DVD/Stream of the Week: YOUNG ADULT – comedy game-changer

Charlize Theron in YOUNG ADULT

This weekend, Charlize Theron stars in Tully, from screenwriter Diablo Cody (Juno) and director Jason Reitman (Thank You for Smoking, Juno, Up in the Air).  Seven years ago, in Young Adult, this same team challenged the current mode of comedy itself. They turned many comic conventions on their heads in this nastily dark comedy, and Young Adult was on my list of Best Movies of 2011.

Played by Charlize Theron, the main character is stunningly non-empathetic, utterly self-absorbed and thoroughly unpleasant. She was the prom goddess in her small town high school, and has moved to the city for a job with a hint of prestige. With a failed marriage, a looming career crisis and no friends, she’s drinking too much and is in a bad place. So she decides to return to her hometown and get her old boyfriend (Patrick Wilson) back – despite the fact that he’s gloriously contented with his wife and newborn infant.

Naturally, social disasters ensue. Along the way, the story probes the issues of happiness and self-appraisal.

Patton Oswalt and Charlize Theron in YOUNG ADULT

Patton Oswalt is wonderful as someone the protagonist regarded as a lower form of life in high school, but who becomes her only companion and truth teller.

Young Adult is inventive and very funny. Its cynicism reminds me of a Ben Hecht or Billy Wilder screenplay (high praise). Note: This is NOT a film for someone expecting a light comedy. Young Adult is available on DVD from Redbox and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.

DVD of the Week: Young Adult

With Young Adult, screenwriter Diablo Cody (Juno) and director Jason Reitman (Thank You for Smoking, Juno, Up in the Air) are challenging the current mode of comedy itself.  They turn many comic conventions on their heads in this nastily dark comedy, and Young Adult is on my list of Best Movies of 2011.

Played by Charlize Theron, the main character is stunningly non-empathetic,  utterly self-absorbed and thoroughly unpleasant.  She was the prom goddess in her small town high school, and has moved to the city for a job with a hint of prestige.  With a failed marriage, a looming career crisis and no friends, she’s drinking too much and is in a bad place.  So she decides to return to her hometown and get her old boyfriend (Patrick Wilson) back – despite the fact that he’s gloriously contented with his wife and newborn infant.

Naturally, social disasters ensue.  Along the way, the story probes the issues of happiness and self-appraisal.

Patton Oswalt is wonderful as someone the protagonist regarded as a lower form of life in high school, but who becomes her only companion and truth teller.

Young Adult is inventive and very funny.  Its cynicism reminds me of a Ben Hecht or Billy Wilder screenplay (high praise).  Note:  This is NOT a film for someone expecting a light comedy.

Young Adult: a game changer of a comedy

With Young Adult, screenwriter Diablo Cody (Juno) and director Jason Reitman (Thank You for Smoking, Juno, Up in the Air) are challenging the current mode of comedy itself.  They turn many comic conventions on their heads in this nastily dark comedy.

Played by Charlize Theron, the main character is stunningly non-empathetic,  utterly self-absorbed and thoroughly unpleasant.  She was the prom goddess in her small town high school, and has moved to the city for a job with a hint of prestige.  With a failed marriage, a looming career crisis and no friends, she’s drinking too much and is in a bad place.  So she decides to return to her hometown and get her old boyfriend (Patrick Wilson) back – despite the fact that he’s gloriously contented with his wife and newborn infant.

Naturally, social disasters ensue.  Along the way, the story probes the issues of happiness and self-appraisal.

Patton Oswalt is wonderful as someone the protagonist regarded as a lower form of life in high school, but who becomes her only companion and truth teller.

Young Adult is inventive and very funny.  Its cynicism reminds me of a Ben Hecht or Billy Wilder screenplay (high praise).  Note:  This is NOT a film for someone expecting a light comedy.