Director William Friedkin, one of the most significant filmmakers of the past 50 years, has died at 87. Friedkin is best known for his two great films, The French Connection and The Exorcist, each groundbreaking in its own way. The French Connection, despite an anti-hero with off-putting characteristics and a setting in NYC at its grimiest, had audiences on the the edge of their seats, and its car chase (before CGI) is still the gold standard. The Exorcist was the first horror movie to be nominated for Oscar (a recognition previously unthinkable).
Robbie Robertson was justifiably famous as a musician and a songwriter, fronting The Band with its many hits and backing Bob Dylan’s transition from acoustic to electric. In fact, I was introduced to Robertson on-screen as a subject of Martin Scorsese’s documentary The Last Waltz, still one of the greatest concert films. But Robertson also became a significant force in the music of cinema, amassing almost 300 screen credits on IMDb as a composer, music supervisor or contributor to the soundtrack. Robertson’s behind the screen work included many collaborations with Scorsese, the last being the heralded Killers of the Flower Moon. Robertson identified as an indigenous Canadian, whose mother was Cayuga and Mohawk from the Six Nations Reserve.
Director Hugh Hudson’s FIRST FEATURE won the Best Picture Oscar – Chariots of Fire. He never approached that level of achievement with feature films again, although he had a successful career directing commercials. He was one of the very few directors to attempt to make a movie about the American Revolution, Revolution.
Writer Bo Goldman won an adapted screenplay Oscar for One Flew Over the Cuckoo’s Nest and an original screenplay Oscar for Melvin and Howard.
Documentarian Nancy Buirski directed The Loving Story in 2011 and Desperate Souls, Dark City and the Legend of Midnight Cowboy in 2023.