movie gourmet

Stories We Tell: when life surprises…and how we explain it

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Michael Polley in STORIES WE TELL

Stories We Tell is the third film from brilliant young Canadian director Sarah Polley (Away From Her, Take This Waltz), a documentary in which she interviews members of her own family about her mother, who died when Sarah was 11.  It doesn’t take long before Sarah uncovers a major surprise about her own life.  And then she steps into an even bigger surprise about the first surprise.  And then there’s a completely unexpected reaction by Polley’s father Michael. 

There are surprises aplenty in the Polley family saga, but how folks react to the discoveries is just as interesting.  It helps that everyone in the Polley family has a deliciously wicked sense of humor.

The family story is compelling enough, but Polley also explores story telling itself.  Everyone who knew Polley’s mother tells her story from a different perspective.  But we can weave together the often conflicting versions into what seems like a pretty complete portrait of a complicated person.

Polley adds more layers of meaning and ties the material together by filming herself recording her father reading his version of the story – his memoir serves as the unifying narration. 

To take us back to the 1960s, Polley uses one-third actual home movies and two-thirds re-creations (with actors) shot on Super 8 film.  Polley hired cinematographer Iris Ng after seeing Ng’s 5 minute Super 8 short.  The most haunting clip is a real one, a video of  the actress Mom’s audition for a 60s Canadian TV show.

Make sure that you stay for the end credits – there’s one more surprise, and it’s hilarious.

DVD/Stream of the Week: Before Sunrise and Before Sunset

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Yep, this is a repeat of last week’s picks.  The year’s best romance (and one of the year’s best movies), Before Midnight, is coming to theaters on May 31. So it’s time to get ready by watching (or revisiting) its prequels, Before Sunrise and Before Sunrise. 

In 1995’s Before Sunrise, Jesse (Ethan Hawke) is an American writer in his early twenties who has been moping around Europe after a breakup.  He meets a French woman, Celine (Julie Delpy), on a train and talks her into walking around Vienna with him before his early morning flight back home.   They banter and flirt – and sparks fly.  As they connect more deeply, each begins to explore whether this can be a real relationship, more than a transitive encounter or a one night stand.

Nine years later, in Before Sunset, Jesse and Celine have another encounter, this time in Paris just before he is again scheduled to fly back to the US.  (Before Sunset is only 80 minutes long.)

In the upcoming Before Midnight, it’s been another nine years and Jesse and Celine are 41.  To avoid spoilers, I’ll just say that their journeys have reached another stage, which is played out in a Greek coastal resort.

Co-written by director Richard Linklater and with characters developed by stars Hawke and Delpy, the series is deeply affecting because the movies are unusually authentic movie romances.  All three stories are constrained by time and set in beautiful European locations.  All three are about two intelligent people who are attracted to each other and are connecting deeply.   All three stories are unencumbered by the conventions of more superficial romantic comedies; in this series, there are no goofy best friends/roommates, obnoxiously intrusive parents – and no weddings.  There are no races to the airport to keep Jesse from leaving.

Most importantly, the filmmakers let the audience figure out what happens next.  As in real life, there’s no pat happy ending, and there’s the ambiguity of yet unwritten personal history.  At the end of Before Sunrise and Before Sunset, we don’t KNOW whether they are going to get together…but they could.  And we want them to.

Both Before Sunrise and Before Sunset are available on DVD from Netflix and streaming on VOD from Amazon , iTunes, Vudu and other VOD outlets.  Before Sunrise is free with Amazon Prime.

Here’s the trailer for Before Midnight.

The Iceman: one cold dude

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Michel Shannon in THE ICEMAN

The Iceman is based on the true story of Richard Kuklinski,  a New Jersey hitman said to have killed at least 100 (and possibly more than 250) people over thirty years until 1985.  Besides his prolific trail of carnage, the most interesting aspect of The Iceman is its take on Kuklinski’s personality and its portrayal by Michael Shannon.  

Shannon’s Kuklinski deeply loves his wife and daughters – and is psychotically indifferent to the fate of any other human (even his own).  To him, killing another person is as unencumbered by morality or emotion as delivering a pizza or fixing a muffler.  His “Iceman” nickname derives from his practice of freezing his victims and dumping their bodies months later – so investigators could not fix the time of death. But “Iceman” just as aptly applies to Kuklinski’s fearlessness and utter lack of empathy.

