movie gourmet

Movies to See Right Now

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Elisha Cook Jr. finds out that Humphrey Bogart is on to him in the 1941 version of THE MALTESE FALCON

There are two Must See movies in theaters this weekend:

  • Before Midnight, the year’s best romance continuing the story of Ethan Hawke’s Jesse and Julie Delpy’s Celine from Before Sunrise and Before Sunset.
  • Stories We Tell, Sarah Polley’s brilliant documentary about discovering her family’s secrets; unfortunately, Stories We Tell is going to be hard to find in theaters this week, but well worth the trouble.

Both films are on my Best Movies of 2013 – So Far .

The absorbing and thought-provoking eco-terrorism thriller The East is also opening today.

The other best bets in theaters include:

  • The Iceman is a solid true-life crime movie with an outstanding performance by Michael Shannon.
  • Mud, the gripping and thoughtful story of two Arkansas boys embarking on a secret adventure with a man hiding from the authorities – learning more than they expected about love and loyalty. Mud is also one of the best movies of 2013.

Also out right now:

  • HBO’s Behind the Candelabra is familar territory but entertaining, with Michael Douglas’ all-out re-creation of Liberace.
  • Kon-Tiki is a faithful, but underwhelming account of a true life 5,000 mile raft trip across the Pacific.
  • Don’t bother with Baz Luhrman’s flashy, hollow and lame The Great Gatsby.  Re-read the Fitzgerald novel instead – it’s only 192 pages.

The compelling documentary The Central Park Five from Ken Burns, et al, is available streaming from Amazon Instant and other VOD providers. Also available on VOD, Greetings from Tim Buckley is a film for those who want to see an actor depict interior conflict with very little external action. PBS is broadcasting the unexpectedly beautiful documentary Detropia, about the city of Detroit’s collapse and decay.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD/Stream of the Week is the mobster showcase for Al Pacino, Christopher Walken and Alan Arkin, Stand Up Guys.  Stand Up Guys is available on DVD from Netflix and Redbox and streaming from Vudu, Amazon and several other VOD outlets.

Tonight Turner Classic Movies kicks off its June film noir festival with guest host Eddie Muller (the Czar of Noir) presenting films from the novels of Dashiell Hammett: the 1931 and more famous 1941 versions of The Maltese Falcon, plus the 1936 version (Satan Met a Lady) and The Glass Key.

On June 11, TCM features two of the nastiest noirs:  Detour and The Hitchhiker.

Also, on June 9, TCM is broadcasting the award winning Crumb, the 1994 documentary about counterculture cartoonist Robert Crumb and his bizarrely dysfunctional family.

The East: how do we punish corporate crime?

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Brit Marling in THE EAST

{Note: I’m reposting this because The East’s wider release was delayed until this weekend – and it’s one of very few good new movies.)

The East, coming out on Friday, is a smart and gripping thriller that explores both our response to corporate criminality and the unfamiliar world of anarchist collectives. Brit Marling plays a brilliant up-and-comer in an industrial security firm who goes undercover to hunt down and infiltrate a band of eco-terrorists named The East.

The East seeks to brings deadly personal accountability to corporate leaders who injure people and the environment. These aren’t Hollywoodized corporate villains – all of the corporate crimes depicted in the movie have occurred in real life. Lesser filmmakers would have made The East into a revenge fantasy with a Robin Hood-like merry band of earnest kids – or a conventional espionage procedural, hunting down a gang of wild-eyed terrorists.

The East is so good because it explores our helplessness in the face of corporate malfeasance. The corporate targets deserve to be held accountable, and their crimes cry out for punishment. Yet the vigilante violence of The East is clearly unacceptable. No self-selected group of avengers – no matter how legitimate their grievance – should be able to inflict extra-legal violence. (If you don’t think so, just substitute white supremacist militia, fundamentalist Mormons or Chechen immigrants for the hippies in this movie.)

We view this dilemma through the perspective of Marling’s protagonist, whose own views evolve through the course of the story. Marling co-wrote the screenplay with director Zal Batmanglij. Marling and Batmanglij spent over three months in an anarchist collective, living a cash-free life off the grid; that experience has paid off with an unusual authenticity in the depiction of the anarchist lifestyle.

Marling and Batmanglij also co-wrote the indie The Sound of My Voice, and Marling wrote and starred in last year’s sci-fi hit Another Earth. Here, they have created a set of original characters and invented some really ingenious plot points, especially a very powerful initiation dinner and an astounding bit of tradecraft involving dental floss.

