2024 FAREWELLS: behind the camera

Roger Corman

The prolific low-budget producer Roger Corman has died at 98, leaving behind a legacy far greater than the 491 titles that he produced. Corman’s great gift to us all is his mentorship of young and talented filmmakers.  Filmmakers who got their first assignment from Corman (called “the Corman Film School”) include Oscar winning directors James Cameron, Francis Ford Coppola, Jonathan Demme, Curtis Hanson, Ron Howard and Martin Scorsese.  Not to mention cult directors Paul Bartels and Monte Hellman. And Chinatown screenwriter Robert Townsend. And movie star Jack Nicholson In the 70s, Corman combined making lowbrow American movies with distributing highbrow foreign films, including  Bergman’s Cries and Whispers, Fellini’s Amarcord, Kurosawa’s Dersu Uzawa and Schlondorff’s The Tin Drum.  In one decade, he distributed more Best Foreign Film Oscar winners than all the Hollywood studios combined.

Robert Towne is best known, justifiably, for his Oscar-winning screenplay for Chinatown, one of my Greatest Movies of All Time; but director Roman Polanski perfected the script by changing the ending over Towne’s objections.  However, Chinatown was only one of a string of brilliant screenplays penned by Towne between 1973 and 1982 – The Last Detail, The Yakuza, Shampoo and Personal Best. Starting in 1967, Towne was also the uncredited script doctor who polished Bonnie and Clyde, McCabe and Mrs. Miller, The Godfather and Heaven Can Wait.

Casting director and producer Fred Roos enhanced the films of Francis Ford Coppola and George Lucas by advocating for then unknown actors like Al Pacino, Harrison Ford, Tom Cruise, Carrie Fisher, Richard Dreyfuss, Rob Lowe, Cindy Williams, Patrick Swayze, Matt Dillon and Mackenzie Phillips.

In his second act, Marshall Brickman co-wrote Woody Allen’s two masterpieces: Annie Hall and Manhattan. Brickman had success before (creating Johnny Carson’s Carnac the Magnificent and co-writing The Muppets) and after (creating the Broadway shows Jersey Boys and The Addams Family).

Documentarian Morgan Spurlock broke through with his McDonalds exposé Super Size Me.

Eleanor Coppola was the wife of director Francis Ford Coppola and the mother of director Sophia Coppola. Eleanor Coppola herself directed perhaps the best ever documentary film about the making of a movie, Hearts of Darkness: A Filmmaker’s Apocalypse.

Congrats, Roger Corman!

This week’s DVD release of Roger Corman’s Sci Fi Classics is my occasion for celebrating the prolific low-budget producer Roger Corman.  So far, Corman has produced 395 titles –  mostly shameless and delicious exploitation movies for the teen market.  In one four-year period, he produced The Student Nurses, Private Duty Nurses, Night Call Nurses and Candy Stripe Nurses – and 21 other movies!

Corman’s great gift to us all is his mentorship of young and talented filmmakers.  Filmmakers who got their first assignment from Corman (called “the Corman Film School”) include Oscar winning directors James Cameron, Francis Ford Coppola, Jonathan Demme, Curtis Hanson, Ron Howard and Martin Scorsese.  Not to mention cult directors Paul Bartels and Monte Hellman (Corman produced Hellman’s Warren Oates classic Cockfighter).  And Chinatown screenwriter Robert Townsend.

Jack Nicholson first got some attention playing the masochistic dental patient in Corman’s 1960 Little Shop of Horrors.  Nicholson showed up again in Corman’s 1967 The Wild Angels (biker gangs), 1967 The Shooting (trippy Western) and 1967’s LSD flick The Trip (more on that tomorrow).

Probably the best movie that Corman has produced was St. Jack (1976), directed by Peter Bogdanovich.  Corman had given Bogdanovich his start, and in the intervening 12 years Bogdanovich’s star had risen (The Last Picture Show, What’s Up, Doc?, Paper Moon) and fallen (Daisy Miller).   Ben Gazzara and Denholm Elliott delivered great performances in this story of a hustling American expat running a GI brothel in Singapore during the Vietnam War.

Roger Corman’s Sci Fi Classics includes three films that I haven’t seen (or don’t remember seeing): Attack of the Crab Monsters, War of the Satellites and Not of this Earth.  Although I may not have seen them, I can tell you that 1) they don’t have fancy production values; 2) they are fast paced and not too long; and 3) they’re a kick.