Weekly Movie Recommendations

Movies to See Right Now

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Jennifer Lawrence and Bradley Cooper in SILVER LININGS PLAYBOOK

The strong autumn movie season continues.  In Lincoln, Steven Spielberg and Daniel Day-Lewis push aside the marble statue and bring to life Abraham Lincoln the man.  I recommend the rewarding dramedy Silver Linings Playbook for its strong story, topicality and humor, but it’s worth seeing just for Jennifer Lawrence’s performance. Ang Lee’s visually stunning fable Life of Pi is an enthralling commentary on story-telling.

Argo is Ben Affleck’s brilliant thriller based on a true story from the Iran Hostage Crisis. The Sessions is an uncommonly evocative, funny and thoughtful film about sex leading to unexpected emotional intimacy. Denzel Washington stars in Flight, a thriller about the miraculous crash landing of an airliner and the even more dangerous battle against alcoholism.  A Late Quartet is a gripping drama with a superb cast led by Christopher Walken and Philip Seymour Hoffman.   The wild and puzzling art film Holy Motors has its moments, too.

Skyfall updates the James Bond franchise with thrilling action and a Daniel Craig’s more shopworn 007. The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray.

Chasing Mavericks is a predictable and heartwarming true story that is just OK for most movie-goers , but is a Must See if you’re into surfing and/or have an interest in the Santa Cruz and San Mateo coast. Cloud Atlas delivers six fast paced stories set across six centuries with lots of movie stars playing multiple roles; it’s fun to watch, but it’s not as good a film as the ones listed above.   A Royal Affair is an overlong historical costume drama with two fine performances.

I haven’t yet seen the crime drama Killing Them Softly, which opens this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

This week, there’s no DVD of the Week.  There are too many good movies in theaters for you to stay home.

Movies to See Right Now

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LINCOLN

Everyone should see Lincoln, in which Steven Spielberg and Daniel Day-Lewis push aside the marble statue and bring to life Abraham Lincoln the man. It’s a top-of-the-line political thriller, and one of the year’s best movies.

Argo is Ben Affleck’s brilliant thriller based on a true story from the Iran Hostage Crisis. The Sessions is an uncommonly evocative, funny and thoughtful film about sex leading to unexpected emotional intimacy. Denzel Washington stars in Flight, a thriller about the miraculous crash landing of an airliner and the even more dangerous battle against alcoholism. A Late Quartet is a gripping drama with a superb cast led by Christopher Walken and Philip Seymour Hoffman.

Skyfall updates the James Bond franchise with thrilling action and a Daniel Craig’s more shopworn 007. The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray.

Chasing Mavericks is a predictable and heartwarming true story that is just OK for most movie-goers , but is a Must See if you’re into surfing and/or have an interest in the Santa Cruz and San Mateo coast. Cloud Atlas delivers six fast paced stories set across six centuries with lots of movie stars playing multiple roles; it’s fun to watch, but it’s not as good a film as the ones listed above.

Paul Williams Still Alive, an affecting documentary about the songwriter, omnipresent in the 70s, but not now, is available on Video On Demand. The poignant French geezer comedy All Together is also available on Video On Demand.

I haven’t yet seen the highly anticipated dramedy Silver Linings Playbook, Ang Lee’s visually stunning Life of Pi or Hitchcock (with Anthony Hopkins, Helen Mirren and Scarlett Johannsen), which have opened this holiday weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the hilariously awful Troll 2.

Movies to See Right Now

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LINCOLN

The absolute Must See is Steven Spielberg’s Lincoln, in which he and Daniel Day-Lewis push aside the marble statue and bring to life Abraham Lincoln the man.  It’s a top-of-the-line political thriller, and everyone should see this movie.

Argo is Ben Affleck’s brilliant thriller based on a true story from the Iran Hostage Crisis.  The Sessions is an uncommonly evocative, funny and thoughtful film about sex leading to unexpected emotional intimacy. Denzel Washington stars in Flight, a thriller about the miraculous crash landing of an airliner and the even more dangerous battle against alcoholism.  A Late Quartet is a gripping drama with a superb cast led by Christopher Walken and Philip Seymour Hoffman.

Skyfall updates the James Bond franchise with thrilling action and a  Daniel Craig’s more shopworn 007.  The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray. I also liked the thinking person’s sci-fi movie, Looper.  Perks of Being a Wallflower is an authentic coming of age story.