Besides Marling, Ellen Page is especially good as one of the eco-terrorists. Julia Ormond is brilliant in a tiny part as a business executive. There are other fine performances by Patricia Clarkson as Marling’s nasty boss and by Alexander Skarsgaard and Toby Kebell as anarchists.

There may be some holes in the plot, but The East is such a tautly crafted thriller, that we don’t have time to notice. There is one unfortunately corny scene between Ellen Page’s character and Jamey Sheridan’s (he’s become the Go To Guy for entitled white male scumbags). But those are quibbles – The East is a very strong film.

TCM’s June feast of noir

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Humphrey Bogart in THE MALTESE FALCON (1941)

It’s more than a film fest, it’s a feast of film noir.

This June, Turner Classic Movies’ Friday Night Spotlight will focus on Noir Writers.  The guest programmer and host will be San Francisco’s Eddie Muller, founder and president of the Film Noir Foundation.  The Foundation preserves movies from the traditional noir period that would otherwise be lost.  It also sponsors Noir City, an annual festival of film noir in San Francisco, which often plays newly restored films and movies not available on DVD.  (My favorite part is Noir City’s Thursday evening Bad Girl Night featuring its most memorable femmes fatale.)

Muller (the Czar of Noir) has selected films from the work of noir novelists.  Friday night, he kicks off with films from the novels of Dashiell Hammett: the 1931 and more famous 1941 versions of The Maltese Falcon, plus the 1936 version (Satan Met a Lady) and After the Thin Man and The Glass Key.  (Muller informs us that Hammett pronounced his first name da-SHEEL.)

On June 14, Muller continues with the work of David Goodis, The Burglar, The Burglars, The Unfaithful, Shoot the Piano Player and Nightfall.  (You may have seen Goodis’ Dark Passage with Bogie and Bacall.)

On June 21, we’ll see films from the novels of Jonathan Latimer (Nocturne, They Won’t Believe Me) and James M. Cain (Double Indemnity, The Postman Always Rings Twice).

TCM and the Czar of Noir wrap up on June 28 with movies from the novels of Cornell Woolrich (The Leopard Man, Deadline at Dawn) and Raymond Chandler (Murder My Sweet, The Big Sleep, Lady in the Lake, Strangers on a Train).

These two movies aren’t part of the Friday night series, but on June 11, TCM features two of the nastiest noirs:  Detour and The Hitchhiker.

Set your DVR and settle in for dramatic shadows, sarcastic banter and guys in fedoras making big mistakes for love, lust and avarice.

Anne Bancroft and Aldo Ray in NIGHTFALL

DVD of the Week: Stand Up Guys

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Stand Up Guys doesn’t really have much going for it except for Al Pacino, Christopher Walken and Alan Arkin playing old mobsters, but that’s enough for a good time at the movies.  The premise is that a gangster (Pacino) is released from prison after taking a 28-year fall for his colleagues.  He is picked up by his buddy (Walken), who both men know has been ordered to execute the newly released man.  Along the way, they “rescue” their getaway driver (Arkin) from his convalescent home and have a series of adventures.  The adventures themselves don’t matter.  It’s all  really about these old men – all adrenaline junkies in their youth – getting a chance for one more surge of excitement and mastery.  Pacino’s Val gets to ask for what must be the hundredth time “Are we gonna kick ass or chew gum?”, knowing that Walken’s Doc will once again reply, “I’m all outta gum”.

Pacino, Walken and Arkin each deliver rich characterizations.  Pacino’s Val, despite his creakiness, has 28 years of pent-up energy and a determination to party before he gets whacked.  Walken’s Doc has adjusted to the pace of retirement; he’s not looking for adventure, but just to show Val a good time with sad obligation.   Arkin’s Hirsch already has a foot in the grave, but still possesses some impressive skills.  The young actress Addison Timlin brings a charisma to what could have been a generic role; she is in four more movies this year, and she’s worth watching out for.

Stand Up Guys is available on DVD from Netflix and Redbox and streaming from Vudu, Amazon and several other VOD outlets.

Movies to See Right Now

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BEFORE MIDNIGHT

There are two Must See movies this weekend:

  • Before Midnight, the year’s best romance continuing the story of Ethan Hawke’s Jesse and Julie Delpy’s Celine from Before Sunrise and Before Sunset.
  • Stories We Tell, Sarah Polley’s brilliant documentary about discovering her family’s secrets.

Both films are on my Best Movies of 2013 – So Far .

The absorbing and thought-provoking eco-terrorism thriller The East is also supposed to be opening today (but I can’t find a theater playing locally).

