, is a rollicking light culture clash comedy.  The stylishly violent crime drama Lawless is well-made and well-acted but predictable. The bike messenger thriller Premium Rush is nothing more than a chase scene, but it’s a cool chase. The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles.

I haven’t yet seen the heralded drama The Words, which opens this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the heartfelt French Canadian drama Monsieur Lazhar, another of the best films of the year.

DVD of the Week: Monsieur Lazhar

This week’s pick is on my list of Best Movies of 2012 – So Far.

A fifth grade class in Montreal loses its teacher in just about the worst possible way – she hangs herself in their classroom at recess.  Monsieur Lazhar is about how the kids face this trauma with their replacement teacher, an Algerian immigrant.  The school gets a psychologist to lecture to the kids, but bans them from otherwise mentioning the suicide in class – a rule designed to minimize the discomfort of the administrators and parents.  Meanwhile, the school’s zero tolerance rule against touching children means that the kids can’t get a reassuring hug.

The new teacher, Monsieur Lazhar (well-played by Mohammed Fellag), is a traditionalist who demands respect but with humor and compassion.  He also seems oddly ignorant of modern teaching methods.  Although mild-mannered, he is fiercely devoted to protecting the kids.  That devotion keeps him from sharing his own burden with the children, for we learn that he, too, has reason to grieve.

Monsieur Lazhar was nominated for the Best Foreign Language Oscar and won Canada’s equivalent of the Best Picture Oscar.  The child actors are superb.  It’s an uncommonly sweet and powerful film.

Movies to See Right Now – Labor Day Edition

ROBOT & FRANK

There are some good movies out this Labor Day, and four of them are comedies.  Frank Langella’s performance in Robot and Frank elevates the film from a pretty good comedy to a revealing study of getting older.  The zany French odd couple comedy The Intouchables is a crowd pleaser – and an attendance record breaker in France.  I am impressed by both Celeste and Jesse Forever and Ruby Sparks – each is written by an actress and each is a good time at the movies.  Celeste and Jesse Forever is a smart and authentic comedy of best friends too perfect for each other to fall in love at the same time.  Ruby Sparks is a hilariously inventive romance that probes whether realizing a fantasy can bring happiness.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star. The same holds for Bill W., the story of the reluctant leader of a movement, the founder of Alcoholics Anonymous.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Julie Delpy’s 2 Days in New York, which opens this week, is a rollicking light culture clash comedy.  I haven’t yet seen the stylishly violent crime drama Lawless is well-made and well-acted but predictable.  The bike messenger thriller Premium Rush is nothing more than a chase scene, but it’s a cool chase.  The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. Magic Mike has male stripping, but no magic.

I haven’t yet seen the controversial indie drama Compliance or Spike Lee’s Red Hook Summer, which open this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is The Hunger Games, a well-paced, well-acted and intelligent sci-fi adventure fable for tweens – and for the rest of us, too.

DVD of the Week: The Hunger Games

Jennifer Lawrence in THE HUNGER GAMES

I was impressed by The Hunger Games, a well-paced, well-acted and intelligent sci-fi adventure fable for tweens – and for the rest of us, too.

Since I apparently live under a rock, I was unaware of the source material, the popular and acclaimed young adult fiction trilogy by Suzanne Collins. The only reason I saw The Hunger Games was to accompany The Wife, who had read the first Hunger Games book. I hadn’t even seen the trailer, so I went in totally blind.

The story is set in the future, where several generations after a rebellion, an authoritarian government plucks teenagers from the formerly rebellious provinces to fight to the death in a forest. It’s all broadcast on reality TV for the entertainment of the masses. Children killing children – it doesn’t get much harsher than that.

Jennifer Lawrence plays the heroine, a poor Appalachian girl who volunteers to compete in place of her little sister. Lawrence starred in Winter’s Bone, my pick for the best movie of 2010. Here she carries the movie with her performance as an incredibly determined and resourceful girl. Her character is completely candid and unfiltered. This creates a moment that is all the more powerful when she has to pull off smarmy inauthenticity for an insipid TV interview.

Stanley Tucci is brilliant as the oleaginous reality TV host – it’s an Oscar-worthy performance.

Movies to See This Week

CELESTE AND JESSE FOREVER

Here’s a surprise – there are some appealing (and smart) romantic comedies this August!  I am impressed by both Celeste and Jesse Forever and Ruby Sparks – each is written by an actress and each is a good time at the movies.  Celeste and Jesse Forever is a smart and authentic comedy of best friends too perfect for each other to fall in love at the same time.  Ruby Sparks is a hilariously inventive romance that probes whether realizing a fantasy can bring happiness.

And here are two more comedy winners.  Frank Langella’s performance in Robot and Frank elevates the film from a pretty good comedy to a revealing study of getting older.  The Intouchables is a crowd pleasing odd couple comedy – an attendance record breaker in France.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star. The same holds for Bill W., the story of the reluctant leader of a movement, the founder of Alcoholics Anonymous.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Julie Delpy’s 2 Days in New York, which opens this week, is a rollicking light culture clash comedy. The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. Magic Mike has male stripping, but no magic.

I haven’t yet seen the French drama Beloved, the controversial indie drama Compliance or the bike messenger thriller Premium Rush, all of which open this weekend.   You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the brilliantly constructed (but gloomy) Iranian drama A Separation, which won the Best Foreign Language Picture Oscar.

DVD of the Week: A Separation

A contemporary Iranian couple had planned to leave Iran for a better life in the West, but, by the time they have wrangled a visa from the bureaucracy, the husband’s father has developed Alzheimer’s. The husband refuses to leave his father and the wife leaves the home in protest. They are well-educated and secular. The husband hires a poor and religious woman to care for his father (and she does not tell her husband about her job). Then there is an incident which unravels the lives of both families.

This is a brilliant film. Writer-director Asghar Farhadi has constructed a story in which the audience sees and hears everything that happens, but our understanding of the events and characters evolve.  We think we know what has happened, but then other narratives are revealed.  Likewise, the moral high ground is passed from one character to another and to another.  It’s like Rashomon, but with the audience keeping a single point of view.

Much of that point of view is shared by the ever watchful teenage daughter of the educated couple.  She desperately wants her parents back together, views everything through this prism and is powerless to make it happen.  She is played by Farhadi’s real life daughter.

Religion towers above the action – and not in a good way.  It guides the actions of the religious couple into choices against their interest.  The Iranian theocracy restricts the choices of the secular couple and of the judges trying to sort everything out.  Almost every character is a good person who is forced to lie to avoid some horrific result otherwise required by the culture.

One final note:  it will be a lot harder to make an easy joke at the expense of American lawyers after watching the Iranian justice system in A Separation.

The realistic angst of the chapters makes this a difficult film to watch – not a light date movie for sure. But the payoff is worth it, and it’s a must see.

This film was on the top ten list of over 30 critics and is Roger Ebert’s top-rated film of 2011.  It won the 2011 Foreign Language Picture Oscar.  Because regular folks like us could only see it in 2012, it made my list of Best Movies of 2012 – So Far.