Zero Dark Thirty is director Kathryn Bigelow’s inspired telling of the hunt for Bin Laden. Bigelow, who won the directorial Oscar for The Hurt Locker, once again demonstrates an uncommon ability to enthrall. She chose to tell the story of the frustrating, wearying and dangerous ten-year man hunt, not just the exciting raid in Abbottabad.
We should all be grateful that this movie was made with Bigelow’s directorial choices. She is content to invest half of her screen time on false leads and wasted efforts – and makes them utterly gripping. She neither lingers on the violence nor shies away from it. In a scene where a CIA operative is looking for a man talking on a cell phone, the camera pulls back to reveal that he is on a chaotic Pakistani street with hundreds of men on cell phones – perfectly conveying the needle-in-a-haystack aspect of the search. As the Navy Seal team returns from the successful raid, the music is deeply thoughtful and reflective, not the triumphalist anthem that many directors would have used.
Zero Dark Thirty contains realistic and non-gratuitous depictions of war, terrorism and torture. The movie is, to my sensibilities, not too uncomfortable for most viewers. (Tomorrow I will comment on the torture controversy surrounding this movie.)
Jessica Chastain brilliantly plays the CIA analyst who doggedly and passionately pursues an unlikely lead that finally pays off after a ten-year grind. I’ve already rhapsodized several times about Chastain’s sudden emergence as perhaps our best current screen actress. She is profoundly gifted and can do anything. Let’s just say that, as good as Zero Dark Thirty is, she carries it.
The rest of the fine cast includes Jason Clarke (Lawless), Joel Edgerton (Animal Kingdom), Jennifer Ehle (The Ides of March, The King’s Speech), Kyle Chandler (Friday Night Lights), Fares Fares (Safe House), Jeremy Strong (The Guard), Mark Duplass and James Gandolfini.
I’ve added Zero Dark Thirty to my list of Best Films of 2012.