The other best bets in theaters include:

  • The Iceman is a solid true-life crime movie with an outstanding performance by Michael Shannon.
  • Mud, the gripping and thoughtful story of two Arkansas boys embarking on a secret adventure with a man hiding from the authorities – learning more than they expected about love and loyalty. Mud is also one of the best movies of 2013.

Also out right now:

  • HBO’s Behind the Candelabra is familar territory but entertaining, with Michael Douglas’ all-out re-creation of Liberace.
  • Kon-Tiki is a faithful, but underwhelming account of a true life 5,000 mile raft trip across the Pacific.

The compelling documentary The Central Park Five from Ken Burns, et al, is available streaming from Amazon Instant and other VOD providers. Also available on VOD, Greetings from Tim Buckley is a film for those who want to see an actor depict interior conflict with very little external action.  PBS is broadcasting the unexpectedly beautiful documentary Detropia, about the city of Detroit’s collapse and decay.

I haven’t yet seen the indie Kings of Summer, reputed to be this year’s Moonrise Kingdom, which opens this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD/Stream of the Week is the psychological thriller Side Effects.  Side Effects is available on DVD from Netflix and streaming from Vudu,YouTube and GooglePlay.

Before Midnight: the best romance in nine years

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BEFORE MIDNIGHT

In 1995’s Before Sunrise, Jesse (Ethan Hawke) is an American writer in his early twenties who meets a French woman, Celine (Julie Delpy), on a train and talks her into walking around Vienna with him before his early morning flight back home.   They banter and flirt, sparks fly and they agree to meet in six months.  We find out what happened nine years later when they encounter each other again in Paris in Before Sunset.  Now, in Before Midnight, it’s been another nine years and Jesse and Celine are 41.  Their journeys have reached another stage, and we meet them in a Greek coastal resort.

In the first two movies, we were rooting for them to get together, but didn’t know whether it would happen.  Now we know – they are a couple.  The arcs of their careers have intersected, they face the roles of parent and step-parent and their attraction and feelings for each other have matured.   As do all couples, they must negotiate each other’s expectations, desires, temperaments and quirks – with a combination of deliberation, accommodation, manipulation and argument.

All three movies in the series are deeply affecting because they are unusually authentic movie romances.  The tension in the first two movies is what will happen when they fall in love.  The tension in Before Midnight is whether – and how – they will stay in love.  Jesse and Celine are perfect for each other – but is that enough?

Before Midnight is co-written by director Richard Linklater and stars Hawke and Delpy.  Once again, we have a movie romance without the tired conventions of more superficial romantic comedies; in this series, there are no goofy best friends/roommates, obnoxiously intrusive parents – and no weddings.  Instead, we have two attractive, intelligent and very verbal people who are very funny, and have potentially conflicting needs.

The series, which develops the same characters over eighteen years, is a very impressive work and Before Midnight is the year’s best romance (and one of the year’s best movies).

The East: how do we punish corporate crimes?

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Brit Marling in THE EAST

The East, coming out on Friday, is a smart and gripping thriller that explores both our response to corporate criminality and the unfamiliar world of anarchist collectives.  Brit Marling plays a brilliant up-and-comer in an industrial security firm who goes undercover to hunt down and infiltrate a band of eco-terrorists named The East.

The East seeks to brings deadly personal accountability to corporate leaders who injure people and the environment.  These aren’t Hollywoodized corporate villains –  all of the corporate crimes depicted in the movie have occurred in real life.  Lesser filmmakers would have made The East into a revenge fantasy with a Robin Hood-like merry band of earnest kids – or a conventional espionage procedural, hunting down a gang of wild-eyed terrorists.

The East is so good because it explores our helplessness in the face of corporate malfeasance.   The corporate targets deserve to be held accountable, and their crimes cry out for punishment.   Yet the vigilante violence of The East is clearly unacceptable.  No self-selected group of avengers – no matter how legitimate their grievance – should be able to inflict extra-legal violence.  (If you don’t think so, just substitute white supremacist militia, fundamentalist Mormons or Chechen immigrants for the hippies in this movie.)

We view this dilemma through the perspective of Marling’s protagonist, whose own views evolve through the course of the story.  Marling co-wrote the screenplay with director Zal Batmanglij.  Marling and Batmanglij spent over three months in an anarchist collective, living a cash-free life off the grid;  that experience has paid off with an unusual authenticity in the depiction of the anarchist lifestyle.

Marling and Batmanglij also co-wrote the indie The Sound of My Voice, and Marling wrote and starred in last year’s sci-fi hit Another Earth.  Here, they have created a set of original characters and invented some really ingenious plot points, especially a very powerful initiation dinner and an astounding bit of tradecraft involving dental floss.  