Ever since Shotgun Stories, Michael Shannon has been one of my favorite actors.  He’s perfect for Kuklinski, because Shannon can combine impassivity and intensity like no one else. He can also use his hulking frame to enhance his menace (or, in Mud, his goofiness).

His fellow actors – including Winona Ryder, Ray Liotta and David Schwimmer –  do a fine job.  I particularly enjoyed Chris Evans as fellow hitman Mr. Freezy, who works out of his ice cream truck. Because I don’t watch superhero movies, I was unaware that Evans has recently starred as Captain America in The Avengers and as Johnny Storm in the Fantastic Four movies.

The Iceman is a solid true-life crime movie with an outstanding performance by Michael Shannon.

Movies to See Right Now

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MUD

Now you must catch up on these excellent movie choices before lesser summer movies clog the screens at the multi-plex: 

  • Mud, the gripping and thoughtful story of two Arkansas boys embarking on a secret adventure with a man hiding from the authorities – learning more than they expected about love and loyalty. Mud is also one of the best movies of 2013.
  • At Any Price is a thought-provoking psychological drama and a rare glimpse into modern corporate agriculture.
  • Another thought-provoking father-son drama is The Place Beyond the Pines with Ryan Gosling and Bradley Cooper.
  • The surefire crowd pleaser The Sapphires is a charmer about Australian Aboriginal teens forming a girl group to entertain troops in the Vietnam War.
  • The French In the House is clever, darkly funny and slightly creepy.

Other films out right now: 

  • The Reluctant Fundamentalist offers a compelling performance by Riz Ahmed and a thriller ending, but holes in the story and the miscasting of Kate Hudson dim the effect.
  • Kon-Tiki is a faithful, but underwhelming account of a true life 5,000 mile raft trip across the Pacific.

The compelling documentary The Central Park Five from Ken Burns, et al, is available streaming from Amazon Instant and other VOD providers. Football fans should tune into ESPN’s 30 for 30 for Elway to Marino, an inside look at several astonishing stories from the 1983 NFL draft.  Available on VOD, Greetings from Tim Buckley is a film for those who want to see an actor depict interior conflict with very little external action.

The Iceman, starring Michael Shannon as perhaps the most prolific real-life hit man, is opening this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

You’ve got to get ready for the May 31 release of the year’s best romance, Before Midnight.  Therefore my DVD/Stream of the Week are its prequels, Before Sunrise and Before Sunset – director Richard Linklater’s two uncommonly authentic and intelligent romances with Ethan Hawke and Julie Delpy.  Both Before Sunrise and Before Sunset are available on DVD from Netflix and streaming on VOD from Amazon , iTunes, Vudu and other VOD outlets.  Before Sunrise is free with Amazon Prime.

Tomorrow night, Turner Classic Movies will be broadcasting Billy Wilder’s deliciously cynical Ace in the Hole, starring Kirk Douglas as a reporter exploiting and then manipulating a cave rescue.  Released in 1951, it’s as timely a comment on tabloid journalism and infotainment as if it had been made last week.  (Some folks may have seen it under the alternative title The Big Carnival.)

Greetings from Tim Buckley: fascinated yet resentful

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Imogen Poots in GREETINGS FROM TIM BUCKLEY

Greetings from Tim Buckley is a fictionalization of the events around singer-songwriter Jeff Buckley’s appearance at an actual 1991 tribute concert for his father, Tim Buckley.  (The movie’s title comes from the name of the concert.)  The tribute concert was emotionally charged for Jeff Buckley because he had only met his father once before Tim’s death from a drug overdose.  Jeff was not invited to Tim’s funeral, so he accepted the gig primarily to clarify and express his feelings for the father who had abandoned him, but whose career path he was following.  The concert came as Jeff Buckley was just launching his career.  Jeff Buckley himself accidentally drowned six years after the concert at the age of 30.

