DVD/Stream of the Week: JERSEY BOYS – evocative pop and a dash of Christopher Walken

Erich Bergen, John Lloyd Young, Vincent Piazza and Michael Lomenda in JERSEY BOYS
Erich Bergen, John Lloyd Young, Vincent Piazza and Michael Lomenda in JERSEY BOYS

Jersey Boys, while not great cinema, is definitely a fun time at the movies. We might have expected great cinema because this is Clint Eastwood’s version of the Broadway musical, itself a show biz bio of Frankie Valli and the Four Seasons. The acting is a little uneven, the female parts are underwritten and some parts drag. But what Jersey Boys does offer – the Four Season’s evocative pop hits, a couple charismatic performances and a dash of Christopher Walken – is worth the trip to the theater.

The story’s arc is a familiar one – after paying their dues with years of bottom-scraping gigs, a bunch of nobodies achieve overnight fame and wealth and then destruct. Three things are a little different about these guys. First, the core of the group is mobbed up (and you can see how the real Frankie Valli could later play a mobster so well in The Sopranos). Second, their catalyst is the pop music-writing genius Bob Gaudio, a suburban teen who joins the hardscrabble threesome from a tough neighborhood and serves them their hits: Sherry, Big Girls Don’t Cry, Walk Like a Man, Rag Doll, Dawn (Go Away) and Can’t Take My Eyes Off You. Finally, the cause of the group’s downfall is neither external (e.g., crooked business manager or evil record company) nor pervasive substance abuse.

Eastwood tells the story in four segments – each from the perspective of one of the guys – and this works pretty well. He gets a big boost from the performances of Vincent Piazza as the cocky group leader, Erich Bergen as the creative mastermind Gaudio and Mike Doyle as their flamboyant producer. John Lloyd Young reprises his Broadway role as the group’s big star, lead singer Frankie Valli. Young can do Valli’s very distinctive voice, but has a very limited emotional range. And it turns out that Valli, because he’s a pretty square guy, has the least interesting story of the group. When Valli does have relationship angst, the story gets bogged down. Michael Lomenda plays the fourth guy and gets to ask the plaintive question, “What if you’re Ringo?”

Jersey Boys also contains yet another delightful turn by Christopher Walken, this time as the Four Seasons’ mobster mentor. Walken himself started out as a chorus boy, and it’s fun to see him holding his own in the grand musical finale. And remember the young and dreamy Christopher Walken belting out The Four Seasons’s Can’t Take My Eyes Off You in The Deer Hunter’s great bar scene? It’s near the beginning of this trailer.

Jersey Boys is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.

THE THEORY OF EVERYTHING: things get complicated for Mr. and Mrs. Genius

Felicity Jones and Eddie Redmayne in THE THEORY OF EVERYTHING

The Theory of Everything is based on the book by the woman who married Stephen Hawking – and this is important.  While the story of Stephen Hawking – a generational genius who becomes physically disabled but continues his groundbreaking work – is pretty amazing, the story of the two of them facing this journey together brings more depth and texture to the tale.  And, since everybody is somewhat familiar with the arc of Stephen Hawking’s career, the added focus on Jane Hawking brings some unpredictability to the plot.

The role of Stephen is one that many actors would kill for, and Eddie Redmayne  delivers an exceptionally good performance.  You may remember Redmayne’s solid turn in a good movie, My Week with Marilyn, and that he was one of the few highlights in the otherwise dreadful Les Miserables.

Felicity Jones’s performance as Jane stands up to Redmayne’s.  She masks her profound inner strength with adorability.  She was very good in Like Crazy, a romance that I really liked, although NONE of my readers did.

It’s worth mentioning that The Theory of Everything was directed by James Marsh, because he’s on a helluva storytelling run: the acclaimed documentaries Man on a Wire and Project Nim and last year’s overlooked thriller Shadow Dancer.

All told, The Theory of Everything has a compelling story with two fine performances, which adds up to a satisfying moviegoing experience.

Jersey Boys: evocative pop and a dash of Christopher Walken

Erich Bergen, John Lloyd Young, Vincent Piazza and Michael Lomenda in JERSEY BOYS
Erich Bergen, John Lloyd Young, Vincent Piazza and Michael Lomenda in JERSEY BOYS

Jersey Boys, while not great cinema, is definitely a fun time at the movies.  We might have expected great cinema because this is Clint Eastwood’s version of the Broadway musical, itself a show biz bio of Frankie Valli and the Four Seasons.  The acting is a little uneven, the female parts are underwritten and some parts drag.  But what Jersey Boys does offer – the Four Season’s evocative pop hits, a couple charismatic performances and a dash of Christopher Walken – is worth the trip to the theater.

