Movies to See Right Now

LA LA LAND
Ryan Gosling and Emma Stone in LA LA LAND

My movie recommendations for this Holiday weekend begin with these two crowd pleasers:

  • La La Land: the extraordinarily vivid romantic musical staring Emma Stone and Ryan Gosling.
  • Lion: an emotionally affecting family drama.

Other top recommendations:

  • Manchester by the Sea: MUST SEE. Don’t miss Casey Affleck’s career-topping performance in the emotionally authentic drama .
  • Elle: MUST SEE (but increasingly hard to find in theaters). A perverse wowzer with the year’s top performance by Isabelle Huppert. Manchester by the Sea is #2 and Elle is #4 on my Best Movies of 2016.
  • Loving: The love story that spawned a historic Supreme Court decision.
  • Mascots: the latest mockumentary from Christopher Guest (Best in Show) and it’s very funny. Mascots is streaming on Netflix Instant.
  • The Eagle Huntress: This documentary is a Feel Good movie for the whole family, blending the genres of girl power, sports competition and cultural tourism.

Also in theaters or on video:

  • Despite a delicious performance by one of my faves, Michael Shannon, I’m not recommending Nocturnal Animals.
  • Arrival with Amy Adams, is real thinking person’s sci-fi. Every viewer will be transfixed by the first 80% of Arrival. How you feel about the finale depends on whether you buy into the disconnected-from-linear-time aspect or you just get confused, like I did.
  • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
  • Skip the dreary and somnolent Jackie – Natalie Portman’s exceptional impersonation isn’t enough.
  • If you’re interested in the Japanese actor Toshiro Mifune or cinema in general (and can still find the movie in a theater), I recommend the documentary Mifune: The Last Samurai.

My DVD/Stream of the Week picks are, for the rest of 2016, this year’s best films that are already available on video: Hell or High Water, Eye in the Sky, Chevalier, Weiner, Take Me to the River and Green Room.

For New Year’s Week, Turner Classic Movies is bringing us some great choices:

  • December 31st – Lawrence of Arabia: it’s time to revisit a spectacle. For decades, many of us watched this epic squeezed into tinny-sounding TVs. In 1989, I was fortunate enough to see the director’s cut in an old movie palace. Now technology has caught up, and modern large screen HD televisions can do justice to this wide screen classic. Similarly, modern home sound systems can work with the great Maurice Jarre soundtrack. Nobody has ever created better epics than director David Lean (Bridge Over the River Kwai, Dr. Zhivago). Peter O’Toole stars at the moment of his greatest physical beauty. The rest of the cast is unsurpassed: Omar Sharif, Jose Ferrer, Anthony Quinn, Anthony Quayle, Claude Rains, Arthur Kennedy, thousands of extras and entire herds of camels. The vast and severe Arabian desert is a character unto itself. Settle in and watch the whole thing – and remember what “epic” really means.
  • December 31st – Some Like It Hot: This Billy Wilder masterpiece is my pick for the best comedy of all time. Seriously – the best comedy ever. And it still works today. Tony Curtis and Jack Lemmon play most of the movie in drag (and Tony is kind of cute). Curtis must continue the ruse although he’s next to Marilyn Monroe at her most delectable. Curtis then dons a yachting cap and does a dead-on Cary Grant impression as the heir to an industrial fortune. Joe E. Brown gets the last word with one of cinema’s best closing lines.
  • January 3rd – Cool Hand Luke, with Paul Newman as an iconic 1960s anti-hero, a charismatic supporting performance by George Kennedy, the unforgettable boiled egg-eating contest and the great movie line “What we have here is a failure to communicate”.

And on New Years Day, all you non-football fans can tune into TCM to binge-watch Alfred Hitchcock’s Rope, Strangers on a Train, The Birds, Psycho, Vertigo, Rear Window, Shadow of a Doubt, Torn Curtain, The Man Who Knew Too Much, Family Plot, Marnie and The Trouble with Harry.

How to Run a Chain Gang and Influence People in COOL HAND LUKE
How to Run a Chain Gang and Influence People in COOL HAND LUKE

Movies to See Right Now

Dev Patel in LION
Dev Patel in LION

My movie recommendations for this Holiday weekend begin with these two crowd pleasers:

  • La La Land: the extraordinarily vivid romantic musical staring Emma Stone and Ryan Gosling.
  • Lion: an emotionally affecting family drama.

