movie gourmet

Movies to See Right Now

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THE KID WITH A BIKE

Okay, here we are, and I’m recommending a zombie movie and a horror film.   In the charmingly funny Warm Bodies, Rome and Juliet meets Beauty and the Beast in a zombie movie.  The pretty good horror movie Mama (with Jessica Chastain) can send chills down your spine without any slashing or splattering.  In Stand Up Guys, Al Pacino, Christopher Walken and Alan Arkin play old mobsters gearing up for one last surge of adrenaline.  Quartet is a pleasant lark of a geezer comedy with four fine performances.

The Oscar Nominated Short Films are in theaters only for another week.  Last night I saw the Live Action and Animated Shorts.  If you can see just one, I recommend the Live Action Shorts, especially Curfew.

Zero Dark Thirty, Argo, Lincoln and Silver Linings Playbook are on my list of Best Movies of 2012 and all are nominated for the Best Picture Oscar. The French language drama Amour, also nominated for Best Picture, is a brilliantly made film about the end of life – it’s also an almost unbearable viewing experience.

If, like me, you worship the spaghetti Western, the Quentin Tarantino blockbuster Django Unchained is gloriously pedal-to-the-metal, splattering exploitation. The intelligent drama Rust and Bone is the singular tale of a complicated woman and an uncomplicated man.  Ang Lee’s visually stunning fable Life of Pi is an enthralling commentary on story-telling.

Skip the unoriginal mob movie Gangster Squad, which wastes its fine cast. Also pass on the lavish but stupefying all star Les Miserables, with its multiple endings, each more miserable than the last. The FDR movie Hyde Park on Hudson is a bore. The disaster movie The Impossible is only for audiences that enjoy watching suffering adults and children in peril. I have not seen Movie 43 – it is the most critically reviled movie in a looooong time.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD of the week is my pick for the very best film of 2012, The Kid with a Bike.

Turner Classic Movies is celebrating the Oscars with its annual 31 Days of Oscars, filling its broadcast schedule with Academy Award-winning films.  Don’t overlook the overlooked film noir thriller The Narrow Margin or the WW II spy thriller The Fallen Sparrow with John Garfield and a 22-year-old Maureen O’Hara.

DVD of the Week: The Best Movie of 2012

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The Kid with a Bike is an extraordinary film that tells a riveting story of unconditional love.  It is emotionally powerful without being sentimental and is gripping without stunts and explosions.   The Kid with a Bike topped my list of Best Movies of 2012.  It’s out today on DVD – available from by Criterion Collection, no less.

A 12-year-old boy wants to find the father who dumped him at a children’s home, but meets a woman who becomes his de facto foster mom.  In the face of overwhelming evidence, the boy refuses to acknowledge the possibility that his father doesn’t want him.  He becomes angry, acts out and is poised to make life-ruining choices.  His one chance in life is the woman who is drawn to caring for him, but he could alienate her, too.

The writer-directors, the Belgian brothers Luc and Jean-Pierre Dardennes, are two of my favorite film makers (The Son, Rosetta).  Their gift is minimalistic filmmaking that addresses fundamental themes like love, loss, forgiveness and belonging.  To avoid sappiness, they set their stories in gritty industrial towns and employ vividly realistic characters.  As all their work, The Kid with a Bike is an unvarnished and utterly realistic looking film.  This helps them create a fable about absolute goodness and the saving of another human being and present it in a credible, unsentimental and immediate package.

The Dardennes are known for their success with untrained actors, and here Thomas Doret is excellent as the kid – energetic, longing and single-minded.  The Belgian-born French star Cecille De France (Hereafter, The Spanish Apartment) is wonderful as the foster mom – steadfast but unknowable.  The compelling actor Olivier Gourmet (The Son, Rosetta, Mesrine) briefly appears in a bit part.

Stand Up Guys: one more surge for three old masters

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Stand Up Guys doesn’t really have much going for it except for Al Pacino, Christopher Walken and Alan Arkin playing old mobsters, but that’s enough for a good time at the movies.  The premise is that a gangster (Pacino) is released from prison after taking a 28-year fall for his colleagues.  He is picked up by his buddy (Walken), who both men know has been ordered to execute the newly released man.  Along the way, they “rescue” their getaway driver (Arkin) from his convalescent home and have a series of adventures.  The adventures themselves don’t matter.  It’s all  really about these old men – all adrenaline junkies in their youth – getting a chance for one more surge of excitement and mastery.  Pacino’s Val gets to ask for what must be the hundredth time “Are we gonna kick ass or chew gum?”, knowing that Walken’s Doc will once again reply, “I’m all outta gum”.

