Movies to See Right Now

MONROVIA, INDIANA

This week brings us a bewildering contrast. We have the masterful documentary Monrovia, Indiana – a fascinating movie about a boring subject. And First Man – a boring movie about a fascinating subject.

OUT NOW

    • Lady Gaga illuminates Bradley Cooper’s triumphant A Star Is Born. Don’t bring a hankie – bring a whole friggin’ box of Kleenex.
    • Rodents of Unusual Size is a charmingly addictive documentary about a bizarre subject.
    • What They Had is an authentic and well-crafted dramatic four-hander with Hilary Swank, Michael Shannon, Blythe Danner and Robert Forster.
    • Quincy is Rashida Jones’ intimate biodoc of her father, that most important and prolific musical figure Quincy Jones.
    • Museo is a portrait of alienation that plays out in a true life heist, but the alienation is just not that compelling.

ON VIDEO

My DVD/Stream of the Week for Halloween Week is the 1960 masterpiece Peeping Tom – far scarier and more unsettling than Psycho. Until the last decade, Peeping Tom was unavailable, but you can find it now on DVD from Netflix and streaming from Amazon, iTunes and Google Play. There’s also a Criterion Collection DVD with lots of extra features. HIGHLY RECOMMENDED.

ON TV

On November 3, Turner Classic Movies will air Director Elia Kazan’s noirish thriller Panic in the Streets. This Kazan’s other movie set in a gritty waterfront, and he shot it on location in New Orleans. In his screen debut, Jack Palance plays a hoodlum who commits a murder and unknowingly becomes infected with pneumonic plague. Richard Widmark plays the public health expert who is trying to prevent an epidemic by tracking down Patient Zero (Palance) without causing a panic in the city. Of course, the cops are trying to solve the murder, and the man hunt for the murderer will lead them o the same target. Jack Palance was nothing if not intense, and he brings the right combination of viscious thuggery and escalating desperation to his performance. In an unusual dramatic role, Zero Mostel plays a Palance henchman.

And here’s a curiosity – TCM also airs the 1933 submarine movie Hell Below on November 9. It’s a pretty contrived Robert Montgomery vehicle, but there are some elements worth fast-forwarding to. The comic relief is provided by Jimmy Durante, who plays the cook Ptomaine; Baby Boomers tend to remember Durante for his shtick on variety shows of the 1950s and 1960s – here’s the unadulterated Durante. Durante even boxes with a kangeroo! Hell Below also features Walter Huston, who was a major star at the time and who I think would be very successful today.

Jack Palance in PANIC IN THE STREETS

Movies to See Right Now

Bradley Cooper and Lady Gaga in A STAR IS BORN

OUT NOW

  • Lady Gaga illuminates Bradley Cooper’s triumphant A Star Is Born. Don’t bring a hankie – bring a whole friggin’ box of Kleenex.
  • Rodents of Unusual Size is a charmingly addictive documentary about a bizarre subject.
  • What They Had is an authentic and well-crafted dramatic four-hander with Hilary Swank, Michael Shannon, Blythe Danner and Robert Forster.
  • Quincy is Rashida Jones’ intimate biodoc of her father, that most important and prolific musical figure Quincy Jones.
  • Museo is a portrait of alienation that plays out in a true life heist, but the alienation is just not that compelling.
  • If you haven’t caught it yet, you can still find Spike Lee’s true story BlacKkKlansman very funny and, finally, emotionally powerful.

ON VIDEO

My Stream of the Week is the Norwegian suspense thriller Revenge, one of the world cinema high points of the 2017 Cinequest. Revenge can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

Turner Classic Movies is all-horror, all-the-time this week.  But the best is Diabolique from director Henri-Georges Clouzot (often tagged as the French Hitchcock).  The headmaster of a provincial boarding school is so cruel, even sadistic, that everyone wants him dead, especially his wife and his mistress. When he goes missing, the police drain the murky pool where the killers dumped the body…and the killers get a big surprise. Now the suspense really starts…

Vera Clouzot in DIABOLIQUE

MUSEO: portrait of alienation in the form of a heist

MUSEO

The true life Mexican heist film Museo is really a portrait of alienation – and immature alienation at that. It’s about a young middle class guy in a third world country, and he has first wold problems; his prospects are not unlimited, but he’s way better off than his less educated compatriots. So he and his weak-willed buddy pull off an audacious art theft.

Unusually, and perhaps uniquely, among heist films, hardly any time is invested in assembling the team (here it’s the guy and his buddy) or in the heist itself. The guys steal the most famous ancient Mexican artifacts from the National Museum, essentially the heart of the nation’s heritage. The theft becomes a sensation that dominates the national zeitgeist, triggers an all-out manhunt and a political scandal. How could this have happened?

Of course, there can’t possibly be any buyers for such high visibility objects (just like in this year’s other real life slacker heist film American Animals). Most of the film is figuring out what to do next – and good options are non-existent.

The protagonist is played by the fine actor Gael Garcia Bernal. Unfortunately, this character really isn’t that interesting; I think that is because his alienation is based on petulance and not on rage (see the great Jack Nicholson ragingly alienated roles of the 70s).

Museo does a good job of evoking the Mexico City and Acapulco in the mid 1980s. But without the central thrill of a heist, we are left with an unsympathetic protagonist and his predicament, and that’s really not enough for a two-hour movie. I saw Museo at the Mill Valley Film Festival.