2020 FAREWELLS: On the Screen (Part 2)

John Saxon in JOE KIDD

Actor John Saxon, was versatile, intense and prolific – the handsome, swarthy, character actor you would come to recognize in his 200+ screen appearances, mostly on TV. In 1976 ALONE, Saxon appeared on The Rockford Files, The Bionic Woman, The Six Million Dollar Man, Starsky and Hutch and Wonder Woman, acted in seven movies. and starred in the miniseries Once an Eagle. His best known movie roles were as Jackie Chan’s martial arts buddy Roper in Enter the Dragon (Saxon had already studied karate for years) and as police Lieutenant Don Thompson, who repeatedly battled Freddy Kreuger in the Nightmare on Elm Street franchise. Saxon could handle quality roles when he got them, as in War Hunt and Joe Kidd.

Ian Holm in THE SWEET HEREAFTER

The 5’5″ Ian Holm was a giant of the stage, where he created a definitive King Lear, and is most well-known in movies for playing Bilbo Baggins in the Lord of the Rings franchise. I remember Holm’s heartrending performance in Atom Egoyan’s The Sweet Hereafter, my choice as the most profoundly sad movie ever. He also appeared in supporting roles in some of my favorite movies: Young Winston, Jesus of Nazareth and the Kenneth Branagh Henry V.

Jerry Stiller, along with his wife and professional partner Anne Meara (scroll down), was a comedy pioneer. He’s best remembered for playing George Costanza’s father on TV’s Seinfeld and for being Ben Stiller’s real life dad. But Stiller sandwiched some good work in movies (The Taking of Pelham One Two Three, The Ritz, Hairspray) between the early and later phases of his work.

Allen Garfield in THE CONVERSATION

Character actor Allen Garfield contributed to many fine films, especially in the 1970s heyday of American auteurs, including The Candidate, The Brink’s Job, Nashville and The Stunt Man. My favorite Garfield performance was as the sleazy Bernie in the 1974 masterpiece The Conversation.

Michael Lonsdale in THE DAY OF THE JACKAL

Michael Lonsdale is justifiably best remembered for playing the determined investigator in The Day of the Jackal (plus a Bond villain). He also worked in the recently rediscovered Mr. Klein and over 100 French films.

Ann Reinking in ALL THAT JAZZ

Ann Reinking, the great Broadway star, was most famous for originating the character Roxy in Chicago. Her greatest work came from her artistic partnership with Bob Fosse, with whom she lived for six years. Reinking’s art is forever preserved in one indelible film performance, essentially playing herself in Fosse’s All That Jazz. I strongly recommend Sheila O’Malley’s remembrance.

The prolific actor Stuart Whitman was strikingly manly and relatable, and also had the gift of imbuing strong-and-silent characters with emotional texture. Indeed, he was nominated for the Best Actor Oscar for a 1961 film that I haven’t seen – The Mark, in which he played a guy seeking a normal life after being imprisoned for attempted child molestation. I remember Whitman for his performances in The Longest Day and the offbeat Convicts 4. He would not wish to be remembered for the giant carnivorous rabbit chiller Night of the Lepus.

Wilford Brimley in THE CHINA SNDROME

Wilford Brimley started out in life as a real cowboy. At age 45, he broke through as an actor playing Jack Lemmon’s loyal assistant engineer in The China Syndrome. More good curmudgeon performances followed on TV and in movies (Cocoon, Absence of Malice). Ironically, this fine actor is most well-known for a Quaker Oatmeal commercial.

Sue Lyon in LOLITA

Actress Sue Lyon died at the very end of last year and hadn’t made a movie in forty years. She is best remembered for her performance at age 16 as the titular character in Stanley Kubrick’s 1962 Lolita. She also appeared in The Night of the Iguana and in one of my guilty faves, The Flim Flam Man.

Jo Shishido in CRUEL GUN STORY

Actor Jo Shishido starred in a zillion Japanese crime action films, most notably Cruel Gun Story (1964) and A Colt Is My Passport (1967). Oddly, his career as a leading man took off after his plastic surgery, intended to emphasize his cheekbones, left him with puffy chipmunk cheeks.