Pacino, Walken and Arkin each deliver rich characterizations.  Pacino’s Val, despite his creakiness, has 28 years of pent-up energy and a determination to party before he gets whacked.  Walken’s Doc has adjusted to the pace of retirement; he’s not looking for adventure, but just to show Val a good time with sad obligation.   Arkin’s Hirsch already has a foot in the grave, but still possesses some impressive skills.  The young actress Addison Timlin brings a charisma to what could have been a generic role; she is in four more movies this year, and she’s worth watching out for.

Movies to See Right Now

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AMOUR

Try to catch the Oscar Nominated Short Films – in theaters only for this coming week.  The pretty good horror movie Mama, with Jessica Chastain, can send chills down your spine without any slashing or splattering. Quartet is a pleasant lark of a geezer comedy with four fine performances.

Zero Dark Thirty, Argo, Lincoln and Silver Linings Playbook are on my list of Best Movies of 2012 and all are nominated for the Best Picture Oscar.  The French language drama Amour, also nominated for Best Picture, is a brilliantly made film about the end of life – it’s also an almost unbearable viewing experience.

If, like me, you worship the spaghetti Western, the Quentin Tarantino blockbuster Django Unchained is gloriously pedal-to-the-metal, splattering exploitation. The intelligent drama Rust and Bone is the singular tale of a complicated woman and an uncomplicated man.

Ang Lee’s visually stunning fable Life of Pi is an enthralling commentary on story-telling. Denzel Washington stars in Flight, a thriller about the miraculous crash landing of an airliner and the even more dangerous battle against alcoholism. Skyfall updates the James Bond franchise with thrilling action and a more shopworn 007 from Daniel Craig.

Skip the unoriginal mob movie Gangster Squad, which wastes its fine cast. Also pass on the lavish but stupefying all star Les Miserables, with its multiple endings, each more miserable than the last. The FDR movie Hyde Park on Hudson is a bore. The disaster movie The Impossible is only for audiences that enjoy watching suffering adults and children in peril.  I have not seen Movie 43 –  it is the most critically reviled movie in a looooong time.

I haven’t seen the Pacino/Walken/Arkin geezer mob film Stand Up Guys or the inventive zombie movie Warm Bodies, which open this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD of the week is the deliciously pulpy neo-noir The Paperboy.

Today Turner Classic Movies begins its annual 31 Days of Oscars, celebrating the Oscars by filling its broadcast schedule with Academy Award-winning films.

the Oscar-nominated shorts

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GOD OF LOVE

The short films nominated for this year’s Oscars are opening in theaters this weekend for a one-week run as Oscar Nominated Short Films: Animated and Live Action. All five animated shorts are shown in one bundle and all five live action shorts in another bundle. Each bundle is about the length of a regular 90-minute movie. I usually see them as a double feature on a week night.  (Some theaters are also showing a bundle of the Oscar-nominated documentaries.)

The great thing about sampling the shorts is that, even if one short film isn’t your cup of tea, another one is coming along in 15 minutes and  you might like it a lot more.  I’ve never forgotten the touching and funny God of Love, which earned the 2011 Oscar for Best Live Action Short Film.  God of Love won that year’s Oscar over Na Wewe, one of the best films about violence in Africa that I’ve seen.  Similar discoveries could be waiting for you this week.

Here’s the Kicker now available on DVD

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Good news. The indie comedy Here’s the Kicker, which I labeled the biggest surprise at San Jose’s Cinequest film festival last year, is now out on DVD.

Please go to the movie’s Netflix page and click SAVE – once it gets enough SAVES, it will become available on Netflix.

It’s hard to write comedy.  Otherwise, we’d be seeing lots of good comedies.  That’s why it’s worth tagging along on the uproarious road trip in Here’s the Kicker.

DVD of the Week: The Paperboy

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Set in 1969 Florida, The Paperboy is a coming of age film nestled within a deliciously pulpy crime drama.  The story is centered around an overlooked younger son (talented up-and-comer Zac Efron) who is thrilled when his older brother (Matthew McConaughey) returns to their swampy backwater after making it in the big time of Miami.  The older brother is an investigative reporter who seeks the truth about a sensational death row case.

The strength of the film is in the supporting characters.  David Oyelowo plays the older brother’s cynical and self-absorbed partner.  John Cusack’s death row inmate is utterly animalistic, a real departure for Cusack.  Nicole Kidman plays the convict’s pen pal fiance; the younger brother falls for her, but she’s apparently screwing everyone except him.

But the surprise performance in The Paperboy is by recording artist Macy Gray, who plays the family domestic.  With complete authenticity, Gray is playful, hurt, dignified, angry, funny, tough, cagy and vulnerable and, as the narrator, she keeps the movie together.  It’s a really superb performance, and I look forward to seeing Gray in more high profile parts.