Chasing Mavericks is a predictable and heartwarming true story that is just OK for most movie-goers , but is a Must See if you’re into surfing and/or have an interest in the Santa Cruz and San Mateo coast.  Cloud Atlas delivers six fast paced stories set across six centuries with lots of movie stars playing multiple roles; it’s fun to watch, but it’s not as good a film as the ones listed above.

Paul Williams Still Alive, an affecting documentary about the songwriter, omnipresent in the 70s, but not now, is available on Video On Demand. The poignant French geezer comedy All Together is also available on Video On Demand.

I haven’t yet seen the Danish historical drama A Royal Affair (in contention for Best Foreign Language Oscar), which open this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the engaging indie dramedy Dark Horse.

DVD of the Week: Dark Horse

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In this engaging indie dramedy by writer-director Todd Solondz (Welcome to the Dollhouse, Happiness), an epic underachiever falls in love with a heavily medicated depressive.

This guy has not moved out from his boyhood room in his parent’s house. He gets a paycheck from his dad’s company although the office assistant does his work while he spends his day bidding for collectible toys on eBay. He drives a bright yellow Hummer that blares the sappiest pop music. Yet he feels completely entitled, is surly to his enabling parents and bellows like a wounded water buffalo when his genius remains unrecognized.

This guy is remarkably unsympathetic. Still, Solondz ‘s clear-eyed and unsparing portrait is not mean-spirited and, eventually, becomes even empathetic. In particular, Solondz makes able use of dream/fantasy segments to explore the yearnings of the characters.

Jordan Gelber is excellent as the hapless blowhard protagonist. The cast (Selma Blair as the girlfriend, Christopher Walken and Mia Farrow as the parents) is quite good, too, especially Donna Murphy as the office assistant and Aasif Mandvi as the girlfriend’s ex.

I saw this at a screening with Todd Solondz, and he said that Dark Horse is a reaction to the Apatowesque man-child movies. In those films, the underachieving slackers are endearing goofs. Here, the underachieving slacker is realistically unattractive, but has a realistic vulnerability and fundamental humanity. Solondz says that the protagonist, at last, finds life in death.

Dark Horse has the trademark Solondz quirkiness, but without the trademark perversion. As with most Solondz films, I’m still thinking about it several days later.

Note: In Dark Horse, Walken and Farrow appear to be watching Seinfeld. Instead of paying the fee to license a snippet of the real Seinfeld, Solondz got Jason Alexander, Estelle Harris and Jerry Stiller to read Solondz-written faux Seinfeld dialogue.

Movies to See Right Now

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Denzel Washington in FLIGHT

Now that we’re deep into autumn, there are plenty of great movie choices.  The Must See is still Argo, Ben Affleck’s brilliant thriller based on a true story from the Iran Hostage Crisis.  The Sessions is an uncommonly evocative, funny and thoughtful film about sex leading to unexpected emotional intimacy.  Denzel Washington stars in Flight, a thriller about the miraculous crash landing of an airliner and the even more dangerous battle against alcoholism.

The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray. I also liked the thinking person’s sci-fi movie, Looper.  Perks of Being a Wallflower is an authentic coming of age story.

Chasing Mavericks is a predictable and heartwarming true story that is just OK for most movie-goers , but is a Must See if you’re into surfing and/or have an interest in the Santa Cruz and San Mateo coast.

Cloud Atlas delivers six fast paced stories set across six centuries with lots of movie stars playing multiple roles; it’s fun to watch, but it’s not as good a film as the ones listed above. The dark crime comedy Seven Psychopaths is well-acted by a very deep team of my favorite actors and is embedded with belly laughs, but, as a whole, it’s just not that satisfying.

Paul Williams Still Alive, an affecting documentary about the songwriter, omnipresent in the 70s, but not now, is available on Video On Demand. The poignant French geezer comedy All Together is also available on Video On Demand.

I haven’t yet seen the James Bond movie Skyfall or the indie comedy A Late Quartet, which open this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the inventive romantic comedy Ruby Sparks.

DVD of the Week: Ruby Sparks

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The inventive Ruby Sparks is about romance and it’s very, very funny, but it transcends the genre of romantic comedy.  A shy writer who has produced a great novel at an early age is now drifting,  his writing is blocked and he has isolated himself into a lonely existence.  He imagines his perfect love object, and he can suddenly write in torrents about her until…she becomes real.  Yes, suddenly he has a real life girlfriend of his own design.