In the movie, Jeff (Penn Badgley) arrives in NYC for the concert, meets his father’s admirers and musical partners, passes the time hanging out with a concert intern (Imogen Poots) and then performs.  Throughout the film, the audience observes Jeff while he is internally processing his own fascination with and resentment of his father.  Unfortunately, the final scene imagines an encounter that lets Tim off the parenting hook to some degree.

Penn Badgley (Margin Call) has gotten critical praise for his singing.  Indeed, one of the high points is when Badgley’s Jeff shows off to the girl by riffing on seemingly every album in a record store.  Badgley may not have Jeff Buckley’s freakish four octave singing range, but his pipes are pretty impressive.  I was more impressed by his characterization – it must be difficult to act miffed by one’s absent father and not lapse into whininess.  Poots, so outstanding in Solitary Man and A Late Quartet, is good here, too.

Primarily a movie for music fans, Greetings from Tim Buckley is also a film for those who want to see an actor depict interior conflict with very little external action.  Greetings from Tim Buckley is available on VOD from Amazon, iTunes, YouTube, Vudu, Google Play and other outlets.

DVD/Stream of the Week: Before Sunrise and Before Sunset

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Julie Delpy and Ethan Hawke in BEFORE SUNRISE

The year’s best romance (and one of the year’s best movies), Before Midnight, is coming to theaters on May 31. So it’s time to get ready by watching (or revisiting) its prequels, Before Sunrise and Before Sunrise. 

In 1995’s Before Sunrise, Jesse (Ethan Hawke) is an American writer in his early twenties who has been moping around Europe after a breakup.  He meets a French woman, Celine (Julie Delpy), on a train and talks her into walking around Vienna with him before his early morning flight back home.   They banter and flirt – and sparks fly.  As they connect more deeply, each begins to explore whether this can be a real relationship, more than a transtice encounter or a one night stand.

Nine years later, in Before Sunset, Jesse and Celine have another encounter, this time in Paris just before he is again scheduled to fly back to the US.  (Before Sunset is only 80 minutes long.)

In the upcoming Before Midnight, it’s been another nine years and Jesse and Celine are 41.  To avoid spoilers, I’ll just say that their journeys have reached another stage, which is played out in a Greek coastal resort.

Co-written by director Richard Linklater and with characters developed by stars Hawke and Delpy, the series is deeply affecting because the movies are unusually authentic movie romances.  All three stories are constrained by time and set in beautiful European locations.  All three are about two intelligent people who are attracted to each other and are connecting deeply.   All three stories are unencumbered by the conventions of more superficial romantic comedies; in this series, there are no goofy best friends/roommates, obnoxiously intrusive parents – and no weddings.  There are no races to the airport to keep Jesse from leaving.

Most importantly, the filmmakers let the audience figure out what happens next.  As in real life, there’s no pat happy ending, and there’s the ambiguity of yet unwritten personal history.  At the end of Before Sunrise and Before Sunset, we don’t KNOW whether they are going to get together…but they could.  And we want them to.

Both Before Sunrise and Before Sunset are available on DVD from Netflix and streaming on VOD from Amazon , iTunes, Vudu and other VOD outlets.  Before Sunrise is free with Amazon Prime.

Movies to See Right Now

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Maika Monroe and Zac Efron in AT ANY PRICE

At Any Price is a thought-provoking psychological drama and a rare glimpse into modern corporate agriculture.   The Reluctant Fundamentalist offers a compelling performance by Riz Ahmed and a thriller ending, but holes in the story and the miscasting of Kate Hudson dim the effect.  Kon-Tiki is a faithful, but underwhelming account of a true life 5,000 mile raft trip across the Pacific.  The French In the House is clever, darkly funny and slightly creepy.

The best film in theaters now is the gripping and thoughtful Mud. Two Arkansas boys embark on a secret adventure with a man hiding from the authorities, and they learn more than they expected about love and loyalty. Mud is one of the best movies of 2013.

If you see the thought-provoking drama The Place Beyond the Pines with Ryan Gosling and Bradley Cooper, you’ll still be mulling it over days later.  I guarantee that you will enjoy the absolutely winning The Sapphires, a charmer about Australian Aboriginal teens forming a girl group to entertain troops in the Vietnam War.  Don’t overlook the heartwarming British indie The Angel’s Share about a hard luck guy’s struggle to turn his life around with unexpected help from some ultra-rare Scotch whisky.