This is director Lee Daniels’ follow up to his heart rending Precious.  Once again, his  character driven story-telling is first rate.  The Paperboy is dark, violent, sexy and gripping with vivid characters.

Watch for Kidman’s particularly alarming treatment for jellyfish stings.

Movies to See Right Now

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Jessica Chastain in MAMA

The pretty good horror movie Mama, with Jessica Chastain, can send chills down your spine without any slashing or splattering.  Quartet, which opens this weekend, is a pleasant lark of a geezer comedy with four fine performances.

Zero Dark Thirty, Argo, Lincoln and Silver Linings Playbook are on my list of Best Movies of 2012 and all are nominated for the Best Picture Oscar.

The French language drama Amour, also nominated for Best Picture, is a brilliantly made film about the end of life. It’s a lead pipe cinch to win the Best Foreign Language Oscar. It’s also an almost unbearable viewing experience.

If, like me, you worship the spaghetti Western, the Quentin Tarantino blockbuster Django Unchained is gloriously pedal-to-the-metal, splattering exploitation. The intelligent drama Rust and Bone is the singular tale of a complicated woman and an uncomplicated man.

Ang Lee’s visually stunning fable Life of Pi is an enthralling commentary on story-telling. Denzel Washington stars in Flight, a thriller about the miraculous crash landing of an airliner and the even more dangerous battle against alcoholism. Skyfall updates the James Bond franchise with thrilling action and a more shopworn 007 from Daniel Craig.

Skip the unoriginal mob movie Gangster Squad, which wastes its fine cast. Also pass on the lavish but stupefying all star Les Miserables, with its multiple endings, each more miserable than the last. The FDR movie Hyde Park on Hudson is a bore. The disaster movie The Impossible is only for audiences that enjoy watching suffering adults and children in peril.

I haven’t yet seen the raunchy all-star comedy Movie 43, which opens today.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD of the week is the gripping cop thriller End of Watch.

Quartet: geezers at the top of their game

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Quartet, an ensemble geezer comedy, is really an excuse for four brilliant actors (Maggie Smith, Billy Connolly, Tom Courtenay, Pauline Collins) to show their chops.  It’s set in a retirement home for retired musicians.  The residents are preparing for an annual benefit performance, and the long-estranged ex-wife of a resident is moving in.

The most interesting character is the one played by Pauline Collins – a vivacious woman who may have always been ditzy and now has very little short-term memory. In 1996, Collins won a Tony and was nominated for an Oscar for the title role in Shirley Valentine.

Tom Courtenay plays a man still devastated by a bad breakup decades before.  There’s a wonderful scene in which he explains opera to a class of working class teens by comparing it to rap.  Courtenay is best known for The Loneliness of the Long Distance Runner (1962), Dr. Zhivago (1965), The Dresser (1983), but was excellent more recently in the overlooked Last Orders (2001).

Maggie Smith and Billy Connolly are very good in familiar roles.  The irrepressible Connolly is very funny as a particularly randy old gentleman.  Smith’s character is in her sweet spot – not unlike the sharp-edged but increasingly vulnerable gals she played in Gosford Park, Downton Abbey and The Best Exotic Marigold Hotel.  The actors playing the other residents are delightful, including a passel of opera stars from the 70s and 80s, Sinatra’s European trumpet player and more.

This is the first movie directed by Dustin Hoffman, and he did an able job.  He takes advantage of the beautiful pastoral location, paces the film well and, as one would expect, enables the actors to turn in very fine performances.  Quartet is just a lark, but not a bad way to spend an hour and a half.

Mama: delivering the scares without splatter

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The pretty good horror movie Mama, with Jessica Chastain, can send chills down your spine without any slashing or splattering.  It’s the story of two orphaned little girls who have survived in the forest for four years.  When they are rescued, they are feral creatures who scurry about on four legs.  They are sheltered at first in a research institute, and then in their uncle’s home.  It turns out that, unbeknownst to the adult characters, the sisters were “parented” in the forest by a being who comes along with them.

Jessica Chastain brings an unexpectedly rich characterization to this genre film.  She plays the uncle’s girlfriend, the tattooed bass player in a rock band, who didn’t sign up to parent two deeply troubled kids.  She is apologetically non-maternal, but forced by circumstance to co-parent and then to single parent the girls.  Ultimately, she has a face-off with a very jealous and very scary competitor.

The entire cast is excellent, especially Megan Charpentier as the older daughter and Daniel Kash as the ambitious scientist.   Nikolaj Coster-Waldau, the scary bad guy in Headhunters, plays softer as both the girls’ decompensating dad and their compassionate uncle.

I’m generally not a fan of horror films and I especially loathe the gorefests that currently dominate the genre.  But the Mama delivers the scares the old-fashioned way, with inventive characters, a sense of foreboding and a creepy and dangerous villain.