2021 Farewells: Behind the camera

Michael Apted. Photo credit: First Run Features courtesy Everett Collection

In 2021, we lost writers, directors, cinematographers and composers who produced classic of cinema:

Director Michael Apted’s 9 Seven Up movies constitute the greatest documentary series in the history of cinema. Got to see him in person at the 2019 Mill Valley Film Festival.

Giusepe Rotunno’s cinematography in CARNAL KNOWLEDGE

Cinematographer Giuseppe Rotunno was a master at creating images that told us about the characters and their relation to each other. Here’s my remembrance with some of his images, plus a link to a brilliant video essay.

Hary Dean Stanton and Warren Oates in Monte Hellman’s COCKFIGHTER

Monte Hellman, my favorite cult film director, was described by the New York Times as a “hero of the American independent film movement“. Working in low-budget genre movies, collaborating with the likes of Roger Corman Hellman could elevate the sparest of scripts and the most minuscule of budgets into film classics. Hellman showcased Warren Oates’ gift for playing a tough, bottom-feeding grasper who needs a little too much luck in Two-Lane Blacktop (1971) and the Hellman masterpiece Cockfighter (1974).

Robert Duvall and Tommy Lee Jones in Larry McMurtry’s LONESOME DOVE

Writer Larry McMurtry told powerful, unflinching, character-centered stories of the Old West (Lonesome Dove) and the contemporary West (The Last Picture Show). He won an Oscar for his Brokeback Mountain screenplay, and his novels were the basis for Hud and Terms of Endearment.

Melvin Van Peebles was a Renaissance Man (see his NYT obit) who wrote, directed, edited and produced 1971’s Sweet Sweetback’s Baadasssss Song. Along with Gordon Park’s Shaft, that film launched blaxploitation cinema and was a landmark in indie filmmaking. His son Mario directed and starred in Baadasssss! (Amazon, AppleTV, Vudu, YouTube) about this seminal project.

Jean-Marc Vallée directed The Dallas Buyers Club, Wild and The Young Victoria, which earned acting awards for Matthew McConaughey, Jared Leto, Reece Witherspoon, Laura Dern and Emily Blunt.

Movies to See Right Now

Riz Ahmed in SOUND OF SILENCE

Tonight Chloé Zhao’s Nomadland with Frances McDormand can be streamed. I haven’t seen it yet, but, after The Rider, I’m a huge Chloé Zhao fan, so I’ll be watching and writing about it soon. Nomadland is the critical consensus choice as the year’s best film.

Here’s my remembrance of the late cinematographer Giuseppe Rotunno with some of his images and a link to a brilliant video essay.

ON VIDEO

Sound of Metal: This psychological pressure-cooker is super intense ride, but there’s a satisfying payoff. Both Riz Ahmed’s performance and the sound design are Oscar-worthy. Amazon (included with Prime).

Black Bear: Making full use of Aubrey Plaza’s unique gifts, this dark comedy is edge-of-the-seat movie and a cauldron of surprises. Amazon, AppleTV, Vudu, YouTube, Google Play.

Bruce Springsteen’s Letter to You: The reflections of the Boss bring poignancy without melancholy to this musical documentary. We glimpse creative collaboration in the recording studio and get a range of songs, from the heartbreaking to the exhilarating. AppleTV.

More current films:

Chadwick Boseman and Viola Davis in MA RAINEY’S BLACK BOTTOM

Giuseppe Rotunno telling the story

THE ADVENTURES OF BARON MUNCHAUSEN

Cinema is a visual art form, and images, along with the music, sound and the dialogue, tell the story. I’m thinking about this obvious point because the great cinematographer Giuseppe Rotunno died last week at age 97. Rotunno could frame showy eye candy, of course, like his shot from Terry Gilliam’s The Adventures of Baron Munchausen above. But, check out how Rotunno could tell the audience about the characters and their relation to each other in the stills below from Mike Nichols’ Carnal Knowledge, Luchino Visconti’s The Leopard and Rocco and His Brothers, Bob Fosse’s All That Jazz and Federico Fellini’s Amarcord.

Of course, film imagery is even more impactful when the images move. To appreciate how intoxicating Rotunno’s cinematography could be, I recommend this brilliant video essay from Scout Tafoya on RogerEbert.com.

CARNAL KNOWLEDGE
THE LEOPARD
ROCCO AND HIS BROTHERS
ALL THAT JAZZ
AMARCORD