2022 Farewells: on the screen

Sidney Poitier in THE HEAT OF THE NIGHT

Sidney Poitier was an actor whose great intelligence, charisma and intensity, which combined into a righteous power. He was the first black A-list movie star and a man who changed things forever by insisting on playing empowered, non-degraded roles. Revisit the moment in In the Heat of the Night when his detective informs Carroll O’Connor’s redneck lawman, “They call me Mister Tibbs“. He wasn’t just an iconic actor, either – he was a also an accomplished director and a bona fide civil rights leader.

William Hurt in BODY HEAT.

Actor William Hurt, broke through unforgettably in his first feature film Altered States, which began a stunning run in the 1980s, of which my favorites were Body Heat, The Big Chill and Broadcast News. Hurt’s characters were frequently cerebral, contained and deliberate. His Ned Racine in Body Heat was always thinking, too, just not thinking as quickly or diabolically as Kathleen Turner’s femme fatale Matty Walker. Even after his A-list days had passed, Hurt was uniformly excellent supporting others in films like History of Violence and Into the Wild.

Jean-Louis Trintignant in AMOUR.

Actor Jean-Louis Trintignant starred in some of the most prestigious European movies of the past six decades: Roger Vadim’s …And Man Created Woman with Brigitte Bardot (1956), Claude Leloach’s A Man and a Woman (1966), Claude Chabrol’s Les Biches (1968), Costa-Gravras’ Z (1969), Éric Rohmer’s My Night at Maud’s, Bernardo Bertolucci’s The Conformist (1970), Krzysztof Kieslowski’s Red (1994) and Michael Haneke’s Amour (2012). He even made a Sergio Corbucci spaghetti western The Great Silence in 1968. Trintignant was 91.

Angela Lansbury and Laurence Harvey in THE MANCHURIAN CANDIDATE

Angela Lansbury’s first screen role was as the saucy, self-interested maid in Gaslight, which kicked off a notable Hollywood career.  Her best movie performance was as the evil mother in The Manchurian Candidate, molding her own son into a robotic assassin.  Her memorable work in cinema was outstripped by her careers on Broadway (multiple Tonys for Mame, Sweeney Todd, etc.) and TV (264 episodes and several TV movies of Murder, She Wrote).

James Caan in THE GODFATHER

Actor James Caan is mostly remembered for his vivid portrayal of a guy with too much testosterone – Sonny Corleone in The Godfather (Bada bing!). Caan had been working since age 21 in TV series, with a John Wayne movie thrown in, when he appeared in the TV movie Brian’s Song – a highly popular weeper. He also appeared, with Robert Duvall, in Francis Ford Coppola’s The Rain People. Most underappreciated performance? Probably Rollerball.

Louise Fletcher in ONE FLEW OVER THE CUCKOO’S NEST.

Actress Louise Fletcher was unforgettable in her Oscar-winning performance as Nurse Rached in One Flew Over the Cuckoo’s Nest.  With her cold, assured eyes embodying impervious authority, she could maintain a soft voice and still deflate the charisma of Jack Nicholson’s McMurphy.  Nurse Rached has been voted the second best female villain in all cinema (after The Wicked Witch in The Wizard of Oz).

Ray Liotta in GOODFELLAS.

Actor Ray Liotta became a star with his leading role in 1990’s iconic Goodfelllas and was still at the absolute top of his game this past year in The Many Saints of Newark and No Sudden Move.

Bo Hopkins in AMERICAN GRAFFITI.

Actor Bo Hopkins left us with some absolutely indelible performances in his heyday, a decade starting in the late 1960s. No one has ever been better at portraying a smirking, dimwitted redneck. I liked him best as the ill-fated young robber in The Wild Bunch, the greaser hard guy in American Graffiti and Burt Reynold’s moonshining partner in White Lightning. In this period, he appeared in Cat Ballou, The Getaway, Monte Walsh and Midnight Express.

