movie gourmet

Movies to See This Week

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HEADHUNTERS

For sheer entertainment, I recommend the Norwegian dark comedy Headhunters, with Aksel Hennie as a smug corporate headhunter/art thief who panics when a high tech commando hunts him down.

The must-see movie in theaters now remains Monsieur Lazhar, the story of French-Canadian fifth graders recovering from a traumatic experience with their replacement teacher, an Algerian immigrant. It’s an emotionally compelling film that was nominated for the Best Foreign Language Oscar.

Last week’s releases were middling.  The best of the bunch, the romantic comedy The Five-Year Engagement, is intelligent, authentic and leisurely with some chuckles.    The Hunter is a paranoid thriller, starring Willem Dafoe as a professional hunter sent to the primordial forests of Tasmania.  Pirates! Band of Misfits is a merely amusing offering from the masters of claymation, Aardman Studios (Wallace and Gromit); don’t pay extra to see it in 3D.

I haven’t yet seen the very promising The Exotic Marigold Hotel which opens this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is War Horse, Steven Spielberg’s World War I epic.

 

DVD of the Week: War Horse

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War Horse is a sweeping epic that traces the journey of an especially spirited horse and its series of owners before and during World War I.  It’s not a critical spoiler to let you know that the horse survives, although its various handlers are all savaged by war.

It’s a movie that we could have seen in the 1950s – but a very, very good 1950s movie.  The story is sentimental, but neither simple nor dully plotted.  The movie is beautifully composed and shot, and many scenes recall John Ford’s use of landscapes and action.  The silhouettes and sky in the final shot are lit as in the similar climax of Gone With the Wind.

War Horse is also one of the better movies about World War I, of which the central fact was its massive, brutally stupid waste of lives on a thereto unimagined scale.  Along the way we see clear and accurate depictions of trench warfare, No Man’s Land, foraging, and the relative utility of cavalry, infantry, artillery, machine guns, and tanks.  Spielberg doesn’t distract us from the overall horror with unnecessary gore.

Movies to See this Week

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Aksel Hennie and friend in HEADHUNTERS

For sheer entertainment, I recommend the Norwegian dark comedy Headhunters, with Aksel Hennie as a smug corporate headhunter/art thief who panics when a high tech commando hunts him down.

The must-see in theaters remains Monsieur Lazhar, the story of French-Canadian fifth graders recovering from a traumatic experience with their replacement teacher, an Algerian immigrant. It’s an emotionally compelling film that was nominated for the Best Foreign Language Oscar.

Last week’s releases were middling.  The best of the bunch, the romantic comedy The Five-Year Engagement, is intelligent, authentic and leisurely with some chuckles.  The Hunter is a paranoid thriller, starring Willem Dafoe as a professional hunter sent to the primordial forests of Tasmania.  Pirates! Band of Misfits is a merely amusing offering from the masters of claymation, Aardman Studios (Wallace and Gromit); don’t pay extra to see it in 3D.

You can skip Damsels in Distress, Whit Stillman’s misfire of an absurdist campus comedy.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is Haywire, Steven Soderbergh’s rockem sockem spy action thriller, introducing the mixed martial arts star Gina Carano.

Headhunters: from smoothly confident scoundrel to human pinata

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The smug Norwegian corporate headhunter named Roger Brown (don’t ask) explains his motivation at the very beginning of the movie:  at 5 feet, 6 inches, his insecurity about keeping his six foot blond wife leads him to cut some corners.  As ruthlessly successful as he is in business, he feels the need to also burgle the homes of his clients and steal art treasures.  So the dark comedy thriller Headhunters (Hodejegerne) begins like a heist movie.  But soon Roger becomes targeted by a client with serious commando skills, unlimited high tech gizmos,  and a firm intention to make Roger dead.

Roger Brown is played brilliantly by Aksel Hennie, a huge star in Norway who looks like a cross between Christopher Walken and Peter Lorre. The laughs come from Roger’s comeuppance as he undergoes every conceivable humiliation while trying to survive.  As a smoothly confident scoundrel, Roger is at first not that sympathetic, but Hennie turns him into a panicked and terrified Everyman when he becomes a human pinata.