I fondly remember the Rock pioneer Little Richard for his hilarious turn in Down and Out in Beverly Hills as the neighbor to Richard Dreyfus’ family, Orvis Goodnight. He appeared in one of the very first rock n roll movies Don’t Knock the Rock (1956), a same-year followup to Rock Around the Clock. His music was featured in hundred of films and television shows.

By the time she was 19 in 1980, Linda Manz had acted in and narrated a masterpiece (Terence Malick’s Days of Heaven) and appeared in two cult films (Philip Kaufman’s The Wanderers and Dennis Hopper’s Out of the Blue). Then she retired to raise a family.

John Benfield was superb as Mike Kernan, the sexist Britsh police commander perpetually frustrated by Helen Mirren’s Jane Tennison in five seasons of Prime Suspect.

Here’s Part 1.

2020 FAREWELLS: On the Screen (Part 1)

Kirk Douglas in SEVEN DAYS IN MAY

Kirk Douglas – that icon of explosive virility – died at age 103. Douglas will be forever remembered for the epic Spartacus, a blockbuster hit that he produced, with his own searing performance as the star and the effect of ending the Hollywood blacklist. He could play sexy and despicable at the same time in Out of the Past, Ace in the Hole and In Harm’s Way and a profoundly decent hero in Seven Days in May. Two of my guilty pleasures are Ulysses and The Vikings, with Kirk as a shirtless warrior.

Sean Connery as Bond…James Bond

If we’re going to talk about male cinema stars with overpowering magnetism and studly charisma, we’re going to start with Sean Connery, who has died at age 90.

No screen actor has more personally defined a role than did Connery with James Bond. The character of James Bond in Ian Fleming’s source novels is nothing special; Bond was made iconic by Connery’s gifts. The Bond movies are cartoonish, but Connery’s James Bond never is. Connery’s Bond is hunky, but he’s not just a hunk. He is supremely confident. He is cunning. He always assesses a risk before he takes it.

My favorite Connery performance (and the best movie he was in) is The Man Who Would Be King (1975).

Max Von Sydow as THE EXORCIST

Sixty-three years after the chess game with Death himself in The Seventh Seal, actor Max Von Sydow has finally succumbed.  Von Sydow is justifiably most well known among cinephiles for his many roles in a cascade of Ingmar Bergman’s grimness, including The Seventh Seal, The Magician, The Virgin Spring, Through a Glass Darkly, Winter Light, Shame and The Passion of Anna.  And in The Magician, he had to don the most off-putting of facial hair. His biggest hit, of course was as the title character in The Exorcist. Contrary to his image, he had the capacity for hilarity, which he demonstrated in Hannah and Her Sisters as a ridiculously pretentious and selfish artist.  Along with that role, my favorite Von Sydow performances were in Jan Troell’s The Emigrants and The New Land as a Swedish settler in frontier America.

Carl Reiner (far right) in THE RUSSIANS ARE COMING! THE RUSSIANS ARE COMING!

No one has been more important in the evolution of American comedy than Carl Reiner, who has died at age 98. Reiner was a writer and performer on Sid Caesar’s seminal Your Show of Shows. He created one of the greatest and most influential TV sitcoms, The Dick Van Dyke Show. Reiner was the comedy partner who helped Mel Brooks form his work. And he directed four Steve Martin comedies. Reiner was the third person awarded the Mark Twain Prize for American Humor. My favorite Carl Reiner performance was in The Russians Are Coming! The Russians Are Coming!

Olivia de Havilland in GONE WITH THE WIND

Silicon Valley native and icon of classic Hollywood, Olivia de Havilland (her real name) was raised in Saratoga and went to Los Gatos High. Her performance in A Midsummer’s Night’s Dream in the Saratoga Community Theater led directly to her appearing in the Hollywood film version of the play at age 19. She starred as the leading lady in her next film, Captain Blood, the first of a series of Warner Brothets costume romances that matched her with Erroll Flynn, with whom she had undeniable chemistry: The Adventures of Robin Hood, The Charge of the Light Brigade, The Santa Fe Trail, Dodge City, They Died with Their Boots On and The Private Lives of Elizabeth and Essex. In this period, she was loaned to David O. Selznick for her most remembered role, that of the profoundly sweet and decent Melanie in Gone with the Wind. De Havilland won her contractual freedom from Warner Brothers through landmark litigation in 1943. She went on to more serious fare and earned yhree Oscar nods in the next six years, winning for To Each His Own and The Heiress.