This is everyone’s fantasy of a perfect partner – but what are the limits of a partner that you have designed yourself?  Because he can tweak her behavior by rewriting it, this brings up the adage “Be careful what you ask for”.  When he is threatened by her independence, he changes her personality on the page and she becomes unattractively clinging and needy.  Can his realized fantasy make him happy?

Paul Dano is outstanding as the writer and screenwriter Zoe Kazan (granddaughter of Elia Kazan) dazzles as his creation.   (Off screen, Kazan and Dano are a couple.)  Chris Messina is dead on perfect as the writer’s brother, and the film benefits from an especially strong cast:  Annette Bening, Antonio Banderas, Steve Coogan, Aasif Mandvi and Elliot Gould.  Ruby Sparks is ably directed by Jonathan Dayton and Valerie Faris, the co-directors of another exceptional indie comedy, Little Miss Sunshine.

The biggest star in Ruby Sparks is Zoe Kazan’s ingenious screenplay.  It’s funny without being silly, profound without being pretentious, bright without being precious.  Every moment is authentic.  It’s clear that Kazan is a major talent as a screenwriter.

Movies to See Right Now

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John Hawkes in THE SESSIONS

The best bet is still Argo, Ben Affleck’s brilliant thriller based on a true story from the Iran Hostage Crisis. It’s unquestionably the best Hollywood movie of the year so far.

But there are some other excellent choices. The Sessions is an uncommonly evocative, funny and thoughtful film about sex leading to unexpected emotional intimacy. The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray.  I also liked the thinking person’s sci fi movie, Looper.  Perks of Being a Wallflower is an authentic coming of age story. I also recommend the indie alcoholism drama Smashed.

Cloud Atlas delivers six fast paced stories set across six centuries with lots of movie stars playing multiple roles; it’s fun to watch, but it’s not as good a film as the ones listed above.

Paul Williams Still Alive, an affecting documentary about the songwriter, omnipresent in the 70s, but not now, is available on Video On Demand.  The poignant French geezer comedy All Together is also available on Video On Demand.  History buffs will appreciate Ethel, the documentary on Ethel Kennedy by her daughter Rory Kennedy, still playing on HBO.

The dark crime comedy Seven Psychopaths is well-acted by a very deep team of my favorite actors and is embedded with belly laughs, but, as a whole, it’s just not that satisfying.  The Master is a visual and acting masterpiece, but the story fizzles out.  You can skip HBO’s dreary The Girl.

I haven’t yet seen the Denzel Washington blockbuster thriller Flight, which opens this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is Elena, a superbly crafted film that vividly peeks into a dark, very dark contemporary Russia.   Elena makes my list of Best Movies of 2012 – So Far.

DVD of the Week: Elena

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Elena is a superbly crafted film that vividly peeks into a dark, very dark contemporary Russia.  Directed and co-written by Andre Zvyagintsev (The Return), Elena is the triumph of drama over melodrama.  There is an absolute minimum of on-screen action and no histrionics at all, yet the story simmers throughout. It’s on my list of Best Movies of 2012 – So Far.

Zvyagintsev builds the story upon his characters.  It is set in a toney apartment in a quiet upscale Moscow neighborhood, home of Vladimir and Elena.  Vladimir is pushing 70 and rich.  I doubt that any softies got rich in post-Soviet Russia, and Vladimir is a hard man, devoid of sentimentality except for his estranged daughter.   Late in life, he has married the working class Elena, his one-time nurse, now in her 50s.  They have a comfortable, frank, affectionate and practical relationship.

Both have adult children from previous marriages.  Vladimir’s daughter Katerina has no use for her father, but he subsidizes her lifestyle of perpetual partying.  Vladimir and Katerina finally share a moment, bonding over their shared cynicism.

Elena’s nogoodnik son Sergey lives in a hard scrabble suburb and embraces his chronic unemployment with alarming indolence.  His equally lazy and selfish teenage son, having an indifferent high school career, is now facing the dreaded Army unless someone can bribe his way into a college.

Elena is desperate to rescue her grandson from his self-inflicted predicament, but only Vladimir’s money can help, and Vladimir despises Elena’s trashy and shiftless family.  The movie is built on this conflict, and it is Elena’s story.   As Elena, the actress Nadezhda Markina reveals Elena’s affection, desperation and determination with her eyes, face and movements.  Perfectly framing Markina’s outstanding performance by isolating it, Zvyagintsev delivers the film in a series of long shots, with terse dialogue and a spare soundtrack. There is no expository dialogue explaining the plot or swelling music manipulating our reaction.

