THE GO-GO’S: five women doing what men do

THE GO-GO’s. Photo courtesy of Showtime.

The infectious We Got the Beat by the Go-Go’s is fun itself, distilled into a song. The documentary The Go-Go’s tells the story of the all-female band.

There is a familiar arc to every documentary about a rock band. Scrappy and hungry musicians perform the music they love in obscurity, before being suddenly thrust into worldwide fame and more cash than they could have imagined. Then the bubble is burst by some combination of drug abuse, internal jealousy, creative differences, personality conflicts and fights over money. Usually the survivors look back with pride in the music, nostalgia about the good times and regrets that they didn’t handle it all with more maturity.

The Go-Go’s fits in that framework, to be sure, but it’s about women. The Go-Go’s have been the only all-female band to write their own music and play their own instruments ever to have a number one Billboard record. They achieved that in 1982, and it hasn’t been duplicated since.

All five Go-Go’s thankfully have survived and each shares her experiences in The Go-Go’s. They are an open, engaging and likeable lot.

There’s a tidbit about the gentlemanly class shown by The Police. And we learn why none of the Go-Go’s is proud of their appearance on Saturday Night Live.

This is a modest film about a singular moment in popular music. The Go-Go’s is available on Showtime.

Movies to See Right Now

Alan Parker’s THE COMMITMENTS

This week: The most eclectic watch-at-home recommendations you’ll find ANYWHERE, two remembrances and a wonderful essay on drive-ins.

That most literary of critics, the Bay Area’s own Richard von Busack, writes on the Golden Age and the COVID Era resurgence of drive-in movie theaters in SF Weekly: At the Drive-In: A Remembrance. This is a MUST READ.

REMEMBRANCES

Alan Parker had a gift for directing modern musicals (Bugsy Malone, Fame, Pink Floyd’s The Wall, Evita) but he was Oscar-nominated for two harrowing dramas, Midnight Express and Mississippi Burning. He also directed the deliciously trashy Angel Heart. My favorite Alan Parker film is the ever-delightful The Commitments.

Wilford Brimley in THE CHINA SYNDROME

Actor Wilford Brimley started out in life as a real cowboy. At age 45, he broke through as an actor playing Jack Lemmon’s loyal assistant engineer in The China Syndrome. More good curmudgeon performances followed on TV and in movies (Cocoon, Absence of Malice). Ironically, this fine actor is most well-known for a Quaker Oatmeal commercial.

ON VIDEO

Natalia Dyer in YES, GOD, YES

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

Ben Gazzara and Timothy Carey in CONVICTS 4

On August 11, Turner Classic Movies is airing the very idiosyncratic Convicts 4, the true-life tail of one convict, played by Ben Gazzara, who develops into a fine artist while in prison. There’s a particularly unforgettable supporting turn by one of my favorite movie psychos, Timothy Carey, here in one of his most eccentrically self-conscious performances. The rich cast includes Stuart Whitman, Vincent Price, Rod Steiger, Jack Albertson, Ray Walton, Brodrick Crawford and Sammy Davis Jr.