Headhunters is based on a page-turner by the Scandinavian mystery writer Jo Nesbo.   There are reports that Headhunters will be remade soon by Hollywood.  In the mean time, see Headhunters and have a fun time at the movies.

Coming Up on TV: Diabolique

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If you like suspense, you will want to check out Diabolique, to be broadcast by Turner Classic Movies on May 12.  The headmaster of a provincial boarding school is so cruel, even sadistic, that everyone wants him dead, especially his wife and his mistress.  When he goes missing, the police drain the murky pool where the killers dumped the body, and the killers get a big surprise.  Now the suspense from director Henri-Georges Clouzot really starts.

A master of the thriller, Clouzot was nicknamed the French Hitchcock.  In an achingly scary scene from Clouzot’s The Wages of Fear, two truck drivers try to get a long truck around a cliff side hairpin curve  – and the truck is filled with nitroglycerin.  If you like Diabolique, you’ll probably also like another domestic murder – this time set in Paris – Quai des Orfevres.

DVD of the Week: Haywire

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One of the first 2012 releases, Haywire is a rockem sockem spy action thriller by Steven Soderbergh, starring Gina Carano.  I was not familiar with Gina Carano, who is an accomplished star of mixed martial arts.  Haywire is a vehicle seeking to launch her as an action film star.  And why not, for she is attractive (with “real girl”, not Hollywood, looks), well-endowed and can kick ass?  She can, after all, kick ass for real, not just pretend to in a movie.

As an actor, Carano is plenty good enough.  She’s way better than Chuck Norris, Jackie Chan and the Rock, and is at least as good as Schwarzenegger.  And, when she beats up a swat team, it is believable (and fun).

Soderbergh is always interesting, as he moves between high brow/arty (sex lies and videotape, The Good German) and lowbrow/popular (Ocean’s Twelve, Contagion).  Here he takes an inexperienced leading woman and an unremarkable story and makes the most of it.  It’s a good watch.

Soderbergh delivers fast pacing and great locations (Barcelona, Dublin, New Mexico).  Soderbergh and Carano benefit from a top rate cast:  Michael Douglas, Ewan McGregor, Michael Fassbender, Antonio Banderas, Michael Angarano and Bill Paxton.  Overall, it’s good entertainment and, for once,  I’m actually looking forward to the sequels.

Pirates! Band of Misfits: merely amusing

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I’ve always loved the good-hearted and wry Aardman Studio films like Wallace and Gromit and Chicken Run.  Aardman’s Pirates! Band of Misfits doesn’t quite match up to Aardman’s past work.  The claymation is exquisite and the jokes are smart, but the overall effect is merely amusing and guffaw-free.  Silly pirate stereotypes should have been much richer fodder for the writers.

I saw this in 3D, but I wouldn’t pay the 3D premium if I were taking a bunch of kids to see it.

The Hunter: looks for the beast, finds a thriller

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In this paranoid thriller, a sinister corporation sends a professional hunter (Willem Dafoe) to Tasmania to find the Tasmanian Tiger, thought extinct.  He is given a cover identity as a scientist, which immediately makes him a target of hostile loggers   He is renting a room in the primitive cabin of a scientist who searched for the Tasmanian Tiger and has been missing and is presumed dead by everyone except his traumatized family.  The scientist’s wife is so heavily sedated that she only briefly wakes into a stupor, the 6-year-old son has become mute and only the 10-year-old daughter is resilient enough to converse.  The suspense begins immediately.  Will he find the Tasmanian Tiger? What happened to the scientist? Is he being hunted himself?

The weirdly beautiful scenery and breathtaking vistas of Tasmania enhance the dramatic tension.  The forests are so primordial that you expect to see a creature from Jurassic park bursting out.

Dafoe’s hunter spends much of the movie alone in the wilderness with no one to talk to and, being on a secret mission, he can’t tell other people what he finds anyway.  So his discoveries have to be depicted by the director and their impacts reflected in Dafoe’s expressive eyes.

Overall, it’s a fine genre film, although the paranoia is over the top and some will find the ending too stark.  The scenes of Dafoe’s driven hunter, solitary in the wilderness, make up for the flaws.