Movies to See Right Now

Photo caption: Dev Patel in THE GREEN KNIGHT. Photo courtesy of A24

This week – a thoughtful swords-and-sorcery fantasy and a spectacular misfire of an art movie. Plus my favorite film noir femme fatale.

IN THEATERS

The Green Knight: Dev Patel plays Sir Gawain of Arthurian legend in a movie more about a test of character than it is about a heroic quest. Thoughtful and character-driven – and great special effects, too.

Annette: This passionate and inventive art house musical is doomed by a flawed screenplay, bad pacing and a creepy puppet baby.

Also in theaters:

ON VIDEO

SUMMERTIME. Photo courtesy of Frameline.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

Gloria Grahame with Director Jerry Hopper on the set of NAKED ALIBI; Photo courtesy of Mark A. Clark and Film Noir Photos.

On August 17, Turner Classic Movies celebrates my favorite film noir actress, Gloria Grahame, with several Grahame films, including Human Desire, The Big Heat and In a Lonely Place. Grahame projected an uncanny mixture of sexiness, vulnerability and unpredictability. The fact that Gloria was a Bad Girl in real life doesn’t hurt.

The best of these films is In a Lonely Place, where Grahame falls for the troubled screenwriter Humphrey Bogart, a guy with a MAJOR anger management issue; once she’s hooked, she realizes that he might be a murderer after all… The flashiest Grahame role is in The Big Heat, where she is involved in an act of shocking cruelty and fitting retribution.

But I’m pitching her less well-known turn in Human Desire, where she plays Vicki, married to a brutish wife-beater (Broderick Crawford). Vicki is no saint, and accompanies hubby on a murder and helps him cover his tracks by coming on to a hunky railroad engineer (Glenn Ford). Vicki then suggests to her lover that if only her husband were dead…

Human Desire was directed by the great Fritz Lang, and is a remake of Jean Renoir’s classic La Bête Humaine (The Human Beast) with Jean Gabin and Simone Simon.

I have the Australian version of the Human Desire poster in my living room. The tag line is “She was born to be bad…to be kissed..to make trouble“, and the Aussie authorities have labeled it “NOT SUITABLE FOR CHILDREN“.

Gloria Grahame and Glenn Ford in HUMAN DESIRE

Blogging from Noir City: It’s Bad Girl Night!

Gloria Grahame with Director Jerry Hopper on the set of NAKED ALIBI

Last night I had a great time at Noir City, the 10th annual San Francisco Film Noir Festival.  Noir City is spearheaded by the film noir expert Eddie “The Czar of Noir” Muller.  Its website also includes top rate film noir resources and merchandise.

Last night’s program was a double feature that is not available on DVD.  In fact, Universal went into its vault for the negative and made what is now the only print of Naked Alibi (1954) for this screening.    Naked Alibi  features Gene Barry as a seemingly regular guy with a violent and unpredictable temper.  Sterling Hayden is a cop from the “I’ll beat a confession out of him” school of law enforcement; Hayden’s obsession, without any apparent empirical basis, is that Barry is a cop killer.  They both vie for Gloria Grahame, a sexy saloon singer with a heart of gold.

Film noir is dependent on its femme fatales and Gloria Grahame may be my all-time fave.  Many of you remember her as the slutty Violet in It’s a Wonderful Life and as Bogie’s co-star in the drama In a Lonely Place.  The fact that Gloria was a Bad Girl in real life doesn’t hurt.  I thank Mark A. Clark and his great blog Film Noir Photos for the great photo above.

The second film was Pickup, a lively and cynical low budget indie from 1951.  The writer/director Hugo Haas made several of these films in the early 50s.  As usual, in Pickup, Haas stars as the middle aged sap in the thrall of a young hottie.  Two things make Pickup an absolute howl.  First,  Haas loses his hearing; when he unexpectedly recovers his hearing, he doesn’t let on that he can hear his trashy young wife and her beau plot to kill him for his money.   Second, Beverly Michaels plays the femme fatale so broadly, creating one of the most unashamedly selfish characters in screen history – a floozy totally devoid of empathy.  Only Ann Savage in Detour was a nastier noir villainess.