The compelling documentary The Central Park Five from Ken Burns, et al, is available streaming from Amazon Instant and other VOD providers. Football fans should tune into ESPN’s 30 for 30 for Elway to Marino, an inside look at several astonishing stories from the 1983 NFL draft.

The dreadful-looking The Great Gatsby is opening this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD/Stream of the Week is Shotgun Stories, the first triumph by Mud writer-director Jeff Nichols and the breakthrough film for actor Michael Shannon.  Shotgun Stories is available on DVD from Netflix and streaming from Netflix and iTunes.

On May 14, Turner Classic Movies will be broadcasting the 1947 film noir Kiss of Death, which introduced Richard Widmark as one of the most unforgettable screen villains – a nutty thug named Tommy Udo who chortles maniacally as he pushes an old lady in a wheelchair down the stairs to her demise.

Kon-Tiki: slow raft to Polynesia

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In 1947, Norwegian ethnologist Thor Heyerdahl and a five man Scandinavian crew constructed a Stone Age raft and floated almost 5,000 miles from Peru to French Polynesia to prove his academic theory.   Kon-Tiki tells the story of that voyage, which was a helluva challenge.

The balsa wood raft was tied together with indigenous fibers.  The crew had an intermittently operable radio, a sextant, some canned food and little other modern technology.  The raft could not be steered, so there were many nerve-wracking days when they were drifting toward a current headed the wrong way.  There were storms, sharks and all the usual hazards (except for Life of Pi’s tiger in the boat).  The crew gets more and more sunburned and their blond beards grow bushier and bushier.

It’s a good story, but not really suspenseful.  After all, Heyerdahl’s book about the expedition sold millions of copies, especially to boys of the Baby Boom generation (like me), and his documentary on the voyage won an Oscar in 1951.  So it’s not really a spoiler to acknowledge that they made it safely to their destination. 

Kon-Tiki portrays Heyerdahl as an affable but testosterone-fueled guy with unflinching (and oft misplaced) confidence that everything is going to work out for him.  As a result, he recklessly puts at risk his life and his crew’s (as well as his marriage).  It’s a mildly interesting characterization.  As they say, it’s better to be lucky than good.

So Kon-Tiki is okay. I just wish it had acknowledged and addressed this fact:  Heyerdahl was wrong.  His theory that ancient Peruvians floated west and settled Polynesia flew in the face of nearly all anthropological, linguistic and archaeological evidence.  Since the 1940s, of course, new scientific tools have been discovered, and DNA analysis now confirms that he was entirely, utterly, completely wrong.  And, because he lived until 2002, Heyerdahl had to know it or live in ridiculous denial.  So why not make a film about a guy who endures an amazing, life-risking ordeal just to find out that it was all in vain?  I think that would have made the film more memorable.

In the House: a clever movie about an addictive story

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IN THE HOUSE

In the clever French movie In the House (Dans la maison), we met a high school  literature teacher who is continually disappointed by his lackluster students.  Then a new student shows a special talent for creative writing.  Every day after school, the teacher provides extra coaching to the young writer, who starts spinning an episodic tale about his creepy infiltration of his friend’s family.  We want to know what’s gonna happen in the next installment, and the teacher becomes hooked – even obsessed.  Although the teacher is supposedly the mentor, soon the student is controlling the teacher. 

The wonderful French actor Fabrice Luchini plays the teacher.  Luchini is a master at playing socially awkward and inappropriate situations a la Seinfeld, Larry David and, of course, Woody Allen.  (In my favorite Fabrice Luchini movie Intimate Strangers, he plays a tax lawyer who can’t bring himself to tell a woman that she’s sat down in the wrong office – thinking that she’s seeing a new therapist, she’s unburdening the intimate details of her marriage.)

In the House’s cleverness is not surprising, because it is directed by Francois Ozon (Swimming Pool, 8 Women, Potiche).  Always her best in French films, Kristin Scott Thomas is very good as the teacher’s wife.

In the House is a funny and slightly creepy exploration of the creative writing process – and altogether satisfying.