The 11th Green – The Movie Gourmet

Danny Trejo in INMATE #1: THE RISE OF DANNY TREJO

This week – the year’s most original film, plus a Feel Good about the lovable Danny Trejo and two great surfing documentaries.

ON VIDEO

The 11th Green: You won’t find a more original movie this year than Christopher Munch’s absorbing exploration of extraterrestrial visits to Earth. There are no Little Green Men, but wait until Ike and Obama talk to each other in another dimension! You can buy a virtual ticket for The 11th Green – and support the Roxie Theater – at Theatrical-At-Home.

Inmate #1: The Rise of Danny Trejo: a satisfying documentary on Danny Trejo’s extraordinarily redemptive life: from junkie/vicious thug/inmate to lovable/drug counselor/movie star. We can’t get too much redemption these days, so stream Inmate #1: The Rise of Danny Trejo from Amazon, Vudu, TouTube and Google Play.

Step into Liquid and Riding Giants: Get stoked with the two most bitchin’ surfing documentaries. Both can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

The Truth: Reconciling your truth with another’s.
John Lewis: Double Trouble: an icon continues.
Driveways: I can’t think of a more authentic movie about intergenerational relationships than this charming, character-driven indie.
The Lovebirds: A rom com with a playful plot and a truthful relationship.
Da 5 Bloods: reflections on the Vietnam War and on the Black experience in America and a great Delroy Lindo (but it’s too long).
Ella Fitzgerald: Just One of Those Things: A Must See for jazz fans.
Yourself and Yours: The absurdism of Luis Buñuel meets the social awkwardness of Seinfeld.
Electrick Children: magical Mormon runaways in Vegas.
King in the Wilderness: an icon, floundering.
The Bandit: A Hollywood buddy documentary that features some amazing movie stunts.
Wind River: “This isn’t the land of backup, Jane. This is the land of you’re on your own.”
Unfriended: Teenagers find horror on their own webcams.
Touching the Void: the gripping true life story of a mountaineer who had to cut his climbing partner’s rope.
Searching: A ticking clock thriller that captures the Silicon Valley vibe.
The T.A.M.I. Show: The first concert film, featuring eight future Rock and Roll Hall of Famers.
Cold Case Hammarskjöld: An investigatory documentary that sends-up the genre.
Spaceship Earth: A visionary scientific experiment, unraveled from human foibles.
Very Semi-Serious: glorious The New Yorker cartoons.
The Whistlers: a shady cop and a mysterious woman walk a tightrope of treachery.
The Wild Goose Lake: vivid nights in the Chinese underworld.
Radio Dreams: stranger in a strange and funny land.

ON TV

Kirk Douglas and Woody Strode in SPARTACUS

Tune in to Turner Classic Movies on July 20, for one of cinema’s great spectacles, Spartacus. If you haven’t watched Spartacus in a while, you probably remember it for Kirk Douglas’ macho tour de force, the ever stunning Jean Simmons and the sexual cat-and-mouse between Laurence Olivier and the Bronx-accented slaveboy Tony Curtis. But you might have forgotten the strength of the supporting performances by Peter Ustinov, Charles Laughton and – my favorite – Woody Strode. And watching the recent Trumbo, I was reminded that indie producer Kirk Douglas awarded the blacklisted Dalton Trumbo the screenwriting credit that others had denied him; his decision helped to end the Hollywood blacklist (and also it really helped that Spartacus was a massive financial success).

Writer-director Christopher Munch notes that it’s difficult to have a serious discussion of extra-terrestrial visitors to Earth; he notes that talk of UFOs brings giggles and that “gatekeepers in the media” avoid the subject, fearing that they won’t seem smart anymore. That’s the territory he plumbs in The 11th Green. There are no lovable ETs or terrifying space monsters or flying saucers in The 11th Green, just a life-and-death conspiracy of secrets.

Suppose there is intelligent life elsewhere in the universe. Now it’s not much of a leap that such intelligent life would have visited Earth. If THAT has happened, then maybe humans have noticed the visitors – or maybe even humans have been contacted by the visitors.

The 11th Green starts with the premise that extraterrestrials visited and made contact in the 1950s, but the leadership of that American generation, having experienced Orson Welles’ War of the Worlds, has suppressed the news until the public can be prepared not to panic. The conspiracy of secrecy has survived to this day.

Our protagonist, Jeremy Rudd (Campbell Scott), is a DC-based science journalist. He has been estranged from his father, an Air Force General retired from the national security elite. When his father dies, Jeremy travels to his father’s home in Palm Desert, California, to handle the estate. There, he goes through his father’s stuff and meets his father’s peers, including a fascist general, an oleaginous spook and his dad’s nubile assistant.

As Jeremy unpeels the onion of his father’s career, he uncovers the story of the Millennium. And here’s where Munch launches his trademark Magical Realism. Weird shit starts happening – but all with its own internally consistent logic.

Ike and Mamie Eisenhower show up as characters in The 11th Green, along with a retired President Barack Obama and post-war Defense Secretary James Forrestal. (Jeremy’s father had been living in the former winter retirement home of President Eisenhower on the 11th green). You need to suspend disbelief here – do it.

I loved Christopher Munch’s previous film, Letters from the Big Man, a work of uncommon beauty. Munch’s magical realism worked there because he presented it absolutely straight, as if having a lovelorn Sasquatch in the forest setting was as normal as a squirrel. Sadly, Letters from the Big Man is currently difficult to find.

The cerebral and reserved Campbell Scott is perfectly cast as the offbeat, but always contained, brainiac Jeremy. Religiously scientific, Jeremy always follows the data, even when the data takes him to what others would find unbelievable. More than a little OCD, he makes the emergency trip from DC to Palm Desert – on a train!

I am resistant to science fiction generally, But I went with the story, and found The 11th Green to be absorbing and satisfying – and another completely original work from Christopher Munch. You can buy a virtual ticket for The 11th Green – and support the Roxie Theater – at Theatrical-At-Home.

Movies to See Right Now (still at home)

THE 11TH GREEN: a thinking person’s conspiracy