Elena is a dark movie that asks its audience to invest patience, thought and energy – so it’s not for everybody.  Elena is also one of the year’s best films, and an extraordinary example of a very pure breed of filmmaking.

Movies to See Right Now

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Nicole Kidman in THE PAPERBOY

The best bet is still Argo, Ben Affleck’s brilliant thriller based on a true story from the Iran Hostage Crisis.  It’s unquestionably the best Hollywood movie of the year so far.

But there are some other excellent choices.  The Sessions is an uncommonly evocative, funny and thoughtful film about sex leading to unexpected emotional intimacy.   The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray. You can still find End of Watch, a thrilling cop movie that rises above the genre. I also liked the thinking person’s sci fi movie, Looper.  Perks of Being a Wallflower is an authentic coming of age story. I also recommend the realistic indie alcoholism drama Smashed.

Two lower profile films are continuing their long runs. The zany French odd couple comedy The Intouchables is a crowd pleaser – and an attendance record breaker in France. Another good choice is the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist who didn’t know that he was a rock star.

Paul Williams Still Alive, an affecting documentary about the songwriter, omnipresent in the 70s, but not now, is available on Video On Demand.  History buffs will appreciate Ethel, the documentary on Ethel Kennedy by her daughter Rory Kennedy, still playing on HBO.  You can skip HBO’s dreary The Girl.

The dark crime comedy Seven Psychopaths is well-acted by a very deep team of my favorite actors and is embedded with belly laughs, but, as a whole, it’s just not that satisfying. The Master is a visual and acting masterpiece, but the story fizzles out.

I haven’t yet seen the blockbuster sci fi epic Cloud Atlas, which opens this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the most overlooked film of the year, Sarah Polley’s brilliant Take This Waltz.   It’s a woman’s movie, but in the best possible way. It’s not a shallow chick flick and there’s no wedding scene. Instead, it’s an exploration of attraction and fulfillment from a woman’s perspective. Take This Waltz makes my list of Best Movies of 2012 – So Far.

DVD of the Week: Take This Waltz

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My DVD pick this week is the most overlooked film of the year, Sarah Polley’s brilliant Take This Waltz, which makes my list of Best Movies of 2012 – So Far.

Take This Waltz is a woman’s movie, but in the best possible way.  It’s not a shallow chick flick and there’s no wedding scene.  Instead, it’s an exploration of attraction and fulfillment from a woman’s perspective.

Margot (Michelle Williams) and Lou (Seth Rogen) have been happily married for five years.  They are affectionate and playful with each other, but they have hit a patch where it’s easy for one to kill the other’s buzz and for a romantic moment to misfire.  But Lou is a fundamentally good guy who loves Margot, and he is definitely not driving her into the arms of another man.

But Margot meets Daniel (Luke Kirby) and is fascinated by him. He is completely attentive – not in a chocolates and flowers kind of way, but by observing her deeply and pointing out things about her personality that she hasn’t recognized herself.  Daniel exhilarates her, and she can’t keep herself from engaging with him.

Michelle Williams is once more transcendent.  She is our best actress.  We know that Rogen can play a goodhearted, ambling guy, but when his character is profoundly hurt, he delivers a tour de force.  Sarah Silverman co-stars as Margot’s sister-in-law, a recovering alcoholic whose relapse sparks a fierce moment of truth telling.

Take This Waltz could not have been made by a man.  In particular, there is a remarkable shower scene in which women of a variety of ages and body types have the type of frank conversation that women share with each other.  Although they are all naked and fully visible, the scene is shot as to be devoid of any eroticism or exploitation.  All that is there is the content of the conversation and the female bonding.

33-year-old Canadian actress Sarah Polley wrote and directed;  Polley’s debut feature was Away From Her, my pick for best movie of 2006.

Take This Waltz is a beautifully shot film, but generally not in a showy way.  The film opens with Williams backlit as she prepares a batch of muffins; it’s a simple kitchen scene, but Polley showcases Williams as Margot reflects on her choices and their consequences.

In one extraordinary scene, the camera swirls with Margot and Daniel on an amusement park ride blaring “Video Killed the Radio Star”.  Their faces show fun, then an urge to kiss, then regret that they can’t kiss, then fun again and, finally, disappointment when the music and the ride end way too harshly.

Later, Polley reprises the muffin baking scene, paired with “Video Killed the Radio Star” in an unexpectedly rich way.  After just two features, Sarah Polley is established as one of today’s top filmmakers.