L.Q. Jones in HANG ‘EM HIGH

Actor L.Q. Jones, born with the already Texas-colorful name of Justus E. McQueen, took the name of his first movie character (in Battle Cry) and rode it through 165 roles, bringing something interesting and different in every one. His NYT obit quoted him as liking to play “a heavy that is not crazy or deranged — although we play those, of course — but rather someone who is a heavy because he enjoys being a heavy.” Jones worked in some excellent war movies (Men in War, Torpedo Run, The Naked and the Dead, Hell Is for Heroes) and revisionist westerns (The Wild Bunch, The Ballad of Cable Hogue, Pat Garrett and Billy the Kid, Hang ‘Em High). He was also a delightful raconteur, which you can enjoy by searching for “LQ Jones” on YouTube.

Clu Gulager in THE LAST PICTURE SHOW

Prolific actor Clu Gulager has died at 93. The last of Gulager’s 165 IMDb credits came just three years ago in Once Upon a Time…In Hollywood. Best known for 105 episodes as the sheriff on The Virginian, Gulager made his living by guest appearances in a zillion TV shows from Wagon Train and Have Gun, Will Travel through Ironside, Cannon, CHiPs and Falcon Crest. One of his three characters on The Name of the Game was Rex Dakota. I have just learned that he starred in 72 episodes of a 1960-62 TV Western that, amazingly, I do not remember – The Tall Man, with Barry Sullivan as Pat Garrett and Gulager as Billy the Kid. He also peppered his career with cult movies like The Return of the Living Dead and I’m Gonna Get You Sucka. Gulager teamed with Lee Marvin in Don Siegel’s classic neo-noir The Killers.

Gulager’s best-ever screen performance was in The Last Picture Show as an oil rig foreman who is the illicit squeeze of his boss’ wife (Ellen Burstyn). This guy is trapped in a job he will never improve upon and in an affair he will never control; Gulager perfectly conveys his bitter dissatisfaction. The Director’s Cut also adds some sizzle to his pool hall sex scene with Jacy (Cybill Shepherd).

Henry Silva

Actor Henry Silva is recognizable from his 140 screen credits (and, outside of the Oceans 11 movies, those roles may have all been villains). He leveraged his acting talent and unusual facial features to project menace as few actors have done, most memorably in the original The Manchurian Candidate.

Actor Roger E. Mosley is best known for his 158 episodes as the helicopter pilot on Magnum, P.I. and over 50 guest appearances in tv series. As the title character in Leadbelly and many TV shows, he paved the way for more positive and empathetic depictions of African-American characters. He also worked in one of best-ever TV movies, The Jericho Mile, in one of the best sports movies, Semi-Tough, and as Sonny Liston (with Muhammad Ali himself) in The Greatest.  

Although her body of work was overshadowed by her off-screen personal life, actor Anne Heche was superb in Wag the Dog. That was one of a remarkable string of Big Movies in 1997 and 1998: Donnie Brasco, Volcano, I Know What You Did Last Summer, Six Days Seven Nights, Return to Paradise and Brian De Palma’s Psycho.

Did Meat Loaf star in The Rocky Horror Picture Show?
Photo caption: Meat Loaf, with Nell Campbell in THE ROCKY HORROR PICTURE SHOW

Meat Loaf unforgettably burst into cinema in the 1975 cult favorite The Rocky Horror Picture Show. Often credited as Meat Loaf Aday, he also acted in a series of character roles, most notably in Fight Club.

Actor Tony Sirico, best known for his Paulie “Walnuts” Gualtieri in The Sopranos, overcame a youth that landed him in Sing Sing to play a slew of movie and TV gangsters (and appear in four Woody Allen films, too.)

Musician Ronnie Hawkins is best known as the irrepressible, earthy rockabilly mentor of The Band. In the movies, he was unforgettable in The Band’s concert film The Last Waltz; (who is THAT guy on stage with Dylan, Clapton, Neil Young and Van Morrison?) He also had an acting role in Heaven’s Gate.