The story’s arc is a familiar one – after paying their dues with years of bottom-scraping gigs, a bunch of nobodies achieve overnight fame and wealth and then destruct.  Three things are a little different about these guys.  First, the core of the group is mobbed up (and you can see how the real Frankie Valli could later play a mobster so well in The Sopranos).  Second, their catalyst is the pop music-writing genius Bob Gaudio, a suburban teen who joins the hardscrabble threesome from a tough neighborhood and serves them their hits: Sherry, Big Girls Don’t Cry, Walk Like a Man, Rag Doll, Dawn (Go Away) and Can’t Take My Eyes Off You.  Finally, the cause of the group’s downfall is neither external (e.g., crooked business manager or evil record company) nor pervasive substance abuse.

Eastwood tells the story in four segments – each from the perspective of one of the guys – and this works pretty well.  He gets a big boost from the performances of Vincent Piazza as the cocky group leader, Erich Bergen as the creative mastermind Gaudio and Mike Doyle as their flamboyant producer.  John Lloyd Young reprises his Broadway role as the group’s big star, lead singer Frankie Valli.  Young can do Valli’s very distinctive voice, but has a very limited emotional range.  And it turns out that Valli, because he’s a pretty square guy, has the least interesting story of the group.  When Valli does have relationship angst, the story gets bogged down.  Michael Lomenda plays the fourth guy and get to ask the plaintive question, “What if you’re Ringo?”

Jersey Boys also contains yet another delightful turn by Christopher Walken, this time as the Four Seasons’ mobster mentor.  Walken himself started out as a chorus boy, and it’s fun to see him holding his own in the grand musical finale.  And remember the young and dreamy Christopher Walken belting out The Four Seasons’s Can’t Take My Eyes Off You in The Deer Hunter’s great bar scene?  It’s near the beginning of this trailer.

The Look of Love: someday this will all be yours

Imogen Poots and Steve Coogan in THE LOOK OF LOVE

In the biopic The Look of Love, Steve Coogan plays porn king Paul Raymond, once Britain’s richest man.  Raymond turned a tawdry row of Soho strip clubs into an empire of smut magazines.  (Sharing a $500 million fortune, Raymond’s two granddaughters are the youngest of Britain’s 100 richest women.)

Now here’s the problem with the movie – Raymond’s life has many aspects – each worthy of a movie in its own right – including his business ascent, his gift for publicity and his marriage to and divorce from his ex-wife Jean.  Most singular is his indifferent relationship with his two sons, contrasted with his affection for his anointed successor and heir, his daughter Debbie; not every guy aspires to apprentice his daughter in the porn industry.  The Look of Love touches on them all, but doesn’t delve deeply enough into any one.

Imogen Poots (Solitary Man, Greetings from Tim Buckley) has the most interesting character of Debbie, but there’s not enough of her.  Still, what IS contained in The Look of Love makes for an interesting story hitherto unfamiliar to us non-Brits.

The Look of Love is streaming on Amazon, iTunes, Sundance Now and other VOD outlets.

Behind the Candelabra: when sugar daddy is a queen

BEHIND THE CANDELABRA

HBO’s Behind the Candelabra is the well-worn story of a rich older guy and his pretty young thing – except the rich older guy is Liberace.  Michael Douglas (of all people) completely inhabits the character of Liberace, nailing his every mannerism of speech and gesture and delving deeply into his ego, neediness, self-absorption and genius for showmanship.  Matt Damon (of all people) enthusiastically and skillfully plays Scott Thorson, Liberace’s boy toy of the late 1970s.

We have all seen the arc of this story before, with the relationship doomed by the power imbalance between the lovers.   Of course, this is the story of a celebrity who was tightly closeted while he was intentionally projecting the persona of a flaming queen.  And because Liberace was the Emperor of Excess, we don’t get often a chance to witness such extravagance (except for historical movies about Louis’ Versailles, Cleopatra’s Egypt, etc.).

Steven Soderbergh directed Behind the Candelabra in the smart and economical way he uses to elevate genre films like Side Effects, Haywire and Magic Mike.  Rob Lowe is hilarious as a 70s Dr. Feelgood plastic surgeon to the stars.

There’s not that much to Behind the Candelabra, but it is entertaining.  If you were missing Liberace, Michael Douglas definitely brings him back to life. 

J. Edgar: an interesting perspective, if you can stay awake

You’ll find director Clint Eastwood’s biopic of J. Edgar Hoover to be an interesting take on Hoover’s twisted psyche, if you can stay awake.

Leonardo DiCaprio is excellent playing Hoover over the course of 50 years.  So is Armie Hammer (who played the Winklevoss twins in The Social Network) as Hoover’s long time companion Clyde Tolson.  Judi Dench nails the role of Hoover’s nightmare mom.

Eastwood and screenwriter Dustin Lance Black (who won an Oscar for Milk) see Hoover as a man tortured by the expectations of his scary mother, which keep him from physically completing his lifelong love affair with Tolson.  That’s an interesting take.

Yet the movie drags.  When your protagonist is arresting celebrity gangsters, solving the Crime of the Century, persecuting left-wingers and blackmailing Presidents, your story should pop and sizzle.

The movie also suffers from distractingly bad make-up on the older Clyde Tolson and the Richard Nixon characters.