Atomic Cover-Up

ATOMIC COVER-UP: the truth will out

by
ATOMIC COVER-UP

The understated but brilliant documentary Atomic Cover-up reveals the story of the long-hidden eyewitness film record of the atomic destruction of Hiroshima and Nagasaki.

Japanese film crews immediately filmed the carnage and destruction, which was quickly suppressed by the Japanese military. Within a month, the US occupation forces were in charge, and American filmmakers took over the filming of Hiroshima and Nagasaki, often with Japanese crews. Censorship continued under the US military.

The films have now escaped the censors and are seen in Atomic Cover-up with the testimonies of the original Japanese and American cameramen. As told matter-of-factly by the men who captured these images, it’s a great story.

I screened Atomic Cover-up for its world premiere at Cinequest, and it made my Best of Cinequest 2021. You can stream it during the festival for only $3.99 at Cinequest’s online Cinejoy.

The best of CINEQUEST 2021

by
Aviva Armour-Ostroff (left) in LUNE, world premiere at Cinequest. Photo credit: Samantha Falco.

I’ve already seen over a dozen offerings from Cinequest 2021, and here are my initial recommendations. As usual, I focus on the world and US premieres. Full reviews are on the way.

MUST SEE

  • Lune: The Must See in this year’s Cinequest is this astonishingly authentic exploration of bipolar disorder. A mother and teen daughter must navigate the impacts of the mom’s illness. Played by writer and co-director Aviva Armour-Ostroff, the mom Miriam is the most singular movie character I’ve seen recently. Miriam’s streams of manic speech have the rhythm of poetry. Don’t miss this Canadian indie. World premiere.

THRILLERS

Michaella Russell in ECHOES OF VIOLENCE. Photo courtesy of Cinequest.
  • Echoes of Violence: In this well-crafted revenge thriller, a woman enlists an Everyman to help her escape a deadly hit man. Loyalties change and lethal new skills (and a novelty weapon) are revealed as her position pivots from defense to offense. World premiere.
  • Carver: In the wee hours, a guy strides through his gritty urban neighborhood dressed in a ridiculous, homemade superhero costume. He has no super powers except his drive to make things right, vigilante-style. A sexy, stoned woman of uncertain reliability engages his interest. Will she bring him down? World premiere.

DOCUMENTARY

THE BOYS IN RED HATS. Photo courtesy of Shark Dog Films.
  • The Boys in the Red Hats: Remember the Rorschach frenzy when the Kentucky prep school boy at the Lincoln Memorial smirked at the indigenous tribal elder? Documentarian Jonathan Schroder is an alum of that very prep school; his point of view shifts as he peels back the onion on what really happened. It comes down to insights into media, social media and, especially, White privilege. World premiere.
  • Atomic Cover-up: Japanese and American film crews documented the destruction from the atomic bombs that destroyed Hiroshima and Nagasaki. These films were suppressed by the Japanese, and then the US military. The films have now escaped the censors and are seen in Atomic Cover-up with the testimonies of the original Japanese and American cameramen. As told matter-of-factly by the men who captured these images, it’s a great story. World premiere.
  • I’m an Electric Lampshade: We meet the most improbable rock star – a mild-mannered accountant who retires to pursue his dream of performing. The final score: Doug 1, Expectations 0. World premiere.

INDIES

  • End of Everything: Here’s a powerful thinkpiece – the “End” in the title means, literally, the end of the world. Set in a future where climate change has made the human extinction imminent, the story imagines how people would react as the very end nears. More profound than grim, End of Everything takes the sensationalism out of the apocalypse and leaves the humanity. Set in the stark beauty of Iceland, this is a visual stunner.

WORLD CINEMA

IN THE SHADOWS from Turkey: North American premiere at Cinequest. Photo courtesy of Cinequest.
  • In the Shadows: The charismatic actor Numan Acar (Homeland) leads us through this gripping dystopian fable. If you admired the 1984 Super Bowl Commercial Introducing Apple’s Macintosh, you’ll like this Turkish film. North American premiere.

COMEDY

Justin Kirk and Jennifer Prediger in HOLLYWOOD FRINGE. Photo courtesy of Sleeper Cell Films.
  • Hollywood Fringe: Filmmakers Megan Huber and Wyatt McDill return to Cinequest with a change of pace from last year’s inventively constructed thriller 3 Day Weekend. Hollywood Fringe is about a married couple of hopeful creatives. They have been pitching their projects to Hollywood execs in futility; (she’s turned forty and her mom still helps with their rent). Popular interest in their experimental theater performances has been (ahem) limited. They give themselves one last chance to make it – but when a studio buys their idea for a series, things don’t go as planned…

AND FOUR I HAVEN’T SEEN YET

  • Death of a Ladies’ Man: With a brain tumor starting to cause hallucinations, a professor (Gabriel Byrne) relocates to an Irish village. With Jessica Pare (Mad Man) and Brian Gleeson. US premiere.
  • Six Minutes to Midnight: WWII espionage suspenser with Dame Judy Dench and Eddie Izzard trying to frustrate a Nazi plot.
  • Drunk Bus: Young slacker is stuck driving the shuttle between college town bars and the dorms until he is mentored by a 300-pound Samoan security guy with facial tattoos. This was a hit at the 2020 SXSW.
  • Summertime: Directed by Carlos Lopez Estrada (Blindspotting), this comedy revolves around 25 characters intersecting on one hot Los Angeles day – and making poetry.

Stream these films for as little as $3.99 each at Cinequest’s online Cinejoy.

As usual, I’ll be covering Cinequest rigorously with features and movie recommendations. I usually screen (and write about) about thirty Cinequest films from around the world. Bookmark my CINEQUEST page, with links to all my coverage. Follow me on Twitter for the latest.

CARVER: world premiere at Cinequest, Photo courtesy of Select Films.