THE LAST PICTURE SHOW: even better now

Timothy Bottoms, Ben Johnson and Sam Bottoms in THE LAST PICTURE SHOW

On November 20, Turner Classic Movies is airing Peter Bogdanovich’s 1971 masterpiece The Last Picture Show. It’s a movie about kids that is best appreciated by grown-ups, especially grown-ups with some mileage on them.

The Last Picture Show is the story of 18-year-olds in a tiny, windblown Texas town in the early 1950s, from Larry McMurtry’s novel about his own upbringing in Archer City, Texas. It’s a coming of age film about teens finishing high school: the sensitive Sonny (Timothy Bottoms), his macho best friend Duane (Jeff Bridges) and pretty, snotty Jacy (Cybill Shepherd), entitled by her looks and her family’s wealth. There’s also a sweet, intellectually disabled boy Billy (Sam Bottoms). The boys’ male role model is Sam the Lion (Ben Johnson in an Oscar-winning performance), an older bachelor cowpoke who owns the town’s cafe, movie theater and pool hall.

The film was actually shot in Archer City, which took the movie name of a Texas ghost town, Anarene. (Decades later, Archer City also showed up in a bank robbery in 2016’s Hell and High Water.)

Cybill Shepherd in THE LAST PICTURE SHOW

18-year-olds wonder how they will navigate the world of adults that they are about to enter. It turns out that, for the kids in the movie, if only they paid attention, there’s plenty to lean about life from the adults in Anarene. The other thing that 18-year-olds obsess about is their sexuality, super-fueled by hormones but piloted by immature brains.

It’s a remarkable thing to watch a coming of age story about 18-year-olds when you are 18 and then again forty years later when you know stuff.

When I saw The Last Picture Show at San Jose’s domed Century Theaters in 1971, I was the same age as the main characters, and I was especially interested in their sexual escapades. I was, however, discerning enough to appreciate that this was a great movie, and I fully experienced the heartbreak of the Cloris Leachman character and grasped that Sam the Lion’s authority came from his decency and dignity.

Peter Bogdanovich with Jesse Hawthorne Ficks at the Roxie

In September, I was privileged to attend one of the year’s most stirring experiences of Bay Area cinema culture. The Roxie Theater screened the The Last Picture Show – with the legendary Bogdanovich himself in attendance for two Q&A sessions, plus a screening of his hard-to-find Saint Jack (1979).

Ben Johnson in THE LAST PICTURE SHOW

Rewatching The Last Picture Show, I was especially struck by the subtle yet emotionally powerful performances by Ben Johnson, Clu Gulager and Ellen Burstyn

The plot is about the kids, but Ben Johnson’s character is the center of the film. Johnson underplays the part, and Bogdanovich says that Johnson didn’t even like to say lines at all. But Johnson nailed two unforgettable speeches. In the first, his eyes flash as he spits out his disgust at bullying. In the other, he recalls a love affair; as a clueless kid the first time around, I failed to connect the dots as who the woman was. Ben Johnson’s Oscar acceptance speech (you can find it on YouTube) is still my all-time favorite.

Clu Gulager in THE LAST PICTURE SHOW

Clu Gulager plays an oil rig foreman who is the illicit squeeze of his boss’ wife (Burstyn) . Gulager did scores of TV Westerns in the 1960s, including 105 appearances as the sheriff on The Virginian. The Last Picture Show is probably his best-ever screen performance. The Director’s Cut also adds some sizzle to his sex scene with Jacy in the pool hall. This guy is trapped in a job he will never improve upon and an affair he will never control; Gulager perfectly conveys his bitter dissatisfaction.

Unlike Gulager, Burstyn was already a prestige actress. Here, she brings both searing and withering looks at the men and wise and comforting, if cynical, advice to her daughter.

This is a great film, and it’s just as timeless today as it was in 1971.

Ellen Burstyn in THE LAST PICTURE SHOW