Other top recommendations:

  • Manchester by the Sea: MUST SEE. Don’t miss Casey Affleck’s career-topping performance in the emotionally authentic drama .
  • Elle: MUST SEE (but increasingly hard to find in theaters). A perverse wowzer with the year’s top performance by Isabelle Huppert. Manchester by the Sea is #2 and Elle is #4 on my Best Movies of 2016.
  • Loving: The love story that spawned a historic Supreme Court decision.
  • Mascots: the latest mockumentary from Christopher Guest (Best in Show) and it’s very funny. Mascots is streaming on Netflix Instant.
  • The Eagle Huntress: This documentary is a Feel Good movie for the whole family, blending the genres of girl power, sports competition and cultural tourism.

Also in theaters or on video:

  • Despite a delicious performance by one of my faves, Michael Shannon, I’m not recommending Nocturnal Animals.
  • Arrival with Amy Adams, is real thinking person’s sci-fi. Every viewer will be transfixed by the first 80% of Arrival. How you feel about the finale depends on whether you buy into the disconnected-from-linear-time aspect or you just get confused, like I did.
  • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
  • Skip the dreary and somnolent Jackie – Natalie Portman’s exceptional impersonation isn’t enough.
  • If you’re interested in the Japanese actor Toshiro Mifune or cinema in general (and can still find the movie in a theater), I recommend the documentary Mifune: The Last Samurai.

My DVD/Stream of the Week picks are, for the rest of 2016, this year’s best films that are already available on video: Hell or High Water, Eye in the Sky, Chevalier, Weiner, Take Me to the River, OJ: Made in America and Green Room.

On Christmas Day, Turner Classic Movies presents the brilliantly funny Hail the Conquering Hero, one of writer-director Preston Sturges’ less well-known great comedies. Eddie Bracken plays a would-be soldier discharged for hay fever – but his hometown mistakenly thinks that he is sent home a war hero. Hilarity ensues. All the funnier when you realize that this film was made in 1944 amid our nation’s most culturally patriotic period.

William Demarest and fellow Marines comfort Eddie Bracken in HAIL! THE CONQUERING HERO
William Demarest and fellow Marines comfort Eddie Bracken in HAIL! THE CONQUERING HERO

MIFUNE: THE LAST SAMURAI: an icon’s life and times

MIFUNE: THE LAST SAMURAI
MIFUNE: THE LAST SAMURAI

The documentary Mifune: The Last Samurai profiles the iconic Japanese actor Toshiro Mifune.  Mifune was director Akira Kurosawa’s essential collaborator and the star of the cinematic masterpieces Rashomon, Seven Samuari and Yojimbo.  In those films, along with  The Hidden Fortress, Throne of Blood, Sanjuro and Red Beard, Kurosawa and Mifune re-invented and elevated the samurai genre.

The title “Rashomon” has become a noun in every language for the telling and retelling of the same story from different points of view. Seven Samurai was remade as The Magnificent Seven and Yojimbo as A Fist Full of Dollars.  (Kurosawa and Mifune also made some brilliant Japanese film noirThe Lower Depths, High and Low, The Bad Sleep Well, Drunken Angel, Stray Dog – that are NOT discussed in Mifune: The Last Samurai.)

What Mifune brought these films was an irreplaceable vitality.  One of the great prototypes for “strong and silent” screen actors, his physicality made his characters powerful, even forces of nature.

Director Steven Okazaki wisely makes Mifune: The Last Samurai a “Life and Times” with a survey of Japanese cinema history with importance of period swordfighting movies (called chanbara after the sound of swords).   Besides tracing Mifune’s own personal history (he was born and raised in Chine, which I certainly didn’t know), Okazaki explores wartime and postwar Japan society.

Okazaki also brings us witnesses of Mifune’s life, including his son, Kurosawa’s son and many Mifune son and costars.  There’s even a sword fight choreographer who played over 100 movie characters killed by Mifune.  The talking heads are rounded out with Martin Scorsese and Steven Spielberg.

There are plenty of cool insights like how the dangerous death scene in Throne of Blood (where Mifune is shot by hundreds of arrows) was filmed on the cheap with college student archers – and uninsured!

Despite their long partnership and historic successes, Mifune and Kurosawa never made another movie together after Red Beard in 1965, although the two lived another 32 years.  That is addressed, but not answered in Mifune: The Last Samurai; initially, I found that unsatisfying, but now I find it even more interesting that their sons and closest confidantes don’t know the reason.

I recommend Mifune: The Last Samurai for those who are interested in Mifune, Kurosawa or cinema generally.