BEING THE RICARDOS: a tepid slice of a really good story

Photo caption: Nicole Kidman and Javier Bardem in BEING THE RICARDOS. Courtesy of Amazon.

The origin story of I Love Lucy is pretty amazing, and Aaron Sorkin samples it in his Being the Ricardos, which is not as compelling as the real story. Sorkin takes two pivotal moments that threaten the show (and Lucy and Desi’s careers) – when Lucy is redbaited and when Lucy gets pregnant. These two events really happened 18 months apart, but Sorkin compresses them into one week.

In fact, just about everything in Being the Ricardos is more or less true to fact except for a totally imagined J. Edgar Hoover telephone call. Being the Ricardos gives the audience a glimpse of Desi’s business genius, Lucy’s artistic genius and their passionate and tempestuous relationship, all embedded in a procedural about the making of a TV episode.

I’ve learned a lot about Lucy and Desi from I Love Lucy, the third season of the TCM podcast The Plot Thickens, and I strongly recommend it. Here’s one of many tidbits from the podcast that is not in the movie: Desi invented the TV rerun by repeating episodes during Lucy’s maternity leave; it was possible because Desi had innovated by recording the show on film instead of kinescope, and it was a huge success because TV ownership had boomed since the original broadcasts.

Lucy and Desi are played by Nicole Kidman and Javier Bardem. The filmmakers have used some prosthetics to make Kidman look more like Ball, but have come up short, and I found it distracting until I settled into the story. Kidman is an excellent actor, and they just should have let her play Lucy while looking like Kidman.

Sorkin’s signature in West Wing was to have characters striding around the White House, tossing off impossibly quick and witty repartee; after forty years in politics, I can tell you that real life political professionals do not talk like that. But Sorkin’s Lucy was really a quickwitted product of showbiz during the 40s, and her banter in the movie rings true – Sorkin has finally found a subject that fits Sorkin dialogue.

Nicole Kidman and Javier Bardem are just fine, but Being the Ricardos is a little disappointing – it’s better to dive into the TCM podcast instead. After a brief theatrical run, Being the Ricardos is now streaming on Amazon (included with Prime).

Skyfall: updating the Bond franchise

Daniel Craig returns as Her Majesty’s Action Hero, James Bond in Skyfall, an updating of the Bond franchise.   The core of the franchise is still the Bond character – impossibly suave, sexy and insurmountable.  Daniel Craig pulls it off as only Sean Connery could.  Craig’s 007 is more shopworn this time, with a drinking problem and a battled scarred (albeit Adonis-like) body.  But Craig’s Bond can still jump inside a moving train and then reach inside his jacket sleeve to adjust his cuff.

This episode’s Bond supervillain is played by an especially menacing Javier Bardem plus peroxide.   When filmmakers change Bardem’s hairstyle, something just happens to make him extra creepy.

It’s tough to impress an audience these days with cool gizmos, when we have guys sitting in Nevada watching SUVs in Afghanistan on satellite transmission and then  blowing them up by remote control.  So in Skyfall, Bond goes retro and brings back the Aston Martin with the ejector seat and the machine gun headlights.

Skyfall also sets up the changing of the guard for franchise, retiring Judi Dench and adding Ralph Fiennes, Ben Whishaw and Naomie Harris.  Naomie Harris is an especially welcome addition – beautiful, engaging and able to pull off an action scene.

But the real reason to watch Skyfall is for the action.  It’s tough to top the first sequence, which features a motorcycle chase on the rooftops of Istanbul’s Grand Bazaar turning into a fight on top of a moving train.  Skyfall is one of the better pure action flicks this year.

Biutiful

Biutiful is about a great performance by Javier Bardem in a grim, grim, really grim role.  (Yes, this film is grimmer than Bardem’s The Sea Inside, in which he plays a suicidal paraplegic.)  In this film, Bardem plays Uxbal, a Barcelona lowlife who lives by perpetrating various petty scams.  Low level crime does not pay well, and he lives in poverty with his kids, who he cannot trust with his bipolar, alcoholic wife (who is sleeping with his brother).  Then he receives a medical death sentence – only two months to live.  And then, things get even worse!

Can he leave his kids with a stable life?  Can he find some redemption?  It’s a compelling portrait of a desperate man in desperate circumstance, directed by Alejandro Gonzalez Inarritu (Amores perros, 21 Grams, Babel).

Has anyone has five better performances in the past decade than Bardem in The Dancer Upstairs, The Sea Inside, No Country for Old Men, Vicky Christina Barcelona and Biutiful?   Bardem won Best Actor at Cannes for Biutiful.

Movies I'm Looking Forward To: Late December Edition

Now we’re at the time of year when the award-aspiring movies are released just in time for Oscar eligibility.  Trailers and descriptions are on my Movies I’m Looking Forward To page.

We’ll start on December 22 with  Sofia Coppola’s (Lost in Translation) semiautographical Somewhere.  On Christmas Day, the Coen Brothers open their version of True GritThe King’s Speech, with Colin Firth, Geoffrey Rush and Helena Bonham-Carter,  will finally get its wide release.

On the 29th, I’ll be awaiting Another Year, a potential masterpiece by one of my favorite directors, Mike Leigh.  We’ll also have a flashy performance by Javier Bardem in a contemporary Job story – Biutiful. Kevin Spacey will star in a real life story of political corruption in Casino Jack.   Peter Weir (Master and Commander, Picnic at Hanging Rock) will showcase The Way Back.

The year’s final release will be the offbeat un-romance Blue Valentine, with Ryan Gosling and Michelle Williams.  Festival critics loved and hated this film.  The trailer, which depicts the beginning of a relationship that falls apart during the movie, is quite charming.

See my Movies I’m Looking Forward To page for descriptions, image and trailers.

Here’s the trailer for True Grit.