Dick Powell and Rhonda Fleming in CRY DANGER

Actress Rhonda Fleming has died at age 97. She was known as the “Queen of Technicolor” when movie studios exploited her blazing red hair, blue eyes, ivory complexion and uncommon beauty in a series of Western, sword-and-sandal and adventure films; in this period, she was a candidate for the world’s most beautiful woman, along with her age peers Gene Tierney, Lana Turner and Marilyn Monroe. But Fleming’s very best acting work was in black-and-white, in Spellbound, Out of the Past, Cry Danger and While the City Sleeps. My favorite Fleming performance is in Cry Danger, where she plays the girlfriend of the guy who had framed the hero (Dick Powell) – an irresistible woman of uncertain loyalty.

Brian Dennehy

The actor Brian Dennehy stood a bear-like 6’3”and could have filled his career by playing menacing heavies (and he had his share of those). But Dennehy had uncommon range, as evidenced by his most well-remembered roles – Rambo’s nemesis in First Blood and the alien in Cocoon. My favorite Dennehy movie roles were the crooked sheriff in Silverado and Harrison Ford’s morally complicated boss in Presumed Innocent. Dennehy was even a bigger star on stage – he won Tony Awards for his Willy Loman in Death of a Salesman and his James in Long Day’s Journey into Night (the role Ralph Richardson played in the movie).

Fred Willard (left) in BEST IN SHOW

Fred Willard, as much as anyone, invented the deadpan mockumentary, starting with his talk show sidekick, Jerry Hubbard character in 1977’s Fernwood 2 Night with Martin Mull. Willard’s zenith was in This Is Spinal Tap and the Christopher Guest ensemble mockumentaries that followed: Waiting for Guffman, Best in Show, For Your Consideration, A Mighty Wind and Mascots. He finished up by playing yet another uncontrollable character, Phil Dunphy’s dad on Modern Family.

Here are some tidbits from Willard’s unashamedly unprepared dog show commentator Buck Laughlin in Best in Show:

  • If you put them in a race, who would come in first? You know if you had a little jockey on them, going like this imitates jockeys hitting the side of the horse]. 
  • And to think that in some countries these dogs are eaten.
  • I went to one of those obedience places once… it was all going well until they spilled hot candle wax on my private parts.
  • [sees the trophy]  I’ve taken a sponge bath in smaller bowls than that.
Chadwick Boseman in MARSHALL. Photo credit: Barry Wetcher ;ourtesy of Open Road Films

Chadwick Boseman, an emerging superstar after his iconic role in Black Panther, was able to humanize real life icons like Jackie Robinson, Thurgood Marshall and James Brown. My favorite Boseman performance was in Marshall.

Tomorrow: Part 2

Movies to See Right Now (at home)

Natalia Dyer in YES, GOD, YES

This week: a sweet coming of age comedy and a pointed religious satire – all in the same movie. Plus art house cinema comes to your home and remembrances of two wonderful screen actors – one a mega-star and one not so much.

REMEMBRANCES

Olivia de Haveilland in GONE WITH THE WIND

Silicon Valley native and icon of classic Hollywood, Olivia de Havilland (her real name) was raised in Saratoga and went to Los Gatos High. Her performance in A Midsummer’s Night’s Dream in the Saratoga Community Theater led directly to her appearing in the Hollywood film version of the play at age 19. She starred as the leading lady in her next film, Captain Blood, the first of a series of Warner Brothers costume romances that matched her with Erroll Flynn, with whom she had undeniable chemistry: The Adventures of Robin Hood, The Charge of the Light Brigade, The Santa Fe Trail, Dodge City, They Died with Their Boots On and The Private Lives of Elizabeth and Essex. In this period, she was loaned to David O. Selznick for her most remembered role, that of the profoundly sweet and decent Melanie in Gone with the Wind.