Besides Marling, Ellen Page is especially good as one of the eco-terrorists.  Julia Ormond is brilliant in a tiny part as a business executive.  There are other fine performances by Patricia Clarkson as Marling’s nasty boss and by Alexander Skarsgaard and Toby Kebell as anarchists.

There may be some holes in the plot, but The East is such a tautly crafted thriller, that we don’t have time to notice. There is one unfortunately corny scene between Ellen Page’s character and Jamey Sheridan’s (he’s become the Go To Guy for entitled white male scumbags). But those are quibbles – The East is a very strong film.

Behind the Candelabra: when sugar daddy is a queen

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BEHIND THE CANDELABRA

HBO’s Behind the Candelabra is the well-worn story of a rich older guy and his pretty young thing – except the rich older guy is Liberace.  Michael Douglas (of all people) completely inhabits the character of Liberace, nailing his every mannerism of speech and gesture and delving deeply into his ego, neediness, self-absorption and genius for showmanship.  Matt Damon (of all people) enthusiastically and skillfully plays Scott Thorson, Liberace’s boy toy of the late 1970s.

We have all seen the arc of this story before, with the relationship doomed by the power imbalance between the lovers.   Of course, this is the story of a celebrity who was tightly closeted while he was intentionally projecting the persona of a flaming queen.  And because Liberace was the Emperor of Excess, we don’t get often a chance to witness such extravagance (except for historical movies about Louis’ Versailles, Cleopatra’s Egypt, etc.).

Steven Soderbergh directed Behind the Candelabra in the smart and economical way he uses to elevate genre films like Side Effects, Haywire and Magic Mike.  Rob Lowe is hilarious as a 70s Dr. Feelgood plastic surgeon to the stars.

There’s not that much to Behind the Candelabra, but it is entertaining.  If you were missing Liberace, Michael Douglas definitely brings him back to life. 

DVD/Stream of the Week: Side Effects

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Jude Law in SIDE EFFECTS

Side Effects is a psychological thriller that keeps thriller-lovers on the their toes by constantly changing its focus.  First one character is on the verge of falling apart, then another and then another.  Initially, we think that the story is about mental illness and prescription psych meds, but then it evolves into something else quite different.   The plot might have seemed implausible in the hands of a lesser director, but Steven Soderbergh pulls it off with panache.

Soderbergh got superb performances by his leads: Jude Law, Rooney Mara and Catherine Zeta-Jones.  Mara, so striking in The Social Network and The Girl with the Dragon Tattoo, serves notice that she is a perfect fit for psychological dramas; she can turn  apparent fragility and unknowability into menace like few other film actresses.  And few actors can take a character from charming confidence to a desperate meltdown like Law does here.  Zeta-Jones shows that she play a frigid mistress of the universe who is passionate and needy underneath.  The supporting players are all perfectly cast.

The insistent music by Thomas Newman, while never obvious, is an integral part of the suspense.  Soderbergh, a master who has repeatedly elevated genre films, has another winner in Side Effects.

Side Effects is available on DVD from Netflix and streaming from Vudu,YouTube and GooglePlay.

Detropia: urban plight

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DETROPIA

Detropia, the absorbing documentary about the plight of contemporary Detroit, will be broadcast on PBS’s Independent Lens beginning May 27.  Detropia tells a compelling story in an unexpected and effective way.

Before watching the film, I knew that Detroit has lost half of its population and was not surprised to learn of its 30-50% unemployment.  But I didn’t expect the blocks and blocks of abandoned homes and businesses and the streets with no traffic.  Detropia’s Detroit looks like New Orleans after Katrina or San Francisco after the 1906 earthquake.  Essentially, there’s been an economic tsunami here.  I was astonished to see city leaders seriously considering the demolition of large parts of the city and the relocation of residents into more efficient and more cohesive concentrated neighborhoods.

How did this happen?  And what can be done?  There’s no agenda by the filmmakers – other than keen-eyed observation.  The filmmakers give a voice to three sets of local witnesses who tell the city’s story.  And there’s an interesting and unexpected choice to feature the city’s opera.

Most surprising, despite being a movie about urban decay, Detropia is still a visually arresting and often colorful and beautiful film.  And, despite the hopelessness of Detroit’s situation, the perspective of the local witnesses keeps Detropia from becoming depressing.

The filmmakers, Heidi Ewing and Rachel Grady (Jesus Camp, 12th & Delaware), deserve recognition for making Detropia so compelling without it becoming a screed.  Indeed, Detropia is a Sundance award winner.