2010 in Movies: The Year of the Crime Drama

2010 continued a trend of really good recent crime dramas.  This year, most of them came from overseas:  The Secrets in Their Eyes (Argentina) won the most recent Best Foreign Language Oscar and A Prophet (France) and Ajami (Palestine/Israel) were nominated.

All three made my list of the year’s best movies and my list of  Best Recent Crime Dramas.

We also had other strong imports in this genre:  the Mesrine films (France), Animal Kingdom (Australia) and Mother (Korea).

The best American crime drama was The Town, in which the rockin’ first two acts were betrayed by a sappy and implausible climax.

Here’s the trailer for Ajami, an ultra-realistic crime drama set in a scruffy neighborhood in Jaffa, Israel.  The story weaves together Arab Christians and Arab Muslims and both religious and non-religious Israeli Jews.  Everyone aspires to make a living and live in personal safety, but the circumstances and tribal identities make this very difficult at best.  There are two trans-religious romances, but no one is going to live happily ever after. Ajami was co-written and co-directed by Scandar Copti, a Jaffa-born Palestinian, and Yaron Shoni, an Israeli Jew.   After seeing the film, I was surprised to learn that it has no trained actors – all of the roles are played by real-life residents who improvised their lines to follow the story line.

2010 in Movies: The Year of the True Stories

Ripped from the headline!  Based on true events!  2010 featured an unusual number of movies based on real people and events, including two of the year’s very best – The Social Network and The King’s Speech.

But there were also Howl, 127 Hours, The Way Back,  Fair Game, Carlos, the Mesrine films, Casino Jack and I Love You, Phillip Morris.

Here is the trailer from Carlos, the 5 1/2 hour miniseries on the 70s/80s terrorist Carlos the Jackal.  Carlos begins as a playboy who thinks it would be cool to fight for the Palestinians,  inadvertently gains some celebrity and LOVES IT.  Carlos has a star making performance by the Venezuelan actor Edgar Ramirez who perfectly captures Carlos’ bravado, audacity, vanity, sexiness, delusion and dissolution. I strongly recommend waiting for the DVD release of the full length version (or watching for it to pop up again on Sundance Channel).

2010 in Review: Foreign Films

It was another year in which foreign cinema was essential.  Three of the nominees for the 2009  Best Foreign Language Oscar were released in the US this year:  Ajami (Israel/Palestine), A Prophet (France) and the Oscar winning The Secrets in Their Eyes (Argentina).   Those three made my list of Best Movies of 2010, along with Mademoiselle Chambon, The Girl on the Train, and The Ghost Writer from France, Carlos from France/Germany, Fish Tank from the UK, and The Girl with the Dragon Tattoo from Sweden.  If I couldn’t see foreign films, I wouldn’t have a Best Movie list.

France also gave us the Mesrine films.  Ireland offered Kisses.  Italy had the food-centric  I Am Love and Mid-August Lunch.  In a tremendous year for crime drama, the Aussies added Animal Kingdom and the Koreans contributed Mother. Police, Adjective was another bleak, cynical drama from Rumania.

Here’s the trailer for Kisses.

Mesrine: Killer Instinct

This is the riveting real life tale of Jacques Mesrine – a French criminal with a portfolio of audacious heists and even more shockingly daring escapes.  He became intoxicated by – and addicted to – his own notoriety, which he embellished with some left wing political posing.  He saw himself as a modern Clyde Barrow and positioned himself that way in the media (without thinking too much about the final scene in Bonnie and Clyde).  At the end of the day, Mesrine was just a vicious thug, although one with an unusual amount of bravado and luck.

Vincent Cassell brings Mesrine to life in a brilliant performance that does not glorify Mesrine, but inhabits a countenance that shifts  instantaneously from jokey charm to cold-blooded hatred.  American audiences may remember Cassell as the psycho Russian gangster in Eastern Promises and the suave Francois “The Night Fox” Toulour  in the Ocean’s movies.

Director Jean-Francois Richet showcases Cassell’s performance with a series of outstanding artistic choices.  The harsh violence is shown for what it is but not stylized.  Richet makes strategic use of split screen that enhances the story without distracting from it.  And when Mesrine meets his new girlfriend (Cecile De France) and she says that she’s up for anything, the movie immediately cuts to the two of them robbing a bank.  Point made.

Richet and Abdel Raouf Dafri (screenwriter of A Prophet) adapted the screenplay from Mesrine’s memoir.  Dafri has had a spectacular year in crime and prison dramas.

The entire cast is good, particularly Gerard Depardieu, who summons all his hulking menace to play a gang leader who is at least as dangerous as Mesrine.

Richet and Cassell return later this year with the second part of the story, titled Mesrine: Public Enemy #1.