De Havilland won her contractual freedom from Warner Brothers through landmark litigation in 1943. She went on to more serious fare and earned three Oscar nods in the next six years, winning for To Each His Own and The Heiress.

And here’s my remembrance of versatile and prolific actor John Saxon.

ON VIDEO

Yes, God, Yes: A sweet coming of age story and pointed jab at religious hypocrisy; based on writer-director Karen Maine’s own youthful experiences. Yes, God, Yes has been available to stream on Virtual Cinema and is available from the usual VOD platforms.

The Women’s Balcony:. A community of women in a traditional culture revolt in the delightfully smart and funny Israeli comedy. You can stream it on Amazon, Vudu, YouTube and Google Play.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

Burt Lancaster in BRUTE FORCE

On August 6, Turner Classic Movies will present Brute Force (1947), the Jules Dassin noir that is by far the best of the Hollywood prison dramas of the 30s and 40s. A convict (Burt Lancaster) is taunted by a sadistic guard (Hume Cronyn) and plans an escape. It’s a pretty violent film for the 1940s, and was inspired by the 1946 Battle of Alcatraz, in which three cons and two guards were killed. Charles Bickford, Whit Bissell and Sam Levene are excellent as fellow cons. On my list of Best Prison Movies.

Burt Lancaster (right) in BRUTE FORCE

farewell to John Saxon

John Saxon in A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS

Versatile. Prolific. Intense. Such was the late actor John Saxon, who amassed over 200 screen credits, mostly on TV. Saxon was the handsome, swarthy, character actor who you would come to recognize when he showed up on Dr. Kildare, The Fantastic Journey, Mary Tyler Moore Show, Ironside or Murder, She Wrote. Saxon’s ethnic ambiguity (he was an Italian-American from Brooklyn, born Carmine Orrico) led him to play lots of Latinx roles – and an Israeli general in Raid on Entebbe.

Saxon appeared five times over ten seasons of Gunsmoke, playing guys named Gristy Calhoun, Pedro Manez, Virgil Stanley, Dingo and Carl Stram, Jr., and in 32 episodes of Falcon Crest (plus Dynasty and Melrose Place).

In 1976 ALONE, Saxon appeared on The Rockford Files, The Bionic Woman, The Six Million Dollar Man, Starsky and Hutch and Wonder Woman, acted in seven movies. and starred in the miniseries Once an Eagle.

Saxon’s best known movie roles were as Jackie Chan’s martial arts buddy Roper in Enter the Dragon (Saxon had already studied karate for years) and as police Lieutenant Don Thompson, who repeatedly battled Freddy Kreuger in the Nightmare on Elm Street franchise.

Saxon was always reliable, but he could handle quality roles when he got them. One was in an obscure Korean War film, War Hunt (1962), where Saxon played the psycho killer in the platoon, and another was in the Clint Eastwood western Joe Kidd (1972), where Saxon played Mexican revolutionary Luis Chama.

John Saxon in JOE KIDD

TCM’s Korean War Marathon

On June 24 and 25, TCM is showing fourteen straight Korean War movies: The Steel Helmet (1951),  Men In War (1951) , Men Of The Fighting Lady (1954), I Want You (1951), Battle Circus (1953),  Tank Battalion (1958), Mission Over Korea (1953), Battle Taxi (1955), The Bamboo Prison (1955), All the Young Men (1960), Take the High Ground! (1953), Time Limit (1957), The Rack (1956) and  Hell in Korea (1956).

If you’re gonna watch just one, I recommend The Steel Helmet, a gritty classic by the great Sam Fuller, a WWII combat vet who brooked no sentimentality about war.  Fuller and Peckinpah favorite Gene Evans is especially good as the sergeant.

This time, TCM is not showing the three most well-known Korean War movies:   Manchurian Candidate, Pork Chop Hill and M*A*S*H.

Earlier this year, TCM broadcast War Hunt,  a 1962 film about Robert Redford joining a Korean War unit as a new replacement with John Saxon as the platoon’s psycho killer.  Along with Redford, Sidney Pollack and Francis Ford Coppola are in the cast, making War Hunt the only film with three Oscar-winning directors as actors.   Don’t blink, or you’ll miss for Coppola as an uncredited convoy truck driver.